Full details of each lot are displayed, except the lot number, estimate and price. You must be a subscriber to view lot numbers, estimates and prices.

Click here to view registration and subscription levels

The Spring Auction Series, Part I — Gibson's Auctioneers & Valuers

Auction House:Gibson's Auctioneers & ValuersNumber of lots recorded:405
Sale Title:The Spring Auction Series, Part ILots with images:405
Auction Location:MelbournePrices available:223
Date:24-Nov-2024
***
An unusual sterling silver racing theme cocktail shaker, Tiffany & Co, 1892-1902 period, pattern 9727 designed in 1889, finely acid engraved with an exotic scrolling Art Nouveau design incorporating maize heads and other vegetal designs on a grain and wrigglework ground enclosing a broad continuous frieze of races horses and jockeys, with strainer cover and screw top, inscription to rim of cover, 'To Jack from Edna'; sterling silver marks, design number, cypher for Charles L Tiffany, 19 cm high, 465gms…
***
***
***
A mid Victorian sterling silver equestrian themed competition trophy, London 1856, the lavishly embossed urn and cover with flora and racing scenes, inscribed to the cartouche, 'Challenge Cup/given by Humphrey Williams Esq/of Carnanton/for competition for hacks or hunters/of the Christmas Cattle Show/at St Columb', hallmarked below rim and to interior of cover, 22 cm high, 17 cm diameter, 915gms silver weight
***
***
***
A George II sterling silver swing handle sugar basin, Edward Aldridge, London 1759, pierced and spiral ribbed with cast floral work to the rim, handle and footed base, hallmarked underside, 5.5 cm high, 15 cm wide, 12 cm deep, 195gms silver weight
***
***
***
A George III sterling silver cake basket, mark of ...B, London, 1771, beautifully ajoure worked with a bead swing handle and foot rim, key fret and husk borders, discreetly marked either side of the swing handle, maker's mark partly obscured, 10.5 cm high, 33.5 cm wide, 27.5 cm deep, 785gms silver weight
***
***
***
A fine sterling silver tazza, Tiffany & Co., circa 1923, elaborately acid etched and engraved with shell, knot and pendant lappet motifs, engraved marks to base, 925-1000, pattern number, and cypher for John C.Moore II directorship, with associated flannel drawstring bag, 5.5 cm high, 31.5 cm diameter, 1140gms silver weight
***
***
***
A pair of silver plate cube teapots, designed by Richard Crawford Johnson, circa 1917 for Cube Teapots, Leicester, the non drip, stackable design originally designed in metal and ceramic for use on board ship, 10.5 cm, 7 cm square
***
***
***
A painted red pottery figure of a court lady, Tang dynasty, standing with hands clasped within the full sleeves of the long robes falling to the base, the face modelled with fully rounded features framed by the long hair drawn into an elaborate coiffure divided into two chignons, covered overall with a white slip, 37.5 cm high, Provenance: Dragon Culture Hong Kong, 7 September 2005
***
***
***
A grey pottery horse's head, Han dynasty, modelled with prominent eyes and flared nostrils, traces of red pigment, perspex stand, 16.5 cm high, Provenance: Dragon Culture, Hong Kong, 21 October 2002
***
***
***
A painted red pottery figure of a court lady, Tang dynasty, standing in an elegant swaying pose, wearing long robes falling in folds to the base, the face modelled with fully rounded features framed by the long hair drawn into an elaborate coiffure arranged in a dramatic crescent framing the face, and a centered fan-shaped double top knot, covered with a white slip with traces of coloured pigments, 32.5 cm high, Provenance: Dragon Culture, Hong Kong, 16 April 2004
***
***
***
A Tang-style painted pottery figure of a prancing horse, standing with one front leg raised and the head turned to one side in alert attitude, covered in a white slip with remains of the red and coloured pigments, stand, 43 cm long
***
***
***
Two sancai-glazed wares, Tang dynasty, comprising a jarlet with two lug handles and a small cup, both partly covered in splashed green, cream and chestnut glazes, wood stand, boxes, the jarlet 9 cm high; the cup 5.3 cm diameter
***
***
***
A copper-red glazed stembowl, Yongzheng mark, the rounded sides rising to a flared rim, supported on a hollow slightly splayed pedestal foot, the exterior applied with a rich red bubble-suffused glaze, the rim and interior glazed white, 15.6 cm diameter
***
***
***
A copper-red glazed vase,Tianqiuping, Qing dynasty, 19th century, covered with a rich crimson glaze thinning slightly at the mouth, 35.5 cm high
