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Fine Furniture, Silver, Asian and Decorative Arts — Shapiro Auctioneers

Auction House:Shapiro AuctioneersNumber of lots recorded:380
Sale Title:Fine Furniture, Silver, Asian and Decorative ArtsLots with images:366
Auction Location:SydneyPrices available:256
Date:4-Apr-2023
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Royal Worcester twin-handled porcelain potpourri, by John Stinton, c. 1907, shape 1515, moulded with Renaissance style ornament at the neck and base, the blush ivory ground painted with a group of cattle, printed factory marks to underside, artist's signature to side, height 20.5 cm. Provenance: Private Collection, Tas.
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Royal Worcester twin-handled porcelain vase, by Harry Davis, c. 1909, shape 2059, with two dragon loop handles, the blush ivory ground painted with a group of sheep beside a lake, printed factory marks to underside, artist's signature to side, height 32 cm. Provenance: Private Collection, Tas.
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Royal Worcester porcelain vase and cover, by Stinton, c. 1924, shape F100, painted with a group of highland cattle in early morning light against a blush ivory ground with gilded highlights, printed factory marks to underside, height 33 cm. Provenance: Private Collection, Tas.
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Royal Worcester tall slender porcelain vase, by John Stinton, early 20th century, shape 281, painted with a group of highland cattle beside a loch in early morning light against a blush ivory ground, printed factory marks to underside, artist's signature to side, height 26.5 cm. Provenance: Private Collection, Tas.
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Royal Worcester small porcelain vase, by Stinton, early 20th century, shape 2510, painted with two highland cattle in a misty mountainous landscape against a blush ivory ground, printed factory marks to underside, artist's signature to side, height 10.5 cm. Provenance: Private Collection, Tas.
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Royal Worcester twin-handled porcelain potpourri, by Charles Baldwyn, c. 1903, shape 1515, moulded with Renaissance style ornament at the neck and base, the pale blue ground painted with a group of swans in flight and the reverse with swallows, printed factory marks to underside, artist's signature to side, height 24 cm. Provenance: Private Collection, Tas.
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Pair of Royal Worcester porcelain ewers, by Charles Baldwyn, c. 1899, shape 1309, each moulded with Renaissance style ornament at the neck and base, the pale blue ground painted with a group of swans in flight and the reverse with swallows, printed factory marks to undersides (2), height 40 cm. Provenance: Private Collection, Sydney
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Set of twelve Royal Worcester porcelain cabinet plates, by G. H. Evans, c. 1919, each painted to the centre with a landscape scene depicting trees and figures by a river, in the manner of Corot, signed 'G H Evans', reserved on a blue ground embellished with gilded motifs, printed factory marks to undersides, with dust bags (12), diameter 26 cm. Provenance: black, Starr & Frost, Jewelers & Silversmiths, fifth avenue, New York. Private Collection, Sydney
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Royal Worcester porcelain Twin-handle vase and cover, by a. Watkins, 20th century, shape G1045, painted with roses against a blush ivory and gilt ground, printed factory marks to undersides, together with a pair of Royal Worcester porcelain bulbous vases, painted with roses, shape 302, printed factory marks to undersides (3), height 17.5 cm (pair). Provenance: Private Collection, Tas.
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Royal Worcester porcelain ewer, by Sedgley, 20th century, shape 242, painted with roses against a blush ivory and gilt ground, printed factory marks to underside, artist's signature to side, height 36 cm. Provenance: Private Collection, Tas.
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Royal Worcester porcelain bowl, c. 1912, shape 1453, painted with roses against a blush ivory and gilt ground, printed factory marks to underside, artist's signature to side, height 13 cm diameter 25 cm. Provenance: Private Collection, Tas.
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Pair of Royal Worcester Nautilus vases, c. 1879, slipcast glazed porcelain in the shape of shells sitting on coral, gilt, retaining factory stamps to bases (2), height 22 cm. Provenance: private Estate, Tasmania
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Two Royal Worcester porcelain figures, post 1960, model 1774, depicting a maiden holding a pot in her right hand and a printed factory marks to undersides (2), approx. Height 18 cm. Provenance: Private Collection, Tas.
