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Chinese & Asian Arts, Part 1 — Artvisory

Auction House:ArtvisoryNumber of lots recorded:195
Sale Title:Chinese & Asian Arts, Part 1Lots with images:195
Auction Location:MelbournePrices available:88
Date:1-Dec-2024
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A blue and white bottle vase. Qing Dynasty, Kangxi period, 17th century. It is a square section moulded with panels of elegant ladies in gardens, with a rounded shoulder with lotus sprays and scrolling foliage and an applied silver neck. Noticed that the neck of the bottle is not broken . See Img 6. Provenance: The Oliver & Pham collection, Melbourne. Dimensions: height 29 cm width 10.7 cm, with stand
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A Wucai 'Fishman' dish. Qing Dynasty, Kangxi period, 17th century. Provenance: Important private collection, Melbourne, approx diameter 22.5 cm
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A Wucai 'Fishman' dish. Qing Dynasty, Kangxi period, 17th century. Provenance: Important private collection, Melbourne, approx diameter 22.5 cm
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A Wucai 'Qilin' foliate dish. Qing Dynasty, Kangxi period, (1662-1722). Provenance: Christie's auction. Important private collection, Melbourne, approx diameter 21.3 cm
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A Wucai 'Flower Basket' dish. Qing Dynasty, (1644-). Provenance: Important private collection, Melbourne, diameter 39 cm
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A fine Wucai 'Boys' dish. Qing Dynasty, (1644-). Provenance: Christie's auction (labelled). Important private collection, Melbourne, diameter 22.6 cm
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A Wucai 'Bogu' dish. Qing Dynasty, (1644-). Provenance: Important private collection, Melbourne, diameter 21 cm
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A group of three export famille rose plates. Qing Dynasty, Yongzheng period, (1723-1735). Provenance: David Thompson Jr, approx diameter 22.4 cm
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A pair of gilt decorated famille rose plates. Qing Dynasty, Yongzheng period. Provenance: Private Collection, diameter 5.2 cm, height 1.6 cm
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A famille rose cup and saucer dish. Qing Dynasty, 18th century. Provenance: Important private collection, Melbourne, approx diameter 13.8 cm, 8.6 cm height 5 cm
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A very fine pair of Chinese export famille rose plates. Qing Dynasty, 18th century. This exquisite pair of famille rose plates from the Yongzheng period showcases the finest quality of Qing Dynasty export porcelain. Each plate is adorned with intricate gilt decorations illustrating an elegant garden scene with gracefully depicted ladies. The refined craftsmanship and delicate coloring highlight the sophistication and artistry characteristic of the period, making these plates exemplary pieces of Chinese…
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A famille rose 'Butterflies' plate. Qing Dynasty, 19th century, approx diameter 18.1 cm
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An iron red decorated famille rose 'Figure' dish. Qing Dynasty, Qianlong period, (1736-1795), diameter 22.5 cm
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A large Canton famille rose 'Figure' bowl. Qing Dynasty, 19th century, diameter 25.6 cm height 11 cm
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A famille-rose 'Fu Lu Shou' plaque Qing Dynasty, Qianlong period. Provenance: Important private collection, Ballarat. Approx length 48.1 cm wide 38.1 cm
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A famille rose painted Ruby-Pink enameled plate. Qing Dynasty, approx diameter 14 cm height 2.1 cm
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A famille rose cup Qing Dynasty. Provenance: Poly auction Session 53 lot 0682, , height 5.8 cm width 6.1 cm
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A rare famille verte 'Flower' cup, Kangxi six-character mark. Qing Dynasty,17-18th century. Kangxi six-character mark in underglaze blue within a double circle and of the period (1662-1722). An exquisite and rare famille verte cup, distinctively marked with a Kangxi six-character mark in underglaze blue, encircled by a double ring. This piece dates back to the Kangxi period (1662-1722), a time renowned for significant advancements in ceramic artistry in China. The vibrant colors and intricate designs…
