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European and Australian Decorative Arts and Fine Furniture — Leonard Joel Pty. Ltd.

Articles on this Sale

Auction House:Leonard Joel Pty. Ltd.Number of lots recorded:480
Sale Title:European and Australian Decorative Arts and Fine FurnitureLots with images:460
Auction Location:MelbournePrices available:299
Date:5-Jun-2011
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A Fulvio Bianconi (1915 - 1996) triform glass vase Manufactured by Venini, Italy, circa 2000, the triangular vase formed as thick blown clear glass with submerged glass coloured bands, accompanied by the original box, engraved Venini 2000 to base and with original sticker to side, 26.5 cm high. Note: this is the last design manufactured before he died.
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Bertil Vallien (b 1938) Portal sand cast glass sculpture, designed for Kosta Boda incised signature B. Vallien, 3182340, Kosta Boda, Unique 32 cm high
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A Luciano Gaspari (1913- 2007) glass bird manufactured by Salviati, Italy, circa 1960 fashioned as a stylised bird with outstretched head and long rolling tale in translucent ombre green, engraved L. Gaspari, Salviati to base, 49.5 cm long.
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A Geoffrey Baxter (1922 - 1995) 'Banjo' glass vase Manufactured by Whitefriars Glass, England, circa 1967, the circular polyhedral body with spiral pattern and short tubular neck in a translucent indigo, also known as ' Thr ' penny bit ', pattern 9681, original label to neck, 31.5 cm high.
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A Lalique 'Luxembourg' pattern glass bowl late 20th century, the deep sided bowl press moulded in clear glass displays classical infants swathed in laurels repeated to the exterior, incised Lalique France to base, 21 cm high.
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A Jaeger-Le Coultre Atmos classic clock, circa 1970, the brass framed five glass body exposing the internal mechanism within, centred by a white enamelled chapter ring and Arabic gilt numerals, includes original service manual, 22 cm high.
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A mahogany and leopard wood sideboard possibly South American, circa 1957, the rectangular top above a canted body with four doors, inset with a contrasting horizontal band, enclosing drawers and a cocktail cabinet, raised on tapering cylindrical legs with brass ferrules, 230 x 85 x 62 cm.
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A Gae Aulenti (born 1927 ) 'Pipistrello' lamp Manufactured by Martinelli Luce, Italy, the lamp introduced in 1966 designed as a tapering conical base rising to a telescopic brushed steel stem, beneath an opaque white acrylic lobed shade, rubber plaque to base Pipistrello, Martinelli Luce, Design Gae Aulenti, Made in Italy, 75 cm high. Note: Max 25 watt globe.
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A pair of maple framed armchairs attributed to Dario Zoureff, circa 1960, each upholstered in blue velvet, raised on block supports.
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An Achille Castiglioni (1918- 2002) 'Snoopy' lamp manufactured by Flos, Italy, circa 2000, the lamp introduced in 1967 designed as a stylised interpretation of the Peanuts character fashioned from an enamelled domed shade set above a circular plate of glass with tubular marble base, rubber plaque to base Flos, Snoopy, design Registered, made in Italy, 43 cm high.
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A cold painted bronze and ivory of an exotic dancer Cast and carved from the original by Gerda Iro Gerdago, the figure strikes a dramatic pose as she stands raised in an en pointe manner, her face and hands of carved ivory, her costume vividly decorated and coloured all raised on a stepped green onyx base, moulded monogram and Gerdago to base, 33 cm high.
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A French patinated bronze and ivory figure 'Joy ' Cast and carved from the original by Philippe Devriez, the figure depicted in a dancing pose with arms and leg outstretched raised on a striated and tapered marble base, incised to base Ph. Devriez, 48 cm high.
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A French carved ivory figure, circa 1900, carved as a standing nude female with one arm out stretched, the other curled over her head, mounted upon a breche columnar plinth (out stretched arm loose), 19 cm total height. Provenance: Sold as lot 324 from the Christie's auction on 29th October, 2003.
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A small bronze and ivory statuette, circa 1900, the figure depicts a young woman cast in a dancing pose, her head, torso and limbs carved from ivory and with an applied bronze two piece costume, mounted upon a circular bronze plinth, 17 cm high.
