Full details of each lot are displayed, except the lot number, estimate and price. You must be a subscriber to view lot numbers, estimates and prices.

Click here to view registration and subscription levels

The Collector's Auction III — Leonard Joel Pty. Ltd.

Auction House:Leonard Joel Pty. Ltd.Number of lots recorded:282
Sale Title:The Collector's Auction IIILots with images:281
Auction Location:SydneyPrices available:213
Date:30-Jun-2020
***
A Sheraton type shield shaped Georgian mahogany dressing mirror, with supports over a single drawer with ivory and brass mounts. English circa 1790. The condition is good with no visible signs of repair or damage. The veneers are in good condition.
***
***
***
An antique Chinese carpet, of large scale, in fine open pile woolwork, predominantly woven in blues on a pale gold background. Decorated with a central medallion of two dragons surrounded by vases, flowers and folliage, and a strong border including an eternity motif. China, circa 1950. 370 x 275 cm
***
***
***
A pair of fine Chinese porcelain underglaze blue and white bowls on stands, with moulded and flared rims and central medallions. Qing Dynasty, Kangxi period (1662-1722). 14.2 x 5 cm
***
***
***
A pair of fine Chinese porcelain underglaze blue and white bowls on stands, with moulded and flared rims and central medallions. Qing Dynasty, Kangxi period (1662-1722). 14.2 x 5 cm
***
***
***
A pair of fine Chinese porcelain underglaze blue and white plates, with moulded and flared rims and central medallions of peonies and a bird and foliate borders. Qing Dynasty, Kangxi period (1662-1722). 21 X 2.5 cm
***
***
***
A pair of fine Chinese porcelain underglaze blue and white plates, with moulded and flared rims and central medallions of peonies and a bird and foliate borders. Qing Dynasty, Kangxi period (1662-1722). 21 x 2.5 cm
***
***
***
A collection of five Chinese lidded jars, comprised of four in underglaze blue and white porcelain with floral decorations and one in green and iron brown glazes on a moulded and incised body. Late Ming Dynasty, Wanli period (1573-1620). Various sizes, the condition is good with no visible signs of restoration.
***
***
***
A pair of fine Chinese porcelain underglaze blue and white plates, with moulded and flared rims and central medallions of peonies and a bird and foliate borders. Qing Dynasty, Kangxi period (1662-1722). 21 X 2.5 cm
***
***
***
Two Chinese underglaze blue and white fine porcelain tea cups and saucers, of lobed and flared form with profuse decoration in panels. Qing Dynasty, Kangxi period (1662-1722), circa 1720. Cups: 8 x 5 cm, saucers: 13.5 x 1.5 cm, a crack and a loss to one tea cup.
***
***
***
A selection of five Chinese underglaze blue and white porcelain saucers, with various naturalistic patterns and marks. Qing Dynasty, Kangxi period (1662-1722). Various sizes, a minor chip to four of the saucers.
***
***
***
A Chinese underglaze blue and white porcelain plate, with iron brown rim and a central scene of nature with a willow tree, rock and flowers. Qing Dynasty, Qianlong period (1736-1795), circa 1750. 27.5 x 3 cm, a hairline crack and very minor losses to the edge.
***
***
***
A group of five Chinese blue and white porcelain saucers, one polychrome decorated plate and six ceramic blue and white spoons. Qing Dynasty (1644-1911). Various sizes, minor chips to three saucers and old chips to spoons.
***
***
***
A pair of fine Chinese underglaze blue and white porcelain dishes, small and of lobed form, each with ten panels of figures and flowers around a central medallion of a oman in a garden setting. Qing Dynasty, Kangxi period (1662-1722), circa 1720. 14.5 x 3 cm, a hairline crack at four o'clock on one of the dishes (the darker one), otherwise the condition is good.
***
***
***
A Chinese underglaze blue and white porcelain ginger jar, in the 'Prunes Blossom' pattern. The carved rosewood lids inset with medallions of carved and pierced jade and the rosewood stands in carved and finely pierced fretwork. Early Qianlong period (1736-95) circa 1750. 29 x 23 cm, the condition is good. A hairline crack to the base. No other visible signs of repair or damage to the body.
***
***
***
A fine pair of Chinese Imari type plates, in dry ironed enamel with gilt highlights on an underglaze blue and white porcelain. Late Kangxi period, (1662-1722). Diameter 23 cm, a small hairline crack to one plate, otherwise the condition is good.