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Pair of Royal Worcester porcelain Aesthetic movement vases, c. 1878, each vase with elephant form handles, decorated in gilt with birds and bamboo in gilt against an ivory ground, printed factory marks to undersides (2), height 17 cm. Provenance: Private Collection, Tas.
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Royal Worcester porcelain Aesthetic movement moon flask vase, c. 1870, twin-handled moon flask vase decorated with gilt ducks, dragonflies and plants against a red ground, printed factory marks to underside, height 21.5 cm. Provenance: Private Collection, Tas.
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Wedgwood flame Fairyland lustre pare bowl, by daisy Makeig-Jones, c. 1925-1930, pattern Z5481, of octagonal shape, the exterior decorated with Woodland Elves, the interior with jumping fauns and elves to a sunset orange sky, printed mark to underside, minor hairline, height 9 cm width 18.3 cm
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Pair of Royal Doulton Stoneware vases, by Maud Bowden, c. 1922, of baluster form with squared shoulders and flared rim, beaded relief decoration of hearts and circles, artist's signature and factory stamp to bases (2), height 36 cm. Provenance: Private Collection, Sydney
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Pair of Doulton Lambeth stoneware vases, by Florence Barlow, 1879, of baluster form with elongated neck and flared lip, carved sunken relief of leaf patterns with raised beading, artist's signature, factory and date stamp to bases (2), height 31.5 cm. Provenance: Private Collection, Sydney
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Set of three Doulton Lambeth stoneware spirit flasks, c. 1883-84, square bases with rounded shoulders decorated in raised relief of leaves, each handle with tubelined letter, one with B for brandy, G for gin, and Iw for Irish whiskey, brass stoppers, date and factory stamps to bases, the gin bottle with hairline cracks from firing (A/F) (3), height 23 cm. Provenance: Private Collection, Sydney
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Pair of Doulton Lambeth stoneware vases, by Hannah Barlow, c. 1900, of baluster form with flared bases, each decorated with a unique sgraffito central band of a scene of lions in a landscape, artist's signature incised to bases, factory rosette mark stamped to bases (2), height 23.5 cm. Provenance: Private Collection, Sydney
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Royal Doulton Art Nouveau stoneware vase, by lily Partington, c. 1922, of cylindrical shape with flared base and swollen lip, tubelined and beaded raised relief decoration of flowers, artist's signature and factory stamp to base, height 33 cm. Provenance: Private Collection, Sydney
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Royal Doulton Art Nouveau stoneware vase, by lily Partington, c. 1923, of cylindrical shape with bulbous low shoulder and flared lip, tubelined and beaded raised relief decoration of flowers, artist's signature and factory stamp to base, height 24 cm. Provenance: Private Collection, Sydney
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Pair of Doulton Lambeth stoneware vases, by Hannah Barlow and Frances E. Lee, c. 1891-94, of baluster form with flared bases and elongated necks, each decorated with a unique sgraffito central band of young girls amongst sheep in a landscape, artists' signatures incised to bases, factory rosette mark stamped to bases (2), height 32.5. Provenance: Private Collection, Sydney
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Chantilly porcelain pomade pot, c. 1740, finely painted with floral specimens and insects in the Meissen style, the cover surmounted by a floral finial, height 9.5 cm. Provenance: J M Bealu & Fils, rue du Bac, 75007, Paris, Private Collection, Qld
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Chantilly porcelain Kakiemon fluted saucer, c. 1735-40, the chrysanthemum-shaped moulded plate painted with two Chinese children, one carrying a basket and the other seated holding a fan, restored, diameter 13.5 cm. Provenance: Private Collection, Qld, reference: Cf. For comparison the lady Cynthia Postan collection, E & H Manners, May 2015, n. 19
