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Articles on this Sale

Auction House:Leski Auctions Pty. Ltd.Number of lots recorded:638
Sale Title:Decorative Arts & Collectables, Session IILots with images:629
Auction Location:MelbournePrices available:479
Date:19-Mar-2023
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An antique Chinese hand-carved gilt and polychrome decorated boat god, 19th century. Together with a framed double happiness Chinese coin display
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A Chinese dragon vase on stand, a Japanese bronze and cloisonne vase, and a Japanese porcelain vase, 20th century (3 items), the largest 26 cm high overall
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Satsuma antique Japanese earthenware vase with gilt decorated highlights, 19/20th century, gold seal mark to base, 18.5 cm high
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A fine Japanese lacquered box with calligraphy set, Meiji period, 20th century, 5 cm high, 20 cm wide, 24.5 cm deep
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Japanese carved ivory netsuke, together with a pair of Japanese ivory circular trinket boxes, Meiji period, 20th century, (3 items), the boxes 5 cm diameter
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A Japanese bronze vase with silver and copper inlay, 20th century, seal mark to base, 20 cm high, 26 cm wide
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A Japanese lacquer ware box with shibayama decoration, Meiji period, 19th/20th century, 8 cm high x 16.5 cm wide x 16.5 cm deep
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A fine antique Japanese bronze vase with koi carp decoration, Meiji period, signed on the side with additional Japanese inscription to base, 37 cm high
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An antique Anglo-Ceylonese writing slope with specimen wood inlay, 19th century, finely crafted with two separate secret compartments fitted with drawers, 16 cm high, 44 cm wide, 26 cm deep
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A Thai seated Buddha statue, cast metal with silvered finish, 20th century, together with a pair of Chinese porcelain foo dogs, (3 items), 26.5 cm high
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J.G. Wooding (engraver), 'A view of the inside of a Winter-Habitations, in Kamtschatka', copper engraving, published by Alex'r Hogg, 1784-86, for Anderson's Cook's Voyages', overall 24.5 x 39 cm.
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Wooding, engraving, 'A man of Kamtschatka travelling in winter, the sledge being drawn by dogs, accurately engraved for Andersen's large folio edition of the whole of Captain Cook's voyages and complete' 24 cm x 36 cm J G Wooding (engraver), 'A man of Kamtschatka travelling in winter, the sledge being drawn by dogs', the text continues at top: 'Accurately engraved for Andersen's large folio edition of the whole of Captn Cook's voyages &c. Complete.', published by Alex'r Hogg, 1784-86, overall 24.5 x 39 cm.
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Taylor (engraver), 'A view of the town and harbour of St. Peter and St. Paul, in the Kamtschatka', copper engraving, published by Alex'r Hogg, 1784-86, for Anderson's Cook's Voyages', overall 24 x 39 cm.
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Thornton (engraver), 'A view of the summer and winter Habitations, in Kamtschatka', copper engraving, published by Alex'r Hogg, 1784-86, for Anderson's Cook's Voyages', overall 24 x 39 cm.
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John Lodge Cowley (engraver), 'An Accurate Representation of sea horses, which CAPTn cook met with, in his third voyage on the ice, near the West coast of North America, nine of which animals were shot by his order & used for fresh Provisions', copper engraving, published by Alex'r Hogg, 1784-86, for Anderson's Cook's Voyages', overall 24.5 x 39 cm.
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Isidore Stanislas Helman (1743 - 1806), Fete Donnee Aux Viellards Par L'Empereur Kien-Long, Le 14 Fevrier 1785, (feast for Elders given by emperor Kien-Long), pair of copper engravings, text including engraver, date, 1788, title and caption in plate above and below image, 30.8 x 43.3 cm (approx. Each).
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Samuel Bourne (1834 - 1912), India: 'High Caste Hindoos' (also seen with title 'Cashmere : a group of men', albumen print, circa 1865, laid down on album page and titled in manuscript, 25 x 28.5 cm (image), Samuel Bourne was a British photographer known for his prolific seven years' work in India, from 1863 to 1870. Together with Charles shepherd, he set up Bourne & shepherd first in Shimla in 1863 and later in Kolkata
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Samuel Bourne (1834 - 1912), India: 'Mussulmans', albumen print, circa 1865, laid down on album page and titled in manuscript, 23 x 29.5 cm (image).
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Samuel Bourne (1834 - 1912), India: 'Group of Mohammedans', albumen print, circa 1865, laid down on album page and titled in manuscript, 22.5 x 29 cm (image).
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Samuel Bourne (1834 - 1912), India: 'Group of Parsees', albumen print, circa 1865, laid down on album page and titled in manuscript, 22.5 x 29 cm (image).
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Samuel Bourne (1834 - 1912), India: 'Parsee Merchants', albumen print, circa 1865, laid down on album page and titled in manuscript, 22.5 x 29 cm (image).
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Photographer unknown, 'Daibatsu, near Tokio, Yokohama', albumen paper photograph, circa 1870s, laid down on titled album leaf, 21 x 27 cm.
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Pascal Sebah (1823-1886), group of six studio portraits, circa 1875, albumen paper photographs laid down on cards, one titled 'Circassien', another 'Dame turque voilee', etc, each 14 x 10 cm approx. (6), Pascal Sebah (1823-1886) was born in Constantinople to a Syrian Catholic father and an Armenian mother. In 1857 he opened his first photography studio in Constantinople and by 1873 was successful enough to open another studio in Cairo.
