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June Art & Antique Auction — Cordy's

Auction House:Cordy'sNumber of lots recorded:767
Sale Title:June Art & Antique AuctionLots with images:74
Auction Location:AucklandPrices available:575
Date:21-Jun-2011
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Jean-Baptiste Dusillion (French, 1748 - 1788), trompe l’oeil interior of the artist’s studio, watercolour and gouache on hand made paper, signed I.B.Dusillion and dated 1763. Some surface faults and slight damage to paper. 62 x 52 cm. In later oak frame. See inside back cover.
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Jean-Baptiste Dusillion (French, 1748 - 1788), trompe l’oeil interior with group of musical instruments, watercolour and gouache on hand made paper, signed I.B.Dusillion. Some surface faults and slight damage to paper. 63 x 52.5 cm. In later oak frame. See inside back cover.
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Alan Pearson ‘Window’, ‘La Finestra 1’, mixed media on paper, signed, entitled and dated ’80, labelled on reverse, 48 x 32.5 cm, framed under glass.
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J. Brown, lake scene with figures and cattle on a boat, 19th century oil on canvas. 24 x 44 cm, signed, original ornate gilt frame.
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Charles Edward Brittan (1837-1888), an extensive highland landscape with cattle, watercolour, signed, 35 x 51 cm.
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Artist unknown, oil on panel, Dutch fishing boats returning at evening, signed indistinctly. In plaster moulded frame. 53 x 65.5 cm. See inside back cover.
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Johan Hendrik Weissenbruch (1824- 1903), oil on board, extensive Polder landscape with boatmen, signed. In ornate gilt plaster frame. Heavily crazed. 62.5 x 90.5 cm
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Leslie Smyth (19th century British) oil on canvas, extensive Scottish landscape with watering cattle and figures. 74.5 x 123 cm. See inside back cover.
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Arthur Victor Gregory (1867-1957 Australian), The Joseph Craig in Stormy Sea, watercolour with white heightening, signed and dated ’08, 42 x 63 cm. Wide oak frame with gilt slip under glass. Note: The Dunblane commenced her maiden voyage 11 June 1878 to Port Adelaide and until 1907 sailed in various trades for different owners. In April 1907, she came under the flag of J.J. Craig and was renamed Joseph Craig. She sailed in Craig’s Trans-Tasman Trades until 1914 when she was sold to Huddart Parker Ltd. She…
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Artist unknown, oil on board, Dutch coastal landscape with windmill and fishing boats, a townscape in the distance. Signed indistinctly. 40.5 x 50 cm See inside back cover.
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W. Barnasconi, oil on board, Dutch winter landscape with a windmill, signed. In ornate gilt frame. 22 x 32.5 cm
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Jan de Leeuw, Polder landscape with oost houses and praam, oil on board, signed. 66.5 x 47 cm
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W.H. Perry, pair of oils on canvas ‘At the Fair’ and ‘Your Health my Boy’, initialled, signed and entitled verso. Each 24 x 19 cm
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Artist unknown, portraits of an 18th century couple. Pencil, signed indistinctly. 18 x 13.5 cm
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Renee Lorrain (1873-?), Luxembourg Gardens, Paris, aquatint engraving, signed. 34.5 x 49 cm
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19th century, artist unknown, oil on board, ‘Blind Man’s Buff’ in a plaster gilt frame. 13 x 19 cm See inside back cover.
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Filarski, oil on board, Continental rural landscape with farm buildings, signed and dated 1946. 52.5 x 64 cm
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Two aquatint engravings after J. Nash (19th century British) - ‘Terrace Branshill Houts’ and ‘Penshurst Hunt’. 29.5 x 39.5 cm each.
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A Victorian period coloured print ‘What Will They Say of This in England’ (Wellington to the Troops at Waterloo). 57.5 x 78 cm, published by Gilbert Whitehead & Co. after Robert Hillingford.
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F. Njiraini, African village scene with figures, oil on board, signed, 90.5 x 123 cm.
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Shelley Ryde, ‘Magic Circle 1’, abstract oil on canvas, 120 x 98 cm, signed, titled and dated ’89.
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Emily Jackson ‘Day of The Monarch’, acrylic on canvas, signed, entitled and dated 1980 on reverse. 72.5 x 117.5 cm
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Paul Hartigan, ‘Vessels Of Gold’, print, signed, entitled and dated 1991. 56 x 76 cm
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Gordon Crook, ‘Pink Cross’, Ltd. Ed. print 1/10, initialled, entitled, numbered and dated ’83. 94.5 x 67.5 cm, framed under glass.
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Els Noordhof, still life, watercolour heightened with white, signed and dated 1992. 6.5 x 65 cm
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A. Funnell, Alberton House, watercolour, signed and dated ’78. 44 x 57.5 cm.
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Raymond Ching, Kingfishers, Ltd. Ed. print, 549/850. 63 x 48 cm
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Early 20th century New Zealand artist unknown, ‘R.M.S. Ruahine’ naive oil on canvas, initialled A.T.H. and dated 4/10/19, 42 x 72 cm, original oak frame.
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A New Zealand artist unknown, ‘R.M.S. Norman’, study of the hospital ship, with twin funnels, naive oil on canvas, initialled A.T.H. and dated ’19, 43 x 71.5 cm, original oak frame.
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Henry William Kirkwood (1854-1925), George Sound, oil on canvas, 60 x 90 cm ornate gilt frame.
