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Auction House:McKenzies AuctioneersNumber of lots recorded:208
Sale Title:Art & CollectablesLots with images:208
Auction Location:PerthPrices available:131
Date:23-May-2023
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Evgeni Alexandrovich Lanceray, Troika 1848-1886 a very fine gilt bronze group, Russian, 19th century, of 3 horses pulling a sled, a small child seated to the front with a bearded Cossack holding reigns, an attendant by his side, two wolves attacking the horses to the front. On naturalistic oval base with green varieagated marble plinth. Slight corrosion to parts of the gilt. Signature for Lanceray and the foundry mark for Chopen. 25 x 45 x 19 cm Provenance: Harlequin Antiques receipt.
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Henri Desire Grisard 1872-' 'Comedy and Tragedy' an Art Deco bronze female figure, depicted holding the eponymous masks. On an onyx base, signed 'Grisard'. 47 cm. Provenance: A Lauder & Howard price brochure and receipt.
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Silvered filigree brass jewelry box of square form and a slightly bulbous lid, lined in velvet, the whole resting on paw feet. 8.5 x 17 x 17 cm
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Gang: C.1907 Regal post card the Kelly Gang - from an original photograph. Steve Hart, Dan Kelly, Ned Kelly'. Taken from an original c1870 photograph and printed in Malta. Rare, apparently less than 20 examples known. (Mis-titled; Ned is in the centre. One example, in poor condition, is in the National library of Australia)
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A 9ct gold propelling pencil having the inscription 'The mascot Regd', hallmarked 9ct gold, Birmingham 1935, maker's mark E.B. For E Baker & Son, 20.47g.
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Brass clock stand a rectangular stand, having extensive enamel work to the aprons, the whole resting on heavily stylised griffin legs and feet.
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Rene Lalique for D'Orsay, a 'Trois Figuri' glass box model D'Orsay-Box-1, designed circa 1913, sepia stained and frosted, with 3 dancing figures on the top of the lid with garlands extending around the sides of both pieces. Moulded marks R Lalique, D'Orsay, 9.5 cm diameter
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Two mats Jonasson glass sculptures the first depicting deer - a buck and a doe. The second from Jonasson's 'Signature Series', depicting two leaping dolphins, the item in its original case. 17 cm and 20 cm. (2)
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Rene Lalique designed 'Clematite' box and a Rene Lalique cream pot 'La Jacee' Clematite is French for Clematis, a flowering vine or herb of the buttercup family, depicted on the lid. This box, designed by Rene Lalique, was produced by Coty. 8 x 4 cm. Also a Rene Lalique cream pot 'La Jacee' having a foliate pattern to the lid. Designed by Lalique for Coty. 7 cm. (2)
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Rene Lalique box 'Helene' Helene is French for Helen. Assumed to be Helen of Troy. She was the Homeric daughter of Zeus and Leda, the abducted wife of Menelaus, and the cause of the Trojan war. Having four panels depicting Helene. Marcilhac 635 c.1942. 7 x 11.5 cm
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Rene Lalique vase 'Domremy' frosted and lightly opalescent glass, having a thistle motif. Domremy is in the name of a few places in France. The most historically interesting is the tiny village of Domremy-la-Pucelle 200 miles East of Paris. It started out life as just Domremy, but around the year 1580 its name was changed to Domremy-la-Pucelle in honor of the nickname 'La Pucelle d'Orleans' that belonged to its most famous native citizen: Joan of Arc. Marcilhac 979. C.1926. 21 cm
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A scarce Louis Majorelle/Daum-Nancy iron mounted Art Deco vase from the famous furniture maker, this Daum Nancy/Louis Majorelle collaboration, c. 1925, of bulbous and humped form with indented shoulder and short neck. Openworked iron mount in a multi-zone construction, divided by 7 vertical profile struts and a broad shoulder ring, decorated with stylised floral decor and bronze highlights. The body blown in colourless glass with red-brown powder melting. In 1890 Majorelle founded a workshop for metal,…
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Bohemian cut glass vase with a crenellated rim above a slim baluster body, the upper part in gilt stylised foliage, the lower section in cut glass and blue painted highlights, raised on a spreading foot with blue panels. 36.5 cm
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Pair of rare Baccarat cameo vases bronze mounted large deep red vases, the black case acid cut to produce a 'Chinoiserie' pattern. Including the bronze stands 31 cm. (2)
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Twelve glass tulips and a vase in various colours, likely Czechoslovakian, early 20th century. Six small 18 cm and six large 32 cm. (13)
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Set of Monart and Vasart pink tone scalloped glass a large vase 20 cm, a bowl 10 x 21 cm, and a small bowl 5 x 12 cm. (3)
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Set of pink tone Vasart and Monart glass items a large vase 20 cm, a bowl 6 x 20 cm, and a small tophat vase. (3)
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Two Queen Anne style 'Love Sofas' and three Queen Anne style armchairs walnut framed upholstered, featuring scalloped edging throughout, scrolling foliate carving on Queen Anne legs, velveteen light grey upholstery on four pieces, and closely matching scalloped upholstery on the second sofa. 104 x 128 x 58 cm deep. (2) and the chairs 100 x 66 x 60 deep. (5)
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South African Stinkwood chair a 19th century chair, having a curved bar back, a barley twist cross rail, the whole resting on arrow feet.
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Sheraton style 19th century mahogany 'X' back chair having a reeded frame, and 'X' shaped backsplat, turned and reeded legs on arrow feet.
