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Fine and Decorative Arts — Philips Auctions Australia

Articles on this Sale

Auction House:Philips Auctions AustraliaNumber of lots recorded:498
Sale Title:Fine and Decorative ArtsLots with images:497
Auction Location:MelbournePrices available:318
Date:23-Nov-2020
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A sterling silver cushion top jewellery box and one other, 1909 Birmingham, with maker's mark for Cornelius Desormeaux Saunders & James Francis Hollings (Frank) shepherd, and; first half 20th century, other, a hexagonal silver box on cusped feet, silk and velvet lined, a cushion pin cushion top with remnant velvet, and; a square box with a silver plated lid set with a portrait medallion, height 8.5 cm, length 11 cm, width 11 cm, and smaller
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A cased set of demi-tasse spoons, 1909 Birmingham, with maker's mark for a J Bailey, the delicate spoons with slender rope twist handles and shapely scrolling terminals; hallmarked to the bowls verso, silver weight 28gr
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An impressive George III sterling silver soup tureen, 1810 London, with maker's marks for Benjamin Smith II & James Smith III, rectangular with a cast foliate cornucopia scroll handle, a gadroon border to the domed lid, the base with a cast egg and dart edge, shaped tubular handles with stiff leaf and rosette motifs, raised on lion's paw feet with scrolling mounts, contemporary coat of arms, 'Ventri Secundis' hallmarked to base, lid, silver weight 4360gr height 26 cm, length 41 cm, width 24 cm
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A small sterling toast rack and a set of four petite salts, 1925 Sheffield, with maker's mark for Martin Hall & Co. Ltd (toast rack), and: 1899 Birmingham, with maker's mark for William Devenport, a wire work toast rack raised on ball feet, hallmarked to short end, with retailer's mark for Mackay & Chisholm, Edinburgh; and four spiral gadrooned salts with cast rococo borders; all hallmarked, silver weight 71 gr, height 6 cm, length 7 cm, width 4.5 cm, (toast rack)
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A pair of cut glass lamps with shades, the waisted flaring lamps decorated throughout with borders of prism and emerald cuts upon gold bases, with near white gathered conical shades, height 57 cm
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An Edwardian cut glass decanter, early 20th century, of slender conical form with star cuts and flower bursts, with a baluster shaped stopper, height 42.5 cm
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An Art Deco opalescent glass vase by Verlys, circa 1930s, the tapering vase with twin faceted 'C' scroll handles, decorated with flowers in relief to the body; Verlys France mark in relief to interior base, height 20 cm
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Two Czecho-Slovakian Art Deco hand mirrors in the manner of Karel Palda, circa 1930s, identical fan shaped mirrors in two sizes boldly decorated with clear, silver and black geometric forms, each with a matt black stripe decorated with foliate and geometric motifs, one with the original bevelled glass and decal to the throat, the smaller without viewing glass, length 23 cm, and smaller
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Four pieces of cranberry and amethyst coloured art glass, 20th century, all unmarked, a heavy gauge cased baluster vase with bands and spiral designs, a small cased glass vase with trailing threads and two broad sliced planes, a heavy cranberry coloured square bowl with a broad petrol blue rim, and a free form rounded bowl with an inverted rim, height 25.5 cm, (vase)
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A suite of stemware by Waterford and Richardson, eleven sherry and port glasses in two sizes of conical design with hobnail lappets and palm motifs upon short knopped stems, and a suite of six Richardson crystal sherbet or champagne coupes with lens and diagonal cuts, one as found, stencil marks underside, height 11 cm, and smaller
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A suite of Forty-Four Waterford Crystal tumblers and stemware, Lismore pattern, introduced 1957, all Irish made, comprising five brandy balloons, fifteen white wine glasses in two sizes, six sherry and eight port wine glasses, two tall tumblers and eight double old fashioned tumblers; stencil marks, height 15 cm, and smaller
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An R. Laliques opalescent glass bowl, introduced 1935, model 3300, the 'Bulbes' pattern bowl centred with a stencil signature of R.Lalique to centre, rubbed mark below probably 'France', height 8.5 cm, diameter 20.5 cm
