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Fine and Decorative Arts — Philips Auctions Australia

Auction House:Philips Auctions AustraliaNumber of lots recorded:410
Sale Title:Fine and Decorative ArtsLots with images:410
Auction Location:MelbournePrices available:340
Date:16-Feb-2020
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A green jade guanyin, the figure holding a staff with a metal and jewelled orb and raised on a double lotus throne, with a conforming wooden stand, height 24 cm
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A Sodalite Buddha and an Oriental metalware figure, a squarely seated figure of a laughing Buddha in vigorously flecked and veined mottled purple blue stone, and a patinated hollow bronze figure of a hunched sleeping figure wrapped in a cloak and wearing a large leafy hat, height 17.5 cm, width 16 cm
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A celadon jade bird group, a naturalistic depiction of a heron gazing at a bird in a pine tree, raised, on a fitted wooden 'Gnarled root' stand, height 26 cm
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Two green jade reclining laughing Buddhas, both in mid green jade, the corpulent figures reclining on cushions and raised on wooden stands, width 16 cm and smaller
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A celadon jade censer, the tripod censer of typical form with a dragon head finial to the cover and twin pierced dragon handles with rings, with zoomorphic feet, accompanied by a wooden stand, height 14 cm, width 16 cm
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Two jade animal models: a horse and a camel, both in celadon jade, a walking horse with saddle and a recumbent caparisoned, camel, both in fitted wooden stands, width 17 cm (horse)
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A turquoise jade bird ornament, depicting two birds on a branch and raised on a fitted wooden 'Gnarled root, stand, height 23 cm, width 22 cm
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A large blue and white porcelain jar, Qing Dynasty, 19th century, the ovoid jar with a short waisted neck, without original lid, but bearing, drill holes to collar for dual wire handles, with chevron and flame, decorations to the neck, and a continuous figural narrative scene to the body, featuring warrior figures and attendants in an auspicious landscape setting, an unglazed base, height 19 cm
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A red splashed white dish, a Ming style dish featuring three fish like splash marks to the exterior, bearing Xuande characters within concentric rings, diameter 20 cm note: pictured to reverse
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A Chinese black lacquer twin door display cabinet, the doors both with three glazed panels, two lower drawers with applied shell, and stone decorations, engraved carved designs of birds in magnolia branches, to the sides, the frame with painted diaper patterns and flora, height 153 cm, width 76 cm, depth 41 cm
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A Chinese camphor wood chest, the highly polished case chest of typical form with relief carved shou, medallions to the lid and face, raised on cabriole bracket feet, height 59 cm, length 103 cm, width 56 cm
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A Chinese carved hardwood altar table, later 20th century, in light toned wood, with upturned short ends, kneehole arch, spandrels and trestle sides all richly carved and pierced with figures and garden scenes, height 102 cm, length 209 cm, width 52 cm
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A rustic wooden Swat Valley type dowry chest, the Pakistani type chest heavily carved with flower heads and formal floral, designs, with pronounced finials, top opening panels and raised on short legs, height 64 cm, length 87 cm, width 44 cm
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A Chinese hardwood sideboard, with a mitre framed top, three deep drawers with brass swing handles, pierced, carved spandrels in archaic designs, and raised on square section legs with hoof feet, height 84 cm, width 116 cm, depth 53 cm
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Two vintage Chinese two seater folding chairs, early 20th century, in a distressed black lacquer finish with red accents, the rail back chairs, with curved back support rails and pierced splats with scroll and ruyi head, carved medallions, rope seating, X-form bases and foot stools, height 101 cm, width 112 cm, depth 62 cm