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A marble and ivory figure of Pierrot, signed possibly Van der Stroeten, the standing boy with ivory face dressed in character from carved marble raised on a circular verde marble base, incised signature to base, 38 cm high.
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An Art Deco patinated bronze and ivory figure 'Thais', after the original by D. H. Chiparus, modelled as a female dancer in exotic dress thrusting forward with dress flared, with a face, arms and feet of carved ivory, raised on a stepped onyx base, signed D. H. Chiparus, 53 cm high.
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An Art Deco style patinated bronze and ivory 'Persian Dancers' statue, after the original by D. H. Chiparus, modelled as male and female dancers in exotic dress embracing, each with a face and arms of carved ivory, raised on a stepped onyx base, signed D. H. Chiparus, 53 cm high.
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A German porcelain figural basin 20th century, the ovoid body with a central pedestal modelled with a scene depicting a pair of infants struggling to control a tethered goat, impressed made in Germany and further factory marks to base, 38 cm wide.
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Livio Seguso (Italian, born 1930) hand worked glass incised signature 76.5 cm high
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A Rene Lalique Oursin pattern glass vase, circa 1945 spherical, with short flared rim displays sectional patterns of blisters set within recessed bands, incised R.Lalique France, 21 cm diameter.
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A group of three Royal Worcester Australian Wildflower series porcelain plates, signed R. Austin, two titled Sarsaparilla and Acacia Viscidula Acacia Triptera, the third untitled, retail mark for Flavelle Brothers, circa 1915 and 1917, each of rounded rectangular form, depicting sprays of Australian native flora, reserved on a Quaker grey border with gilt highlights, puce factory marks, two with hand painted titles, 22 cm wide.
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A group of two Royal Worcester Australian Wildflower series porcelain plates, signed A. Shuck, one titled waratah, the other untitled, retail mark for Flavelle Brothers, circa 1915 and 1917, each of rounded rectangular form, depicting respectively sprays of Australian native flora, reserved on a Quaker grey border with gilt highlights, puce factory marks, hand painted title to one, 22 cm wide.
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A group of two Royal Worcester Australian Wildflower series porcelain plates, signed R. Austin, titled red gum Eucalyptus ficifolia and diamond spotted bird, retail mark for Flavelle Brothers, circa 1915 and 1917, each of rounded rectangular form, depicting respectively a spray of blossoming red gum and two diamond spotted birds perched on leafy branches, reserved on a Quaker grey border with gilt highlights, puce factory marks, hand painted titles, 22 cm wide.
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A good quality Victorian lady's burr walnut combination games/work table, circa 1880 Rectangular, with pronounced corners inlaid with fine marquetry bands and stringing to the fold over top, opening to reveal an inlaid playing surface for chess and backgammon, above a single full width drawer for storage and with a further storage compartment housing a pleated work, raised on fine tapering and turned legs, porcelain castors, 64 x 70.5 x 43 cm.
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Two similar late 19th century gilt wood salon chairs brass maker's label for James Shoolbred & Co., London, each with a finely carved open back, one with a silk upholstered tablet, above a fitted seat, raised on fluted legs, stamped serial number and metal plaque to base.
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A fine quality Persian scenic silk rug early 20th century, signed, the central cartouche depicting a dense forest scene with floral and faunal motifs on a ruby red ground, bordered by a wide panel with further faunal motifs in tonal colours of putty grey, sand, sage green, on an indigo ground, signed to the central lower panel in Arabic, 242 x 154 cm.
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A fine quality Victorian gilt metal mounted ebonised and amboyna credenza, circa 1870, the rectangular breakfront body in the neoclassical manner, with pronounced corners and a central single door inlaid with a Classical urn motif, bordered by laurels and foliate scrolls, flanked to each side by glazed doors, the whole inlaid with contrasted ebonised bands and panels, edged in fine ormolu beading and rams headed ormolu mounts raised on a moulded base and squat bun feet, 182 x 108 x 43 cm.
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A Royal Doulton porcelain plate, signed J. Hughs, circa 1925, the plate with decorative gilded rim displays a painted afternoon scene of Ludlow Castle, painted signature to front and with puce factory mark to verso, entitled Ludlow Castle, 27 cm diameter.
