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Auction House:Mossgreen Auctions (No longer trading)Number of lots recorded:581
Sale Title:The Collection of Leo Schofield at Dysart House, Kempton, TasmaniaLots with images:571
Auction Location:HobartPrices available:460
Date:23-Oct-2011
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A rare Australian grand master's Lodge chair, Australian, Hobart, circa 1850, in blackwood with buttoned back, later upholstered in cut velvet. Provenance: The Greek hall, Federal Street, Hobart. Mossgreen Auctions. The Collection of rose and Nevin Hurst, October 2006
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Portrait of a young woman in peasant costume wearing a white blouse, red bonnet and a straw hat decorated with sealed flowers, 1827 signed, inscribed 'Venetins' and dated 1827 lower right. In original gilt-wood frame. Provenance: Dalia Stanley Auctioneers, March 2004. Bernhard Von Guerard and his Son Eugene are recorded to have made a trip to Switzerland together in the 1820s where they painted scenery and portraits of the locals.
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A rare Regency sand-work picture of rabbits, English, 19th century, in period gilt wood frame. Provenance: The Auchinachie collection, Sydney.
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A Victorian mahogany and marble top cylindrical bedside cupboard, English, circa 1880, 72 cm high, 40 cm diameter
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A fine and large George IV mahogany and rosewood chest of drawers, with two concealed frieze drawers, English, circa 1820
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A pair of unusual print collage pictures, Continental 19th century, oval scenes of figures in landscape with animals and children, in ebonised frames. Image size 35 x 44 cm.
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Portait of Jenny Lind, Nach de Nat Allemandi, Verlag DRuck, L Sachse Berlin. Paper size 43 x 34 cm, signed by the sitter in the margin ebonized frame. Jenny Lind (1820-1887) was a celebrated soprano known as the Swedish Nightingale.
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A rare pair of turned and reeded mahogany drapery rings, English, 19th century, approx. 35 cm high and 45 cm deep. Provenance: Christie's New York April 7 2004.
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A rare travelling salesman's sample mirror, one side plain mirror glass, the other of Bristol blue glass inset with nine small convex mirrors, in fruitwood frame with two lines of stringing inlay. Indistinctly stamped 'Bowden & Company Looking Glass Manufacturers Bristol' English, circa 1815. 17 cm diameter.
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A fine pair of painted plaster and gilt bronze candelabra figures by Humphry Hopper, English, early 19th century. Provenance: Christie's London April 2005
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A fine set of set of ten gilt-wood chairs attributed to Gillows, English, circa 1870, Buttoned backs and seats covered in green velvet the castors stamped 'Cope / & Collinson / Patent', two chairs previously with a printed canvas label 'His Grace / the Duke of Westminster, G.C.V.O. D.S.O / Bourdon House / Davies Street / London, W.I.' . Provenance: Almost certainly supplied to Robert, 2nd Earl Grosvenor and Ist Marquess of Westminster (d.1845) for Grosvenor house London and by descent to Anne, Duchess of…
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A fine quality gilt-wood over-mantel mirror, English, circa 1830 the anthemion decorated frieze flanked by cinquefoils, the backboard bearing the trade label of 'Buchan & Sons, / House Decorators, / and Wholesale Glass Factors, / 159 High St. Southampton. / Picture Frames Made of Every Description / and Size, and a Very Large Variety of Patterns in / Compositions and Papier Mache, to Imitate / Oak, For Prints and Drawings Constantly / Kept. Pier, Chimney, Console, Dresden, / Girandole, and Dressing Glasses…
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A fine and rare set of eight solid ebony dining chairs, Anglo-Indian, circa 1815. Provenance: Christie's London. September 13, 2007
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A very fine gilt and brass mounted harp by Erard and retailed by T.J. Brown & Co., 12 Berners Street London, English circa 1820, with finely painted sound board and gilded decorations throughout, with eight pedals including a swell mechanism. Sebastian Erard, was born in Strasbourg on 5th April 1752 and his name was originally spelled Erhard. He moved to Paris in 1768, he worked for an unknown harpsichord maker. Erard wanted to explore the fundamentals of instrument making, it soon became apparent that…
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A large neo-classical painted plaster figure of Athena, by James Deville, circa 1820, 148 cm high on square neo-classical base 85 cm high approx. 50 cm square impressed London Published Jun 1818 by F/J Deville James Deville (d. 1846) was among other individual makers such as Humphrey Hopper, Robert Shout and Francis Harenberg who were producing figurative lamps in plaster, borrowing models and motifs from the connoisseur-designer, Thomas Hope. Deville was described in the gentleman's magazine as 'A plaster…
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A George IV square piano by John Broadwood & Sonss, London, English, circa 1820. Provenance: Christies, Melbourne, 2002 lot 186
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