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Chantilly porcelain Kakiemon sauce tureen, c. 1745, of quatrefoil shape, the cover decorated with moulded acanthus leaves, and surmounted by a floral finial, the sides of the tureen and the under-plate painted with floral sprays and insects, with brown rim, iron-red hunting horn mark to undersides (2), height 10 cm width 15.7 cm (tureen); length 24.5 cm (plate). Provenance: Private Collection, Qld, reference: Cf. For comparison a similar tureen in the collection of the Chateau de Chantilly Museum, France.…
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Chantilly porcelain covered sugar bowl, c. 1760, the cover surmounted by a rose finial and painted in blue with flowers, the twin-handle pot painted with a bucolic landscape in the Vincennes style to one side and floral spays to verso, iron-red hunting horn mark to underside, minor chips to rose finial, height 11 cm diameter 9 cm. Provenance: Private Collection, Qld
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Chantilly porcelain tea bowl and saucer, c. 1775, painted in underglaze blue with rocks and foliage in the Chinese manner, with stylised blue hunting horn mark to undersides (2), height 5 cm diameter 9 cm; diameter 12.5 cm (saucer). Provenance: Private Collection, Qld, reference: Cf. For comparison Genevieve Le Duc, Porcelaine Tendre de Chantilly au XVIIIeme Siecle, 1996, p. 285 and the collection of Musee des Arts Decoratifs in Paris
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Chantilly porcelain Kakiemon mustard pot and cover, c. 1745, in the form of a hooped barrel with scroll handle, finely painted with an oriental figure seated in a scallop shell being drawn by a swan before another figure riding a brown swan and holding a parasol, iron-red hunting horn mark to underside, the associated cover is of the same period and in a related style of painting, height 7.6 cm. Provenance: Pierre de Regaini, 6 Rue de Beaune, Paris, December 1959, the lady Cynthia Postan collection, E & H…
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Chantilly porcelain figural group of the Hotteux couple, c. 1750, each realistically modelled as flower or vegetable sellers carrying a basket on their backs, restored (2), approx. Height 28 cm. Provenance: Private Collection, Qld, reference: Cf. For comparison collection of the V&A and David collection in Copenhagen
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Chantilly porcelain wine cooler, c. 1775, with two scroll handles, painted in overglaze blue with floral sprays, blue hunting horn mark and incised 'J B W', hairline crack to one side, height 16.5 cm width 25 cm. Provenance: Private Collection, Qld
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Chantilly porcelain octagonal dish, c. 1735-1745, painted with panels of sunflowers and trophies flanked by panels of red foliage in the Japanese taste, iron-red hunting horn mark to underside, width 14 cm. Provenance: Private Collection, Qld, reference: this pattern is rare and while it has adopted the Japanese design, the flowers are Sunflowers, the symbol of France.
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Chantilly porcelain Kakiemon fluted dish, c. 1735-1740, circular with scalloped edge and fluted border, painted with three friends of winter pattern depicting pine, bamboo, and plum branches, diameter 13.5 cm. Provenance: C. Perles antique ceramic. Private Collection, Qld
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Mennecy porcelain milk jug and cover, c. 1750, painted with flowers and birds, the cover with a rose finial, minor chip to cover, incised to underside 'D V' for the Duc de Villeroy, height 12 cm width 7 cm. Provenance: Darblay collection. Private Collection, Qld, reference: this important collection of Mennecy porcelain was formed in the 19th century by the Darblay family, especially Ayme-Henri Darblay (1854-1899). He published the reference book, Villeroy, Son Passe, SA Fabrique de Porcelaine et Son Etat…
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Mennecy porcelain tureen and Underplate, c. 1750-60, of quatrefoil shape, the cover with apple finial (restored), painted with garden flowers including roses and tulips, incised 'D V' to the undersides for the Duc de Villeroy, height 8 cm width 14.5 cm depth 12.5 cm; width 21.5 cm (stand). Provenance: Darblay collection, Robert Mcpherson Antiques, London. Private Collection, Qld, reference: this important collection of Mennecy porcelain was formed in the 19th century by the Darblay family, especially…