***
***
***
An iron-red decorated 'dragon' dish, Jiajing mark, the interior painted with two dragons chasing a flaming pearl in a central medallion, and repeated around the exterior, wood box, 18 cm diameter
***
***
***
A pair of famille verte 'peach' dishes, Xuantong marks, each with shallow rounded sides, the interior with a large iron-red peach gilt with shou characters, the fruit growing on a short stem with leaves in two tones of green enamels, gilt edged rims, fitted box, 10 cm diameter
***
***
***
A famille verte beaker vase, late Qing dynasty/20th century, painted with a figural scene around the flared neck above a band of flowering branches and fruiting sprays, 45 cm high
***
***
***
A pair of famille rose 'butterfly' dishes, Daoguang marks, 20th century, each painted with a central butterfly medallion within a frieze of further butterflies interspersed with flowering sprays around the ogee-shaped sides, scalloped gilt-edged rim, fitted box, 13.5 cm diameter
***
***
***
A blue and white bowl, Chenghua mark, 20th century, painted on the exterior of the thinly potted sides with a continuous floral scroll of paired flower heads among foliage, fitted box, 15 cm diameter
***
***
***
A blue and white vase, Yuhuchun, Daoguang mark, 20th century, the pear-shaped body painted with a continuous garden scene below formal borders around the tapering neck and splayed base, wood stand, 28.5 cm high
***
***
***
A famille rose jar, Hongxian mark, decorated with flowering peony and magnolia growing from rockwork, wood cover and stand, 28.5 cm high
***
***
***
A famille rose vase, Yongzheng mark, 20th century, painted with blossoming branches extending over the sides to the trumpet mouth, wood stand, fitted box, 27.5 cm high
***
***
***
A famille rose chicken cup, Qianlong fanggu mark, with steep rounded sides, finely painted on the exterior with the well known story of Jia Chang stamping his foot to call the chickens in a garden of flowering peonies and rockwork, the reverse with a long poem in black, box, 8.2 cm diameter
***
***
***
A pair of famille rose beaker vases, 20th century, each decorated with precious objects and vases of flowers, between shaped formal borders around the splayed base and flared mouth, 48.5 cm high
***
***
***
A pair of Canton famille rose vases, 19th/20th century, each decorated with panels of figure scenes interspersed with others of birds and flowers, the neck applied with Buddhist lions and chilong, 45 cm high
***
***
***
A famille rose 'boys at play' vase, Jiaqing mark, painted with boys playing in a continuous garden setting between cloud collar borders, the tall neck and base with flowering and fruiting sprays reserved on a lime green ground, 33 cm high
***
***
***
A famille rose vase, Jiaqing seal mark, decorated with flowering plants extending over the sides from a lappet band above a pink key-fret border around the foot and extending to a cloud collar border around the flared mouth, the interior and base glazed in turquoise, wood stand, 24.5 cm high
***
***
***
An inscribed landscape vase, 20th century, painted with lakeside pavilions on a continuous rocky shore with distant mountains, an inscription in black with three red seals, the base with a four character Juren Tang seal mark, 25 cm high
***
***
***
An inscribed landscape vase, 20th century, of tapering shouldered form, the sides painted with figures in a continuous lakeside setting with trees and thatched huts on the rocky shore, an inscription in black with a red seal on one side, the base with an iron-red seal Yitao Zhai, 37 cm high, Provenance: Sotheby's Melbourne, 29 July 2014, lot 155
***
***
***
A famille rose European subject snuff bottle, Qianlong mark, either side painted with a panel depicting a mother and child reserved on the reticulated gilt floral scroll ground, the neck and base part of the rotating cylinder to the interior, stopper, 7.5 cm high
***
***
***
A famille rose snuff bottle, painted with five boys playing in a fruiting peach tree, between underglaze blue formal borders, stopper en suite, four character mark, 7.5 cm high
***
***
***
An agarwood archer's ring, the exterior carved in relief with a bird perched among flowering peony branches, pewter case and cover stamped to the base, the ring 3.5 cm diameter
***
***
***
A gold splash bronze censer, Xuande mark, 19th/20th century, the squat sides set with two lion head handles, wood cover, 14.5 cm diameter