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A finely enamelled jar Daoguang mark and the period. Qing Dynasty, 19th century, approx height 11.5 cm
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An exceptional Imperial copper-red decorated 'Sanduo' Bowl, Yongzheng six-character mark and of the period. Qing Dynasty, Yongzheng period, (1723-1735). Yongzheng six-character mark in underglaze blue within a double circle and of the period (1723-1735). This exquisite Yongzheng-era bowl is finely crafted with gently rounded sides that ascend to a subtly flared rim. It bears the Yongzheng six-character mark in underglaze blue within a double circle, denoting its authenticity and period of manufacture…
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A famille rose moulded 'Lotus' cup, 'Qiuchao Bei'. Guangxu black-enamelled mark 19-20th century. The bowl is moulded and decorated as a lotus blossom with incised overlapping petals. The hollow stem is inscribed with black enamel reading Daqing Guangxu Sashisi nian Anhui Taihu fuji qiu cao jinian bei, which can be translated as '34th year of the Guangxu period of the great Qing, commemorative cup of the autumn harvest, near Taihu in Anhui'. Provenance: The Oliver & Pham collection, Melbourne. Dimensions:…
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An Imperial coral Red-Ground and gilt decorated Turquoise-Enamelled wall ornament, Biping. Qing Dynasty, Qianlong period, 18th century. The exterior of this bowl is glazed in coral red, decorated with gilt entwined lotus and kui dragon patterns, while the interior is glazed in turquoise glaze, showcasing typical motifs of the Qianlong period. A comparable piece can be found in the Robert Chang Collection's 'An exhibition of Important Chinese ceramics from the Robert Chang Collection,' item no. 114: a…
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A fine and rare Clair-De-Lune glazed apple-shaped jar, Kangxi mark and of the period. Qing Dynasty, Kangxi period, (1662-1722). This water pot, dating from the Kangxi period, is meticulously crafted with a bulbous body and an inward-curving mouth, which enhance its elegant silhouette. It is uniformly covered both inside and out with a glaze of a smooth, greyish-blue tone, typical of the refined aesthetic of the time. The base of the pot proudly bears the Kangxi mark, affirming its authenticity and…
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A blue and white 'Kuilong' vase. Qing Dynasty, Qianlong period, 18th century. A tapered four-sided vase, with each panel adorned with a roundel of dragons set among stylized scrolling patterns. Encircling the shoulder and foot is a band featuring side-facing dragons. The base bears a six-character Qianlong mark. Notably, this vase combines both Kui dragons and chilong dragons within the same design, an uncommon feature. The character 'Shou' (longevity) is centrally framed by five dragons, symbolizing the…
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A blue and white 'Kuilong' vase. Qing Dynasty, Qianlong period, 18th century. A tapered four-sided vase, with each panel adorned with a roundel of dragons set among stylized scrolling patterns. Encircling the shoulder and foot is a band featuring side-facing dragons. The base bears a six-character Qianlong mark. Notably, this vase combines both Kui dragons and chilong dragons within the same design, an uncommon feature. The character 'Shou' (longevity) is centrally framed by five dragons, symbolizing the…
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A blue and white 'Buddhist Lion' vase. Qing Dynasty, 18th century. Vividly painted around the exterior with a unusual Buddhist lions playing with brocade ball. Provenance: Important private collection, Melbourne. The Ye Wanhua collection, diameter 14 cm, height 36.5 cm
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An exceptionally Important 'Landscape' scroll by Zhang Daqian (1899-). Zhang Daqian (Chinese, 1899-), landscape. Hanging scroll, ink and colour on paper. Inscription: 'For Jing'an, as a request to create a 'Boneless' style painting in imitation of song masters for his wife, lady Hui'an. Younger brother Yuan (Zhang Daqian).' seal: Daqian Duanmu Hongliang's inscription: 'Zhang Daqian Imitating song landscape Painting.'. Note: the dedicatee, 'Mr. Jing'an,' refers to Luo Wenmo (1902-), styled Jing'an, also…