***
***
***
A pair of Chinese Buddha lamps, the blue and white porcelain figures on oval wooden bases with four feet with adjustable brass two light lamp fittings. Height of figures 40 cm
***
***
***
A Nymphenburg porcelain blue and gilt Bavarian Royal service, after a design by the Bohemian sculptor, Dominikus Auliczek. The pearl service in the Louis-Seize style. It was exclusively reserved for the Wittelsbach house as the Royal Bavarian service until the beginning of the 20th century. In 1918 it was created for the golden wedding anniversary of King Ludwig III and Maria Theresa as a one-off production. It has miniature paintings of the most important stages of the Royal couple's life. Consisting of 4…
***
***
***
A collection of five pieces of first period Worcester blue and white, including a lidded creamer decorated with the 'Three flowers' pattern, two tea bowls decorated with the 'Zig zag fence' pattern, a saucer in the 'Bouquets' pattern and a teapot decorated in the 'Prunes root' pattern. English 18th century. Various sizes, the teapot has minor chips to the spout and lid.
***
***
***
A part set of Georgian cut crystal, comprising of seven rummers, five smaller rummers and two decanters, both engraved with stoppers. Provenance: F.R. Strange Pty Ltd., Sydney, 1972.
***
***
***
A 19th century agate and silver finger scent bottle, the faceted agate body below a silver collar and foliate embossed hinged cover, glass stopper. Circa 1850. Length 7 cm
***
***
***
Fine quality French enamel scent bottle with gold mounts, the body decorated with scrolls and flowers in a classical style, engraved gold foot and screw stop. In original fitted case. Circa 1880. Length 8.3 cm
***
***
***
A fine 19th century Venetian scent bottle, the cobalt blue enamel body decorated in the 'Birth of Venus', the gilt silver mounts with engraved decoration, glass stopper. 19th century. Height 8.5 cm
***
***
***
A Victorian glass and gold mounted scent bottle, the molded glass body with gold mounts engraved with decoration of scrolls and flowers, glass stopper. With original shaped leather carrying case. Early 19th century. Height 10.5 cm
***
***
***
A French crystal scent bottle with gold mounts, cut crystal body with two gold triangular corners, the shoulders, top and hinged lid in gold with engraved decoration, silver and cork stopper. Circa 1880. Length 9 cm
***
***
***
A European gold cut crystal scent bottle, the cut crystal body above a gold turned base, gold engraved top and handle with a gold and cork stopper. Circa 1870. Height 9 cm
***
***
***
A fine quality rare Florentine gold scent flask, with champleve enamel decoration. The tapered hexagon body finely decorated with blue and white enamel in classical scroll designs. The gold top and pendant fitting with engraved and carved decoration. Circa 1870. Length 9.5 cm
***
***
***
A French 19th century porcelain and silver gilt scent bottle, the shaped porcelain body with a central cartouche of sprays of flowers with surrounding guilded decoration of scrolls and foliage. Heavily embossed hinged silver gilt lid. Circa 1850. Length 8.2 cm
***
***
***
A late Victorian porcelain scent flask with silver mounts, finely painted with central panels of classical ruins and a landscape. Overall decoration in navy with gilt highlights, silver hinged top hallmarked London, 1894. Length 11.5 cm
***
***
***
A Royal Worcester commemorative scent bottle, produced for Queen Victoria's jubilee in 1887, with silver plated mount in the form of a crown made by Sampson Mordan who registered the designs in 1886.
***
***
***
A French 19th century silver scent flask, profusely decorated with engraved panels in silver and gilt of flowers and scrolls bordered with raised embossed foliated borders, hinged top with glass stopper. France, circa 1850. Length 11 cm
***
***
***
A French silver scent flask, the central concave panels with engine turned decoration, heavily embossed corners in classical designs, hinged top, glass stopper. France, circa 1850. Length 10 cm
***
***
***
A Victorian Venetian glass scent bottle with silver top, the multicoloured body of ribbed design in colours green, red and yellow. Silver mounted glass stopper and screw on top. Circa 1880. Length 8.3 cm
***
***
***
A Victorian scent flask with sterling silver top, the facetted cranberry glass body speckled with gold and white flecks. The silver screw on top hallmarked London 1884. Maker Charles Mappin, Mappin Brothers, Regent Street London. Length 20 cm
***
***
***
A Thomas Webb cameo glass scent bottle, the cranberry glass etched in white lily of the valley with sterling silver mounts by Elkington & Co., Ltd. Hallmarked Birmingham 1890. Length 15 cm
***
***
***
A Victorian speckled glass scent bottle with silver top, the ovoid shaped glass body with crackled finish. The hinged silver top with engraved decoration, glass stopper. Circa 1880. Length 9.2 cm
***
***
***
A Victorian agate and silver gilt scent bottle, set with two circular banded agated panels to the sides. The silver gilt mounts and hinged top finely engraved in classical scrolls and flowers. Engraved script to the base 'Gift of Sir G. S. Mackenzie of Coul'. Circa 1830. Length 7.2 cm. Other Notes: Sir George Mackenzie, 7th Baronet Frs, Frss, Fsa, 1780-1848, was a Scottish geologist, chemist and agricultural improver.