***
***
***
A famille rose Canton enamel saucer-dish, Qianlong seal mark, and of the period, painted with the wu fu in flight among flowering lotus borne on scrolling foliate stems, all reserved on the yellow ground and repeated on the underside, fitted box, 16 cm diameter, Provenance: The British Antique Dealers Association (label). Private collection, Queensland. Important Chinese Art & the Spring Auction Series, Mossgreen, Melbourne, November/ December 2011, lot 110. Private collection, Sydney. Bonham's Sydney, The…
***
***
***
A hardstone inlaid hexagonal wood box and cover, 19th/20th century, the cover inlaid in various hardstones and mother of pearl, with a pheasant perched on rockwork among flowering plants, the sides with panels of different flowering plants, 19 cm diameter
***
***
***
A bronze figure of Avalokitesvara Sadaksari, Nepal, 18th/19th century, the multi-armed deity seated in dhyanasana on a double lotus base supporting a flamiform mandorla, the principal hands in anjali mudra, 15.5 cm high, Provenance: Au Lion des Neiges, Sydney circa 1990. Property from a Private Collection
***
***
***
A grey stone stele of Vishnu, India, probably Pala period, 12th century, the four-armed standing figure in high relief, holding a gadha (mace) in his upper right hand, the lower in varadamudra with a tiny lotus in the centre of the palm, the upper left hand holidng a cakra(disc) and the lower left a conch, wearing a three-pronged tall crown topped by an amalaka, elaborate jewellery and a vanamala (floral garland) at his knees, with two female consorts Lakshmi and Sarasvarti holding a fly whisk and vina…
***
***
***
A pair of Ayutthaya-style bronze standing figures of Buddha, Thai, one holding an alms bowl, the other with hands held in front, both with tightly curled hair surmounted by a flamiform finial, the face with downward gaze, stands, each 110 cm high, Provenance: Masterpiece Gallery, Melbourne, 30 September 2003
***
***
***
An Indian sandstone carving of lovers (Mithuna), the figures standing in a close embrace, scantilly clad and adorned with jewellery, stand, 67 cm high, For an 11th century example from Madhya Pradesh, Khajuraho, Medieval period, Candella dynasty, see the Indian and Southeast Asian collection of the Cleveland Museum of Art, Cleveland, Provenance: Masterpiece Gallery, Melbourne, 4 October 2005
***
***
***
A pair of male figures, Dong Son style, Vietnam, each standing on a circular base with arms lowered and hands held in front, fitted stands, 41 cm high, Provenance: Borosoothai Antiques, Chiang Mai, Thailand, 17 September, 2012. Property from a Private Collection
***
***
***
A small bronze Mon-Dvaravati style figure of Buddha, standing, his left hand raised in vitarka mudra, his right in varada mudra, draped in a long sanghati, 21.5 cm high, Provenance: Borosoothai Antiques, Chiang Mai, 17 September 2012. Property from a Private Collection
***
***
***
An unusual intricately carved celadon jade figure of a mythical qilin, standing four square facing forward with jaws open, three chilong climbing over its back around the cylindrical support surmounted by a covered bowl with pierced dragon scroll handles and chilong knop, its body with archaistic motifs and coiled dragon tail, fitted box, 23 cm high overall, This lot is accompanied by a gem certificate
***
***
***
A gilt decorated spinach-green jade plaque, one side gilt with blossoming prunus and lingzhi fungus, the other with iris and rockwork, a poetic inscription above, all within the foliate and strapwork border, wood stand, the plaque 24 x 14.5 cm, 37.5 cm high overall
***
***
***
A white jade mounted silver mirror, Qing dynasty, the convex ovoid plaque carved in low relief with a bat in flight beside a fruiting peach bough, the handle formed by a belt hook surmounted by a chilong along the shaft confronting a dragon-head hook, the reverse with a circular knob for attachment, mounted as a hand mirror, box, 25.5 cm long
***
***
***
Two jadeite pendants, one of basket form surmounted by tree shrews with strings of cash among ruyi scrolls, the other of hollow rectangular section pierced with foliate scrolls, the pale stones with green suffusions, 5 cm and 5.5 cm
***
***
***
Two jadeite pendants, one carved with fish among lotus, carved from a translucent pale green stone, the other with chilong climbing over a gourd, carved from a pale icy stone with bright green suffusions, 5.5 cm long
***
***
***
Two jadeite 'dragon and fish' pendants, each carved in pierced relief from whitish stones with bright green suffusions, 5 cm and 6 cm long