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A Val St Lambert press moulded Art Deco Luxval vase, mid 1930s, an Egmont vase from the Luxval series, of tapering form with two plain panels alternating with four ribs and textured bands, fine ribbing to the lower register, marked Vsl Belgique in relief to the base, height 18 cm
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A Murano Multicoloured cased glass bowl, second half 20th century, a rectangular bowl of stretched form with curled corners and a circular well, rich green to the underside, splashed with stretched murrines, latticino swirls, with silver aventurine flecks and bronze metallic 'Dust', unmarked, height 11 cm, length 31 cm, width 22 cm
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A Kosta Boda art glass 'Confetti' vase by Bertil Vallien, later 20th century, an ovoid vase with a narrow neck, the body in speckled iridescent amethyst brown tonings and flecked with multicoloured random stripes, and a single yellow, green and red button form motif, polished pontil underside with signature, height 17.5 cm
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A Kosta Boda art glass 'Can Can' vase by Kjell Engman, later 20th century, a large shaped vase with a broad flat rim decorated in a mottled swirling decor in purple, orange, turquoise and yellow colours upon an orange ground, inscribed faintly Kosta Boda, Engman underside, numbered, decal to foot, height 27.5 cm
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A Kosta Boda art glass 'Twister' vase by Kjell Engman, later 20th century, a baluster vase with a clear flared rim and thick clear domed foot, decorated to the body with speckled enamel spiral swirls in orange, aubergine and white, etched marks to base, Kosta Boda, K. Engman, numbered 7046726, height 27 cm
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A Kosta Boda art glass 'Twister' vase by Kjell Engman, later 20th century, a conical vase with a clear rim and foot, the body with speckled enamel spiral swirls in orange, aubergine and white, inscribed Kosta Boda and signed to foot rim, numbered 7049970, decal to foot, height 26 cm
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A Moser Art Nouveau 'Paula' wine glass and a pair of green glasses in the Georgian style, 1900 and after, a finely hand blown, engraved and face stem glass with a rose specimen to the body and trailing roses to the rim and foot picked out in gilt, unmarked, and; a pair of tall knopped and ringed long stem glasses with raspberry prunts, height 21 cm
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A pair of Limoges porcelain ewer shaped lamps with shades, mid 20th century, baluster shaped and hand decorated to gilded reserves with romantic couples in landscape settings and sprigged with raised gilt flora upon a cobalt ground, cast helmet shaped spouts and Art Nouveau-style scrolling figural handles, raised on vegetal cast bases, with square section parchment type shades, height 88 cm
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A Sevres ormolu mounted Bleu Celeste vase, 19th century, bearing a 1764 date letter, a moulded carinate shaped vase with a long waisted neck and domed cover, painted with pastoral scenes within vegetal gilded reserves, having a pine cone finial, high set key fret bracket handles with neoclassical wreaths, and lion head mounts, the socle upon a shaped square base, painted marks underside, height 44 cm
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A SÈVres style Ormolu-Mounted ink blue vase with cover, 19th century, signed L. Lebrun, the baluster vase featuring a painted romantic music lesson scene within a gilt enriched reserve and a landscape to the reverse, with an acorn finial to the cover, a decorated trumpet neck, slender high set gilt bronze handles, the waisted socle upon a shaped square base, apparently unmarked, height 54 cm
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A Wedgwood Jasperware biscuit barrel and a similar jar by Adams, later 19th century, cobalt blue jasperware straight-sided barrel with a silver plated lid sprigged with fox hunting scenes and the 'Kill', with a covered jar depicting identical scenes, (repair to lid); impressed Wedgwood mark, impressed Adams, Tunstall England, other underside, height 13.5 cm, and smaller
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A Copeland glazed covered dish and a similar Jasperware jar, 19th to 20th century, in teal sage green, the shallow dish with plated lid sprigged with fox hunting scenes and the 'Kill', with a covered jar depicting identical designs, the dish marked Copeland, the other marked 3096 with cipher Bpc, height 13 cm, and smaller