***
***
***
A blue overlaid glass scent bottle with silver gilt mounts, the glass body with blue overlaid glass highlights. The silver gilt hinged lid with impressed and engraved decoration of scrolls and flowers, glass stopper. Early 19th century. Height 9 cm
***
***
***
A Victorian silver and enameled scent bottle, the pink enameled body decorated with a kingfisher and butterfly. A silver hinged lid, the silver mounted base inset with a mirror. 19th century. Height 7 cm
***
***
***
A turquoise glass and silver scent bottle, the faceted glass body with an ornately decorated silver hinged lid, glass stopper. Engraved 'Gilbertson - London'. 19th century. Height 9.5 cm
***
***
***
A Meissen porcelain perfume bottle and stopper, modelled in the form of a lady holding a dog under her left arm, in a purple striped dress and yellow bodice. German 19th century. Height 8 cm. Provenance: Sotheby's, decorative Arts sale, Melbourne, 2001, the condition is excellent.
***
***
***
A Meissen porcelain perfume bottle and stopper, in the form of a spaniel standing on its hind legs. German 19th century. Height 7.5 cm. Provenance: Sotheby's, decorative Arts, Melbourne, 2001, Restoration to foot.
***
***
***
A Meissen silver gilt mounted porcelain scent bottle, outside decorated perfume bottle and stopper modelled in the form of arm. The hand holding a bunch of grapes, with an orange sleeve with flowers in gilt and white cuff. German 19th century. Height 8.5 cm. Provenance: Sotheby's, decorative Arts, Melbourne, 2001, the condition is excellent.
***
***
***
Two sterling silver scent bottles, one in a ball shape with pierced silver cover decorated with two classical scenes, screw top. The other traditional moon flask design, hinged body containing a glass bottle of inexhaustible smelling salts, crown perfumery, London. The Art Nouveau decorated case hallmarked Birmingham, 1904, maker Crisford & Norris Ltd.
***
***
***
A sterling silver and guilloche enamel scent flask, circular shape engine turned body with finely enamelled flowers and leaves with a gilt shaped border, screw on top. Date mark 1911. Length 6 cm
***
***
***
Four Victorian coloured glass Scent/Smelling salts bottles, three double ended, one red-double ended with gilt metal mounts, length 12.5 cm. One green glass double ended with gilt metal mounts, length 11.5 cm. One Bristol blue glass double ended with silver and metal mounts, length 10 cm. One red glass smelling salts bottle with sterling silver mounts, hallmarked Birmingham, maker C. C. May (Charles May), length 8 cm.
***
***
***
An amber and gold scent bottle, the simulated amber faceted body with a gilt metal base and lid, glass stopper. 19th century. Height 7.5 cm
***
***
***
Two circular small Hyalith glass scent Flacons with silver tops, one in green glass with floral decoration to both sides, silver top, glass stopper. The other in purple glass, decoration to both sides, foliated embossed silver top. Circa 1880, length 4.4 cm, length 4.8 cm
***
***
***
Two small Hyalith glass scent flacons with silver tops, one dark blue glass decorated with a classical urn and ruins with filigree silver shoulders and top. The other in green glass, finely decorated in panels, embossed silver top. Circa 1850. Length 8 cm, length 6.8 cm
***
***
***
A collection of four 19th century scent bottles, one millefiori glass with gold hinged top and glass stopper, one Venetian glass tapered octagonal body striped in blue pink and white, silver hinged top, glass stopper, one French with gilt metal overlay with central Limoges style tablet of a courting couple, and one red glass with gilt metal filigree overlay and hinged top and glass stopper. Length 5.3 cm, length 5.8 cm, length 4.8 cm, length 7.5 cm
***
***
***
A collection of 19th century scent bottles, including a ruby glass and silver scent bottle, an amber glass and silver scent bottle, a miniature cut crystal scent bottle, glass scent flask, a cut crystal and brass mounted scent bottle, and a miniature micro beaded scent bottle. 19th century. Height of largest 8 cm
***
***
***
A Chinese hardstone snuff bottle, plain bottle shape with stopper. 19th century.