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A vintage Chinese elm sideboard, with an extended mitre framed top, three drawers with fielded panels and traditional hardware flanked by tapering stepped spandrels, a shaped apron, and raised on rectangular section legs, with cluster type feature to the fore, height 87 cm, width 146 cm, depth 55 cm
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A silver plated Jugendstil WMF dish with a glass liner, circa 1910, ostrich mark in beehive mark with clear top for French market, a navette shaped bowl with embossed festoons of fruiting forms, twin leafy, handles and raised on small bun feet, the original shaped glass liner with flute cuts to the rim, marked to handle, height 12.5 cm, length 42 cm, width 17 cm
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Thirteen assorted sterling and .800 silver spoons, early 19th century to 20th century, a Georgian King's pattern tea caddy spoon, a pair of Georgian fiddle pattern, teaspoons, a pair of Sheffield sterling salt spoons, three other sterling, salt spoons, a pair of.950 shell shaped spoons with shield of Rouen, two .800 silver souvenir spoons, and a.900 silver spoon, hallmarked to all total weight 158gr length 13.5 cm and smaller
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four tea caddy spoons: English sterling, Danish, Continental, 1818 to 1935, a Georgian shell shaped fiddle pattern spoon, a Victorian fiddle pattern, spoon, a 1910 engraved double struck floral designed Continental spoon, and a 1935, Copenhagen stamped spoon with a fruit motif finial by Johannes Siggaard, hallmarked to three, one tested for.85-.89 silver, silver weight 74gr length 12.5 cm and smaller
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A fine pair of Elkington plate centrepieces, 1874, both finely cast as a peacock and crested duck on a rocky ground beneath an exotic palm, mark of Elkington with date cipher to foot, height 24 cm
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An Irish Georgian revival sterling silver sauce boat, 1910 Dublin, with maker's mark for J.M, an embossed and chased boat with fox and swan motifs amidst fruits and foliage, three spiral twist legs with paw feet and lion head mounts, with a double scroll flying handle, hallmarked underside, silver weight 136gr, height 8.5 cm, width 14.5 cm
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21 mixed mostly Victorian sterling silver flatware items, 19th century, seven large fiddle pattern table forks - five matching items by George Adams, (Chawners), four fiddle pattern dessert spoons, four bead edge dessert forks, (Chawners), three other fiddle pattern spoons, a Birks 'Georgian plain' cake, fork, an English rococo style fork, and a bright cut jam spoon, all hallmarked, silver weight 995gr length 21 cm (fork) and smaller
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An Edwardian sterling silver vesta with a later silver plated cigarette, case, 1912 Birmingham, with maker's mark for Joseph Gloster Ltd, 1920s (case), of typical form with engraved foliate details to the body, striker to the base, & Hallmarked to the interior rim, and an engine turned plated, cigarette vase with scale and stripe design with initials to the face, silver weight 19gr, length 8 cm, width 7 cm
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A pair of Victorian sterling silver salts in the Georgian style, 1891 London, with maker's mark for Walter & John Barnard, neoclassical crested pedestal salts with octagonal threaded edges, the foot, of conforming shape, hallmarked to bowls, silver weight 210gr, height 6 cm, width 9.5 cm
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Two pairs of sterling silver spirit and wine labels, 1972 London, with maker's mark for Dj silver Repairs, a pair of shield shape labels, Gin and brandy, stamped Stl silver verso, and a pair of matching rectangular labels, Whisky and sherry, with pressed rococo, borders, hallmarked to face, total weight 42gr, width 6 cm and smaller
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Two Scottish themed sterling silver tea caddy spoons, 1836 Birmingham with maker's mark for George Unite, and other apparently, unmarked but X ray tested for sterling, a thistle topped spoon set with a citrine, and an unmarked similar style, spoon set with an amethyst coloured stone, hallmarked to one total weight 40gr, length 11 cm and 10 cm
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A three piece Russian.875 silver coffee service, 1896-1908, Moscow with first kokoshnik mark, 84 standard, faint assayer's, mark and maker's mark in Cyrillic for V.T.Sokolov, comprising a small coffee pot, creamer and covered sugar basin all of conical, carinate form with pedestal bases, scroll handles, beaded trims and a fine, lightly brushed finish throughout, extensively hallmarked, silver weight 770gr height 17.5 cm and smaller
