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Articles on this Sale

Auction House:Philips Auctions AustraliaNumber of lots recorded:350
Sale Title:Fine and Decorative ArtsLots with images:350
Auction Location:MelbournePrices available:192
Date:22-Sep-2020
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Two sets of four antique glasses, 19th to early 20th century, elegant tall trumpet glasses with flutes and diamond point borders flowing to faceted stems upon a star burst bases, and; a set of four square-based rummer style glasses with a honeycomb design, ex. Stuart Rattle estate sale, Mossgreen 2014, Heights: 18.5 cm, and 13 cm
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A Moser Art Nouveau 'Paula' wine glass and a pair of green glasses in the Georgian style, 1900 and after, a finely hand blown, engraved and face stem glass with a rose specimen to the body and trailing roses to the rim and foot picked out in gilt, unmarked, and; a pair of tall knopped and ringed long stem glasses with raspberry prunts, height 21 cm
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A Val St Lambert press moulded Art Deco Luxval vase, mid 1930s, an Egmont vase from the Luxval series, of tapering form with two plain panels alternating with four ribs and textured bands, fine ribbing to the lower register, marked Vsl Belgique in relief to the base, height 18 cm
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A Bagley Art Deco frosted green satin glass vase, circa 1920s, pattern 334, the 'Grantham' pattern vase of fan shaped ziggurat form with separate frog and raised on a stepped rectangular base with strapwork, unmarked, height 22.5 cm
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A set of Victorian etched glass rummer style dessert glasses, 19th century, fluted glasses with broad bowls etched with trailing grapevine motifs, upon a short stem with annular ring to a spreading base; provenance: Purchased Sotheby's Melbourne 1995, height 16 cm
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A large blue and white covered Oud Delft vase, mid 20th century, an octagonal ribbed baluster vase with a conforming domed lid with rope twist edging and surmounted by a lion, decorated throughout with myriad flowers between a lappet and scrolling floral collar, under glaze marks underside, height 52 cm
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A large bold Austrian amphora 'Campina' ceramic vase, circa 1900, the Arts & Crafts style vase of tapering form with small handles to the lustre glazed neck, decorated with sgraffito floral borders and the image of a pigeon, in tan, chocolate lustre and blue colours on a crackleware ground; various impressed marks underside, height 40 cm
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A brightly coloured enamel and gilt vase, 20th century, the baluster vase with a spiral design with formal floral designs in maroon, blue, lilac and green colours upon gold textured and brown bands with vermicular designs, unmarked, height 38.5 cm
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A Czecho-Slovakia amphora vase, post 1918 mark, the large moulded baluster vase with an applied cherub, festoons of roses and a pair of lion's head and ring handles above an acanthus leaf embellished base with scrolling feet, in a soft mottled blue grey, taupe, olive and dusky pink palette, backstamp underside, impressed mark of amphora, painted and impressed numerals, height 45 cm
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A pair of large hand decorated Fries-Onnaing covered vases, mid 20th century, baluster vases with low domed lids, boldly decorated with peacocks amidst foliage, impressed marks underside and design number 748, height 42 cm
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A large French yellow ground pot pourri, circa 1920s, of tapering cylindrical form with a domed lid, cast rococo style mounts to the neck and base, surmounted by a fruiting finial, the mottled canary yellow glaze decorated throughout with indigo blue transferware mythical creatures and mock crests, unmarked, height 38 cm
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A Rosenthal ivory ground 'Phoenix' platter, later 20th century, now discontinued, pattern 2439, US patent no. 72649, a large cream platter centred with a phoenix amidst an informal arrangement of pink yellow and blue flowers, the rim with six mixed floral sprays, backstamp underside, painted numerals, length 45.5 cm, width 34 cm
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Three Martin Boyd Pottery wares, mid 20th century, comprising a mug with grapevine designs, a plain celadon green milk jug, and a small pot featuring a Mexican tugging at a reluctant mule; all inscribed Martin Boyd underside, height 9.5 cm, and smaller
