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Auction House:Cordy'sNumber of lots recorded:599
Sale Title:Jewellery, Antique & Art AuctionLots with images:588
Auction Location:AucklandPrices available:380
Date:17-Sep-2019
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A 19th century Maori carved whalebone wahaika, the traditional double lobed spatulate blade with full stylised figure to the back, weku head to the butt, square cut lashing hole, of good weight, length 34.5 cm. Provenance: this item has resided in the one family for three generations.
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A large pre-European Maori black basalt toki (adze), tapered form with curved bevel in good polish, flaked finish to the tang. dark tone. Duff type 1A, length 26 cm.
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Two Maori pre-European toki (adze), one of Ohana argillite, mildly tapered form, polished overall finish with mildly curved bevel in good condition. 5.5 x 2 x 16.5 cm. The other smaller, tapered form with reduced grip, length 10 cm.
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A Maori pre-European argillite toki (adze), type 2, fine all-over pecked finish, mildly curved parallel sides with rounded pole, the narrow tapered blade edge with flake chipping, hammer-dressed. 6.5 x 4.5 x 22 cm.
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A Maori pre-European large argillite toki (adze), type 1, with long narrow pole end, pecked finish, evidence of flake chipping to base and sides otherwise polished finish, tapered with blade at the widest width. 7.5 x 3.5 x 25 cm
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An early 20th century Maori carved trinket box, the lid with stylised head flanked by the arms, hands to mouth, tongue extended, kowhaiwhai decoration to the sides, ebonised. 24.5 x 14 x 10 cm.
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A 20th century traditional style Maori large matau (fishhook), the curved wooden shank with large bone barbed end, waxed fibre lashing, plaited length of cord attached with spliced looped end. Overall length 80 cm.
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A carved kauri gum head and torso statuette of a Maori warrior, with incised moko, dressed in korowai and holding a mere pounamu, with polished wood stand, height 16 cm.
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A vintage albumen photograph, depicting Fred Mantell, the first postman to ride a motorbike in Christchurch, details verso. Along with a book 'A History of the Post Office in New Zealand
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Two early photographs of Wellington, by William Henry Whitmore Davis (1812-1901), depicting Thorndon and early waterfront, c.1867. Each 19 x 25 cm.
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A rare Peter Hutson & Co. pottery commemorative Boer War jug (1899-1902), in a rich majolica glaze dominated with blue and green tones, relief decoration of a soldier with a bandolier and rifle standing to attention, crossed flags and the words 'Whawhai Mo To Kanga Mo To Kuini Ake Ake Ake' (Fight For Your Queen Forever), the handle modelled as a cannon, impressed potter's monogram and 'Rd.123', height 21 cm. Professional restoration to spout and top rim. Note: Hutson's eldest son served in the South…
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An early Mirek Smisek decorated vase, the ovoid body with an encircling wide band of fine leaf decoration on white, gloss glaze over the terracotta body, incised potter's name in full, height 11.8 cm
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Barry Brickell swollen vase, the lobed body with lustrous red/brown glaze, grey glaze to the waisted rim, impressed potter's mark, height 18 cm.
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Crown Lynn Daniel Steenstra vase, the swollen body with dark brown and green mottled tones and incised bands showing the white body, height 15 cm. Note: this unmarked vase was purchased from Geoffrey Ball, a Crown Lynn manager c.1962 and was noted as being by Daniel Steenstra.
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Anneke Borren large anagama bowl, horizontally ribbed, 2014. 28 x 14.5 cm. A.B.: 'By the time I was in my sixties, the Wellington Potters Association had built their 'Japanese anagama tunnel kiln', in the Horokiwi hills, and the challenge of 'making' pots to be fired in a sustained group effort, for over 100 hours with wood firing, was inspiring. The kiln can hold 350 pots of various sizes. I consider my anagama fired pots to be amongst the best I have made.'
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A Crewenna New Zealand studio pottery wax resist flagon, a dark tenmoku glaze with stylised decoration in lustrous dark red/brown tones, turned wooden topped cork stopper and tap. Impressed potter's mark to base of strap handle, height 32 cm.