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A sterling silver and pique trinket box, 1913 Birmingham, with Cooper Bros. & Sons, a round hinged box, with a tortoiseshell lid inlaid in the Sheraton manner, with an incense vase and foliar arabesques surrounded by a ribbon tied silver, border, raised on three pad style feet with leafy mounts, hallmarked to body, and rim of lid, height 7 cm, diameter 13 cm
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A Russian.875 silver notebook, 1908-1926, Moscow with second kokoshnik mark, 84 standard, non-identified, maker's mark in Cyrillic, 'P.K, a small hinged notebook in a fine brushed finish, cursive initials to the cover, with clasp, moire silk taffeta lining to the interior and original, stitched booklet, inscription verso dated Riga 1914, hallmarked to all components, total weight 109gr length 9.5 cm, width 6.5 cm
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A George II sterling silver hunting themed tankard jug, circa 1740 London, no maker's mark, the baluster jug with a double scroll handle and continuously repousse and chased with hunters and hounds, hallmarked underside, silver weight 325gr, height 12 cm
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A George III sterling silver lidded jug, 1769 London, with maker's mark for John Payne, the ovoid pot raised on a spreading foot, having a broad neck, domed hinged, lid, and a double scroll handle, decorated to the body and lid with undulating spiral ribs and flutes, with a fluted collar, hallmarked underside, silver weight 422gr, height 18.5 cm
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A sterling silver Pirelli cigarette box, 1936 Birmingham, with maker's mark for Mayes, Mills & Co, the partitioned timber lined box with a slightly domed engine turned lid with an enamel plaque featuring the 1917 'Neu Pirelli' speeding motorist, advertisement by Roowy, hallmarked to short end, height 5.5 cm, length 13 cm, width 8.5 cm
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A pair of sterling silver salt and pepper pots, 1919 Sheffield, with maker's mark for Thomas Bradbury & Sons, baluster pots with domed lids, threaded edges and raised on waisted stepped, bases, hallmarked to necks and lids, silver weight 155gr, height 9 cm
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A Victorian sterling silver inkstand, 1852 Sheffield, with maker's mark for Thomas Bradbury & Son, a Renaissance revival stand of shaped form with shield and scroll feet, integral handles and other formal ornaments, with a slender shaped taper, stick and facet cut inkpots with silver mounts, hallmarked to all components, silver weight 323gr (without ink pots), height 13 cm, length 23 cm, width 16 cm
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Two sterling silver sugar casters, 1924 London, with maker's mark for C.E. And, 1936 Birmingham, with maker's mark for Mappin & Webb, both of baluster shape, one octagonal (Mappin & Webb) and raised on stepped pedestal bases, hallmarked to upper bodies and to lid rims, silver weight 196gr, height 17 cm and 16 cm
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A large late Victorian sterling silver sugar caster, 1899 London, with maker's mark for Sibray, hall & Co, the baluster caster with fine trellis and ornamented panels to the dome, a turned finial, gadrooned edges, decorated to the lower body with a series of alternating 'Flatware' style handle decorations, raised on a pedestal foot, hallmarked to collar and lid, silver weight 320gr height 22.5 cm
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Twenty mixed mostly sterling silver serving items & flatware, 19th to 20th century, six teaspoons, a sifter, two jam and sugar shovels, a Hanau silver jam spoon, two ivorine handled fruit forks with silver ferrules only, three pickle forks, with plated tines, a decorative American sterling fork, a 1937 sterling, silver 'Slip top' spoon, two Indonesian.800 silver spoons, an ornate Italian, strainer, total weight 385gr (without Italian strainer or fruit forks) length 17 cm, and smaller
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A Chinese.900 silver tazza, circa 1900, with factory mark of Wang Hing, Hong Kong, a shallow bowl with a pierced and cast rim of chrysanthemum flowers raised on a slender tapering stem to a spreading base, marks to foot, silver weight 195gr, height 8 cm, diameter 13 cm