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Four Regency mahogany chairs curved bar backs, Grecian-influenced cross rails, tacked leather upholstery, all resting on turned legs and arrow feet. C.1830. (4)
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Anglo/Colonial padouk armchair a c.1,850 example, curved bar back, carved cross rail, braided upholstery, tapered and turned legs on castors.
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WA jarrah 'Single Plank' side table c.1870's. Illustrated in the Tim Harris book, 'Colonial furniture of Western Australia 1829-1910' p.430, Illustration #5.19. 76 x 89 x 57 cm.
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Hepplewhite style sofa a 20th century, mahogany 'Camel back' three-seater, good upholstery, square stretchers and block feet.
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19th century mahogany writing desk of petit proportion, having two drawers, a 3/4 wooden gallery, resting on turned legs and turnip feet. 71 x 106 x 54 cm. The gallery 91 cm.
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American rosewood work table an early 19th century example with a fitted interior, pierced folding handle, turned legs and a stretcher in the form of a shelf.
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A 19th century Sheraton style mahogany sideboard having an oak carcass under a mahogany body, this very fine six legged, serpentine fronted Victorian sideboard has a brass gallery, rosewood crossbanding, stringing, inlaid spandrels over burr timber panels, all resting on square tapering legs over spade feet. 128 x 153 x 61 cm
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Victorian ebonised plant stand an ornate small round table, having a pierced brass gallery, hanging swag chains, and a round stretcher topped by a finial. A plant would rest on the centrally mounted ceramic plate. 74 x 41 cm
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Brass standard lamp - 'Griffins'. Late 19th century having an ornate central column, the whole resting on a tripod base in the form of stylized griffin birds, later electrified. 173 x 51 cm
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A West Australian Colonial jarrah miner's couch mid to late 19th century, having a Regency scroll back and turned rails. 100 x 200 x 62 cm
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A larger West Australian Colonial jarrah miner's couch mid 19th century, having a Regency scroll back with rolling pin top and turned rails. 92 x 210 x 62 cm
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19th century French carved music cabinet a Victorian two door music cabinet. Late 19th century. Having an oak carcass with a substantial walnut casing and applied carved adornments. With a white marble top, two doors opening to a satinwood shelf and two small drawers. Four full length drawers below, all with working locks. The whole framed by reeded columns, resting on turnip feet. 151 x 85 x 46 cm
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Northern Italian rosewood inlaid cabinet an 1860's example from the north of Italy, this spectacular piece is intensly decorated in geometric motifs of ebony and bone. Having two upper glass doors and two mirror backed shelves over two lower doors, the whole resting on stepped Marlborough feet. 200 x 123 x 49 cm
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Late 19th century French ormolu mounted bureau plat a fine and imposing desk, in the manner of Jules Allard. Richly decorated with gilt bronze mounts displayed against diagonally grained kingwood veneers, enhanced with banding, over an oak carcass. The serpentine top having a leather insert with tooled gilt embellishments to the borders, edged with cast rococo crested trim. The sweeping apron fitted with three drawers to one side, and corresponding dummy drawers to the other, raised on fine triangular…
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An exceptional Louis XVI style ormolu mounted sideboard in breakfront form, from kingwood diagonal veneers and rosewood, having a white marble top with good veining, four upper drawers over four doors, all with working locks. Extensive ormolu mounts and swags. With a label for 'Matteau of Paris', a specialist firm in mounts and marbles. C.1890. 109 x 215 x 54 cm
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Regency period brass inlay sofa table the rounded rectangular twin-flap top, above concealed frieze drawer, all inlaid with cut brass, the rectangular pedestal on conforming plinth with four swept legs ending in brass paw feet on castors. 73 x 150 x 71 cm
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Small Regency mahogany side table having brass inlay(small piece missing), crossbanding, inlaid tapering legs, all resting on arrow feet. 86 x 87 x 40 cm
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Muller Freres standard lamp with an Edgar Brandt style stand c.1930second quarter 20th century, with an orange and aubergine mottled shade signed 'Muller Freres Luneville', with their stenciled mark, the handsome cast iron base with three elements ending in a tripod base with draping vines, in the style of Edgar Brandt and possibly from his atelier. 159 cm
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A superior Victorian Two-Drawer fold-over card table having a quartered matched burr walnut veneer top, with stringing and burr banding, folding open to a green baize playing surface with two token containers, over two straight supports united by a turned stretcher and raised on shaped, scrolled feet. 72 x 88 x 46 cm
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A scarce library Chair/Folding ladder an unusual colonial era, Western Australian, jarrah metamorphic library chair with ladder back and folding frame. C.1900. Chair height: 89 cm. The ladder top step 88 cm
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Early 20th century 'Aesthetic' style music cabinet of English origin, a walnut cabinet of superior quality. A carved cornice over two doors, carrying eight panels of Japanese influenced bone and mother-of-pearl foliate inlay. Three adjustable shelves over ten vertical music sheet storage bays, the whole resting on block feet. 156 x 105 x 42 cm
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A trench art 25LB shell casing and a 9 carat gold Western Australian sweetheart brooch the shell case formed in an Arts & Crafts style, having a pinched waist and hammered rims, the top with 'Glasgow Roses' and a cartouche inscribed for the battle of 'Villers-Bretonneux'. 19 cm. The brooch by Western Australian jeweller Doig & horn of Fremantle in the early 20th century. The front engraved 'From black boy hill (army camp) Lest We Forget'. The obverse 'Dear mother from Will' (2)
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Persian tribal Gabbeh rug a very good example from the Zagros mountains of Iran. The weavers employ squares, simple flowers, geometric animals and stick figures to create unique, charming scatters. Most examples are no older than the early 20th century. This example features a 2.5 cm pile and weighs 10.7kg. 160 x 94 cm
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