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A Victorian Royal Worcester pitcher, 1892, pattern W 2010, an Aesthetic movement pitcher of tapering form with a bamboo style gilded handle and finial, decorated with polychrome floral specimens picked out in gilt upon a satin ivory ground; puce backstamp underside and to lid, with various painted numerals and factory marks, height 22 cm
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A Staffordshire religious model of Elijah and the Raven, circa 1820, an Obadiah Sherratt type pearl ware figure in sponged and thin glazed colours and supported by bocage, raised on a waisted green, yellow and puce base, height 26 cm
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A refined Victorian Royal Worcester porcelain ice water jug, 1887, pattern 1116, modelled as an ivory tusk with a 'Stag horn' handle, decorated to the body with floral specimens delicately picked out in gilt, a moulded shot gilt border to the base, puce backstamp underside, pattern and registration marks, height 23 cm
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A Dresden Helena Wolfsohn studio style cup and saucer, later 19th century, a delicate lobed cup and saucer reserved with pairs of finely hand decorated bucolic figural scenes between floral gilt cobalt panels, the cup with a dentil border to the interior and a gilded bracket handle, Augustus Rex marks to both cup and saucer, length 12.5 cm, width 11 cm, (saucer) height 4.5 cm, (cup)
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A collection of eight vintage Gien faience oyster plates, 1971-1984 period, moulded creamy white plates each with six wells for oysters and a central well for a lemon wedge; backstamp of period underside, diameter 25 cm
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A Copeland Japan pattern coffee can and saucer, mid 19th century, unmarked, the bute shaped can and saucer decorated with Imari fan shapes and a profusion of gilded arabesques and palm fronds, a variant of Worcester's 1760 fan pattern; unmarked, diameter 13.5 cm, (saucer) height 6 cm, (cup)
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A Coalport cup and saucer, circa 1835, pattern 3/608 and 308, an Adelaide shape cup with a twist handle and saucer both decorated in English birds pattern, featuring five species in landscape settings with flourishes of gilded decoration, pattern numbers underside, height 6 cm, (cup) diameter 15 cm, (saucer)
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A Chamberlain's Worcester Chinoiserie cup and saucer, circa 1816, 1835, a marriage set in the same Chinoiserie design, featuring figures engaged in pursuits in fenced garden and pavilion settings, in coloured enamels with gilt, the cup with a scalloped edge and marked 767, the saucer of second release with an undulating rim and unmarked, diameter 14.5 cm, (saucer) 7 cm, (cup)
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A petite Royal Worcester coffee can and saucer, 1906, delicately decorated with apples, berry fruits and floral sprigs within enamel jewelled borders and cobalt bands, the moulded handle with leafy thumb piece; puce backstamps underside, diameter 11 cm, (saucer) height 5.5 cm, (cup)
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A coffee can and saucer in the manner of old Paris Porcelain, circa 1810, a bute shaped can with an ear shaped handle decorated with continuous borders of figural silhouettes, birds and swaying grasses in gilt, unmarked, diameter 13 cm, (saucer) height 6 cm, (cup)
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A Spode coffee can and saucer, circa 1812, year of introduction, pattern 1928, a bute shaped can with a characteristic Spode handle with kink, decorated with borders of fletching feathers in shades of puce with iron red and gold vegetal motifs; numerals underside only; also re-issued by Spode in the 1850s-70s as pattern 3659, height 6.5 cm, (cup) diameter 14 cm, (saucer)
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A Coalport coffee cup and saucer, circa 1815, pattern 1250, the London shaped cup with a bracket handle decorated with lemon and pink flower heads, cobalt daisies and gilded leaves upon a muted lemon oatmeal ground, painted marks underside, height 7 cm, (cup) diameter 14 cm, (saucer)
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A Spode coffee can and saucer, circa 1805, pattern 714, a bute shaped can with a characteristic Spode handle with kink, decorated with mihrab and scroll shaped borders in iron red and gold, centred with a star form enclosed by a gilt band, marked Spode with pattern number underside to saucer, diameter 13.5 cm, (saucer) height 6.5 cm, (cup)
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A Grainger's Worcester gilded chamber candlestick, mid 19th century, pattern G 537, a leaf shaped dish with vegetal handle supporting a central sconce richly moulded and gilded with rococo patterns, and sprigged with transferware flowers; painted marks to base, height 6 cm, length 16 cm, width 12 cm