***
***
***
Two jadeite pendants, one carved in pierced relief with a dragon pursuing a flaming pearl, the other with bats, tree shrew and cash, the whitish stones with emerald green and russet suffusions, 5 cm and 4.5 cm
***
***
***
Chen Wen Hsi (Chinese, 1901-1991), Squirrels, watercolour and ink on paper, signed and stamped upper right, 34.5 x 45 cm, Provenance: The Old & New Gallery, Singapore, 1988. Exhibited. Exhibition of Chinese Paintings by Chen Wen Hsi, The Old & New Gallery, Singapore, 1988
***
***
***
Chen Wen Hsi (Chinese, 1901-1991), Finches, watercolour and ink on paper, signed and stamped centre left, 33 x 42.5 cm, Provenance: The Old & New Gallery, Singapore, 1988. Exhibited. Exhibition of Chinese Paintings by Chen Wen Hsi, The Old & New Gallery, Singapore, 1988
***
***
***
Chen Wen Hsi (Chinese, 1901-1991), Herons, watercolour and ink on paper, signed and stamped upper left and lower right, 34 x 45 cm, Provenance: The Old & New Gallery, Singapore, 1988. Exhibited. Exhibition of Chinese Paintings by Chen Wen Hsi, The Old & New Gallery, Singapore, 1988
***
***
***
Chen Wen Hsi (Chinese, 1901-1991), Gibbons, watercolour and ink on paper, signed and stamped on upper right, 34 x 46 cm, Provenance: The Old & New Gallery, Singapore, 1988. Exhibited. Exhibition of Chinese Paintings by Chen Wen Hsi, The Old & New Gallery, Singapore, 1988
***
***
***
Chen Wen Hsi (Chinese, 1901-1991), Shrimps and Lotus, watercolour and ink on paper, artist's seal centre right and centre left, 40 cm diameter, Provenance: Acquired from the Artist's Studio, Singapore, 1977. Private Collection, Victoria
***
***
***
An eight panel gold-ground coromandel screen, 20th century, decorated with a pair of phoenix and groups of song birds in flight above flowering peonies, magnolia and other flowers growing from rockwork, the reverse with a pair of Mandarin ducks and pheasants beside lotus flowers, each panel 183 x 40 cm
***
***
***
A four-panel calligraphy screen, each panel 173 x 70 cm
***
***
***
A silk embroidered mother-of-pearl inlaid hardwood screen, Qing dynasty, 19th century, depicting Shou Lao holding a peach spray with his deer and two companions in a fenced garden with pairs of bats and cranes flying overhead, the frame inlaid with flowering and fruiting branches and supported on Buddhist lion feet; together with a Suzhou silk embroidered hardwood table screen depicting two cats crouched among grasses, the screen 86.5 cm high, 58 cm wide overall, the table screen 46 cm high, 42.5 cm wide…
***
***
***
A profusely carved hongmu display cabinet, of rectangular form, the cabinet fitted with a combination of tiered shelves with openwork carved borders of scrolling foliage, extending onto the corner supports, and surmounted by a similar arched openwork frieze, 158 cm high, 77 cm wide, 33 cm deep
***
***
***
A pair of teal-glazed ceramic stools, with reticulated bases, 50 cm high, the top 33 x 33 cm
***
***
***
A dark green lacquered wood altar table, 20th century, the top with raised ends above six drawers supported on corner legs joined by the shaped apron and with openwork flanges, 90 cm high, 297 cm long, 40 cm deep
***
***
***
A three-tier hardwood cabinet, 20th century, the upper two tiers with vertical spindle doors above a pair of drawers and lower two door cabinet, set with fish form metal pulls, 180 cm high, 90 cm wide, 42 cm deep
***
***
***
A red lacquered buffet, circa 1900, with two double doored cabinets above a dual pierced frieze raised on square form supports, 89 cm high, 129.5 cm wide, 48 cm deep
***
***
***
A hardwood altar table, 20th century, the rectangular top with scroll ends and a broad openwork apron of fruiting vine supported on four legs joined by stretchers, 107 cm high, 178 cm long, 43 cm deep
***
***
***
An elm console table, late 19th/20th century, the extended plank top with attractive patina above three frieze drawers with brass hardware, a shaped and relief carved skirt, supported on square section legs, 81.5 cm high, 190.5 cm wide, 53 cm deep, Provenance: Artemis of Hong Kong, 1997
***
***
***
A Japanese black and gold lacquered shrine, Butsudan, late Meiji period, of rectangular form, the upper section with two hinged bi-fold panel doors opening to reveal two inner bi-fold doors, the inner shrine with a series of shelves and plinths, all above three small drawers, the upper section with vertical cylindrical pillars below intricately carved decorative elements, housing a gilt figure of Buddha within a carved gilt wood gallery with bell pendants to either side, the lower section with three small…