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A jade figure of a boy. Yuan-Ming Dynasty, 13th-14th century. The boy wearing a jacket with his legs next to each other as if playing, and he holds a lotus stem over his shoulder. Provenance: The Carl Wantrup collection, length 7.5 cm width 4 cm
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A pair of white jade 'Peonix' pendant. Qing Dynasty, 18th-19th century, length 6 cm, width 2.8 cm (x2 )
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A white jade cicada. Qing Dynasty, 18th-19th century, length 2.8 cm width 1.7 cm
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A group of three jade needle-form ornaments. Neolithic period (circa 6,500-1,700 BC), length 8 cm, length 6 cm, length 4.3 cm
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A jade 'Elephant' incense stick holder. Qing Dynasty, 18th-19th century, , height 6 cm width 13.6 cm
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A carved jade pendant plaque. Qing Dynasty, 19th century, approx length 6.8 cm
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A Paktong cased jade-embellished Yixing teapot. Qing Dynasty, Daoguang period, (1821-1851). 'Below a bright moon boils the scented brew; green clouds spring forth most rich in dew. Engraved by Wanquan'. The other side with incised decoration of bamboo. The interior of the Yixing pot stamped 'Made by fan Shuzeng'. Wanquan was the courtesy name of celebrated Yixing artist Jiang Delin who was active from the Daoguang period (1821-1851) through to the end of the Tongzhi period (1861-75). Fan Shuzeng is known…
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A Dehua white glazed vase. Qing Dynasty, 17th-18th century, width 13.2 cm, height 36.2 cm
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A Dehua white glazed censer. Ming Dynasty, Chongzhen period (1628-1644). Chongzhen period (1628-1644), of cylindrical shape with lipped rim, three bowstring bands, an impressed key-fret band around the center, and three ruyi head feet, all covered with an even, ivory-white glaze. Incised with Kuilong pattern. A very similar, slightly larger censer from the Butler family collection was sold at Christie's Hong Kong in the auction 'Important Chinese ceramics and works of Art' on November 29, 2022, lot 2945.…
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A red lacquer 'Flower dish. Ming Dynasty, 16th century, diameter 29.1 cm, height 4.2 cm
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A rare cinnabar lacquer petal-lobed footed dish. Song Dynasty (960-1279). Provenance: The Carl Wantrup collection, diameter 28.7 cm, height 6.2 cm
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A red lacquer incense box Ming Dynasty, approx diameter 7 cm
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A mother-of-pearl inlaid black lacquer circular box and cover. Ming Dynasty, 16th century, diameter 7.3 cm, height 1.9 cm
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A lacquer square tray. Ming Dynasty, 16th century, length 33 cm, width 33 cm, height 2.6 cm
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A cloisonne enamel plate. Ming Dynasty, 16th century, diameter 31.2 cm, height 6 cm
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A rare pair of cloisonne enamel vases. Ming Dynasty, 17th century, approx height 30.5 cm
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A Chinese painting by Wang Yun. Qing dynasty. Wang Yun (1816-1888). Landscape in the style of Cheng Ming. Ink on paper. Inscribed and signed Wang Yun, with three seals of the artist. Provenance: china guardian auction, Beijing. - (1816-1888)- length 29 cm, width 30 cm (without frame)
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Misty landscape Jiru Chen. Ming Dynasty (1558-1639). Misty landscape. Ink on aper, hanging scroll. Pivotal cultural figure in late Ming china. Famous for landscape painting, but also calligrapher, teacher and writer. Lived near present-day Shanghai. Also known by his zi (courtesy name)Zhongchun, and his hao (studio name), Meigong.