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A Royal Worcester porcelain vase, circa 1883, of flattened teardrop form, rising to a tall slender tubular neck with applied pierced terminals to the shoulder displaying a relief cartouche to front and verso decorated in a Persian manner with fine gold highlights throughout and with further gilt butterfly motifs to the reserve on an ivory ground, green factory mark to base, 23.5 cm high.
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A Victorian burr walnut and marquetry games table, circa 1890, the circular scallop edged top inlaid with a chequered games board within a fine marquetry scrolled border with foliate adornments on a burr walnut reserve, the whole raised on a tapering barley twist column terminating in tripod scrolled legs, 60 x 73.5 cm.
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A French gilt wood over mantel mirror, the rectangular mirror with arched top mounted to edges with fine mirrored bands, the lower corners of carved foliate scrolls and to the top a pierced wreath of floral and foliate motifs, 134 x 76.5 cm.
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A Louis XVI style kingwood and marquetry commode, the rectangular top with chamfered corners set with three long drawers, the first inlaid with ormolu panels, the second and third with marquetry panels sans traverse depicting a central foliate garland panel between a pair of geometric panels, the whole raised on short cabriole legs with ormolu mounts, 121.5 x 85 x 53 cm.
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A Chinese Canton famille rose porcelain vase 20th century, globular, rising to a tapering neck and with applied gilt fo dog head and ring lugs to each side, the whole decorated in figurative court scene cartouches within a floral reserve, butterfly and fan motifs on a white ground, 44.5 cm high
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A Moore Brothers porcelain tazza, circa 1880, the circular base with a painted and gilded Greek key border supports a base of multiple cactus stems and yellow and gilt flowers all curling up to raise a foliate dish with a fluted rim, pink factory mark to base (hairline crack to dish), 26.5 cm high.
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A Regency style mahogany and satinwood sofa table, the table top with shaped front and fold down sides inlaid to top with bands and stringing to edge, set above a pair of half width bowed drawers also inlayed all raised on a twin pedestal stretcher base reeded and with gilt metal claw and castor feet, 148 x 72.5 x 64 cm.
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A Louis XV style gilt wood bergere 20th century, the carved open armed frame gently scalloped and with a cream damask upholstered back, armrests and seat, raised on cabriole legs.
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A fine quality French gilt wood pier mirror and console 19th century, the mirror, rectangular with dimpled corners to top, carved to the surround with repeated bay leaves within beaded borders, the whole surmounted by a detailed crest of a crossed quiver of arrows and liberty torch amongst further floral and foliate garlands; the console of a tapering rectangular form set with a pale salmon coloured breche marble top, raised upon a carved and pierced skirt and long cabriole legs terminating in knopped feet…
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A pair of gilded porcelain cabinet vases, each of almond form with a flared narrow neck, raised on a square base and to each side scrolled handles with front and verso displaying floral cartouches set within a sponged blue ground and with further raised paste and gilt decoration throughout, 40.5 cm high.
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A French gilt wood wall mirror 20th Century, the trapezium shaped frame with shell carved surround, rising to a widened shoulder, terminating in a pierced crest, 114 x 74 cm.
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A Victorian burr walnut side table, circa 1880, the oval top with a bevelled rim and a shallow skirt, raised on dual supports united by a cross stretcher carved with acanthus leaves to splayed legs, porcelain castors, 89.5 x 72 x 52.5 cm.
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A large Sevres style porcelain lidded urn, signed G.Poitevin, the bulbous body set on a footed base and with high domed cover and pineapple finial, the body displaying scenic cartouches to front and verso on a yellow ground, flanked by bold bacchanalian styled mask head lugs with further gilded ormolu mounts to the base and lid, 52 cm high.
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A fine quality George IV mahogany and satinwood chest of drawers, circa 1830, the rectangular bow fronted carcass with satinwood bands and stringing to top, below three shelf drawers above a further three full width drawers, each with satinwood, string inlay and an escutcheon, the whole above a shaped skirt, raised on block feet, 108 x 100.5 x 56.5 cm.
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A pair of Sevres style porcelain lidded urns, signed Boulee, each of everted triangular form on footed base depicting neoclassical cartouches to the front and verso, surmounted by a domed cover and with applied ormolu masks, banding and bracketed bases, 35 cm high.
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A 19th century ebonised and gilt wood wine table, the circular table top raised on a turned stem and a tripod base, 46 cm diameter x 78.5 cm high.