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Three pieces of olive-green earthenware by Copeland Spode and Adams: a teapot and sugar basin, and a bowl, after 1891 to early 20th century, a teapot in buff and olive high glaze sprigged with fox hunting scenes, the covered sugar basin of conforming design, and; a two tone green glazed straight-sided bowl by Adam sprigged with an identical pattern, backstamps and impressed marks underside, height 15 cm, and smaller
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A Royal Copenhagen bisque figure of 'Leo', introduced 2010, design number 1.249.617, in white biscuit the seated male Zodiac figure holding a pointed crown and holding a lion sceptre; title, printed Royal Copenhagen marks, design number and facsimile signature of artist underside, height 26 cm
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Three Martin Boyd Pottery wares, mid 20th century, comprising a mug with grapevine designs, a plain celadon green milk jug, and a small pot featuring a Mexican tugging at a reluctant mule; all inscribed Martin Boyd underside, height 9.5 cm, and smaller
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Two Masons Ironstone vases, circa 1813-1925 and after, a small cobalt bottle vase with gilded floral designs, and an oriental style high shouldered vase with a broad neck, bat moulded lug handles and decorated with two shaped cartouches with polychrome chrysanthemums upon a scrolling gilt and cobalt ground; the latter marked Masons patent Ironstone china, height 12.5 cm, and 10.5 cm
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A Masons Ironstone vase, circa 1860, pattern 1566, a gold and cobalt baluster vase with Japan style mon, panel and fan shapes embellished with various transferware oriental motifs scattered upon a scale ground; black backstamp and pattern number underside, height 20.5 cm
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A petite Royal Worcester coffee can and saucer 1906, delicately decorated with apples, berry fruits and floral sprigs within enamel jewelled borders and cobalt bands, the moulded handle with leafy thumb piece; puce backstamps underside, diameter 11 cm, (saucer) height 5.5 cm, (cup)
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A coffee can and saucer in the manner of old Paris Porcelain, circa 1810, a bute shaped can with an ear shaped handle decorated with continuous borders of figural silhouettes, birds and swaying grasses in gilt, unmarked, diameter 13 cm, (saucer) height 6 cm, (cup)
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A Coalport coffee cup and saucer, circa 1815, pattern 1250, the London shaped cup with a bracket handle decorated with lemon and pink flower heads, cobalt daisies and gilded leaves upon a muted lemon oatmeal ground, painted marks underside, height 7 cm, (cup) diameter 14 cm, (saucer)
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A Coalport cup and saucer, circa 1835, pattern 3/608 and 308, an Adelaide shape cup with a twist handle and saucer both decorated in English birds pattern, featuring five species in landscape settings with flourishes of gilded decoration, pattern numbers underside, height 6 cm, (cup) diameter 15 cm, (saucer)
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A Copeland Japan pattern coffee can and saucer, mid 19th century, unmarked, the bute shaped can and saucer decorated with Imari fan shapes and a profusion of gilded arabesques and palm fronds, a variant of Worcester's 1760 fan pattern; unmarked, diameter 13.5 cm, (saucer) height 6 cm, (cup)
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A Chamberlain's Worcester Chinoiserie cup and saucer, circa 1816, 1835, a marriage set in the same Chinoiserie design, featuring figures engaged in pursuits in fenced garden and pavilion settings, in coloured enamels with gilt, the cup with a scalloped edge and marked 767, the saucer of second release with an undulating rim and unmarked, diameter 14.5 cm, (saucer) 7 cm, (cup)
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A trio in the manner of Coalport, circa 1815, pattern 127, the London shape trio featuring three rococo reserves with sprays of spring flowers and centred by a similar roundel upon a cobalt ground, with gilt floral enrichments, pale straw and gilded leafy motifs below a geometric stripe and dotted rim, pattern numbers underside to all, diameter 14.5 cm, (saucer) height 6.5 cm, (cup)
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A trio in the manner of Coalport, circa 1820, pattern 330, the London shape trio with two pairs of finely painted floral reserves enclosed by lemon and gilt borders upon a cobalt ground, with gilt enrichments and triangular apricot motifs embellished with gilded hooks, all elements centred with floral posies, pattern numbers to cups only, diameter 14.5 cm, (saucer) height 6 cm, (cup)