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Mennecy porcelain milk jug, c. 1750-60, of baluster form with green scroll handle, painted with floral sprays after the Sevres model, raised on three green feet modelled as branches, incised 'D V' to the underside for the Duc de Villeroy, height 10.5 cm. Provenance: Private Collection, Qld
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Mennecy porcelain sugar bowl and cover, c. 1750-60, the bowl painted with groups of fruits, the cover similarly decorated and surmounted by a rose, cover restored, incised 'D V' to the underside for the Duc de Villeroy together with two Mennecy porcelain coffee cups and saucers (3), height 12 cm diameter 10 cm; height 6 cm diameter 11.5 cm (saucer); height 5 cm diameter 11.5 cm. Provenance: Private Collection, Qld
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Pair of Mennecy porcelain campana vases, c. 1755-60, each campagna vase painted with floral sprays, standing on a rectangular concave plinth decorated with moulded acanthus leaves and painted with floral motifs, incised 'D V' to the undersides for the Duc de Villeroy (2), height 14.5 cm. Provenance: Private Collection, Qld
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Two knives with porcelain handles, c. 1740-50, with soft-paste porcelain handles by Villeroy decorated with polychrome Chinoiserie motifs of flowers, pagodas and boys holding fan and parasol, silver ferrules and steel blades, marked (2), approx. Length 20 cm. Provenance: Private Collection, Qld
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Saint-Cloud porcelain Pot-pourri vase, c. 1720-1730, of fluted baluster form with pierced shoulder, applied with garlands of flowers, on a rocky base with a bird perched among further flowering and fruiting vines, restored, missing cover, height 24 cm. Provenance: Private Collection, Qld
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Saint-Cloud porcelain Pot-pourri, c. 1745, the ovoid body with circular openwork to shoulders, surrounded by blue and red enameled petals, decorated with applied flowers enameled in Kakiemon style colours, the replacement cover surmounted by a floral finial, height 14 cm width 11 cm. Provenance: Private Collection, Qld, reference: Cf. For comparison a similar pot-pourri, item M.2010.51.2Ia-b, gift from Marylou Boone to the Los Angeles County Museum of Art
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Saint-Cloud porcelain Kakiemon pot, c. 1730, of pear shape with canted corners, the side panels painted with bamboo and prunus between green and iron-red diaper panels, height 7.5 cm. Provenance: The lady Cynthia Postan collection, E & H Manners, May 2015, n. 27. Private Collection, Qld
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Saint-Cloud porcelain figural snuff box, c. 1740, modelled as a reclining monk, with silver mounts, the base with Kakiemon style decoration, base restored, height 5 cm width 6.5 cm. Provenance: Private Collection, Qld, reference: Cf. For comparison Christine Lahaussois, Porcelaines de Saint-Cloud, La collection du Musee des Arts Decoratifs, item 379, p 196
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Saint-Cloud porcelain sugar pot, c. 1735, with molded decoration of flowers and cranes, the cover, similarly decorated and with floral finial, incised 'StCT' mark to the underside, height 11 cm diameter 8 cm. Provenance: Private Collection, Qld
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Saint-Cloud blue and white porcelain cup and trembleuse saucer, c. 1710-1715, painted with lambrequins above moulded gadroons, the cup with S-scroll fluted handle, the cup restored, height 6.5 cm (cup); diameter 13.5 cm. Provenance: Private Collection, Qld, reference: Cf. For comparison the lady Cynthia Postan collection, E & H Manners, May 2015, n. 26
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Saint-Cloud porcelain cup and trembleuse saucer, c. 1740, decorated with flowering prunus branches, the cup with a pagoda shaped handle (2), height 7 cm (cup); diameter 11.5 cm (saucer). Provenance: Private Collection, Qld
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Saint-Cloud porcelain cup and trembleuse saucer, c. 1740, decorated with artichoke leaf pattern, saucer with incised 'StCT' mark to the underside, saucer restored, height 6.5 cm (cup); diameter 12 cm (saucer). Provenance: Private Collection, Qld