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Chen Lin (20th century) and pan Ruoyu (20th century). Flowers and calligraphy. Ink, or ink and colour on paper, four works mounted for framing. Inscribed and signed Chen Lin, Chen Ziyuan, and Ruoyu, with four seals of Chen Lin, and eleven seals of pan Ruoyu. Painting dated renshen year 1992, and calligraphy, jiwei year 1979. Provenance: Bonhams Sydney. Former collection of Mr. Au Chen-Hung, Hong Kong (1917-1994). The Allan Rae collection 26.0 x 15.5 cm each (4)
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A group of four paintings by Huang Zhou (1925-1997). Four draft by Huang Zhou (1925-1997). A rare set of four ink sketches by Huang Zhou, showcasing his dynamic depictions of rural life and resilience through animals. These expressive drafts highlight the artist's mastery of fluid brushwork and provide intimate insights into his creative process and commitment to capturing life's essence. Length 28 cm, width 21 cm (without frame)
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Pu Ru (Pu Xinyu, 1896-1963) (Pu Xinyu, 1896-1963). Sited guanyin and a boy; Sutra in Regular script. Ink on paper, folding fan. Signed Pu Ru, with two seals of the artist and one collector's seal. The reverse signed Xishan Yishi Pu Ru, with three seals of the artist. There is an antique Store label on the fan guard. Length 34 cm
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Chen Qihu (1912-1999). A mounted fan painting of children at playing. Ink and colour on paper. Inscribed and signed Chen Qihu, with one seal of the artist. 18 cm and 50 cm wide, length 61.2 cm, width 43 cm (with frame)
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Zhou Lianxia. 1906-2000. A mounted painting of fruits. Ink and colour on paper. Inscribed and signed Lianxia, with two seals of the artist. Zhou Lianxia was recognized as one of the top women painters, poets and writers in China of the Republican period, famous for her elegant, traditional Chinese style paintings and poems, mastered after decades of training and scholarship. 17.5 cm x 14.5 cm
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Zhang DaQian (1899-1983). Zhang Daqian (Chang Dai-chien, 1899-1983). Lady leaning on a quilt (1944). Ink and color on paper, framed. Inscribed and signed Daqian jushi Yuan, with four seals of the artist. Length 40.5 cm, width 31 cm (without frame)
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A group of three rubbing of Han Dynasty stone. 20th century, china. Provenance: The Walter Hochstadter collection, length 124 cm, length 142 cm, length 205 cm
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A bronze 'Hu' and cover. Han Dynasty (206 BC-AD 220), , height 16 cm diameter 13.5 cm
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A rare bronze figure of Avalokiteshvara. Liao Dynasty, (916-1125). The figure represents Avalokiteshvara in a meditative pose, seated in padmasana, with hands gently holding an alms bowl. The throne beneath features a distinct stepped cylindrical base, topped by an open lotus blossom with individually detailed, overlapping petals. Traces of the original gilt over lacquer are visible throughout. While the figure exhibits characteristics of the five Dynasties period, it is more likely from the Liao period,…
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A rare collection of bronze offering set. 12th-13th century. This rare collection of bronze offering set dates to the 12th-13th century, featuring a dark, smooth black-greenish patina that highlights its age and historical significance. Likely used in Buddhist rituals, this set exemplifies the exquisite craftsmanship and religious devotion of the period. The unique patina, formed over centuries, not only enhances its visual appeal but also symbolizes the enduring legacy of religious practices, showcasing…
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A Japanese bronze Suibyo (Buddhist ritual ewer). Kamakura-Muromachi Period,13th-14th century. Provenance: The Carl Wantrup collection, height 17 cm, width 9.5 cm
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A gilt-bronze figure of a guardian. Possibly late Tang to five Dynasties, 9th-10th century. The muscular figure, with a scowling expression, stands in tribhanga with a raised right hand. With fitted Japanese wood box. Provenance: Private Collection, Japan. Comparable gilt-bronze guardian figures from the Tang dynasty can be found illustrated in Saburo Matsubara's seminal work, 'Chinese Buddhist sculpture: a study based on bronze and stone Statues other Than works from cave Temples, Tokyo, 1966' pls 254A-d.…
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A rare carved wood figure of seated Buddha. Late Yuan-Early Ming Dynasty, 14th century. The deity is portrayed seated, with elongated ears and softly downcast eyes, evoking a sense of serene contemplation. Provenance: Important private collection, Melbourne, width 15 cm, height 31.5 cm