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H.W. Kirkwood, Coastal Bluff Mercury Island, oil on canvas, initialled, 88 x 60.5 cm
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Unsigned oil on board, coastal rocks, the frame bears a silver label ‘H.W. Kirkwood’. 29 x 19 cm
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Douglas Badcock, 'Old Beech Trees Near Lake Ohau', oil on board, signed and dated '62, labelled on reverse, 39 x 50 cm wide. Gilt frame.
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John Douglas Perrett, ‘Moon Light - Rangitoto’, a pastel on board, signed, 25 x 50 cm, in original oak frame under glass, entitled on reverse.
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A John Douglas Perrett ‘Sunset on the Pacific’, pastel on board, signed and entitled on reverse, 23.5 x 57.5 cm, original oak frame under glass.
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John Douglas Perrett ‘Sunset Catlins River’, a pastel, entitled, signed and dated 1913 on reverse. Diameter 19 cm, original oak frame with borer, under glass.
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T.R. Attwood alpine scene, oil on board, 87 x 49 cm, signed. Some faults.
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P.M. Feeney coastal scene, stormy seas, colonial oil on canvas, 43 x 74 cm, signed and dated ’81. Original frame.
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Charles Frederick Goldie, ‘Conrad Smith’ and ‘Ma’a Nonu’, pencil portraits, signed, entitled and dated 3/05 and signed by Nonu. 33 x 42 cm
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Two framed works, a vintage Goldie print, ‘A Good Joke’ in original frame and a vintage black and white photo by Steele of a Maori woman with moko.
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Colonial oil painting, unsigned, Auckland Wharf scene with steam and sail boats. 50 x 75.5 cm, later gilt frame, some distress.
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L. Hay Campbell, wharf scene with ship and cargo, signed. 22.5 x 29.5 cm, framed under glass, some distress.
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S. Croft, pair of New Zealand colonial oils on board, one signed, one initialled. 29 x 43 cm, original frames, repainted.
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Cynthia Taylor, untitled coastal scene, watercolour. Signed and dated ’86. 69.5 x 99 cm
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Cynthia Taylor ‘Coastline of Coromandel’, pastel triptych. Signed, dated ’86. Each 68 x 45.5 cm
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Louise Henderson large carved marble sculpture of a seated Pacific woman, one elbow to her thigh, the other to her knee, one hand to her shoulder, her face raised. Fine markings evident to the entire surface. Height approx. 100 cm.
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Peter McIntyre inlet scene with moored launches, oil on artist’s board, unsigned, 38.5 x 47 cm, contemporary silvered frame.
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John Weeks (1886-1965) The Avon, oil on canvas laid on board, Certificate of Authenticity attached verso from the artist’s estate. 22.5 x 31 cm
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Charles Henry Howarth, Wanganui river, oil on board, signed, 34.5 x 50 cm, framed.
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Brian Baxter, ‘Okiwi Bay, Kaikoura Coast’, oil on board, signed and dated ’75. 44 x 89.5 cm
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Brian Baxter ‘Remarkables from Lake Wakatipu, Queenstown’, oil on board, signed and dated ’75. 44 x 89.5 cm
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Robert Ellis, ‘Aroha’, Ltd. Ed. print 13/50, signed, numbered and dated 1991. 72.5 x 52.5 cm, framed under glass.
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Attwood, ‘Wanganui River’, oil on artist’s board, signed and entitled. 60 x 22 cm original frame.
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C.J.E. (photographer unknown), vintage photograph ‘Sunrise. Milford Beach, Takapuna’, initialled and entitled, 26 x 35.5 cm, original oak frame under glass.
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A pair of Whites Aviation photographs ‘White Terraces 1886’ and ‘Pink Terraces 1886’, hand coloured, signed and entitled, labelled on reverse, 37.5 x 67.5 cm each., both gilt framed.
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Whites Aviation vintage photograph, Yachts on Auckland Harbour, hand coloured, signed, 49 x 74 cm, original frame under glass.
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Whites Aviation vintage photograph, Yachts on Auckland harbour, hand coloured, signed, 48 x 73.5 cm, original thin oak frame under glass.
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Whites Aviation vintage photograph, Yachts Racing Auckland Harbour, hand coloured, signed. 50 x 60 cm, original frame under glass.
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Whites Aviation vintage photograph, Yachts racing Auckland harbour, hand coloured, signed. 50 x 60 cm, original frame under glass.
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A large format black and white vintage photograph of the Rona under full sail, unsigned, 58 x 43 cm, original oak frame under glass.
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Henry Winkelmann vintage photograph of a racing yacht, hand coloured, signed and dated 1909. 30 x 38 cm, unframed, some distress.
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Henry Winkelmann attributed, Yachts racing Auckland harbour, vintage black and white photograph, unsigned. 30 x 39 cm, original oak frame under glass.
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Henry Winkelmann attributed, Yachts racing Auckland harbour, vintage black and white photograph, unsigned. 29.5 x 38.5 cm, original oak frame under glass, matching above.
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Henry Winkelmann attributed, Yachts racing Auckland Harbour, vintage black and white photograph, unsigned 33.5 x 25 cm, original oak frame under glass matching above lots.
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Henry Winkelmann attributed, Yachts Racing Auckland Harbour, vintage black and white photograph, unsigned, entitled on reverse ‘Might be Viking. North Head in the Background’. 22.5 x 34 cm, original oak frame under glass, matching above lots.
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Henry Winkelmann attributed, Yachts racing Auckland harbour, vintage black and white photograph, unsigned, 30.5 x 39 cm, original oak frame under glass matching above lots.
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Brownie Downing, elf and young girl in a magical garden, original watercolour, untitled, signed, 26 x 17.5 cm, some foxing, with French mat in gilt frame under glass.
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