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A matching trio and breakfast cup duo in the manner of Coalport, circa 1815, pattern 1106, the cups with kidney shaped handles in the Coalport style and all elements lavishly decorated with cobalt borders, gilt lattice and pendant foliage punctuated with pale straw reserves and neoclassical decorations, superbly sprigged with polychrome summer flowers, pattern numbers underside, diameter 16.5 cm, (saucer) height 7 cm, (cup)
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Two trios: Ridgway and Coalport, 1815, pattern 2/1082 (Ridgway), and c. 1840 pattern 3/375 (Coalport), a 'Royal' shape bone china Ridgway trio in Mazarin blue, gilt and straw colours with pendant gold leaves, circular motifs and bat wing handles, and; a Coalport 'Phoenix pattern' trio in 'Adelaide' shape with moulded edges, blue and gold designs on pale straw, hairline to one cup, pattern numbers only underside to all elements, diameter 15 cm, (plate) and smaller height 6.5 cm, (cup) and smaller
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A Copelands Spode Imari pattern trio, 1875-90 period mark, the large cup and two saucers of fluted profile lavishly decorated in Japan patterns in the traditional Imari palette, backstamps underside and pattern numbers, height 7.5 cm, (cup) diameter 17 cm, (saucer)
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A mixed group of tea wares: two duos and a trio, c. 1914-40s, backstamps and ciphers to all, a E. Hughes & Co, Paladin China mid green and tooled gold cup and saucer, pattern 3126; a Salisbury bone china trio with aqua and floral reserves with gilt enrichments, pattern 2010, and; a French style rose pink tea cup and saucer with entwined white and gilded ribbons and a painted romantic idyll, cross feather marks underside, height 7 cm, (cup) diameter 16.5 cm, (saucer)
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Tea wares by Copeland and Garrett, and Samuel Alcock, 1833-1847 period, a Copeland and Garrett straw coloured moulded duo decorated with trailing gilt ribbons and floral posies, and having a triple scroll rococo handle, green backstamps, and; two Samuel Alcock Adelaide shape cups with triple spur kidney handles, mid blue borders enriched with cream and gold floral motifs, centred with a colourful bouquet, unmarked but numbered 5921, height 7.5 cm, (cup) diameter 15.5 cm, (saucer)
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A finely decorated cup and saucer by Rockingham, 1830-42, pattern 1383, gilt with scrolls and decoration in soft grey colours and centred to both elements with finely handpainted floral posies in bright colours, puce griffin mark underside to saucer, pattern numbers to both, height 5 cm, (cup) diameter 14.5 cm, (saucer)
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A Flight Barr & Barr tea cup and saucer, 1820-25, the lemon ground London shape cup with a bracket handle and leafy thumb spur decorated with floral posies and dotted with insects within gilded bands, impressed marks to both cup and saucer, height 5.5 cm, (cup) diameter 15 cm, (saucer)
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A rare 'Dragons in Compartments' coffee Can/Beaker, circa 1780s, unmarked, unidentified red numerals, '22', beautifully decorated in bright polychrome colours in the manner of Worcester or Chamberlains Worcester on a can with a Chinese export ware style handle with strut as manufactured by Caughley (see Berthoud's compendium of British cups plate 135), glazed base and foot rim, numerals underside; small professional repair, height 8 cm
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A large scale loving cup by Samuel Alcock & Co, circa 1840s, a Burgundy ground cup prolifically decorated with gilded vegetal designs and flourishes, one face with a cartouche of an imaginary European landscape, roses to the reverse, the twin handles with acanthus thumb pieces, unmarked, height 13.5 cm
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A Staffordshire religious model of Elijah and the Raven, circa 1820, an Obadiah Sherratt type pearl ware figure in sponged and thin glazed colours and supported by bocage, raised on a waisted green, yellow and puce base, height 26 cm
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Four creamware figures and three Chelsea-Derby gardeners, late 18th century; Chelsea Derby figures 1782, unmarked but pattern 292, comprising two gentlemen in togas each carrying a chicken, a lad in a frock coat and black hat, also holding a chicken, and a woman in a yellow overdress; a pair of gardeners plus one other carrying wicker baskets before bocages and raised on shell and scroll bases, two encrusted with flowers; patch marks underside, height 14.5 cm, and smaller
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A Bow soft paste porcelain figure of a 'New Dancer', circa 1760s, modelled and decorated as a young man posing against a tree trunk in a puce frockcoat with cobalt lining, a straw coloured hat with a plume and floral pantaloons, raised on a mounded base with encrusted flowers, unmarked, height 17.5 cm