***
***
***
A Chinese agate snuff bottle, flattened ovoid shape carved with a deer and two bats beneath a pine tree, glass stopper. 19th century. Provenance: Sotheby's, Melbourne, 2003
***
***
***
Two Chinese amber snuff bottles, each rounded rectangular form with lion mask handles. 19th century. Overall in good condition. No visible signs of repair, damage or losses. Minor wear on base consistent with age.
***
***
***
A Chinese moss agate snuff bottle, flattened ovoid form of green, beige and brown colour. Moss agate stopper. 19th century. Provenance: Sotheby's Melbourne 2003
***
***
***
A malachite snuff bottle, plain design with carved mask and ring handles with a coral stopper. Late Ching period.
***
***
***
A Chinese coral snuff bottle, cylindrical shape, carved with three children on branches, carved stopper. Early 20th century. Provenance: Sotheby's Melbourne 2003
***
***
***
Two Chinese amber snuff bottles, one of a pod shape with pale green jade stopper, the other with stylised floral carved decoration. Chinese 19th century.
***
***
***
A Chinese agate snuff bottle, plain ovoid shape with jade stopper. 19th century. Provenance: Sotheby's Melbourne 2003
***
***
***
A Chinese agate snuff bottle, ovoid form with carved mask ring handles, rose quartz and jadeite stopper. 19th century. Provenance: Sotheby's Melbourne 2003
***
***
***
A Chinese hardstone snuff bottle, mottled colours of brown and cream. 19th century. Height of largest 8 cm
***
***
***
Two Chinese agate snuff bottles, one carved with flowers and leaves, the other carved with a fish in relief. Late Ching period.
***
***
***
An important fine pair of Royal Worcester vases and covers, painted with highland cattle in a landscape by John Stinton, printed factory marks. Shape number. H313. Circa 1910. Height 42 cm
***
***
***
An important rare Royal Worcester 'Bow' pot pourri and cover by John Stinton, painted highland cattle in a stormy landscape and the reverse with a cloudy loche scene. Rd number 142778, shape number 1428. Date code 1905. Height 29.2 cm. Provenance: Sotheby's Belgravia, English ceramics, February 1974, lot 125
***
***
***
A Royal Worcester two handled vase and cover by Edward Townsend, painted with highland cattle in a landscape. Printed factory marks. Shape number 2701/1. Circa 1972. Height 22 cm. Provenance: Prouds, Sydney, 1973
***
***
***
A Royal Worcester vase by Harry Stinton, painted with a pair of highland cattle in a misty mountainous landscape. Printed factory marks. Shape number 1040 G. Date code 1909. Height 13.3 cm. Provenance: Sotheby's Belgravia, English ceramics, July 1978, lot 229
***
***
***
A Royal Worcester lidded pot pourri vase and cover by Harry Stinton, painted with highland cattle in a landscape. Printed factory mark. Shape number 169/H. Date code 1956. Height 19.1 cm. Provenance: Sotheby's Belgravia, English ceramics, October 1976, lot 265
***
***
***
A Royal Worcester pot pourri two handled vase and cover by Charles H. C. Baldwin, painted with swans in flight above grasses and gilt reeds against an azure blue ground, and a swallow on the reverse. Printed factory marks. Rd number 168915, shape number 1515. Date code 1900. Height 23.5 cm. Provenance: Sotheby's, Belgravia, English ceramics, December 1976
***
***
***
A Royal Worcester vase by William Jarman, painted with pink roses and lily of the valley. Printed factory marks. Shape number 1969. Height 33 cm
***
***
***
A Royal Worcester Crown topped lidded Pot-Pourri vase with interior cover by Reginald Austin, painted with pink and red roses. Printed factory marks. Shape number 1286. Circa 1910. Height 25.3 cm. Provenance: Mrs M. K. Nielsen Antiques, Seaford house, high Street, Moreton-in-Marsh, Gloucestershire, 1978.
***
***
***
A Royal Worcester Crown topped Pot-Pourri vase with interior cover, painted with pink and red roses by Walter H. Austin. Printed factory marks. Shape number 1286. Date code 1919. Height 25.3 cm. Provenance: Sotheby's Belgravia, English ceramics, September 1977, lot 295.