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Miyanaga Tozan I, tall hemp palm vase. Japan (1868-1941), c.1930. Porcelain with celadon glaze. Provenance: The Carl Wantrup collection, , height 33 cm diameter 19.5 cm
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Miyanaga Tozan I, Tsubo with calligraphy. Japan, 1926. Miyanaga Tozan I. Tsubo with calligraphy 1926. Terracotta with black glaze. Provenance: The Carl Wantrup collection, diameter 23 cm, height 27.5 cm
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A Japanese studio blue and white vase by Tominaga Genroku (1859-1920). Meiji period (1868-1912). Of conical form in porcelain with underglaze blue decoration of a landscape in classical Chinese style, signed to base. Provenance: The Carl Wantrup collection, height 34.5 cm, width 16.5 cm
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A Japanese studio carved inscribed white vase by Tominaga Genroku (1859-1920), Meiji period (1868-1912). Of ovoid form in pure white porcelain with relief carved characters to the sides, signed to base. Tominaga Genroku (1859-1920). Provenance: The Carl Wantrup collection, , height width diameter
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A Korean tea bowl, Ido-Chawan. Joseon Dynasty, 16th century. Provenance: The Carl Wantrup collection, diameter 15.8 cm, height 7 cm
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Wada Morihiro, tall vase, 'Saido-San-Mon-Ki' pattern. Japan (1944-2008), 1983. Wada Morihiro. Japan (1944-2008). Tall vase, 'Saido-san-mon-ki' pattern 1983. Stoneware. Provenance: The Carl Wantrup collection, diameter 16 cm, height 37.5 cm
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Ninnami Dohachi, a Japanese cold water jar (Mizusashi). Edo period (1603-1868), 19th century. Of ovoid form decorated in Mishima style with incised slip-filled designs, signature to base. Together with the tomobako (original signed box). Ninnami Dohachi (1783-1855). Provenance: The Carl Wantrup collection, height 18.5 cm, width 22 cm
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A Japanese blue and white Ko-Imari jar, Tsubo. Edo period (1603-1868), 1660-1680. Of ovoid baluster form decorated with a landscape in Kano style in underglaze blue. Together with a Japanese wooden box. Provenance: The Carl Wantrup collection, , height 21.5 cm, width 16.5 cm
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Kusube Yaichi, vase with white crystalline glaze and Elephant's ears. Japan (1897-1984), c.1968. Provenance: The Carl Wantrup collection, , height 30 cm diameter 13.3 cm
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Shimizu Uichi, vase with iron glazes. Japan (1926-2004), c.1990. Vase with iron glazes c.1990. Glazed stoneware. Provenance: The Carl Wantrup collection, , height 18.5 cm diameter 12 cm
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Wada Morihiro, short vase 'Ryu-San-Mon-Ki'. Japan (1944-2008), c.1985. Wada Morihiro. Japan (1944-2008). Short vase 'Ryu-san-mon-ki' c.1985. Stoneware with slip decoration. Provenance: The Carl Wantrup collection, diameter 17 cm, height 22 cm
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Kusube Yaichi, vase with Tenmokku glaze and lion bosses. Japan (1897-1984), c.1930. Provenance: The Carl Wantrup collection, , height 20 cm diameter 13.5 cm
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Yamamoto Soshu,Teabowl with Hidasuki decoration. Japan (n.d.),c. 2010. Yamamoto Soshu. Japan (n.d.). Teabowl with hidasuki decoration c. 2010. Stoneware, Bizen. Provenance: The Carl Wantrup collection, diameter 13 cm height 7 cm
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Isezaki Mitsuru (1934-). Bizen sake set: Tokkuri (sake bottle) and Sakazuki (sake cups). Isezaki Mitsuru was a prominent Bizen potter known for his dedication to traditional techniques and significant contributions to the Bizen pottery tradition alongside his family. 1934: born in Bizen city, Okayama Prefecture, as the eldest Son of Isezaki Yozan. 1964: Became a full member of the Japan Kogei Association (Nihon Kogeikai). 1972: Appointed President of the Bizen To-shinkai (Bizen Pottery heart Society). 1974…
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Wada Morihiro,Tokkuri and matching Guinomi 'Kikka-Mon' (Shuki) 1996. Japan (1944-2008). Wada Morihiro. Japan (1944-2008). Tokkuri and matching guinomi 'Kikka-mon' (shuki) 1996. Stoneware. Provenance: The Carl Wantrup collection, approximate Tokkuri width 6.5 cm, height 15 cm approximate Guinomi width 6.3 cm, height 6.4 cm