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A Meissen porcelain figural group, late 19th century, model E66, decorator 56, a romantic idyll featuring a man in a yellow frock coat seated upon rockwork and holding a pot plant, with an attentive female companion in an orange and mint green skirt and apron, after the 1774 model by Michel Victor Acier, impressed model number underside, blue crossed sword marks, decorator's painted number, other impressed cipher, height 16 cm
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A Vienna porcelain Motto figure, circa 1900-1920, a polychrome decorated cupid shooting an arrow from a fluffy cloud, upon a triangular base with cartouche marked 'Coup sur Coup' (back to back); underglaze shield or beehive mark underside; after a similar Meissen model, height 13.5 cm
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Two Chelsea miniature porcelain sports figures, circa 1765, gold anchor marks, a sportsman figure in a teal coat and puce breeches supported by a tree trunk, with his lady companion in an iron red coat holding a game bird in her hand, both on naturalistic bases, gold anchor marks verso, repairs to both, height 7.5 cm
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Two miniature Italian porcelain Street vendor figures, 19th century, a male and female pair of fruit sellers and a flower seller figure with a woven basket of flowers upon her head, both on floral encrusted bases and with Neapolitan style blue underglaze marks underside, repairs to both, height 11.5 cm, and smaller
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Two Hungarian porcelain female nudes by Zsolnay and Quincum 20th century, both kneeling bather figures in cream glaze, the Zsolnay figure with dark hair, a pale blue wrap and raised on a pale green tinted base, backstamp and painted title underside; the smaller Quincum figure similar and applying pink flowers to her hair, blue backstamp underside, height 15 cm, and 22.5 cm
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A pair of Crown Devon 'Children of the world Series' wall plaques, circa 1940s, a Dutch girl and a Bavarian boy hiker in traditional dress, both in pastel hues and accents of bright orange and yellow upon a cream ground, 1939 period backstamps underside, repair to foot of Dutch girl, length 26 cm, width 16 cm, and smaller
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A Copeland Spode 'Italian' teapot, mid 19th century, the hexagonal ovoid pot with Auld Lang Syne motto, decorated in the blue and white Italian transferware design, oval backstamp underside and impressed Copeland mark; repair to spout, height 10.5 cm, width 18 cm
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A group of five blue and white transfer Pottery wares, early to mid 19th century, a pair of small rectangular dishes with integral handles with country scenes and primrose borders; a J. Meir & Son Staffordshire willow pattern pap boat and a similar fan shaped dish, and; a partitioned tray with cell, scroll and floral borders, length 16 cm, width 9 cm, and smaller
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A novelty vintage 'Naughty Girl' Nodding ashtray, 1940s, Japan, a 'Pin up' style girl lying on her bed with a red nodding fan and nodding legs, marked made in Japan, length 14.5 cm, width 7.5 cm
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A pair of Czechoslovakian porcelain cabinet plates, 1940s, made at Fischern, Karlsbad, with stamp of Epiag, an association of porcelain companies, ink blue plates with formal neoclassical gilded borders, a brown cavetto centred with allegorical scenes; backstamps underside, diameter 19.5 cm
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A Dresden vase with romantic scenes, 20th century, the cobalt double gourd vase featuring four quatrefoil cartouches surrounded by delicate gilt arabesques and enclosing 18th century style romantic couples, underglaze Dresden mark underside with star, height 16 cm
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Two Royal Crown Derby 'Mikado' dishes, and a set of six Coalport bone china place card holders, 1970s (1974 date cipher for Royal Crown Derby), small oval dishes in blue and white oriental designs, and a boxed set of six floral encrusted name holders, backstamps to all, length 14 cm, width 9 cm, (dish)
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A Burleigh Ware biscuit barrel and a Quartet of Foley tea wares, 1909, pattern 3896 (Burleigh), 1894-1910, tea wares, a faceted waisted barrel with a domed lid and lug handles, transfer decorated with nodding poppies picked out in gilt, pattern, backstamp, registration numbers underside, and; a lobed and fluted white tea cup, saucer, plate and sandwich tray with gilt rims and handles, green backstamp underside, height 20 cm, (biscuit jar) length 21.5 cm, width 21.5 cm, (plate)