***
***
***
A Royal Worcester vase by Kitty Blake, painted with sprays of pink and red cabbage roses. Printed factory marks. Shape number 1748. Date code 1926. Height 17.1 cm. Provenance: Sotheby's Belgravia, English ceramics, June 1977, lot 361
***
***
***
A pair of Royal Worcester vases and covers by John Freeman, painted with an arrangement of fruits on woodland bank. Printed factory marks. Shape number 1572. Date code 1956. Height 27.3 cm. Provenance: one from Sotheby's Belgravia, English ceramics, July 1976, lot 259, one from David Jones, Elizabeth Street, Sydney
***
***
***
A Royal Worcester two handled urn and cover by Harry Ayrton, painted with apples and grapes on a grassy bank, the reverse with a spray of loganberries. Printed factory marks. Shape number 2701. Circa 1970. Height 17 cm. Provenance: Sotheby's Belgravia, English ceramics, January 1979, lot 316
***
***
***
A Royal Worcester vase and cover by Alan Telford, painted all over with apples and grapes on a grassy bank. Printed factory marks. Shape number 2701/1. Circa 1970. Height 23 cm. Provenance: Prouds, Sydney, 1972
***
***
***
A Royal Worcester pot pourri vase and cover by Alan Telford, painted with apples, grapes and leaves on a shaded woodland bank to the entire body. Printed factory marks. Shape number 2048. Circa 1968. Height 24 cm. Provenance: Prouds, Sydney, 1969
***
***
***
A Royal Worcester pierced vase by Edward Townsend, painted with a still life of wild strawberries and cherries on a bank, set on three mask and scroll feet, the base and rim pierced. Printed factory marks. Shape number G733. Date code 1937. Provenance: Sotheby's Belgravia, English ceramics, December 1976, lot 172
***
***
***
A Royal Worcester spill vase by Alan Telford, painted with fruit and leaves. Circa 1970. Height 21.5 cm. Provenance: Prouds, Sydney, 1972.
***
***
***
A pair of Royal Worcester cylindrical vases by William Ricketts, painted with a still life of fruits including apples peaches and blackcurrants lying on a mossy bank, the reverse with a smaller study. Printed factory marks. Model number G. 42. Date code 1930. Height 21.6 cm. Provenance: Sotheby's Belgravia, English ceramics, September 1975, lot 161
***
***
***
A Royal Worcester tazza by John Freeman, painted with peaches, apples, grapes and cherries on a woodland bank within a heavily gilded gadrooned rim and foot. Printed factory mark. Circa 1970. Diameter 22 cm, height 12.5 cm. Provenance: Christie's London, July 1978, lot 43
***
***
***
A Royal Worcester oval dish by Thomas Lockyer, painted with ripening fruits lying on a woodland bank, shaped gadroon gilt border. Printed factory marks. Shape number C55. Circa 1920. 31.5 x 19.5 cm. Provenance: Antiques international Pty Ltd. 389 park Street, Sydney, 1975.
***
***
***
A Royal Worcester cup and saucer and plate by Albert Shuck (cup), Horrice price (saucer) and Edward Townsend (plate), painted with fruits and berries in a woodland bank, gilt undersides. Printed factory marks.
***
***
***
A Royal Worcester miniature jug & basin by John Freeman, painted with fruits and berries in a woodland landscape. Printed factory mark.