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A Louis XV style gilt wood console and mirror 20th century, the demilune console with liver coloured breche marble top above a moulded skirt festooned with repeated floral pierced garlands, below all raised on twin reeded legs with an arched stretcher support, the mirror of a rectangular waisted form with foliate flourishes, the table 90 cm x 85 x 40 cm, the mirror 111 cm high.
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A 19th century mahogany and satinwood pembroke table, the rectangular table top with drop sides, with crossbanding and string inlay, above a frieze drawer and an opposing faux drawer, raised on tall tapered legs, 108 x 76.5 x 78 cm.
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A Royal Worcester porcelain urn and cover, circa 1912, signed H (Harry) Stinton, the ovoid body on a moulded footed base painted with a highland cattle scene and flanked to each side with angular foliate terminals from which a sharply tapering neck supports a fine domed cover with gilt linear highlights, puce factory mark and numbered to base, (restoration to cover), 22 cm high.
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A Royal Worcester porcelain vase, signed Jas (James) Stinton, circa 1906, ovoid, with a pierced and gilded collar painted with a large pheasant amongst wild grasses and flanked to each side a pair of pierced terminals, green factory mark and numbered to base, 13 cm high.
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A Royal Worcester porcelain plaque, signed Jas (James) Stinton, circa 1924, the circular domed plaque painted with a scene of pheasants nesting on the ground set within a gilded mount and moulded frame, puce factory mark to verso, 10 cm diameter.
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A Royal Worcester porcelain coffee set Bearing various date stamps and signatures, the set painted with various fruits on a gilt reserve includes a lidded coffee pot circa 1924 signature indistinct and lid circa 1925 signed W.H Austin (restoration to rim), a sugar bowl circa 1929 signed H.Ayrton, a cup circa 1926 signed W. Hale and saucer circa 1926 signed S. Stanley and a matching cup and saucer each circa 1916 and signed Rickelly, puce factory marks to base, coffee pot 67 cm high.
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A Royal Worcester porcelain vase, signed C. (Charles) Baldwyn, circa 1903, ovoid, raised on a stepped square foot and to each shoulder a mask head lug all rising to a slender neck with flared rim, the body painted with a scene depicting a flock of white swans in flight on a pale blue ground and with further coloured accents and gilt throughout, signed to front lower right, brown factory mark, Rd.No.141375, pattern number 1410 and further impressed marks to base, (restoration to rim), 28 cm high.
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A fine quality pair of Royal Worcester porcelain ewers, signed Chivers, circa 1915, each with an ovoid body, centred by a fruit cartouche within an embossed gilt border, a foliate sprig to the opposing side, beneath a leaf moulded rim and a loop handle, raised on a square foot, green factory mark and model no. 1144, 26.5 cm high.
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A Royal Worcester porcelain vase, signed Chivers, circa 1914, the ovoid body centred by a finely painted fruit cartouche within an embossed gilt surround, a rose verso, corn husk swags and floral garlands to the whole, flanked by leaf moulded handles beneath a lobed rim, raised on a chamfered square foot, puce factory mark, registration number and model no. 696, 21.5 cm high.
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A Royal Worcester porcelain vase, signed Jas (James) Stinton, circa 1908, the tall cylindrical vase with a pierced and gilded collar decorated with a continuous scene of exotic water birds all raised on four short scrolled feet, puce factory mark and numbered to base, 22.5 cm high.
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A Royal Worcester porcelain vase signed H (Harry) Davis, circa 1919, the classical amphora styled vase with applied gilt scrolled terminals to each side and with a narrow recessed neck and crimped rim, the body displaying a tranquil scene of grazing sheep on a misty mountainside and raised upon a crimp rimmed and square foot, signed to lower left of scene, puce factory marks and model No. 1969 to base, 30.5 cm high
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A large Royal Worcester pot pourri vase and cover, circa 1909, the almond shaped form with foliate moulded bands to rim and base painted with a bouquet of wild flowers on a blush ground with gilt highlights throughout, the bombe cover pierced and with frilled finial to top, included with original internal lid, puce factory marks to base, 34.5 cm high.
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A Royal Worcester pot pourri vase and cover, circa 1896, the baluster body swathed in relief stylised pleated and smocked panels, the shoulder painted with floral sprigs, the cover flattened and pierced in a radiating fashion all on a blush ground, included with original internal lid, puce factory marks to base, 20.5 cm high.