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Two Royal Crown Derby 'Old Imari' items: a small dish and a table lighter, 1974 and 1976, a shaped oval dish and a stepped round lighter with gilt metal mounts; iron red backstamps and date ciphers underside, length 14 cm, width 9 cm, (dish)
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A Grainger's Worcester gilded chamber candlestick, mid 19th century, pattern G 537, a leaf shaped dish with vegetal handle supporting a central sconce richly moulded and gilded with rococo patterns, and sprigged with transferware flowers; painted marks to base, height 6 cm, length 16 cm, width 12 cm
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A small SÈVres porcelain lamp base, 19th century and later, a petite baluster vase enamel decorated with floral and ribboned festoons above a bleu celèste base, with gilt enrichments, later mounted into a metal mount with electric sconce; painted cross L marks and letters to the drilled base, height 19.5 cm
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A Royal Copenhagen crackleware vase by Thorkild Olsen, circa 1963 date cipher, pattern 212/2495, a finely ribbed swollen stoneware vase, the body in an orange crackleware glaze, the neck and foot in grey and edged in muted gold bands, backstamp with wavy lines, signature, pattern numbers underside, height 21.5 cm
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A David and Hermia Boyd stoneware vase, 1955, a slender tapering form with irregular glazed and crimped vertical stripes in pale celadon colours upon a matte brown ground, incised David & Hermia Boyd, Australia 1955 to the flat base, height 32 cm
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A group of two Pratt Ware and five Quimper faience wares, 19th century and after, two Prattware transferware toothpaste pots; a faience lug bowl with rope twist handles decorated with a male figure in breeches and a running floral border, marked Henriot Quimper underside, with four small sprigged ramekin bowls, height 7 cm, diameter 16 cm, and smaller
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A pair of Royal Crown Derby 'Derby Posies' salt and pepper pots, 1984, garlic shaped pots decorated with summer blooms, backstamps with date ciphers to both, height 9 cm
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A set of six Royal Crown Derby 'Derby Roses' napkin rings and a set of six fruit knives and forks in the same design, 1978, date ciphers to napkin rings, shaped oval rings, together with pistol grip fruit knives and forks; stamps to rings; repair to one knife handle, length 18 cm, (knife)
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A collection of eight vintage Gien faience oyster plates, 1971-1984 period, moulded creamy white plates each with six wells for oysters and a central well for a lemon wedge; backstamp of period underside, diameter 25 cm
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A Delft plate and a Doulton Burslem blue and white plate, 1975, manufactured by de Koninklijke Porceleyne Fles, a moulded cabinet plate with a sprigged motif, underglaze marks and ciphers underside; a late Victorian, (after 1891) transferware scenic plate with a floral border, pattern D2963, marks underside, diameter 26.5 cm, and smaller
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Two porcelain sheep, 20th century, Italian made, a slip moulded recumbent white ram and matching ewe upon moulded green grassy bases, printed marks for Chelsea house port Royal underside, height 17 cm, length 25 cm, width 12 cm
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An Adams Jasperware Jardiniere, post 1896, with Tunstall England marks, the cobalt blue jardiniere decorated with foliate borders and sprigged with continuous fox hunting scenes and the 'Kill', impressed marks underside, height 22 cm, diameter 25 cm
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A pair of Adams jasperware jardinieres, post 1896, with Tunstall England marks, cobalt blue jardinieres decorated with foliate borders and sprigged with continuous fox hunting scenes and the 'Kill', impressed marks underside, height 20 cm, diameter 22 cm
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A Secessionist style porcelain jardiniere or centrepiece, circa 1910, pattern number 7610, the boat shaped jardiniere with moulded floral frieze in colours and central medallion decorations upon a green ground, with floral and buttress style handles, indistinct impressed maker's mark underside with pattern number, height 16 cm, length 42 cm, width 17 cm