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four sterling and.800 silver items: three bowls, tiny box, 19th to 20th century, a Continental spiral lobed pedestal bowl with twin scroll handles, a 1935, London (Jubilee mark) bowl by William Comyns && Sons, a small 1988, Sheffield pedestal bowl by Roberts && Belk, and a tiny.925 arched box, opening at one end embossed with flowers and wheat, all items hallmarked, silver weight 604gr height 6 cm, diameter 14 cm (bowl)
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A George III sterling silver presentation ewer, 1776 London, with maker's mark for William Holmes, with a high set scroll handle with a rocaille thumbpiece, the domed lid with cast falcon finial, and the body finely repousse and chased with a lady, falconer and a gentleman companion on horseback, with inscription to quarter, master W. Hunter 'By the officers of the regiment', hallmarked underside, silver weight 769gr height 33.5 cm
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A three piece neoclassical Italian.800 silver tea service, second half 20th century, variously marked, the harlequin set comprising a teapot, creamer and covered sugar basin, the ovoid pot with a fantastic creature spout and sugar basin with twin creature, flying handles, all of elegant plain pedestal form with stiff leaf borders to rims and shoulders, hallmarked underside to all silver weight 943gr, height 18.5 cm, width 28.5 cm (teapot)
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A Victorian sterling silver cruet with a mixed set of bottles, 1860 London, with maker's mark for Robert Harper, variously marked bottles, the rococo style oval tray with a wooden base, central handle and eight mixed, bottles, raised on acanthus embellished scroll feet, hallmarked to rim of base, height 28 cm, length 21 cm, width 17 cm
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A Georgian bright cut sterling silver teapot with an ebony handle, 1795 London, with maker's mark for Peter and Ann Bateman, the 'oil can' shape teapot with bright cut swag and medallion borders, a monogrammed shield to one side, vacant to the reverse, with a channel groove, collar and domed lid with a fine ivory pineapple finial, hallmarked underside, and lid, total weight 456gr height 17.5 cm, width 28.5 cm
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Two Edwardian sterling silver covered vegetable tureens, 1906 Sheffield, with maker's marks for Joseph Rodgers & Sons, heavy gauge gadroon edged tureens of shaped rectangular form with removable, cornucopia and ring handles, hallmarked to the lids, rings and bases, silver weight 4074gr, height 9 cm, length 28 cm, width 21 cm
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A European .88 to .93 silver oval charger, 19th century, with a single but indistinct figural mark, depicting nuns engaged at a bedside vigil venerating a saintly figure in relief and enclosed by a wide band of formal Renaissance revival motifs and eight portrait busts, single punch mark to upper edge of scene, x -ray tested, length 35 cm, width 40 cm
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An elegant sterling silver tea tray, 1929 Sheffield, with maker's marks for AW JH, a pleasingly plain tray with a reeded edge and conforming cast handles with foliate mounts, crisply hallmarked to the tray surface, silver weight 3010gr, length 68 cm, width 40.5 cm
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A pair of sterling silver Corinthian column candlesticks, 1898 Sheffield, with maker's mark for Hawksworth, Eyre & Co, short iron weighted sticks with removable bead edge sconces, hallmarked to the foot and removable components, total weight 990gr, height 15 cm
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A Daum crystal 'Splash' bowl, circa 1950s/60s, a large dynamic bowl with pronounced ribs and irregular points in the form of a splashing droplet, mark of Daum Nancy with cross of Lorraine, height 17.5 cm, diameter 45 cm
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A group of three antique lustre vases, 19th century, a large ruby glass lustre, an opaline lustre and a small cobalt blue lustre, and hung with cut prisms, height 30.5 cm and smaller
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A group of three pink lustre vases, 19th century, pink opaline lustres with enamel decoration to the shades and each with cut, prisms, height 34 cm and smaller