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A first period Worcester softpaste porcelain waste bowl, circa 1770, the deep sided bowl on pedestal foot decorated to the exterior in the 'Queen Charlotte' pattern of radiating bands in blue with white floral reserves on a white ground, underglaze blue square mark to base, 15 cm diameter.
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A pair of first period Worcester porcelain dinner plates, circa 1760, each of scalloped form painted with a pinecone transfer design in blue and white, with further floral motifs to the rim, blue printed filled in crescent mark to base, 24 cm diameter.
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A small English blue and white pearlware bowl, circa 1790, the serving bowl decorated internally with a geometrical pattern to rim, the exterior displaying a series of Chinoiserie vignettes, (small chip to rim) 11 cm diameter.
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A pair of blue and white Caughley softpaste porcelain serving dishes, circa 1780, each dish lozenged shaped with a lobed and scalloped rim and decorated with Chinoiserie scenes of fisherman all framed by a geometric and gilt border to rim, 27 cm wide.
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A Newhall porcelain waste bowl, circa 1780, the deep sided bowl decorated with a pattern of floral and lace like motifs to the internal rim and with further floral sprigs to the exterior, painted N 354 to base, 15.5 cm diameter.
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A Thomas Harley pearlware slop bowl, circa 1790, the deep sided bowl with wrythen exterior and scalloped rim decorated with finely painted floral motifs to the interior and exterior of form, 15.5 cm diameter.
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A Derby porcelain under plate, circa 1790, square scalloped body painted with a gilt border of spring floral scrolls and interspersed with further floral motifs to the cavetto, puce factory mark and 84 to base, 22.5 cm square.
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A Coalport porcelain presentation vase, circa 1860, the footed trumpet shaped vase with acanthus handles and pierced sectional cover and figural finial, heavily moulded throughout with gilded foliate flourishes framing hand painted floral cartouches and with a further hand scripted dedication panel to the lower front, 45 cm high
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A Coalport porcelain vase and cover, signed E. O. Bell, circa 1900 baluster, with a central painted landscape cartouche on a cobalt blue ground flanked by gilt acanthus handles all raised on a shaped foot, to base printed factory mark, registration numbers, retailers mark and entitled Hawthorn Den, 26 cm high.
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A pair of Doulton Burslem porcelain lidded vases, circa 1900, each of baluster form with a campana neck and flanked by scrolled terminals, the body finely painted with wildflowers and with raised gilt work throughout all raised on a circular foot, printed and impressed factory marks to base, 35 cm high.
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An imposing Royal Bonn porcelain floor vase and cover, circa 1910, signed J.Muller, the large conical vase boldly painted with rose blooms on a painterly ground, above a tiered chartreuse cover with moulded rim of foliate motifs gilded and with decorative knop, the conical stepped base below with further gilt moulded bands and panels on a bordeaux and chartreuse ground, red factory stamp, impressed marks and numbered to base, (restoration to cover), 125 cm high.
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A Continental painted porcelain plaque 'Faust & Marguerite', circa 1900, signed E Furlaud (after Victor Tissot), depicting a medieval courtyard scene with men, women and children dressed in costume of the day, bordered by a cobalt and gilt enamelled border and inscribed Musee du Luxembourg, Faust & Marguerite d'apres Victor Tissot, set within a moulded gilt frame, the plaque 29 x 38.5 cm.
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A KPM painted porcelain plaque, circa 1910, signed J. Hoppoer, the oval plaque painted with a figural religious scene of a young maiden emerging form a lily pond under a moonlit sky and with celestial apparitions hovering above, signed lower right, 27 x 21.5 cm.
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An Austrian porcelain owl by Eduard Klablena early 20th century moulded as a life sized owl perched upon a stepped base drip glazed in browns and blues, painted monogram to base, 36 cm high.
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A Sevres style porcelain scenic tea set, signed Lucot, late 19th century fashioned in the rococo manner and featuring alternating courting scenes of young lovers set within a cobalt and raised gilt ground the set comprising a large twin handled serving tray, teapot, sugar bowl, cream jug and two cups and matching saucers, hand painted mark and France to base, the tray 46 cm long.