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An old Paris Porcelain polychrome scent bottle and two small painted glass vases, 19th century and after, rectangular scent bottle with shallow cushion form stopper decorated with floral reserves embellished with gilt enrichments on a maroon ground, inscription in French to the base with numerals and letters, repair; and a pair of a enamel painted carafe style vases, unmarked, height 11.5 cm, and smaller
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A Minton ewer designed by Christopher Dresser and two English G.M Creyke earthenware teapots, 1863-72, Minton; 1923 Staffordshire, a carinate shaped ewer, pattern Q 2575, with running fret, lappet and foliate borders, the main frieze with tendrils and flowers, in olive, russet and gold colours on a cream ground, and; two hexagonal teapots with pewter spouts, one in chintz, the other with sprigs, the latter as found, backstamps to all, height 20 cm, and smaller
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A Nao (Lladro) figurine of resting cranes and a GrÄFenthal bisque figure of an Eighteenth century gentleman, early to late 20th century, the cranes in a typical Lladro blue grey palette with pastel tones, impressed marks to base (professional repair), and; a gentleman in a floral frock coat and striped breeches carrying a posy, supported by a tree trunk and raised on a circular waisted base, double struck blue G mark underside, height 25 cm, and smaller
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A Paris Porcelain tureen and a covered sugar box by Herend, 20th century, a rococo revival moulded tureen with a domed lid and fruiting finial, decorated with gilt enrichments and floral cartouches and a maroon and pink scale ground, and; a Herend basket weave box with floral decorations and an applied rose finial, painted marks to tureen, backstamp to Herend, pattern numbers, height 20 cm, length 25 cm, width 15 cm, (tureen)
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A small Art Nouveau style bisque figure in the manner of old Brussels, early 20th century, the sinuous figure of a woman in a lilac dress holding a vegetal festoon supporting a circular mirror, slip moulded with impressed marks 890II to back, incised 'B' to base, height 15 cm
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A Spode urn vase with landscape view, circa 1805, the vase with gilded festoons and decorations to the carinate collar and pedestal base, a broad continuous scenic frieze above a border of pink roses, unmarked, without cover and repair to one handle, height 25.5 cm
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A Royal Worcester earthenware fish sauce boat, 1900, Royal Worcester vitreous ware of typical boat shape with gadroons to the rims and a moulded handle, handpainted with fish and aquatic life to both sides, grey backstamp underside with date cipher, height 12 cm, width 20 cm
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A vase in the manner of Coalport, circa 1815 - 1820, the spill vase with a trumpet rim and eagle head ring handles, finely decorated with bouquets of colourful blooms and gilt foliage upon a cream ground, a gilt grapevine border to the cobalt rim and two borders to the base above a square socle, unmarked, height 10.5 cm
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A vase in the manner of Coalport, circa 1815 - 1820, the footed baluster vase with a broad neck and eagle head ring handles, finely decorated with two bouquets of flowers in puce, pink, orange and golden colours, further enlivened with gilt enrichments upon a cream ground, a wet blue border to the rim and pedestal, unmarked, height 12 cm
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A Bow Porcelain sweet meat dish, circa 1750, the soft paste porcelain dish comprising three scallop shells each decorated internally with kakiemon style oriental flowers and vases, richly encrusted to the thickly potted base with a variety of shells and seaweeds in colours, the handle in the form of a cone shell; see same model in the Metropolitan Museum of Art collection, New York, (Accession number 94.4.129), height 15 cm, length 20 cm, width 20 cm
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A small flower encrusted sweet meat dish attributed to Samuel Alcock, circa 1830s, fractional pattern number 1/2442, the porcelain pierced basket encrusted with various flowers and two yellow birds, with an arching handle and decorated to the centre with a fine bouquet of summer flowers and fruits; unmarked, height 4 cm, length 12 cm, width 10.5 cm
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A Regency Chamberlain Worcester soup bowl, circa 1820, Lavishly gilded with neoclassical forms, the square soup bowl with cusped corners centred with a roundel enclosing an allegorical female figure reclining in a landscape, unmarked, with vintage Wm Plummer & Co. Of New York label, height 5 cm, length 23 cm, width 23 cm