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A group of three Caithness paperweights, 20th century, a 'Maydance' paperweight in pink and purple colours with a trapped bubble, motif, two 'Moon crystal' paperweights, with trapped bubble and black and white swirls, the other with an irregular fissured bubble and lilac and white, swirls within a pale blue case, stencil of Caithness and titles to the ground, bases, height 7 cm and smaller
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A Lalique crystal, pin dish, later 20th century, the clear circular dish with a frosted leaping koi, with circular stencil, mark of Lalique Cristal France, height 9 cm
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A Stuart Crystal prism Ellipse bowl by John Luxton (1920-2013), later 20th century, an elegant bowl with tapering stem and decorated throughout with fine cut, vertical lines and navette cuts, stencil mark of Stuart underside, a mid, century design supervised by Luxton who returned to Stuart from retirement to oversee the re-issue of his designs, height 19.5 cm, diameter 25 cm
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Six green themed glass items including Mary Gregory, 19th to 20th century, a Mary Gregory barrel shaped covered jar and a garlic head shaped vase both, with an internal rib decor, an opposite pair of Mary Gregory satin glass, ewers, a Czech style spiral twist broad necked vase with a bold green claw, tooled rim, and a squared specimen vase with applied green handles, height 26 cm and smaller
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A miscellany of pressed glass wares, and other, late 19th century to later 20th century, a small uranium glass patterned pot with an opaque lemon scalloped rim, a carnival glass floral patterned leaf bon bon dish with handle, two Sabino of France opalescent birds and a small dolphin figurine in green glass, height 6 cm, diameter 14.5 cm (glass dish)
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A Marigold carnival glass candlestick and a pair of bon bon dishes, early 20th century, the single stick with a faceted floral knop tapering to a spreading foot with plain and strawberry cut patterns, and a pair of fluted bon bon dishes raised, on clear stems, height 19.5 cm (candlestick)
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Two Baccarat crystal wares: a lamp base and a Hurricane lamp, 20th century, a heavy gauge clear modernist base of tapering and twisted form, and a spiral twist candle stick type base supporting a slender flute with a scalloped rim etched with formal floral arabesques, stencil mark of Baccarat, to both, height 41 cm and 25.5 cm
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A black glass Lalique tray and a small iridescent glass vase, second half 20th century, an oval matte black crystal tray with broad lobes each moulded overlapping, feather like motifs, mark of Lalique France with registration mark, and a small squat iridescent art glass vase with a waisted neck, inscribed, signature underside, length 27.5 cm, width 22.5 cm
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A mixed group of sixteen glass paperweights, twelve millefiori weights, including one Venetian item with label to base, a commemorative English paperweight with 'Glassworks' label, a blue/amethyst, sphere with a controlled bubble decor, and a lampwork paperweight, diameter 9 cm and smaller
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Two glass paperweights and a contemporary scent bottle, a Scottish Caithness weight depicting a snow capped peak and an etched eagle, an 'End of day dump' lampwork weight with a rough pontil, and a clear glass, spherical scent bottle with a small square stopper, etched signature, underside, height 12 cm and smaller
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Ten Waterford, Colleen' short stemmed wine or water glasses, 1968, year of introduction, stemware of classic design with cross hatching to the lower body and a border, of elegant lens cuts, with a cut knopped short stem to spreading plain foot, stencil marks, height 13.5 cm
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Two Waterford vases, and an unmarked decanter, a 'Marquis' hurricane lamp shaped vase of modern design with trailing etched, flower designs, a slender Waterford posy vase with a spreading foot, a clear, glass square section decanter with a conforming block shaped stopper, one item as found, Heights: 30 cm, 25 cm and 18 cm
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A Lalique scent bottle, a Kralik vase, and a G. Vallon bowl, circa 1930s and after, a Lalique 'Enfants' scent bottle, introduced in 1931, pattern 609, with a later silver plated collar, inscribed Lalique France, a Kralik, mother-of-pearl' spiral lobed vase with brass honeycomb collar and frog, a G. Vallon opalescent moulded 'Cherries' bowl, moulded mark of G. Vallon, made, in France, height 7.5 cm, diameter 24.5 cm (bowl)
