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Auction House:Art+ObjectNumber of lots recorded:225
Sale Title:New Collectors Art, Applied Arts, Modern DesignLots with images:223
Auction Location:AucklandPrices available:210
Date:11-May-2021
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Timo Sarpaneva for Iittala of Finland, two 'Arkipelago' glass candles holders, of triangular form and with original labels to each; together with a pair of Royal Copenhagen crystal candlesticks (original labels attached), the fist, 23 cm, high and 13.5 cm
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Three retro pendant lamp shades in glass, one featuring internal frosted glass cylinder, the other in amber glass of teardrop form, and one in bright orange glass of cylindrical form, each with original fittings
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A 1950s Danish stoneware table lamp, tubular in shape with four medallions around the circumference, designer unknown but with some marks to underside, 38 cm: height
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Jens Quistgaard for Dansk, a quantity of 'Flamestone' dinnerware, consisting of six dinner plates, six luncheon plates, six salad plates and five bowls, each with impressed Dansk mark
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A quantity of Danish dinner and tea ware, fine bone china in white with gold gilt, much by Royal Copenhagen. Consisting of dinner plates, egg cups, cups etc.
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Erik Magnussen for Selangor, Four-piece pewter coffee & tea set, comprising '5171' teapot, '5170R' coffee pot, '5173R' cream jug and lidded sugar bowl, each with impressed artist's initials E. M to base
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Marco Zanini and Massimo Giacon for Bitossi, Italy, a limited edition 'Conflitto fra Sessi (Conflict between Sexes)' Ceramicomix vase, designed in 1996, edition 5/24, manufacturer's mark to base., 34 x 22 x 22 cm, this vase is from a 1996 collaborative collection by Sottsass Association / Memphis Milano alumni Marco Zanini & Massimo Giacon
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Marco Zanini and Massimo Giacon for Bitossi, Italy, a limited edition 'Infocidio (Information Overload)' Ceramicomix vase, designed in 1996, edition 8/24, manufacturer's mark to base., 35 x 23 x 23 cm, this vase is from a 1996 collaborative collection by Sottsass Association / Memphis Milano alumni Marco Zanini & Massimo Giacon
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Marco Zanini and Massimo Giacon for Bitossi, Italy, a limited edition 'Technofilia (Technophillia)' Ceramicomix vase, designed in 1996, edition 8/24, manufacturer's mark to base., 36 x 22 x 22 cm, this vase is from a 1996 collaborative collection by Sottsass Association / Memphis Milano alumni Marco Zanini & Massimo Giacon
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Marco Zanini and Massimo Giacon for Bitossi, Italy, a limited edition 'Conflitti Familiari (family Conflicts)' Ceramicomix vase, designed in 1996, edition 7/24, manufacturer's mark to base., 38 x 22 x 22 cm, this vase is from a 1996 collaborative collection by Sottsass Association / Memphis Milano alumni Marco Zanini & Massimo Giacon
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Marco Zanini and Massimo Giacon for Bitossi, Italy, a limited edition 'Workolismo (Workaholism)' Ceramicomix vase, designed in 1996, edition 3/24, manufacturer's mark to base., 37 x 25 x 25 cm, this vase is from a 1996 collaborative collection by Sottsass Association / Memphis Milano alumni Marco Zanini & Massimo Giacon
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Lino Sabattini, 'Germoglio' (bud) vase, designed in 1979, in silver plated metal, ith original box, impressed 'Sabattini, Italy' mark to base, 19 x 23 x 22 cm
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Lino Sabattini, 'Inquietante' (Disturbing) vase, designed in 1989, in silver plated metal, with original box, impressed artist signature and date 1989/1998 to front, 41.5 x 14 x 9.5 cm
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Lino Sabattini, 'Caprice' vase, designed circa 1970, in silver plated metal, with original box, impressed mark to base, 22.5 x 28.5 x 9 cm
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Lino Sabattini, large 'Persepoli' vase, designed in 1970, in silver plated metal, with original box, impressed mark to base and signature to front along with date (1970/1997), 25.3 x 50 x 10 cm
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Lino Sabattini, small 'Persepoli' vase, designed in 1970, in silver plated metal, with original box, impressed mark to base and signature to front along with date (1970/1997), 20 x 37.5 x 8.8 cm
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Mimmo Rotella for Bisazza, Italy, vase, heavy casing and decorated with green spots, manufacture on the island of Murano, signed and dated 1996 to underside, 17 x 22.5 x 22.5 cm
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Ettore Sottsass for Artemide, Italy, vintage 'Pausania' table lamp, this example circa 1985 and with earlier fluro fitting (later models were made to accommodate Led), chrome metal, perforated sheet and black plastic. One of the icons of late twentieth century light design.