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Saint-Cloud blue and white porcelain mustard jar (Moutardier), c. 1740, of barrel shape with scroll handle flanked by two applied leaves, decorated with lambrequin, the lid surmounted by a floral finial, blue 'StCT P' mark to underside, chips to leaves, height 8.5 cm. Provenance: Private Collection, Qld
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Saint-Cloud blue and white Pomade pot, c. 1725-1730, decorated with lambrequin borders, blue 'StCT B' mark to underside, height 5.5 cm. Provenance: Private Collection, Qld
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Saint-Cloud porcelain spice box and cover, c. 1720, of cruciform form, raised on scroll feet, painted in blue with Berainesque lappets and scrolls, the cover with cauliflower finial, restored, with Vandermeersch, Paris paper label, height 8.8 cm width 14 cm. Provenance: Xavier, comte de Chavagnac (crested paper label with illegible collection number inscribed), Vandermeersch, 31bis rue des St. Peres, Paris, the collection of Leo and Doris Hodroff, Bonhams, lot 167, May 2008, New York. Private Collection,…
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Saint-Cloud porcelain tea bowl and trembleuse saucer, c. 1730-1740, each with moulded pinecone pattern (2), height 4.2 cm (cup); diameter 7.2 cm (saucer). Provenance: Private Collection, Qld
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Pair of Saint-Cloud porcelain glass coolers, c. 1720-1730, each with a gadroon rim and base, the fluted body decorated with moulded floral sprays, flanked by mask-shaped handles, incised 'StCT' marks to the undersides, retain paper label of Waddington collection (2), height 12 cm diameter 13 cm. Provenance: The collection of William Henry Waddington, French statesman who served as Minister for L'Instruction Publique and Beaux-Arts in 1873 and Prime Minister in 1879. Private Collection, Qld, reference: Cf.…
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Saint-Cloud porcelain Pot-pourri vase and cover, c. 1720-1730, of baluster form with pierced shoulder and domed cover, applied with garlands of flowers, on a rocky base with further flowering and vines, retains retailer paper label, height 22 cm. Provenance: Vincent l'Herrou, Paris. Private Collection, Qld
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Saint-Cloud porcelain milk jug, c. 1730, decorated with moulded artichoke pattern, with scroll handle, incised 'StCT' mark to the underside, height 11.7 cm. Provenance: Davson collection. Private Collection, Qld
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Saint-Cloud porcelain and silver mounted tobacco jar, c. 1720-1730, of cylindrical form, decorated with flowering prunus branches, height 14 cm width 8.5 cm. Provenance: Private Collection, Qld, reference: Cf. For comparison Bertrand Rondot, Discovering the Secrets of soft paste porcelain at the Saint-Cloud Manufactory
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Saint-Cloud porcelain cup and trembleuse saucer, c. 1725-1730, decorated with applied flowers and vines, the cup with a scroll handle modelled as a branch, height 7 cm (cup); diameter 12.5 cm (saucer). Provenance: Private Collection, Qld
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Saint-Cloud porcelain jar with cover, c. 1725-1730, of baluster shape, decorated with flowering prunus branches, height 14 cm width 11 cm. Provenance: Private Collection, Qld
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Saint-Cloud porcelain cup and trembleuse saucer, c. 1730-1740, decorated with flowering prunus branches, the cup with a leaf-capped scroll handle, height 7 cm (cup); diameter 12.5 cm (saucer). Provenance: Private Collection, Qld
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Vincennes porcelain Pot-pourri vase and cover, c. 1750-1752, of baluster form with pierced shoulders, applied with flowering and leafy branches, on a rocky base with tree trunk, the domed cover pierced and similar decorated, minor losses to branches, height 13.5 cm. Provenance: Private Collection, Qld
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Vincennes porcelain cup and saucer (Gobelet Litron et Soucoupe, 1ere Grandeur), c. 1752, painted in rose camaieu, the cup finely decorated with a straw hat and pipe in tree branches, insects and bow around the handle, the saucer with a rustic scene on a river bank, interlaced Ls monogram enclosing dot marks to undersides, cup incised '4', saucer incised 'Cpuo' (2), height 7.5 cm (cup); diameter 14 cm. Provenance: Private Collection, Qld, reference: exhibited: Winifred Williams, an exhibition of 18th…