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A Royal Doulton Art Deco pomegranate series vase, circa 1930s, impressed pattern 7533, a slender barrel shaped vase hand decorated in the round with bursting pomegranates, bold emerald, cobalt and lilac leaves and other flowers upon a mottled Prussian blue ground, impressed numerals and backstamp underside, also impressed Doulton, height 19 cm
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A Victorian Royal Worcester teapot, circa 1891, pattern W 2010, a bullet-shaped teapot with a ribbed and ribbon tied gilt handle and a gilded spout, decorated with polychrome floral specimens picked out in gilt upon a satin ivory ground; puce backstamp underside and to lid with various painted numerals and factory marks, height 17 cm
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Two Masons Ironstone vases, circa 1813-1925 and after, a small cobalt bottle vase with gilded floral designs, and an oriental style high shouldered vase with a broad neck, bat moulded lug handles and decorated with two shaped cartouches with polychrome chrysanthemums upon a scrolling gilt and cobalt ground; the latter marked Masons patent Ironstone china, height 12.5 cm, and 10.5 cm
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A Vienna porcelain Motto figure, circa 1900-1920, a polychrome decorated cupid shooting an arrow from a fluffy cloud, upon a triangular base with cartouche marked 'Coup sur Coup' (back to back); underglaze shield or beehive mark underside; after a similar Meissen model, height 13.5 cm
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Nine allegorical pearl ware and Staffordshire figures, late 18th century to mid 19th century, two female pearl ware figures, 'Hope', with an ermine printed yellow cape; a press moulded figure lowering a flaming torch above a Roman helmet and battle arms; pearl ware traveller and country lass types, a lad in a frockcoat and a girl riding a goat; a Staffordshire poacher and two flatbacks - a military gentleman and a dandy, height 22 cm, and smaller
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A reference group of seven assorted Chinese and English dishes, 18th to 19th century, a Liverpool delft octagonal plate with rivet repairs; two Chinese blue and white export wares; a Miles Mason mandarin palette 'Boy at the Door' plate; an unmarked yellow ground Pinxton dish with monochrome landscapes; a transferware dish centred with polychrome Chinese figures, pattern 223, and a Staffordshire pottery Chinese transferware dish, marked semi china warranted, diameter 23.5 cm, and smaller
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A pair of Copeland & Garrett 'Swiss Views' plates, circa 1842-45, pattern 7416, moulded lobed plates with wide fresh green borders embellished with gilded patterns and bands, both centred with hand painted views: 'Thun from the Cemetery' and 'Castle of Granson'; teal backstamps underside, painted titles and pattern numbers, diameter 24 cm
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A group of five blue and white transfer Pottery wares, early to mid 19th century, a pair of small rectangular dishes with integral handles with country scenes and primrose borders; a J. Meir & Son Staffordshire willow pattern pap boat and a similar fan shaped dish, and; a partitioned tray with cell, scroll and floral borders, length 16 cm, width 9 cm, and smaller
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A Bow soft paste porcelain figure of a 'New Dancer', circa 1760s, modelled and decorated as a young man posing against a tree trunk in a puce frockcoat with cobalt lining, a straw coloured hat with a plume and floral pantaloons, raised on a mounded base with encrusted flowers, unmarked, height 17.5 cm
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Four creamware figures and three Chelsea-Derby gardeners, late 18th century; Chelsea Derby figures 1782, unmarked but pattern 292, comprising two gentlemen in togas each carrying a chicken, a lad in a frock coat and black hat, also holding a chicken, and a woman in a yellow overdress; a pair of gardeners plus one other carrying wicker baskets before bocages and raised on shell and scroll bases, two encrusted with flowers; patch marks underside, height 14.5 cm, and smaller
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A Victorian Crown Derby four piece comport and plate service, 1877-1890 period, hand painted botanical plates and comports each with individual specimens, with maroon bands and vegetal lambrequin borders; red backstamps underside, height 11.5 cm, diameter 23 cm, and smaller