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Jo Hammerborg for fog and Morup, Denmark, a pair of 'Tunika' pendant lamps, designed in the 1960s, with original curved teak bar and fittings
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Poul Henningsen (Denmark, 1894 - 1967) for Louis Poulsen, a vintage 'PH5' pendant lamp, manufactured in 1958, this example in cream with blue to underside and with original fitting and labels
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Poul Henningsen (Denmark, 1894 - 1967) for Louis Poulsen, a vintage 'PH5' pendant lamp, manufactured in 1958, this example in cream with blue to underside and with original fitting and labels
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Poul Henningsen (Denmark, 1894 - 1967) for Louis Poulsen, a vintage 'PH5' pendant lamp, manufactured in 1958, this example in mauve with cream to underside and with original fitting and labels
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Poul Henningsen (Denmark, 1894 - 1967) for Louis Poulsen, a vintage 'PH3' pendant lamp, manufactured in 1958, this example in cream with red to underside and with original fitting and labels
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Sidse Werner (Denmark, 1931 - 1989) for Holmegaard, a pair of 'Apoteker 255' glass pendant lamp shades, hand-blown in opal glass to give a soft light, original Holmegaard labels and with original fittings, 25 x 25 x 25 cm
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Sidse Werner (Denmark, 1931 - 1989) for Holmegaard, a large 'Apoteker 255' glass pendant lamp shade, hand-blown in opal glass to give a soft light, original Holmegaard label and with original fitting, 35 x 35 x 30 cm
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Sigurd Resell (Norway, 1920 - 2010) for Vatne Mobler of Norway, highback 'Falcon' chair, manufactured 1970, in vintage chocolate brown leather upholstery
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Jo Hammerborg for Fog and Morup, a 1950s Scandinavian 'Major' pendant light shade, anodised aluminium with original fitting and ceiling cap
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Christian Hvidt (Denmark) for Nordisk Solar, Trapez table lamp, manufactured in 1970, reminiscent of the Ph 5 design, the lamp features three graduating conical shapes raised on a chrome column, 54 x 44 x 44 cm
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Borge Mogensen (Denmark, 1914 - 1972) for FDB, an excellent pair of 1950s Danish upright bookcases, in oak and teak with adjustable shelves and original brass mounts, 160 x 122 x 26 cm
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Jo Hammerborg for fog and Morup, Denmark, a 1960s 'Life' pendant lamp, in anodised aluminium with faux brass finish and with original fitting, original fog and Morup label
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Jo Hammerborg for fog and Morup, Denmark, a 1960s 'Tarok' pendant lamp, in anodised aluminium and with flying saucer shade, in faux brass finish and with original fitting and ceiling cap
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A 1960s space age five-branch standard lamp, arc design in chrome on marble base, manufactured in Denmark (label to base), 193 x 180 x 80 cm, (variable)
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Attributed to Jo Hammerborg for fog and Morup, Denmark, an elegant 1960s floor lamp, with two adjustable shades in black finish, on a thin chrome column mounted to a black circular base
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Per Iversen for Louis Poulsen, a vintage 1950s 'Combi' standard lamp, composed of all original black painted metal base, stem and top cap shade in original vintage condition, contain fragment of original Louis Poulsen label
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Giancarlo Vegni and Gianfranco Gualterotti for Fasem, Italy, a set of six dining chairs, circa 1980, featuring four point chrome bases and Italian leather upholstery, original Fasem labels to underside
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Bang and Olufsen, Beomaster 6000 stereo, designed and manufactured between 1981 - 1986, featuring a FM receiver with pre-tuned radio section, a powerful amplifier and programmable time. Paired with a pair of rosewood Beovox 1000 two-way loud speakers designed and manufactured between 1967-1971.
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Bang and Olufsen, a pair of Beolab 8000 floor standing loudspeakers, originally designed in 1992 by David Lewis, the speakers are 'Active' meaning each comes with its own in-built amplifier and can be driven by plugging the source directly into the inputs at the rear. The most popular and desirable of all B&O's speakers, the Beolab 8000 features chrome speaker columns which taper to a point on cast iron bases. Complete with original box and packaging. Speakers are fully functioning., 132.5 cm: height
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Bang and Olufsen, Beosound Ouverture stereo, featuring Cd player, radio and cassette deck. Comes with remote control, leads and original box and packaging. Signature design includes sensor to stereo door with glass panels opening as your hand approaches. Doors appear to open intermittently, and Cd player requires servicing.