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Vincennes porcelain sugar bowl and cover, c. 1755, of bombee form painted in rose camaieu with putto after Francois Boucher, the cover decorated with trophies amongst clouds and surmounted by a peony finial, gilt dentil rims, interlaced Ls monogram enclosing date letter B and painter's mark for Pajou to underside, height 8.5 cm diameter 8 cm. Provenance: Private Collection, Qld
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Vincennes porcelain cup and saucer, c. 1754, each painted with birds in flight within cartouches of gilt trailing flowering branches, against a blue lapis ground, gilded rims, interlaced Ls monogram enclosing date letter a and painter's marks to undersides, minor hairline to cup, height 7 cm (cup); diameter 14 cm (saucer). Provenance: Private Collection, Qld
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Vincennes porcelain milk jug, (pot a lait Herbert), c. 1752, of baluster form with an entwined branch handle, painted with birds in flight within shaped oval cartouches of gilt trailing flowering branches, the spout suspending a similar V-shaped garland, against a blue lapis ground, interlaced Ls monogram mark, height 10 cm. Provenance: Private Collection, Qld
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Vincennes/ Sevres porcelain milk jug, c. 1752-1757, painted with sprays of flowers within a shaped cartouche of gilt foliate and floral scrollwork and trellis-pattern, against a bleu celeste ground, with faux bois handle and feet, height 8.5 cm. Provenance: Private Collection, Qld
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Sevres porcelain sugar bowl and cover, c. 1759, decorated with cherubs in the manner of Francois Boucher in camaieu blue, the lid surmounted by a floral finial, gilded rims, interlaced Ls monogram enclosing date letter F and painter's mark, minor restoration to rim of cover, height 7 cm width 6.3 cm. Provenance: Nicolier, Paris. Private Collection, Qld
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Sevres porcelain teapot and cover (Theiere Calabre), c. 1763, of ovoid form with ear shaped handle of 3rd size, decorated with oval panels of garlands of colourful flowers hanging from a ribbon bow reserved against a turquoise petit vert ground and further embellished with finely tooled gilt bands and floral sprays surrounds, the cover surmounted by a floral finial, interlaced Ls monogram mark enclosing date letter K and painter's mark for Guillaume Noel, height 12 cm. Provenance: Bonhams, London, fine…
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Sevres porcelain plate from the Earl of Leicester service, c. 1774, decorated with swags of colourful flowers and a central motif of a hunting trophy with a hood and a pigeon, interlaced Ls monogram mark enclosing date letter V and painter's mark for Francois -Joseph Aloncle (trophy) and Jean Jacques Pierre (flowers), diameter 24 cm. Provenance: Private Collection, Qld
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Sevres porcelain toilet cup (goblet Litron), c. 1761, decorated with flowers with a gilded surround and reserved against a turquoise petit vert ground, interlaced Ls monogram mark enclosing date letter H and painter's mark for Guillaume Noel, handle restored, height 4.5 cm. Provenance: Private Collection, Qld
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Sevres porcelain wine cooler, c. 1755, decorated with flowers and fruits with a gilded surround and reserved against a pink ground, interlaced Ls monogram mark enclosing date letter B and painter's mark, (A/F), height 19 cm width 26.5 cm. Provenance: Sotheby's. Private Collection, Tas.
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Two Sevres porcelain soup plates, c. 1760, the rim reserved with three panels of birds against a Bleu Celeste ground with cisel gilt surrounds, the centre painted with fruits and flowers, interlaced Ls monogram mark enclosing date letter G and painter's mark (2), diameter 25.5 cm. Provenance: Private Collection, Tas.
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Sevres porcelain plate, c. 1760, the rim reserved with three panels of flowers against a Bleu Celeste ground with cisel gilt surrounds, the centre painted with fruits and flowers, interlaced Ls monogram mark enclosing date letter G, together with a Sevres style cup and saucer (3), diameter 25.6 cm; height 6 cm diameter 13 cm. Provenance: Private Collection, Tas.