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A Royal Worcester vase decorated by Harry Stinton, 1917, pattern 2491, a small baluster shaped vase decorated with highland cattle in a naturalistic landscape setting upon a muted ivory ground, signature to lower image, puce backstamp underside, height 11.5 cm
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A Victorian Royal Worcester Aesthetic style Persian vase, 1888, pattern 942, an elegant pear shaped vase with a long moulded neck and bracket handles decorated with raised gilt flora upon an ivory ground; puce backstamp and impressed numerals underside, height 17 cm
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A large white glazed porcelain nude by Herend, post 1976, with 150th anniversary stamp, pattern 5706, the Art Deco style figure seated upon a plinth, arms raised above her head drying her hair; blue backstamp underside and impressed pattern number, height 37 cm
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An unusual Continental Majolica beetle vase, early 20th century, a slender moulded baluster vase in deep green featuring a cluster of four black beetles with rust coloured wings below the pierced neck, with pairs of crossed legs of exaggerated length trailing down the body of the vase, impressed numerals only underside, 820, height 34 cm
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A Secessionist vase in the manner of Imperial Amphora, early 20th century, unmarked, a carinate shaped conical vase with a garlic bulb rim and four semi-circular gilded handles, the mottled petrol blue body sgraffito decorated and adorned with formal applied shapes and floral forms, height 17 cm
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A pair of Thomas Forester & Sons 'Phoenix Ware ' Pottery vases, 1925 period mark, Seville pattern, bold Art Deco twin handled amphorae deeply incised and hand painted with striking architectural floral motifs and curved bands in teal, green, cobalt, tan and oatmeal colours, backstamps with Seville stamps underside, height 20.5 cm
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A Royal Copenhagen crackleware vase by Thorkild Olsen, circa 1963 date cipher, pattern 212/2495, a finely ribbed swollen stoneware vase, the body in an orange crackleware glaze, the neck and foot in grey and edged in muted gold bands, backstamp with wavy lines, signature, pattern numbers underside, height 21.5 cm
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A Spode green ground vase, circa 1817-1820, pattern 2706, a faceted carinate vase upon a waisted foot, decorated with oriental style floral motifs in pink, iron red and cobalt colours picked out in gilt; iron red pattern marks underside; small flaw to foot, height 26 cm
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A Charles field Haviland (Limoges) bottle vase and cover, late 19th century, an oriental inspired vase in deep Prussian blue with a moulded frieze of chrysanthemum and vegetal motifs amidst a loose arrangement of trailing gilded foliage, the cover of conforming design, stamp of Cfh/Gdm underside, height 33 cm
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A white glazed porcelain nude by Herend, 20th century, pattern 15747, impressed facsimile signature of Donner, S.M, well modelled and depicting a kneeling female figure with one leg extended and drying her feet; blue shield mark, and red numeral 2 impressed pattern number, height 24.5 cm, width 30 cm
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Two Hungarian porcelain female nudes by Zsolnay and Quincum, 20th century, both kneeling bather figures in cream glaze, the Zsolnay figure with dark hair, a pale blue wrap and raised on a pale green tinted base, backstamp and painted title underside; the smaller Quincum figure similar and applying pink flowers to her hair, blue backstamp underside, height 15 cm, and 22.5 cm
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A forty seven piece Art Deco Tlb Limoges dinner service, 1920-1939 period, mark of Touze, Lemaitre Freres & L. Blanchier, an octagonal shaped service for eight place settings, in white with simple platinum bands comprising: seventeen dinner plates, entree plates and soup bowls for eight; three tazze, two tureens with stepped platinum handles, six assorted bowls, dishes, platters, a gravy boat with integral base; silver backstamp of period underside, length 40.5 cm, width 27 cm, (large platter)
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A large scale loving cup by Samuel Alcock & Co, circa 1840s, a Burgundy ground cup prolifically decorated with gilded vegetal designs and flourishes, one face with a cartouche of an imaginary European landscape, roses to the reverse, the twin handles with acanthus thumb pieces, unmarked, height 13.5 cm