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Poul Jensen for Mobelfabrik, Denmark, a 1960s rosewood sideboard, comprising of two sliding doors which open to reveal a single shelf and drawer on one side and a long shelf on the other. On a four point base with elegant square handles in relief, original label affixed to rear, 80.5 x 144 x 45 cm
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A 1960s heavily-figured rosewood veneered five drawer tallboy or chest, on raised four point base and of with recessed drawer pull handles, 105 x 54 x 45 cm
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Rolf Middelboe for the architect Mogens Lassen, and manufactured by Tranekar, Denmark, a superb 1960s chequerboard or mosaic 'Wenge' coffee table, with brass detailing to the legs and original designer's plaque 1960s, 50 x 133 x 80 cm
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Peter Hvidt and Orla Molgarrd-Nielsen for Fritz Hansen, a pair of 'Ax' lounge chairs, in varnished birchwood and upholstered in original green wool blend fabric. These examples manufactured in 1979, original Fritz Hansen labels to each
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Henry Klein for Bramin, Denmark, a set of six solid rosewood model 382 dining chairs, manufactured in the 1960s, with ladderback detailing and wool blend upholstered seats
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Kai Kristiansen for Salin Mobler, a Scandinavian modern teak planter, designed in the 1960s, interior with original lining, 42 x 100 x 35 cm
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Werner Langenfeld, a pair of Esa leather 'Modell 802' lounge chairs together with one matching ottoman, in original tan leather and on chrome five-point swivelling base; designed in the 1960s
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Gunni Omann for Omann Jun Mobelfabrik, a superb freestanding rosewood 'Model 77' desk, clean-lined and handsome, the timber is heavily-figured and features three drawers either side of the chair-well, one of which has a built-in pen tray. The front of the desk features two display or book spaces and a drop-down storage compartment.
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Attributed to Johannes Andersen, an elegant 1960s Danish rosewood coffee table, rectangular form with elongated, tapering legs, 53 x 150 x 58 cm
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Attributed to Jo Hammerborg for fog and Morup, a 1960s Danish pendant lamp, in red copper finish with orange detailing to underside of rings, with original fitting
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Borge Mogensen (Denmark, 1914 - 1972) for Karl Anderssen and Soner, eight drawer chest, in classic simple and functional design, with integrated circular drawer pulls and square-ended base, designed and manufactured in the 1950s, 84 x 135 x 46 cm
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Sigurd Resell (Norway, 1920 - 2010) for Vatne Mobler of Norway, a pair of 'Falcon' chairs, circa 1970, in vintage chocolate brown leather upholstery
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Berg of Denmark, a quality pair of 1970s Scandinavian 'C90' easy chairs, upholstered in original grey leather, with original tilt mechanism, on a five-point swivelling base, original Berg label to underside
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Peter Hvidt and Orla Molgarrd-Nielsen for Fritz Hansen, a pair of 'Ax' lounge chairs, in varnished birchwood and upholstered in original padded leather. These examples with the high-back and arm rests.
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Vemb Polstermobelfabrik, a 1960s Danish three-seater leather sofa, in original tan leather with beech wood frame raised on for square legs, 75 x 190 x 80 cm
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A solid oak and teak 1960s Danish two-piece credenza, the top section removable for option of presenting as a sideboard, bottom section consists of four drawers on one end, two cupboards and a sliding writing tray all with sculpted pull handles. The bottom section raised on four square tapering legs and the top section with mounted brass rivets, 161 x 43.5 x 136 cm: with top
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A 1950s Danish kidney shaped desk, in the manner of Kai Kristiansen, with organic free-form top, with three drawers on one side, tambor door compartment on the other and a bookcase to the rear, 74 x 133 x 70 cm
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Gunni Omann for Omann Jun Mobelfabrik, a teak 'Model 75' executive desk, with floating top and front of desk featuring banks of three drawers either side. With sculpted handles and bookcases and drop-down compartment to rear.
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Hans Wegner for Getama of Denmark, a soap-washed oak ottoman or footstool, model 'Ge 284S', with charcoal grey wool blend cushion. Originally designed in 1984, this example manufactured in April 2003, Hans Wegner label to underside
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A pair of 1960s upright Danish bookcases, in darkly-stained teak, each raised on four tapering legs and with central division and eight adjustable shelves
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