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An exhibiton quality pair of 19th century Sevres style ormolu mounted porcelain lidded vases late 19th century, each of baluster form, with multiple panels and gilt moulded highlights on a bleu-Nouveau ground, the cover tapered and rising to a lobed and tasselled knop, the body beginning with a collar of Greek key motifs above applied laurel styled swags and below encircling the girth a series of twelve miniature portraits depicting French Royal court dignitaries, the first vase the court of Henri IV and…
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A Rosenthal painted porcelain plaque, signed Th. Lazarus, 20th century, the rectangular plaque painted with a posy of red poppies and other wild flowers on a mottled ground all framed within a gilt moulded surround, sgraffito signature to lower right, factory stamps to verso, the plaque 23 x 18 cm.
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A large Goldscheider Borzoi dog group, circa 1920, the setting depicts a pair of dappled hounds in stylistic motion, impressed 6011, 656,6, stamped black factory mark and made in Austria to base, 51 cm long.
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A large Sarreguemines porcelain vase, circa 1890, the ovoid vase with wide tubular neck decorated in an Orientalist manner with bold floral bouquets and rows of butterflies interspersed by bands of geometrical patterns, impressed Sarreguemines 1489 to base, 43.5 cm high.
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A Chinoiserie gilt metal mounted porcelain vase Early 20th century, of baluster form with a trumpet neck, painted with a bold spray of white blooms on a mottled red ground flanked to each side with rearing dragons in gilt metal which cling to the rim mount of a pierced foliate design all raised upon a circular gilt metal base with four elephant headed feet, partial mark to base (indistinct) 66.5 cm high.
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A Sevres style cabinet urn with cover 19th century, signed Henri, the footed conical form with tubular neck and domed cover displays a figurative cartouche to front and a landscape cartouche to verso, with decorative borders of raised gilt enamelling on a cobalt blue ground throughout, flanked by ormolu masked handles and further ormolu mounts to cover and base, painted signature to front cartouche, 75 cm high.
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A Meissen style porcelain figure of Venus, circa 1760, the standing modelled as Venus cloked in classical garb, raised on a pierced and scrolled base with applied doves and wild flowers, hand coloured and with gilt accents, (restoration to hand and hairline crack to base), 27 cm high.
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A German porcelain animalier figure group mid 20th century, depicting two hounds mounted upon a shaped base, green printed factory mark to base, 37 cm wide.
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A pair of 19th century porcelain cabinet dishes, each of shallow form with flattened rim displaying alternating floral cartouches with gilt flourishes set within a cobalt blue scale patterned reserve, 25 cm diameter.
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A blue and white Delft Chinoiserie vase with cover, the baluster body with wrythen exterior and high domed cover with fo dog finial each displaying repeat floral cartouches set within a patterned reserve, blue factory mark to base, 39 cm high.
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A Capodimonte porcelain comport early 20th century, the scallop edged platter with a moulded rim depicting alternating classical figurative scenes and to the cavetto a bouquet of flowers all raised upon a circular base fashioned from four mermaids with arms up stretched, blue factory mark and original labels to base, 30 cm diameter.
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A blue and white charger, the large scenic platter displays a mounted cavalier riding into battle, blue factory marks to base, 40.5 cm diameter.
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A pair of Grainger's Worcester reticulated porcelain lidded urns, circa 1880, each of tapered tubular form delicately pierced and supported within a scrolled tripod surround and shaped base, the conical cover also delicately pierced and with pineapple styled finial, gilt highlights throughout, brown factory mark and numbered to underside of lid and base, 21 cm high.
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A Grainger's Worcester reticulated porcelain pot pourri, circa 1880, the almond shaped base with a low domed cover, each fashioned from a pierced framework and raised within a gilded tripod surround supported by a further pierced and lobed tier, brown factory mark to base and internally to cover, (finial restored), 18 cm high.
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A Victorian sterling silver wine ewer, makers mark Martin Hall & Co., Sheffield, circa 1861, the ovoid form with a shaped shoulder of repousse floral motifs recessing to a slender neck with helmet shaped spout and lid flanked by a loop handle, 702grs total weight of silver, 31.5 cm high.