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Asia: a group of albumen paper prints, some hand coloured, depicting various subjects including a Bengalla dancing girl (by Lambert), mass bone burial pits, Hong Kong public gardens, the Protestant Cemetery Hong Kong, a panorama of Hong Kong, plus several others. Various sizes. (9 items).
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Gustave Richard Lambert, (Singapore river hut dwellers), albumen paper print, circa 1880s, photographer's blind stamp on image lower right, 21.5 x 27.5 cm, laid down on card, Lambert arrived in Singapore in 1875, where he sat up a studio on Orchard Road. He was a prolific photographer of Singapore, Borneo, Malaya, Siam and china.
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Photographer unknown, Queens Road, central, Hong Kong, albumen paper print, circa 1880s, 20 x 26.5 cm, laid down on album page.
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Photographer unknown, 'Newbridge Road, S'pore', albumen paper print, circa 1880s, titled in the plate, 16 x 21.5 cm, laid down to album page.
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Gustave Richard Lambert, Malay Gamelong, 155, albumen paper print, circa 1880s, photographer's blind stamp on image lower right, titled in the plate at lower left, 21.5 x 27.5 cm, Lambert arrived in Singapore in 1875, where he sat up a studio on Orchard Road. He was a prolific photographer of Singapore, Borneo, Malaya, Siam and china.
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Gustave Richard Lambert, (Singapore river hut dwellings), albumen paper print, circa 1880s, photographer's blind stamp on image lower right, 21.5 x 27.5 cm, laid down on card.
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Gustave Richard Lambert, market view, 31, albumen paper print, circa 1880s, photographer's blind stamp on image lower right, titled in the plate at lower left, 21.5 x 27.5 cm
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Gustave Richard Lambert, Teutonia club, S'pore .40, albumen paper print, circa 1880s, photographer's blind stamp on image lower right, titled in the plate at lower right, 20.5 x 27.5 cm, the Teutonia club, Singapore. Established in 1856, the club was an elite enclave for the German community in Singapore until 1914 when the first World War broke out. In 1918 it was bought by three Iraqi-Jewish Brothers from the Manasseh family, who turned it into the Goodwood park Hotel.
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Gustave Richard Lambert, Singapore & Malaya Images: albumen paper prints, circa 1880s, photographer's blind stamp on image lower right, all titled in the plate, approx. 20.5 x 27.5 cm. (6), Titles 'Entrane to Cairnhill, S'pore', 'Sago Plantation; 'Coffee Plantation';'Cocoanut Plantation'; 'Rattan' & 'Singapore Fruits'.
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Gustave Richard Lambert, Malaya women: albumen paper prints, circa 1880s, photographer's blind stamp on images at lower right, all titled in the plate, approx. 26 x 21.5 cm. (4).
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Gustave Richard Lambert, Asia: albumen paper prints, circa 1880s, one depicts a female mat maker, the other titled 'Javanese Hadju';, photographer's blind stamp on images at lower right, approx. 20.5 x 27.5 cm & 28 x 21 cm. (2).
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Augustine E. Dyer - British New Guinea, fifteen original albumen photographs, taken during the Expedition of the Australian squadron to south-east New Guinea, October - December 1884. Dyer was the Australian Government Printing office photographer who went to British New Guinea with John Paine (a studio photographer), for the purpose of recording the British annexation of the territory. He travelled more extensively with Paine in 1884 through Papua New Guinea visiting port Moresby, Motu-Motu, Kerepunu,…
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Hong Kong: a fine group of hand coloured albumen paper prints, circa 1880s, most annotated verso, approx. 20 x 27 cm, scenes include harbour views, street scenes, the cricket ground & city hall, Queens Road, etc, (12 items; individually mounted for display).
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China: a fine group of hand coloured albumen paper prints, circa 1880s, approx. 20 x 27 cm, scenes include street scenes and studio shots, (5 items; individually mounted for display).
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West & Son (Southsea & Gosport), (yacht race; Daphne leading Nave), albumen paper print, circa 1885, blind stamp to lower right corner, 18.5 x 23.5 cm.
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West & Son (Southsea & Gosport), a collection of yachting images, all with the yachts identified verso, albumen paper prints, circa 1885, blind stamps to lower right corners, mostly approx. 18 x 23 cm. (12 items).
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West & Son (Southsea & Gosport), a collection of yachting images, all with the yachts identified verso, albumen paper prints, circa 1885, blind stamps to lower right corners, approx. 23 x 28 cm. (8 items).
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Hong Kong: group of three hand coloured albumen paper prints, comprising Wellington Barracks, Queens Road; Tramway to Victoria Peak; and a view on Victoria Peak. (3 items). All approx. 21 x 27 cm.
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Japan: Sumiyoshi bridge, Osaka, albumen paper print, circa 1880s, 21.5 x 27.5 cm; laid down on album page.
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John Thomson (Scottish, 1837 - 1921), attrib, Chinese marine temple, Macao, albumen paper print, circa 1890, 20 x 26.5 cm; laid down on backing paper.
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Middle East: two images, circa 1890, 'Marchands de tapis turcs', and, 'Station de Chameaux, Smyrna', albumen paper prints laid down back-to-back on a single album page, both approx. 20 x 27 cm. (2).
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