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Auction House:Cordy'sNumber of lots recorded:858
Sale Title:March Art & Antique AuctionLots with images:106
Auction Location:AucklandPrices available:606
Date:22-Mar-2011
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A large Wedgwood Keith Murray moonstone shoulder vase of tapering circular section, decorated with lathe cut bands. Height 29.5 cm printed marks
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A Dutch St. Lukas Brecht two handled vase with a rich dark lustre glaze to the ovoid body, two handles issue from the neck to the shoulder. Height 18 cm
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Two Ian Firth studio pottery pieces, a vase of ovoid form with three pale glazed large concave impressions to the unglazed textured body. Small flake chip to rim. The other a wall hanging vase of tall ovoid form, unglazed, two concave impressions, lugs to the side for the woven spider rope, narrow aperture top, both with impressed potter’s marks. Height 290 and 25 cm
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A Clarice Cliff bizarre ‘Tahiti’ bowl of circular form with inverted rim, shape #55, striking yellow and green floral decoration with red highlights on a rich blue ground with printed and painted marks to base. Diameter 22.5 cm. Height 9 cm Hair crack.
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A pair of Clarice Cliff china candle stands, each of circular spreading form, decorated with summer flowers on a powder pink ground, one with hairline cracks to base. Diameter 11.3 cm
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A Royal Doulton Lambeth stoneware vase of hexagonal form, full relief modelled large Griffin handles in tan glaze, the blue glaze body with flared base, mauve highlights, impressed factory and artist's marks to base. Height 28.3 cm
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A Doulton squat ovoid shoulder vase decorated with a view of ‘The Green Dragon, Cheshunt’, signed indistinctly C. Hart. Height 18 cm
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A Royal Doulton lemon/yellow lustre glazed bowl, the interior decorated with a block and shield border design, and to the well with scattered flower head motifs. Slightly rubbed. Diameter 24.5 cm
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A Doulton Lambeth Art Nouveau pattern vase of squat baluster shape, decorated to the neck with a checkerboard pattern incorporating scrolling motifs. Maker Harry Rowe, c.1910-22. Impressed factory marks and numbers. Height 14.5 cm
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A Doulton Burslem vase painted by Louis Bilton with the Waratah design. Mallet shape with two handles issuing from the neck to shoulder, painted in enamels with blooms of the N.S.W. State flower, highlighted with a raised gilt on a pale blue ground, decorated overall with gilt foliate designs and the neck decorated with a profusion of blossoms. Factory mark c.1892-1902, impressed no. 6085 and inscribed Telopea Speciosissima, and initialled L.B. c.1892. Height 26 cm
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A set of three Doulton Burslem bone china cabinet plates painted by F. Hancock, c.1895, with wildflowers, the rims ornately moulded and pierced with cartouche panels of jewelled blossoms and gilding on a pale caramel background. Diameter 23 cm
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A William Moorcroft Florian Ware vase of squat ovoid shape with a short trumpet neck, the body decorated 20 with a design of pansies and leaves on an ivory ground, the neck cobalt blue. Script signature under base and printed factory mark c.1900. Star crack under base. Height 14 cm
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A Royal Worcester small urn vase, hand painted with summer flowers on a blush ground, two moulded gilded handles issue from the shoulder, raised on a circular spreading foot from a square gilded plinth base. Shape 1959, green mark, date code for 1912. Height 12 cm
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A Royal Worcester vase with blush ground, hand painted with summer flowers, ovoid shape, raised on a circular spreading foot and with a conforming trumpet neck. Shape no. 1859, puce mark and date code for 1909. Height 24 cm
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A Royal Worcester cabinet plate painted with a central medallion of apples and blackberries by Harry Price, reserved on a powder blue background framed with ornate gilt designs. Puce mark, date code for 1926. Diameter 23.5 cm
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A Royal Worcester urn vase, ovoid shape with trumpet neck raised on a circular spreading foot from a square plinth base, mask handles issue from the sides, blush ground hand painted with roses and summer flowers, a spray of wild flowers verso. Shape 1716, puce mark and date code for 1911. Height 25.5 cm
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A Royal Worcester plate painted by Harry Davis with black faced sheep dated 1926, along with another painted by Stinton with Highland cattle drinking. Both faulted and restored. Diameter 230 and 21.5 cm
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A Royal Worcester vase and cover painted with fruit by Alan Telford. Ovoid shape with handles at the shoulder, raised on gilded circular spreading foot, shape 2713, black mark, c. 1960. Height 21.5 cm
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A Royal Worcester vase painted by Ernest Barker with a goldfinch perched on a blackberry bush, another in flight above it. Ovoid shape, raised on a circular spreading foot, two handles issue from the shoulder, trumpet shaped neck. Hadley shape H247, green mark, date code for 1909. Height 22 cm
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A Shorter & Son six place china fish set with dinner plates, side plates, serving dish, sauce jug with saucer and side salad serving dish, all in soft ivory tones with celadon green highlights.
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A pair of Spode porcelain plates decorated with blue and gilt bands, a wreath and monogram to the centre, one restored. Puce mark to one. Diameter 20 cm
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An early 20th century gold plated sovereign case by Dennison, traditional form, plain unengraved type, two scrolling initials to front hinged cover.
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A Victorian period banded agate and 9ct. pendant locket of oval form, suspension loop to the top, glass panel to the reverse.
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A late Victorian silver locket on a fancy chain, the hinged locket engraved with a bird, butterfly and florals with large suspension loops to the decorative pierced and engraved flat link chain.
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An Edwardian period gilt and garnet fancy necklace, the garnets entirely set to the angular scrolls, central heart and rubover circular mounts on a fine link chain.
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An 18ct. gold Victorian mourning pendant, the gilded gold mount set with pearls and coral beads surrounding a polished piece of rock crystal with red and blue enamelled letters A.M., the reverse with a lock of hair and a crystal cover, engraved Ellis Mary Baldry, April 21 24th 1878. On a fine gold chain and in original jeweller’s box.
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Four pairs of 9ct. gold earrings, two pairs of large hoop earrings, one large pair of studs and one pair of ‘woven’ stud earrings.
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Three antique gold items, an oval carved cameo of a classical woman in profile, a propelling pencil and a pendant with pierced and engraved central panel under glass.
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An early 20th century Australian 15ct. gold insect bar brooch. The body with facete, claw set amethyst coloured stone and a smaller opal, seed pearls as eyes and set to the open wings. Impressed hallmarks.
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A 9ct. gold jewelled Maharajah’s turban pin in the form of a leaf set with 20 gemstones in moveable and hinged mounts. The stones include spinels, cats-eye chrysoberyl, garnet, yellow, green, blue, white and star sapphires, ruby and zircon, in original velvet lined wooden box. Length 10 cm
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An Edwardian period 18ct. gold butterfly brooch / pendant, the body of the butterfly set with pearls and sapphires, the wing comprising sapphires, rubies and old mine cut diamonds, the brooch pin can be unscrewed so the butterfly can be worn as a pendant.
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A Victorian 9ct. gold and cornelian ring, the oval flat stone panel in rubover mount, the wide band with engraved lineal decoration to the shoulder, hallmarked London 1888.
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An early 19th century 9ct. gold mourning ring, the central oval hair panel under glass, framed by seed pearls, the decorative scroll shoulders with black enamel detail.
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An 18ct. gold seal ring, the carved hardstone seal decorated with a clenched fist holding an anchor and initials B.E.S., set in an ornate gold mount decorated with leaves, rope and a chain, the shank decorated in triangle shapes. With Arabic gold marks.
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