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A ten piece Dresden and Sitzendorf porcelain monkey band, mid 20th century, in different sizes and comprising well dressed 18th century style monkeys playing a variety of instruments, including: a trumpet, hunting horn, cello, double bass, mandolin, pipe, and drum, with two animated conductors and a music stand, mark of Dresden and Neapolitan marks with S underside, height 19 cm, and smaller
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A Swansea pedestal urn vase, circa 1815, unmarked but a known Swansea design, the ovoid vase with high set volute handles with rosette terminals, a flaring neck and square base, exquisitely decorated to the body with various floral examples growing in a garden, cartouches with posies to the neck and lower register, the pedestal and base with pink roses, further decorated with formal gilt borders, unmarked, height 21.5 cm
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A large Samson of Paris figure of Ariadne, circa 1880s, bearing Chelsea style gold anchor mark, the hard paste porcelain figure in the 18th century manner depicting an animated Ariadne in flowing classical attire in floral and pastel hues, raised on a moulded and floral encrusted circular base; gold mark to reverse, height 38.5 cm
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A large Victorian Royal Worcester ewer, 1891, design 1309, registration mark, the moulded ewer with an elaborate leaf decorated handle in shot colours, a conforming floral collar and leafy base, exquisitely decorated to the body with hop type flowers and trailing foliage in autumnal and pale blue colours picked out in gilt upon a blush ivory ground, puce stamps and impressed marks underside, height 41 cm
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A Victorian Royal Worcester swan handled 'Decanter', 1888, pattern 1048, registration mark, of elegant spreading dome shape with a slender pouring spout, the handle in the form of a finely moulded spread winged swan, decorated with sprays of gilt and iron red chrysanthemums and touches of shot colours; puce backstamp underside, pattern and registration marks, height 11 cm
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A refined Victorian Royal Worcester porcelain ice water jug, 1887, pattern 1116, modelled as an ivory tusk with a 'Stag horn' handle, decorated to the body with floral specimens delicately picked out in gilt, a moulded shot gilt border to the base, puce backstamp underside, pattern and registration marks, height 23 cm
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An exceptional Royal Worcester mask head jug, mid to late 1880s, registration mark for 1889, the ivory moulded jug exquisitely decorated with zygo cactus and refined gilding, with a bold gilded mask head spout and leafy handle with zoomorphic mount, puce marks underside, slightly rubbed date cipher, height 22 cm
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A Lladro porcelain figure of a girl on a swing, 1974-1989 period, design 1297, retired design, the large finely modelled figure of a girl on a swing hanging from an arching branch, moulded flowers to the base and a small lively spaniel, in a typical muted palette of soft greys and blues with other pastel tones, backstamps and impressed pattern marks underside, height 40 cm
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A large Pierrefonds Promsy earthenware vase with applied decoration, circa 1920s, the large bold tapering vase with a carinate collar in shades of mottled blue and decorated with applied pewter roses, apparently signed 'Prom' to body, indistinct impressed marks underside, label to collar, height 45 cm
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A Charles field Haviland (Limoges) bottle vase and cover, late 19th century, an oriental inspired vase in deep Prussian blue with a moulded frieze of chrysanthemum and vegetal motifs amidst a loose arrangement of trailing gilded foliage, the cover of conforming design, stamp of Cfh/Gdm underside, height 33 cm
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A large blue and white covered Oud Delft vase, mid 20th century, an octagonal ribbed baluster vase with a conforming domed lid with rope twist edging and surmounted by a lion, decorated throughout with myriad flowers between a lappet and scrolling floral collar, under glaze marks underside, height 52 cm
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A brightly coloured enamel and gilt vase, 20th century, the baluster vase with a spiral design with formal floral designs in maroon, blue, lilac and green colours upon gold textured and brown bands with vermicular designs, unmarked, height 38.5 cm
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