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Two Lalique crystal items: a bird ornament and a pin dish, later 20th century, a frosted sparrow ornament or paperweight, inscribed Lalique France with registration mark, and a bird pin dish (as found) inscribed Lalique France, Heights: 10.5 cm and 9.5 cm
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A Waterford Crystal bowl, plus eight dessert dishes in three designs, the bowl with a star shaped diamond point design and an interlocking heart, shaped frieze, and eight unmarked dessert dishes, four with scalloped edges, three with simple facet cuts, and one other, bowl with stencil mark underside, height 10 cm, diameter 20 cm (bowl) and smaller
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Thirteen assorted cut crystal, stemware items: Villeroy & Boch, Nachtmann and unmarked, three Villeroy & Boch facet cut knopped champagne flutes, four elegant, facet cut Nachtmann footed balloon whiskey glasses, six knopped and vertical, cut champagne coupes, unmarked, Heights: 18 cm, 13 cm and 11 cm
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Three cut crystal vases, a tapering Royal Doulton vase with diamond, star and fan shapes, a Webb, Corbett broad trumpet shaped vase with a spreading star burst base, and a heavy, gauge thistle shaped vase with three applied feet, Heights: 26 cm, 23.5 cm and 17 cm
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four antique glass Ware items: Mary Gregory and other, 19th/early 20th century, a pair of mid blue gently waisted vases with an internal rib decor, applied, textured scallops to the sides, decorated with a boy and girl pair, a teal, ewer with a fan crimped handle, decorated with a gesturing boy, and a Victorian cranberry glass vase with pulled clear feet and a matching rim, height 30 cm and smaller
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Four Murano Zanfirico glassware items, mid 20th century, a pedestal baluster vase with a waisted neck, with latticino twists, copper, stripes and rigaree handles, a coloured bowl with copper aventurine, inclusions and latticino twists, a small triangular trinket bowl with latticino, and blue and white zanfirico leaf dish with copper inclusions, height 27 cm (vase)
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Five glass and crystal ornaments or paperweights, 20th century, Swedish, English, a Wedgwood tear drop shaped 1976 Christmas ornament with etched design, a signed moulded Royal Krona elephant, a moulded intaglio heron ornament, a similar, signed and numbered Robin ornament, and a clear teal glass intaglio, ornament depicting a running figure with dog, height 14.5 cm and smaller
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Two glass bowls and a bon bon dish in the Venetian style, mid to later 20th century, two brightly coloured fused millefiori ruffle edged bowls, probably Murano, and a partitioned ruby glass bon bon dish with a spiral twist handle and gold flecked rigaree edges by Casa del Regalo Bortoli Venezia, label, underside, height 7 cm, diameter 17.5 cm and smaller
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A fine set of ten European Iced tea glasses, of tall cut form flowing to integral facet cut stems with a spreading foot, stencil mark to foot, probably Polish made, height 21.5 cm
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Two French crystal, vases, 20th century, a clear pale grey baluster vase with a series of pronounced vertical ribs and a flattened rim, unmarked, and an Art Vannes heavy gauge ice cube style, vase, latter as found, with stencil mark underside, height 24 cm and 21 cm
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A Bohemian red and gold iridescent moulded vase, early 20th century, a waisted vase with an hexagonal faceted lower register and a conical neck, with a distinctive ribbed pointed arch decor, with a cut rim, factory unknown, height 23 cm
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A fine Chris Pantano 'Reef' series vase plus a John Ditchfield British, Glasform' studio iridescent vase, later 20th century, Reef series vase number 5491, a beautiful cased sea garden 'Reef' vase with coral, anemones and floating, sea creatures in a mottled blue green sea enhanced with aventurine, signed, and dated Chris Pantano 90, and a 1980 John Ditchfield emerald vase of gently, swollen form with a pulled textured decor, signed and dated '80, height 20 cm and smaller