***
***
***
A polychrome wood figure of a monk, 55 cm high
***
***
***
A wood figure of a six-armed Daikokuten (Mahakala), Muromachi period (1333-1573), 16th century, decorated in polychrome pigments, standing on top of a subdued demon, wearing layered robes and scarves, a necklace of skulls at his neck and snakes adorning each of his arms and ankles, eyes inlaid, 46.5 cm high
***
***
***
Rinpa-school, Cranes Alighting on a Rocky Island, ink and colour on silk, hanging scroll, bearing the signature Sakai Hoitsu and with one seal, 101 x 39.5 cm
***
***
***
Hideo Takeda (1948 - ), The Heike Clan escape from Kyoto, from the Genpei series, numbered 161/185 and signed, framed, 55 x 41 cm, 71.5 x 56 cm overall, Provenance: purchased Tokyo 1988
***
***
***
Hideo Takeda (1948 - ), The Fight for the Vanguard in the Uji River, from the Genpei series, inscribed Ep and signed, framed, 41 x 55 cm, 57.5 x 69 cm overall, Provenance: purchased Tokyo 1988
***
***
***
Y A silver, enamel and Shibayama vase, Meiji period, the sides inlaid with a bird on a blossoming bough and butterflies hovering over flowering plants, signature tablet to the base, 16.5 cm high
***
***
***
Two Japanese cloisonne enamel vases, Meiji period, comprising one with alternating colour ground panels of birds and insects on the black floral scroll ground; the other with decorative bands reserved on a floral scroll yellow ground, largest 16 cm high
***
***
***
Two cloisonne enamel vases, 20th century, each with floral decoration on pale green grounds, silvered mounts, 25 cm and 19 cm high
***
***
***
A large bronze tripod censer, late Meiji period/20th century, the sides decorated in relief with a dragon among swirling crested waves and set with double dragon-form loop handles, wood stand, 60 cm diameter
***
***
***
Y An ivory okimono of a seated scholar, Meiji period, holding an abacus in his left hand and a brush in the right, an open book at his feet and a fish basket to one side, the details well defined, a red signature tablet to the base, 7.5 cm high
***
***
***
Y An ivory paper knife, Meiji period, decorated in Shibayama style with wisteria and bamboo, the handle carved with a monkey reaching for a fruiting branch, 35 cm long
***
***
***
Y A carved ivory okimono of a farmer, Meiji period, standing, raking leaves with a chicken perched on his wicker basket to one side, signature to the base, 17 cm high
***
***
***
A cultured pearl and diamond necklace retailed by Schlager Jewellery, Comprising fifty three semi baroque cultured pearls of white, cream and pink hues and fine lustre measuring 9-9.5 mm individually knotted to an 14ct white gold clasp set with 86 round brilliant cut diamonds totalling 1.70cts, total length 580 mm.
***
***
***
A tanzanite and diamond ring, The oval cut tanzanite weighing 7.65cts, having a round brilliant cut diamond set to each shoulder totalling 0.32cts, 18ct white gold, 6.00gms.
***
***
***
An Antique French diamond bombe ring, The domed panel set with seven old European cut diamonds in a flower cluster formation. Finely pierced gallery and shoulders set with a small marquise blue sapphire. 18ct gold, total diamond weight: 1.00cts, total weight: 3.6gms, circa 1920.
***
***
***
A solitaire diamond ring, The round brilliant cut diamond of 0.74cts bezel set with a round brilliant cut diamond of 0.05cts moustache set to the under rail, 18ct white gold, 3.9gms.
***
***
***
A Ceylon sapphire and diamond ring, The oval cut sapphire measuring weighing 4.45cts four claw set above four round brilliant cut diamonds bezel set to each shoulder totalling 1.68cts, 14ct white gold, 10.30gms.
***
***
***
An Art Deco diamond and platinum double clip brooch, Handcrafted, of stylised geometric and pierced design, each clip comprising eight graduated round brilliant cut diamonds totalling 1.10cts, offset by four baguette cut diamonds totalling 1.00cts and a further 85 single cut diamonds weighing 2.70cts total. Crafted in platinum with removable frame, total diamond weight 9.60cts, total weight 35.7gms.
***
***
***
A pair of diamond corkscrew earrings, Each earring crafted in silver and set throughout with round brilliant cut diamonds totalling 1.00cts, total weight 10.23gms.
***
***
***
Hardy Brothers diamond drop earrings, Geometric openwork design grain set with round brilliant cut diamonds, suspended with five belcher link chain tassels bezel set diamonds, total diamond weight 1.25cts, 18ct white gold, total weight 8.6gms.