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A group of three sterling silver presentation cups, the first a lobed and footed vase with crimped rim, of maker's mark Henry Williamson Ltd, Birmingham, circa 1906 and with incised dedication 'Transvaal Bisley,1907, the Dalrymple Cup' and included with a pair of miniature twin handled cups, makers mark Elkington & Co. Ltd, Birmingham, circa 1911, and with a raised insignia to front for the Transvaal Rifle Association, 412grs. total weight of silver.
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Two Edwardian sterling silver presentation beakers, makers mark Elkington & Co.Ltd, Birmingham circa 1909, each of cylindrical form with a pinched foot, displaying to front a circular stamped insignia for the Natal rifle Association, Semper Paratus, with mounted rifleman within and further individually inscribed 'Watson's Challenge Shield, Competition, Winning Team', 'Sir Henry Mccallum Trophy, First Prize' respectively, 278grs total silver weight.
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A heavy silver plated meat platter 20th century, the ovoid platter with recessed flattened rim and reeded rim, incised to reverse Angora, Sheffield reproduction, Silver plated on copper, 49 cm long.
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A George III sterling silver teapot and stand, makers mark Henry Chawner, London circa 1786, the ovoid tubular form with an undulating exterior and with recessed shoulder rising to a hinged ovoid lid with low set straight spout and single timber mounted handle complete with original ovoid four footed tray, stamped to bases, 556 grs. total weight.
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A George III sterling silver meat cover, makers mark William fountain, London, circa 1810, the high domed cover with ribbed trim above the base band and with a small scrolled handle to top displays an incised British coat of arms insignia to front and an alternative insignia to verso, worn hallmarks to handle, 1538 grs. Total weight of silver, 28 cm diameter.
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A sterling silver George III salver, makers mark Richard Rugg, London, circa 1778, the circular tray raised on three claw and ball feet exhibits an intricate bright cut border of floral and foliate motifs with a central incised horse motif surrounded by a further garland border of raised flowers terminating in a beaded rim, stamped to verso, 886grs. total weight of silver, 32.5 cm diameter.
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A 19th century sterling silver tea service Bearing various makers marks and dates, the set each of a tapered lobed form raised on a scalloped foot and with repousse floral decoration, the teapot with makers mark John and Edward Edwards, London, circa 1809, the sugar bowl with makers mark John and Edward Edwards, London, circa 1811, the milk jug with makers mark William Hewitt, London, circa 1837, 1488grs. total weight of silver, the teapot 18 cm high.
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A George III sterling silver tea urn, maker's mark Henry Chawner, London circa 1789, the amphora shaped footed urn flanked by elegant reeded handles surmounted by a fitted cover waisted and with a finial of conforming design, decorated with bright cut foliate bands and incised to verso a dedication 'Rev.Johanni Garrett, Luventutis Mea Cultori Et Prasidio, Hic Tenuis Debetur Honos, Nec Tanti Abolescet Gratia Facti ', 1790, accompanied by a series of hand written translations of inscription, stamped to base…
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A George IV sterling silver case, makers mark William Plummer, London, circa 1809, the low rectangular case with hinged lid displays a pierced decorative motif to top framed by an incised Greek key border, 198 grs. total weight of silver, 18 cm long.
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A German silver presentation cup Danzig Prussia, circa 1868, the tall wide mouthed vessel with gilt wash exterior displays a repousse pattern of scrolls and blooms framing a trio of incised cartouches depicting cupid, with a further incised dedication from the 'National Rifle Association, Wimbeldon 1868' to rim, hallmarks to base, 362 grs total weight of silver., 20 cm high.
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A sterling silver George III salver, makers mark Ebenezer Coker, London, circa 1771, the large tray with ribbed and scalloped edge raised on four flat ribbed feet, displays to the cavetto a wide bright cut border depicting floral motifs, geometrical patterns and with scallop reserves all surrounding an incised hawk motif, 1366 grs total weight of silver, 39 cm diameter.
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A continental silver gilt bell 19th century, the campana with ridged mid section surmounted by a military figure dressed in crusade styled armour, hallmarked to rim, 280 grs. total weight, 15.5 cm high.
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An 18th century Continental silver coffee pot, makers mark S B, Paris charge mark 1750 - 1756 Pyriform with a turned ebony side handle and shell embossed spout, scroll hinge, turned finial, raised on three hoof feet, 660grs. Total weight, 21.5 cm high.
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