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Two iridescent glass vases, 20th century, a baluster vase in gold colours with pulled feather decor, and an amethyst, baluster vase with a pulled and spot decor, height 20 cm
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A Bohemian Loetz 'Papillon' three handled vase, early 20th century, the carinate form iridescent vase with bracket handles with the distinctive, pebble style decor, introduced in 1898, polished pontil and unmarked, height 10.5 cm
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A pair of Colin Heaney studio glass 'Sea Shell' champagne goblets, 1987, blue goblets with a trailing blue bands to the 'Crocodile' skin bowls, supported on iridescent sea shells above mottled spot stems, signed and dated, C. Heaney '87 underside, height 21 cm
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A Bohemian iridescent vase in the style of Heckert 'Changeant, early 20th century, the ovoid vase with four dimpled thumbprints to the body, and a floriform, wavy rim, decorated with meandering and pulled decor in mauve gold colours, over green, in a design previously attributed to Kralik ('Aqua Gold'), with a polished pontil, height 16.5 cm
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A Bohemian iridescent vase in the style of Loetz 'Candia Papillon, early 20th century, a baluster vase with long body impressions, shoulder dimples and a pentagonal, waisted rim, continuously decorated in a distinctive gold oil spot decor, with a polished pontil, height 17.5 cm
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A Bohemian Ambre satin glass vase with silver overlay, early 20th century, a slender vase of slightly swollen form modulating from amethyst to light sea, green colours, silver overlaid with an Art Nouveau style peacock feather, centred with an applied glass blue and green 'Eye, height 16 cm
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A Bohemian ruby Jugendstil vase in the style of Moser, early 20th century, ovoid with a frilled neck, the ruby iridescent vase decorated in four, striking vegetal forms in gilt with tube lining, gilt decorated also to the rim, with a polished pontil, unmarked, height 13.5 cm
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A large Bohemian iridescent vase, early 20th century, a conical vase with three dimpled thumbprints to the lower body and a waisted, triangular rim, with broad 'Shot' yellow pulled bands encircling the green, spotted ground, with a polished pontil, height 24.5 cm
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A Boch Freres La Louviere ceramic vase, circa 1930, Belgium, pattern 994, the bottle style vase with small handles to the shoulder and neck decorated, with flowers in a basket, in orange, saffron, turquoise and cobalt colours, backstamp, incised and painted numbers underside, height 26 cm
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A Boch Freres La Louviere ceramic vase, circa 1923, Belgium, the ovoid vase decorated with black outlined sgraffito in a typical bright, enamel palette with yellow and orange fruits and turquoise ribbons upon a cream ground, cobalt blue to the neck, pattern number underside and backstamp, of period, height 30 cm
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A vintage covered cobalt blue porcelain vase, mid 20th century, France, probably Jaget et Pinon, Tours, the large conical pedestal vase with domed cover and button style knop, gilt, decorated in the neoclassical manner upon a rich cobalt ground, marked France, underside, height 31 cm, diameter 23 cm
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A pair of floral decorated Art Deco ceramic vases, circa 1920s, hexagonal tapering vases decorated with pendant foliage in olive colours upon, a pale olive ground and having a floral frieze with bold stylised flower, heads in mauve and tangerine colours, unmarked, height 40 cm
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A large French burnt orange porcelain three handled urn vase, early 20th century, unmarked, in the manner of Jaget et Pinon of Tours, with a long tapering neck to a broad carinate collar and tapering body with three bold buttress type handles, decorated in gilt and bronze colours with a laurel and griffin border and vegetal sprigs, height 58 cm
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Two Royal Doulton character jugs and a pair of jester Toby jugs, 1959, 1972, 1998, comprising a large character jug of Robin hood, D. 6527, a small character, jug of the Sleuth, D. 6635, and a pair of jester and lady jester toby jugs in pastel colours, D. 7109 and D 7110, green backstamps to all height 19.5 cm and smaller