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Locre & Russinger's factory, French porcelain figure of the Gardner's Companion, c. 1775, holding a basket of flowers, standing on a rocky base with a lamb at her feet, blue double crossed arrows mark near base, together with a Spode porcelain pin dish of basket form, painted with Chinese figures (2), height 17 cm; 5 cm. Provenance: Private Collection, Qld
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Doccia white and gilded porcelain tea bowl and saucer, c. 1750, with Chinoiserie decoration of figures and birds in exotic landscapes with palm trees, height 4.7 cm (cup); diameter 13 cm (saucer). Provenance: Private Collection, Qld
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Royal Copenhagen, flora Danica porcelain cream jug and sugar bowl, 20th century, the sugar bowl with branch-form handles, decorated with botanical specimens, named in Latin to the undersides, printed factory marks, underglaze blue wave mark and numbered (2), height 7 cm (jug); height 7.5 cm (bowl)
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Royal Copenhagen, set of eight flora Danica porcelain coffee cups, 20th century, each with branch-form handles, decorated with botanical specimens, together with eight saucers, printed factory marks, underglaze blue wave mark and numbered (16), height 5.7 cm (cup); diameter 12 cm (saucer)
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KPM (Berlin), porcelain dinner service, 19th century, decorated with orange wild flowers, comprising sixteen dinner plates, eight soup plates, eight entree plates, eight dessert plates and eight knife rests, retains printed factory marks (48), diameter 24 cm (dinner plates). Provenance: Private Collection, Sydney
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Meissen, porcelain coffee service, c. 1935, red dragon pattern, comprising one creamer, one small teapot, one coffee pot, one sauce dish, one lidded sugar bowl, eight cups, eight saucers, eight side plates and one large plate, all pieces retaining factory marks underneath (30), height 25 cm (coffee pot). Provenance: Private Collection, Sydney
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Meissen, porcelain coffee service, c. 1935, green dragon pattern, comprising one coffee pot, eight cups, eight saucers, six side plates, one reticulated plate, five sauce dishes and another plate, all pieces retaining factory marks underneath (29), height 25 cm (coffee pot). Provenance: Private Collection, Sydney
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Meissen, part porcelain coffee service, c. 1935, various patterns with gold enamel to edges, comprising eight cups, eight saucers, nine side plates and one large plate (26), diameter 28 cm (large plate). Provenance: Private Collection, Sydney
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Royal Crown Derby, porcelain tea and coffee service, Imari pattern, comprising a coffee pot, a teapot, two sugar bowls, two cream jugs, six teacups, six saucers, six coffee pots, six saucers, four small plates, two medium plates, six dinner plates, one jar, one dish, one platter, factory printed marks (45), height 24 cm (coffee pot). Provenance: Private Collection, Sydney
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Wedgwood, assorted creamware, 19th century and later, slipcast glazed earthenware, comprising one large comport decorated with bands of grape vines and matching underplate, two graduated and reticulated baskets, and one partially reticulated tureen with similar underplate, all pieces retaining manufacturer's stamps (6), diameter 33.5 cm. Provenance: Private Collection, NSW
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Pair of Wedgwood creamware plates, c. 1800, with gilt rim, impressed 'Wedgwood' (2), diameter 25 cm. Provenance: Private Collection, Qld
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Spode pair of reticulated baskets, 19th century, willow pattern, cast earthenware with blue transfer Chinoiserie decoration (2), width 25 cm. Provenance: The Estate of Wayne Priddle, Tasmania
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Thomas Ford (British), large porcelain planter, c. 1871-74, slipcast and glazed, decorated raised relief of an underwater scene, raised on three legs in the shape of Chinoiserie sea monsters attached to a base, gilt and paint, some loss of paint, hairline cracks, manufacturer's impressed stamp to base (A/F), height 32 cm. Provenance: The Estate of Wayne Priddle, Tasmania
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Pair of Sevres style porcelain jardinieres, late 19th century, of shaped oval form, painted with flowers and birds in oval cartouches, surrounded by a gilt scroll on a pink and green ground, together with a pair of Spodes porcelain Felspar serving plates, printed factory marks to undersides (4), height 17 cm width 24 cm; width 22.5 cm (plates). Provenance: Private Collection, Tas.