***
***
***
Hardy Brothers diamond pendant and Italian diamond necklace, The geometric openwork pendant grain set with round brilliant cut diamonds, having ten belcher link tassel drops set with round brilliant cut diamonds totalling 1.21ct set in 18ct white gold, suspended from a diamond set necklace comprising forty demi lune panels each grain set with seven single cut diamonds totalling 1.40cts, 18ct white gold, total weight 22.9gms, total length 415 mm.
***
***
***
A gold and opal triplet bracelet, Comprising six panels set with oval opal triplets cut en cabochon, claw set within openwork frames with brushed finish, 9ct gold, total weight 30.8gms, total length 185 mm.
***
***
***
An Art Deco diamond solitaire ring, Featuring an old cut diamond of 0.80cts, mounted in a pierced upswept frame set with twenty three small old mine cut diamonds, crafted in platinum 2.85gms.
***
***
***
A diamond dress ring, Centrally tension set with a princess cut diamond of 0.50cts, offset with smaller princess cut diamonds channel set to the shoulders, 18ct gold, 5.1gms.
***
***
***
An antique diamond and ruby brooch, The cartouche shaped pierced panel centrally set with an old cut diamond of 0.35cts set within a frame of carre cut rubies, finished with twenty six single and old cut diamonds to the scalloped border. Millegrain set throughout in platinum 6.10gms.
***
***
***
A pair of diamond studs, Each old cut diamond weighing 0.40cts, four claw set in 18ct white gold, total weight 1.67gms.
***
***
***
An early Victorian emerald and diamond ring, The dainty flower cluster featuring a step cut emerald surrounded by old cut diamonds and a small emerald to each shoulder. Crafted in 9ct gold, with glazed section to the reverse, 2.23gms.
***
***
***
An Art Deco diamond and sapphire ring, Early round brilliant cut diamond weighing 0.30cts, surrounded by thirteen carre cut synthetic sapphires, 18ct yellow and white gold, 2.6gms.
***
***
***
A solitaire diamond ring, The round brilliant cut diamond weighing 0.50cts, having finely grain set diamonds to the shoulders and gallery, all set in 18ct white gold, 3.55gms.
***
***
***
A Belle Epoque black opal and diamond pendant necklace, The solid black opal displaying a fine play of colour measuring 18.5 x 15.5 mm, surrounded by twenty four old cut diamonds in a scalloped frame totalling 1.20cts, suspended from a tapered pierced triangular frame with diamond leaf detail and a solitaire old cut diamond of 0.25cts, platinum and 18ct white gold, suspended from a 14ct and 9ct white gold trace chain, total weight 8.97gms, total length 470 mm.
***
***
***
A pair of antique solid black opal and diamond earrings, Each featuring a pear shaped solid black opal cut en cabochon measuring 18.0 x 8.3 mm, surmounted by an old cut diamond of 0.44cts millegrain set, screw fittings, 18ct white gold, total weight 4.23gms.
***
***
***
A pink diamond ring, The pear cut diamond of fancy intense pink purple colour weighing 0.20cts three claw set above a band of round brilliant cut white diamonds totalling 0,14cts, set in 18ct gold, 1.7gms.
***
***
***
An Art Deco style ruby and diamond ring, The cartouche shaped pierced plaque centrally set with a cushion cut ruby of 1.85cts highlighted by fifty four round brilliant cut diamonds, 18ct white gold, 3.6gms.
***
***
***
A diamond solitaire ring, The pear cut diamond weighing 4.60cts accompanied by an Auscert valuation stating colour K, clarity VS1, surrounded by a halo of round brilliant cut diamonds with further diamonds to the pierced gallery and split shoulders totalling 1.20cts, set in 18ct white gold, total weight 9.3gms.
***
***
***
A gold and enamel peacock brooch, Crafted in 18ct gold and highlighted with multi coloured enamel and six round brilliant cut rubies, 18.2gms.
***
***
***
An Italian gold, ruby and sapphire cocktail bracelet, The wide woven mesh bracelet, having four sapphire and ruby flower clusters applied with a row of cabochon rubies to the end, 18ct yellow gold with rhodium plating, total weight 100.77gms, total length 205 mm.
***
***
***
A diamond dress ring, Centrally set with a princess cut diamond of 0.58cts, having princess and round brilliant cut diamonds set to the shoulders totalling 0.53cts, 18ct white gold, 7.6gms.
***
***