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Three Imari cups and saucers, Wileman & Co, Royal Crown Derby, 19th to 20th century, an 1891 Wileman & Co lobed cup and saucer, pattern 4256 (cup as found), a 1905/6 Royal Crown Derby 'Chatsworth' pattern duo, design 2826 (both as found), and a 1979/81 'Old Imari' pattern duo, design 1128, backstamps to all height 6.5 cm (cup) and smaller diameter 14.5 cm (saucer) and smaller
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A Rosenthal gilded bowl or jardiniere, 1920s-30s, backstamp without date cipher, of ovoid form and handpainted with iris flowers and strappy leaves to a mottled gilded ground, decorated by E.M. Roberts, decorator's name and green, Selb-Bavaria backstamp underside, height 11 cm, diameter 19.5 cm
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A sixty one piece Royal Doulton ' rose Elegans' dinner service, 1961-1981, period of manufacture, a fine china service for six place settings plus extras and a range of serving wares including: two tureens, teapot, bowls, milk jugs and creamer, sauce boats, with pastel roses on a cream and grey blue body, backstamps, underside, length 33.5 cm, width 25.5 cm (platter)
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A Rosenthal porcelain figure by Gustav Oppel (1891-1978), 1947, with date cipher for that year and US Zone mark, an animated late Art Deco style figure of a woman in a diaphanous light green, short tunic beside a leaping saluki, monogram Go incised to base for Gustav, Oppel, backstamp underside, height 29 cm
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A Hutschenreuther porcelain figure by Karl Tutter (1883-1969), circa 1946-1948 US Zone mark, Bavaria, an animated study of a young woman in a diaphanous blue dress walking two keen greyhound dogs, in a limited beige and cream palette, impressed marks of K Tutter to reverse of base, backstamp underside, height 32 cm, width 37 cm
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A neoclassical Barr Flight Barr Worcester tea cup and saucer, circa 1810, a low waisted cup with ring handle decorated in salmon pink and gold colours, with a bold interlocking chevron patterned border and vermicular decoration, crisply impressed with letters and crown underside, height 6.5 cm (cup) diameter 14 cm (saucer)
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A fifteen piece pottery tea or coffee service by John de Burgh Perceval, (1923-2000), comprising a teapot, sugar bowl, creamer and six cups with associated saucers, (one saucer as found), in a rustic brown and drip glazed exterior, the interiors in a richly mottled blue and white glaze with faint black spots, the saucers marked with the letter 'P', the remainder all inscribed Perceval, height 24 cm, width 29 cm (teapot)
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A Moorcroft 'Hibiscus' design bottle vase & matching comport, 1953-1978 period, but probably 1970s, both items typically tubelined and decorated with maroon and yellow flowers, upon a modulating green to Prussian blue ground, with Moorcroft decals, label, to the late Queen Mary to and facsimile signature to comport and faint, painted mark, facsimile signature and made in England mark to vase, height 21.5 cm (vase) height 9.5 cm, diameter 18.5 cm (tazza)
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Five porcelain items: four plates and a box, 19th and 20th century, an English oriental and bird plate, pattern 1474, a pair of Wedgwood limited, edition plates, Woburn Abbey and Harlech castle, a Minton bone china teal, Brocade' bordered plate A5 115066, and a basalt black Wedgwood box with a gold Egyptian bust, variously marked underside, diameter 27 cm (Minton plate)
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A Royal Dux porcelain figure of an Eighteenth century lady, circa 1990s, Czech Republic era, design 139, a rococo style white porcelain figure upon a moulded base with gilt, enrichments, the face, decolletage and arms in coloured bisque, applied pink, clay tablet to base and printed mark with registration logo, height 21.5 cm
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four mixed ceramic wares and a glass jug, early 20th century to 1950, a pre 1930 Wedgwood willow pattern beaker, with Etruria England mark, a 1911, Royal Worcester moulded specimen vase with pheasants by R. Austin and shot, gilt (repaired), a 1919 London silver rimmed black jug with a stitched motif, a Czech Imperial Amphora vase and a pink spot brown glass late Art Deco jug, height 20.5 and smaller
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