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A Victorian Royal Worcester swan handled 'Decanter', 1888, pattern 1048, registration mark, of elegant spreading dome shape with a slender pouring spout, the handle in the form of a finely moulded spread winged swan, decorated with sprays of gilt and iron red chrysanthemums and touches of shot colours; puce backstamp underside, pattern and registration marks, height 11 cm
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A Masons Ironstone vase, circa 1860, pattern 1566, a gold and cobalt baluster vase with Japan style mon, panel and fan shapes embellished with various transferware oriental motifs scattered upon a scale ground; black backstamp and pattern number underside, height 20.5 cm
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An exquisite Art Nouveau Paul Milet Sevres beaker vase, circa 1900, signed by decorator H. Herbert, a tube-lined and enamel decorated vase with turquoise, plum, bronze and cream jewel-like flora upon a chiselled vermeil foil ground, a celadon glaze to the interior, signed to lower body; green Sevres backstamp underside, height 10.5 cm
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A pair of La Cortille Paris Porcelain figures, circa 1840-50 Paris, manufactory of Pouyat Bros/ Jean M.Clauss, patterns 444 and 445, depicting a gentleman bagpiper with his dog and a sheep, a genteel shepherdess companion also with sheep and a dog, in coloured attired picked out in gilt and raised on flower painted bases, impressed marks underside and painted crossed torches marks, height 17 cm
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A Victorian Staffordshire semi china blue and white teapot, circa 1840s-50s, a transfer printed globular pearl ware pot with a domed lid and ball knop profusely decorated with oriental flora in vase and garden settings enclosed by patterned borders, octagonal semi china mark underside, height 16.5 cm
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An Indian weave wool rug, the rug featuring an allover design of lotus and other flower heads with tendrils in tan, olive, grey and cream colours upon a chocolate field, surrounded by a contrasting wide main border with repeat floral designs and narrow bands, length 310 cm, width 245 cm
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A Persian Kork wool and silk rug, in superfine kork wool, with a central medallion, and an allover design of shah abassi and other flower heads, tendrils and exotic birds in cream, navy aubergine and maroon colours upon a muted mid green field, enclosed by intricately patterned main and narrow borders, length 311 cm, width 203 cm
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A Kashmiri silk rug, in an iron red, mushroom and teal palette featuring a central sixteen point rosette surrounded by floral sprays in a formal meandering design upon a cream field, fan shapes and flower heads to the corners and enclosed by a complementary floral border with black accents and narrow bands, length 285 cm, width 181 cm
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A Persian Kork wool and silk rug, with a sixteen point rosette and an allover design of tendrils and flower heads in blue, red and tan colours upon a cream field, with shaped spandrels and vegetal borders, length 348 cm, width 209 cm
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A Qum Persian silk rug, in iron red, grey, olive gold and teal colours, with a central quatrefoil rosette enclosed by a profusion of floral motifs upon a cream field, black similarly decorated spandrels, enclosed by a broad lotus flower border and narrow geometric bands, length 179 cm, width 125 cm
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A Persian Qum wool carpet, featuring a floral medallion in blue, green and white colours on a bright red field, further decorative and scrolling flora in a predominantly blue palette, enclosed by a striking green patterned border, length 163 cm, width 103 cm
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A Persian Kashan Kork wool and silk rug, with a sixteen point rosette and an allover design of tendrils and flower heads in blue, red and tan colours upon a cream field, with shaped spandrels and vegetal borders, length 210 cm, width 131 cm
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A Persian wool rug, with a central rosette, and vases, leafy tendrils, flowers and fruiting motifs in, muted rust, mushroom, pale blue and navy colours upon a cream field, a wide contrasting border and narrow bands, length 171 cm, width 97 cm
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A signed Persian Qum silk rug, a tile patterned rug featuring repeat pattern vase, flower and stylised tree of life designs in iron red, tan, black and cream colours enclosed by a flower head border and narrow bands, signed to the short end, length 157 cm, width 108 cm