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John Castle-Harris (Australian, 1893-1967), low vase, c. 1950, handbuilt earthenware, of long rectangular form, grey glaze to the exterior, pink glaze to the interior, raised relief decoration of two geese in white, signed to base, height 10.5 cm width 31 cm depth 8 cm. Provenance: Private Collection, Sydney
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Melrose Pottery (Australian), possum bowl, c. 1930s, slipcast earthenware glazed pale green, twin-handled oval form with flat base, raised relief decoration of four possums eating leaves on branches, retains factory mark's to base, height 10.5 cm width 35 cm depth 23.5 cm. Provenance: Private Collection, Sydney
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Remued, vase, c. 1940s, wheelthrown earthenware, pale brown and green drip glaze, of baluster form, signed to base 'Remued 26-12', partially retains factory sticker, height 30 cm. Provenance: Private Collection, Sydney
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Remued, early series jug, c. 1936, baluster form earthenware with dimpled rim and free form handle, green and brown flambe glaze over gumnuts and gum leaves, single hairline crack from rim through neck, signed to base '54LM Remued handmade' (A/F), height 26 cm. Provenance: Private Collection, Queensland
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Standing bronze figure of Buddha, Thailand, Mon Dvaravati style, draped in dhoti, his face with meditative expression flanked by pendulous earlobes, his hair in tight curls, his hands raised in a form of vitarkamudra, height 66 cm
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Bronze figure of a seated Buddha, Thailand, Mon Dvaravati style, with halo, his face with meditative expression surrounded by a halo, draped in dhoti and sanghati, his right hand raised in a form of vitarkamudra, height 46 cm
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Sandstone Khmer head, Angkor Wat style, his face with serene expression, his hair in a bun, on black wooden stand, height 31 cm (including. Stand)
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Chinese scholar's rock, the grey stone with an irregular structure with circular opening, on wooden stand, height 25.5 cm (including. Stand)
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Chinese gilded metal and cloisonne footed vase and cover, the bowl and cover decorated with scrolling leaves and flower heads against a green ground, above a filigree stem with three applied dragons, on a circular base, height 27 cm
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Impressive pair of Chinese cloisonne double Gourde vases, each with bat form stoppers, the vases decorated with bats and flowers against a blue ground (2), height 60 cm
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Chinese coloured buffalo horn carving of guanyin, dressed in long layered robes leaning towards her right side following the horn's natural curve, the face with a placid expression, holding a sitar, height 29.5 cm. Provenance: Private Collection, Sydney
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Two Chinese porcelain figures, Qing Dynasty, the two reclining figures smoking opium, holding a pipe in one hand and resting their heads in the other, one retains Christie's label (2), height 8 cm width 19 cm; height 8 cm width 17.5 cm. Provenance: Christies. Private Collection, SA
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Chinese Xing type white glaze porcelain dish, Ming Dynasty (1368-1644), circular shallow dish with thick white glaze, diameter 28.5 cm. Provenance: J. Loren Karas collection, no. 92, Sotheby's, lot 282. Private Collection, Sydney
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Chinese blanc-de-chine figure of guanyin, Qing Dynasty (1636-1917), missing one hand, height 18 cm. Provenance: J. Loren Karas collection, no. 14, Sotheby's. Private Collection, Sydney
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Three Chinese blue and white porcelain tea bowls and saucers, Kangxi period (1654-1722), decorated with floral motifs, and figures in landscapes in underglaze blue, two with one-character mark to undersides (3), height 5 cm (bowl) diameter 13 cm (saucer); height 6 cm diameter 10 cm; height 3.3 cm diameter 11.2 cm. Provenance: Private Collection, Qld
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