***
***
***
A Royal Worcester vase by James Stinton, painted with a pheasant in a hedgrow. Printed factory marks. Shape number 1047/G. Date code 1906. Height 21.6 cm. Provenance: Sotheby's Belgravia, English ceramics, May 1978, lot 262
***
***
***
A Grainger & Co. (Worcester) small vase by James Stinton, painted with two pheasants in a landscape, shaped and gilded border. Printed factory mark. Rd number 382440. Shape number G/1040. Circa 1891. Height 13.5 cm
***
***
***
A pair of unusual Royal Worcester vases and covers, each printed and painted with shaped panels of sprays of roses, cornflowers and grasses, enclosed by slender gilt hareball borders on an overall printed blue daisy ground, scroll handles. Printed factory marks. Shape number 2026. Rd number 327383. Date code 1901. Height 25.4 cm. Provenance: Sotheby's Belgravia, English ceramics, July 1980, lot 177
***
***
***
A Royal Worcester vase and cover by Richard Sebright, painted with peaches and grapes within gilt floral scroll border, lion mask handles. Printed factory marks. Shape number 2305. Date code 1912. Provenance: Sotheby's Belgravia, English ceramics, June 1979, lot 227
***
***
***
A Royal Worcester two handled vase by Frederick Chivers, finely painted with a panel of fruit within raised gilt scrollwork and reserved on a dark blue ground. Printed factory mark, headless glaze. Shape number 1959. Rd number 304839. Date code 1901. Height 29 cm
***
***
***
A Royal Worcester vase by Walter Sedgley, finely painted with a woman feeding birds in an Italian garden setting, gilt decoration to the rim and base. Shape number 2765. Date code 1901. Height 25.4 cm. Provenance: J. Brent Antiques, 730 Preston old Road, Feniscowles, Blackburn UK
***
***
***
Three Royal Worcester cabinet plates by Harry Ayrton, John Freeman and William Bagnall, each with a painted central medallion, one of fruit and blossom, one of summer flowers, and one of a still life of flowers on a table with a wine bottle and glass, with gilt surround and broad gilt and coloured outer band. Printed factory marks. Ayrton, 1951. Bagnall, circa 1929. Freeman, circa 1920-39. Diameter 27 cm
***
***
***
Two Royal Worcester cabinet plates by Ernest Barker and Paul Stanley, each painted with a central medallion of summer flowers framed by a gilt border and broad gilt and blue rim. Printed factory marks. Numbers C2983 and C2742. Diameter 27 cm
***
***
***
A Royal Worcester cabinet plate by Raymond Rushton, painted with a scene of Windsor castle within a shaped scalloped gilt rim. Printed factory mark. 'Windsor Castle' in script to reverse. Date code 1937. Diameter 26.5 cm. Provenance: Dunbar Sloane Ltd., 32 Waring Street, Wellington, New Zealand, 1976.
***
***
***
A Royal Worcester wall plate by Frank Roberts, painted with pink and red cabbage roses scattered on a woodland bank. Printed factory marks. Date code 1908. Diameter 29.9 cm. Provenance: Sotheby's Belgravia, English ceramics, June 1977, lot 353
***
***
***
A Royal Worcester cabinet plate by Richard Sebright, painted with peaches and grapes in a woodland bank, dark blue gilt border. Printed factory mark. Date code 1938. Diameter 23.5 cm
***
***
***
A Royal Worcester plate by Harry Davis, painted with three highland sheep in a misty mountainous landscape with heather in the foreground, in a blue rim, gilt border. 20th century. Diameter 23 cm. Provenance: Sotheby's Belgravia, English ceramics, March 1980, lot 205
***
***
***
A Royal Worcester square shaped dessert dish by Ernest Phillips, painted with a central reserve of colourful wild flowers, the crimped and scalloped edge richly decorated in dark blue with swags and bows. Printed factory mark, pattern code W6528. Date code 1903. 23 x 23 cm
***
***
***
A Royal Worcester rectangular wall plaque by Edward Townsend, finely painted with four highland sheep in a mountainous landscape beside a loche. Printed factory mark. Artist signature in gold to back. Circa 1975. 16.5 x 24.5 cm, gilt frame
***
***
***
A Royal Worcester oval plaque by Francis Clark, painted with plums and grapes against a shaded woodland bank. Circa 1975. Length 18.5 cm. Provenance: Sotheby's Belgravia, English ceramics, July 1980, lot 159. Other Notes: Francis Clark started working at the Worcester factory in 1972.
***
***
***
A Royal Worcester circular plaque by Francis Clark, painted with a still life of fruit on a sill, a butterfly hovering below, a landscape beyond. Dyson Perrins Museum paper label certificate of authenticity signed by Henry Sandon of the Royal Worcester porcelain Company. Circa 1975. Diameter 29.8 cm, framed. Provenance: Sotheby's Belgravia, English ceramics, July 1980, lot 169
***
***
***
A pair of Royal Worcester claret jugs, each printed and painted with sprays of garden flowers on a shaded apricot ground, the body with gilt bands terminating in bound branch handles. Printed factory marks. Rd number 17049, shape number 1047. Date code 1902. Height 20.6 cm. Provenance: Sotheby's Belgravia, English ceramics, May 1978, lot 208
***
***
***
A Royal Worcester 'Ivory' two handled vase, decorated in gilt and heightened in iron-red with a loose bouquet of chrysanthemums. Printed and impressed factory marks. Shape number 982. Date 1888. Height 47 cm. Provenance: Christie's King Street, English and Continental ceramics, July 1978, lot 65
***
***