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A 1950s Len Castle baluster stoneware vase, with the rare edition of Ruth Castle rope necklace, the natural woven fibre rope with two wooden beads, the vase with spotted grey green glaze with tan highlights. Impressed potter's mark, height 21.5 cm.
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A c.1960/70 Len Castle jug, ovoid body with fine ribbing, variable dark grey glaze, strap handle, impressed potter's mark to base, height 15 cm.
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An Ian Firth triple vase lamp base, the connected narrow necked vases each with an impressed and decorated section, pale grey green ash type glaze, height 4 cm. With coloured natural wool shade.
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A large Paul Fisher flagon, ovoid shape with loop handle at the short neck, reddish-brown glaze with three wax-resist dragonfly motifs to the sides, height 30 cm.
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Els Boone studio pottery bowl. From the 'Unica' Experimental Department of De Porceleyne Fles, Holland. Ex.the collection of Anneke Borren. Anneke worked at this studio in 1967/68, A.B: 'My time at the 'Unica' department, of the Royal Dutch Delft Blue, 'De Porceleyne Fles', in 1967 was hugely rewarding. Based on the Scandinavian practise of placing one's designers and artists within the factory complex. All clocking in at the same time and clocking out. Both designing 'Unica' pieces, as well as work for…
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Mike O'Donnell (Taraariki Pottery) anagama water jar, dribbled lustrous glaze effects, impressed and shell highlights, incised potters' marks to base. 11.5 x 125. Note: Some know Michael as the 'Waterman'. He has carried his clay water jars containing the waters of life to numerous parts of the world. He most recently appeared in the film documentary 'The Water Whisperers'.
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An Art Deco bronze and ivory (chryselephantine) figurine by Georges Van der Straeten, the elegant lady with carved ivory head, shoulder, chest and arms, some loss to fingers, her bronze wide dress with fine floral patterned centre, onyx circular base, height 36 cm.
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A rare Rene Lalique opalescent glass 'Marisa' vase, mould-blown in opalescent white with rows of vertical fish motif, flat spreading top rim, engraved signature 'R. Lalique, France' and model no. 'No. 1002', designed c. 1927.
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A Rene Lalique uncommon 'Perruches' green stained bowl, moulded in relief with 20 perched budgerigars, on blossom ground with green stained highlighting, engraved signature 'R. Lalique', Model #419, c.1931, diameter 25 cm.
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A Rene Lalique frosted glass 'Ormeaux' vase, the repeating leaf design with frosted finish accentuated to the recesses, the inverted rim probably shortened and re-polished. Engraved signature 'R. Lalique, France', and 'No. 984, height 16 cm.
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A Rene Lalique opalescent blue stained 'Ormeaux' vase, the spherical body with repeating leaf design highlighted with the blue stained finish, the short everted rim with flat top displaying irregularity in width, possibly later ground. Engraved signature 'R. Lalique, France' and design 'No. 984', introduced in 1926, height 16.5 cm.
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Two Lalique ring trays, one in the Naiade pattern the other Carp, both with Lalique France in etched script the base. 9.5 x 11 cm.
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A vintage Grimwades Ltd 'Maoriland' jug, swollen ovoid form, hand coloured with landscape incorporating whare, lake and smoking mountain, printed Maori carving border and handle, height 11 cm
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A vintage Grimwades Ltd 'Maoriland' jug, swollen rectangular form, hand coloured with landscape incorporating whare, lake and smoking mountain, printed Maori carving border and handle, height 11 cm.
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A Royal Dux figurine, the medieval woman in blue dress and snood, the base with full pink triangle, printed and impressed marks, height 28.5 cm.
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A Chinese large carved jade court seal, surmounted with a foo dog, the square tablet base carved with four characters, dark green tone with tan/pale green inclusions. 10 x 10 x 14 cm.
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A Chinese Han Dynasty style nephrite adze blade, tapered flattened form with mildly curved bevel, wide tapered suspension hole, mottled mid/green dark tone, length 8.3 cm.
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A Chinese white jade handling piece, finely and softly carved with a bust of Shou Lao, holding a peach, and with a robe draped around his shoulders, length 5.8 cm.
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