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Imaizumi Imaemon, 197/200. 2015. Decorative plate with brocade flower basket design, 2015, number 197/200. This piece was created by the 14th-generation Imaizumi Imaemon, a designated Living National treasure in Japan, known for his exquisite porcelain work. The plate features a brocade flower basket motif, and this particular piece is number 197 in a limited edition of 200, made in 2015. Dimensions: diameter 16 cm height 2.6 cm
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Sakaida Kakiemon XIII. Sakaida Kakiemon XIII (1906-1982). With signed Japanese wood box, diameter 28 cm height 3.4 cm
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A gold-inlaid iron tsuba with pine tree, Bushu Ito school. Edo period 18th-19th century, diameter 7.2 cm
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A gold and copper inlaid iron tsuba, Aizu Shoami school. Edo period 18th-19th century. Aizu, a castle town of the Matsudaira clan with a domain worth 230,000 koku, was known alongside the Mori clan's Choshu domain for its significant production of sword guards. The Shoami school, especially prominent in Aizu, became well-known under the name 'Aizu Shoami.', diameter 7.5 cm
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An iron tsuba, signed Syouami Sigenobu. Edo period, 18th-19th century. This piece was crafted by Shoami Shigenobu from Aizu in Mutsu Province. Aizu, a castle town of the Matsudaira clan with a domain worth 230,000 koku, was known alongside the Mori clan's Choshu domain for its significant production of sword guards. The Shoami school, especially prominent in Aizu, became well-known under the name 'Aizu Shoami.' Shigenobu's works often feature designs like this tsuba, with openwork clouds. Dimensions:…
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A fine soft-metal inlaid Kozuka. Edo period, 19th century, length 9.4 cm
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19th century. Kozuka made by Kanesada of Seki, minuki made of Shakudo with gold inlaid dragons with silver foiled habaki, gold dragon pattern inlaid to the Fuchi and Kashira, the tsuba with floral designs, lacquered wood Saya carved in bamboo patterns with tiger motif., Tanto: 40 cm long, blade: 31 cm long.
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A large Japanese carved wood figure of Daruma. Meiji period (1868-1912). Carved as a standing figure of Daruma on an integral square plinth. Incised signature to the base. Provenance: The Carl Wantrup collection, width 11.5 cm, height 39.8 cm, length 13 cm
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A Rootwood stand. Qing Dynasty, 18th century, height 27 cm, width 25 cm
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A Lingzhi. Qing Dynasty, 19th century, length 35 cm, height 15 cm
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A Lingbi scholar rock. Qing Dynasty, 18th-19th century. Provenance: The Carl Wantrup collection, height 56 cm with stand
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A Tibetan painted wood panel. Qing Dynasty, 18th century, , height 55 cm, width 48 cm with frame
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A moulded clay figure of Buddha and Bodhisattva, Tsa Tsa. 11th century, , height 17 cm, length 13.5 cm, width 5 cm
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A moulded clay figure of Buddha, Tsa-Tsa. 11th century, length 15 cm, width 11 cm, T: 2.5 cm
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A pair of hardwood table. 20th century, 61.5 cm x 41 cm x 103 cm
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A pair of porcelain top circular table. Qing Dynasty, 19th century. The Oliver & Pham collection, Melbourne. Dimensions: 34 cm x 91.5 cm
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A famille rose vase, Qianlong mark. Republic period, , height 20.5 cm diameter 12 cm
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A Wucai vase painted with birds and flowers. Kangxi period, 17-18th century, approx Hight 29 cm
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A blue glazed vase with 'Chibifu' Kangxi period. Approx height 27 cm
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A green glazed vase Qing Dynasty. Qing Dynasty, approx height 19 cm
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A Wucai vase Qing Dynasty, approx height 35.5 cm
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A rare pair of Chinese coromandel screens. Kangxi period, 17/18th century. A rare and Important pair of Kang Hsi incised coromandel lacquer screens of unusually fresh colouring and fine original detail. The front with scenes from domestic life with a Mandarin seated in a pavilion in gardens with various groups of figures engaged in different pursuits. Within a border with flowers and symbols of the hundred Antiques, the inner border with dragons and scrolls, the reverse with a long dedicatory inscription…
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