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A Qum Persian silk rug, in sage, green, tan, muted pink and brown colours with a central medallion and profusely decorated with vegetal motifs upon a cream field, meandering spandrels and surrounded by a main border and narrow bands of vegetal design, length 152 cm, width 92 cm
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A signed Persian Qum silk rug, with three decorative octagonal lozenges and various hooked, star and stylised floral forms in rust, tan, olive and black colours upon a wheat coloured field, a wide border of flower heads and narrow patterned bands, signed to the short end, length 147 cm, width 103 cm
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A Persian wool Turkman type rug, in fine weave, with an allover gul design in orange, tan, black and white colours upon a ruby field, multiple narrow bands, and borders of crenellated lozenges to the short ends, length 186 cm, width 122 cm
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An Art Deco wrought iron wall mirror, circa 1930, the lozenge shaped octagonal frame housing a bevelled glass, the frame of textured square section form, with a floral motif to the crest and twin scrolls to the base, length 72 cm, width 37.5 cm
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A magnificent antique French bronze eighteen branch chandelier in the exotic Moorish taste, circa 1870s, the chandelier with a knopped stem terminating in a large pierced censer style ornament with exotic flower designs, two tiers of scrolling arms embellished with vegetal motifs supporting broad pierced dishes and electric candles, length 115 cm, diameter 110 cm
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A small brass three branch chandelier in the French manner, 20th century, with a decorative leafy ceiling cup, baluster stem with stiff leaf design and curvaceous arms supporting floriform dishes with electric candles, length 30 cm, diameter 43 cm
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An Art Deco copper and opalescent glass chandelier, circa 1930, signed Ezan, with a knopped and baluster stem embellished with four opalescent long tailed birds, six upturned branches supporting opalescent dishes with radiating feather motifs, length 90 cm, diameter 80 cm
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A fine antique wrought iron twelve light chandelier, 19th century, of ornate floral design with a knopped stem and two tiers of curvaceous arms embellished with leaves, buds and flowers to petal form dishes supporting electric candles, length 100 cm, diameter 66 cm
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A demi-lune brass wall sconce, circa 1950, a glazed sconce with double scroll supports, and two electric candles within neoclassical style mounts against a silvered reflective ground, length 40 cm, width 18 cm, depth 9.5 cm
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An antique hall lantern, early 20th century, a frosted and faceted pendant shade attached to a moulded cup, with an articulated stem to a ceiling attachment, length 25 cm, (shade)
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A French Empire style gilded bronze eight branch chandelier, circa 1880s, converted gasolier now with Australian wiring, a fluted and urn shaped stem with stiff leaf decoration, four arms with high set bracket arches and floral embellished buttresses supporting frosted torch shades alternating with four 'U' shaped arms with dishes and long electric candles, length 98 cm, diameter 65 cm
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A French provincial style bronze and tole chandelier, circa 1910, wired to Australian standards, a five branch chandelier with a floriform ceiling cup, turned and spiral twist stem with buttress supports to a circular boss, scrolling wrought decorative elements and arms with applied tole leaves terminating in frosted multi-petal glass shades, length 90 cm, diameter 94 cm
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A bronze and crystal eighteen branch chandelier, a highly ornate multi-tiered chandelier with jewel encrusted finials, a horse motif and floral decorated curvaceous arms with electric candles, decorated with crystal drops, swags and prisms, length 188 cm, width 124 cm
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A late Victorian/Edwardian mahogany display sideboard, circa 1900, the mirrored sideboard with a raised central section, open side display cabinets with spindle galleries, the extended lower section with glazed cabinets flanked by open compartments above a long undertier and raised on long turned supports and legs, decorated with relief carved rosettes and fluted motifs, height 211 cm, width 137 cm, depth 44 cm
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A walnut Baroque style commode, circa 1930, with a plain rectangular top with rounded corners, three drawers of ogee and bombe profile, the edges with pronounced hips and knees, a deep shaped apron and raised on stocky cabriole legs, the drawers with twin swing handles with bold demi-figure mounts, height 81 cm, width 104 cm, depth 52 cm
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A transitional style parquetry gueridon in mixed timbers, circa 1930, the oval table with a trophy decoration to the surface, straight fluted supports to an undertier and raised on cabriole legs, with ormolu ram's head motifs and hoof sabots, height 84 cm, length 48 cm, width 38 cm
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A Directoire style kingwood poudreuse, circa 1930, in light tones with stringing, a central lift up section revealing a mirror, with side compartments, an arrangement of long and short drawers and a slide with a leather writing surface, raised on tapering square section legs, height 75 cm, width 79 cm, depth 45 cm
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A wrought iron coat rack with matching umbrella stand, circa 1930, a rack with four twist and scroll hooks and an umbrella stand of simple Art Deco design, without drip tray, in a vintage green painted finish, width 69 cm
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A refined Art Deco rosewood enfilade in the manner of Jules Leleu, circa 1935-40, with a shaped top above a pair of cupboards with diagonal parquetry flanked by of similar design enhanced by blonde stringing and petite stars, a fitted blondewood interior, and raised on curved and tapering block feet with brass caps, height 98 cm, width 220 cm, depth 52 cm
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A rosewood Art Deco table and six chairs in the manner of Jules Leleu, circa 1935-40, the rectangular table with a trailing inlaid vegetal border and raised on trestle ends with pilaster motifs and short cabriole square section feet with brass caps, the high backed chairs with padded seats and backs upholstered in the original forest green vinyl, height 76 cm, length 184 cm, width 92 cm, (table) height 102 cm, (chair)
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A Victorian cedar tallboy, 19th century, the top with bullnose edging above a central deep hat drawer flanked by pairs of short drawers, three long drawers below of graduated depth with turned pull handles, raised on bun feet, height 119 cm, width 113 cm, depth 46 cm
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A Victorian cedar two door bookcase, 19th century, with key, of simple plain form with an extended concave cornice above rectangular glazed doors with the original glass, three internal shelves, the extended lower register with framed cupboards with recessed panels and raised on a double stepped plinth base, height 204 cm, width 115 cm, depth 50 cm
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A pair of Distress finished side cabinets in the French manner, in soft chartreuse, the cabinets of bombe profile with three drawers, shaped aprons and raised on hipped cabriole legs, with cast gilt metal handles and sabots, height 84 cm, width 67 cm, depth 42 cm
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A Victorian mahogany two door bookcase, 19th century, with key, with an extended ogee profile cornice above twin glazed doors with beaded frames, three internal shelves, the extended lower register with a frieze drawer and cupboards above a plinth base, simply decorated with carved corbels, height 212 cm, width 87 cm, depth 48 cm
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A Georgian mahogany chest of drawers, early 19th century, a well figured chest of rich coloration, with cockbeaded pine lined drawers comprising two short and three long drawers of graduated depth, all with brass 'Bat wing' back plates and swing handles, raised on shaped bracket feet, height 108 cm, width 106 cm, depth 55 cm
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An Edwardian mahogany tea table, early 20th century, having a rectangular top with chamfered corners, pierced metal spandrels and angled, shaped tapering legs united by a platform undertier, height 71 cm, length 75 cm, width 45 cm
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A Victorian burr walnut breakfront wardrobe, 19th century, with an extended cornice above a central wide cupboard with a shaped arching mirror opening to a series of shallow drawers with three deep flush fit drawers below with recessed brass swing handles, narrow cupboards to the sides with similar arching recessed panels, one with full length hanging space, the other with a single base drawer, raised on a plinth base, height 211 cm, width 223 cm, depth 65 cm
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