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Fine and Decorative Arts — Philips Auctions Australia

Articles on this Sale

Auction House:Philips Auctions AustraliaNumber of lots recorded:398
Sale Title:Fine and Decorative ArtsLots with images:398
Auction Location:MelbournePrices available:200
Date:8-Sep-2019
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WithdrawnFOUR Australian sterling silver spoons, one English sterling, 19th to early 20th century, maker's mark for Brunkhorst to three items, one with crown and sterling mark, 1904 Birmingham, mark of William Devonport, two Old English style spoons, two twist stem coffee spoons with native bird, finials, galah and kookaburra, the Birmingham spoon similar with emu, all hallmarked, silver weight 68gr length 14.5 cm, and smaller
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WithdrawnTHREE Australian sterling napkin rings, 1880-1900, with maker's marks for Basse of Adelaide and Broken Hill, two narrow rings, one plain, the other with slender engine turned bands, and a heavy gauge ring with contemporary and probably later initials, hallmarked, to all silver weight 117gr
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An elegant sterling silver pierced dish, 1975 Sheffield, with maker's marks for S.J. Rose & Son, the shallow dish having a broad border pierced with fruit, foliage and tendril motifs between four shaped cartouches, with applied grape vine rims, hallmarked underside, silver weight 784 gr, height 5 cm, diameter: 32 cm
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A Victorian sterling silver cigar case, 1875 Birmingham, with maker's mark for Taylor & Perry, finely engine turned and bright cut with scrolling vegetal forms enclosing a scene of a gentleman with two retrievers to one face, and an inscription to a cartouche verso, crisply hallmarked to the rim, silver weight 81gr, length 12 cm, width 6 cm
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A sterling silver and mother-of-pearl card case, circa 1860s Birmingham, with maker's mark for probably Henry Griffiths, the mother-of-pearl tiled case with two bright cut silver panels, one depicting a cartouche of the Scots Memorial in Edinburgh against a plaid, ground, the other also with a plaid design with an unmarked ornamented, cartouche, partial hallmarks to plaques, date letter apparently absent, length 10.5 cm, width 7.5 cm
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A sterling silver leather lined playing card box, 1899 London, with maker's mark, W.F.W for Wright & Davies, of plain form, with 'Patience' in relief to the piano hinged lid, initialled, to lower right, leather lined, leather base with plaster fill, includes, vintage set of miniature playing cards, hallmarked to lid and base at short, side, total weight 232gr (without cards), height 4.5 cm, length 8 cm, width 6 cm
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A Victorian four piece sterling silver tea and coffee service, 1897 London, with maker's mark for Charles Stuart Harris, the Regency style setting comprising tea and coffee pots, a sugar bowl and creamer, of compressed plain form with gadroons, formal shell and acanthus, mounts and decorations, the creamer and bowl gilt washed to the interiors, crisply hallmarked to all retailed through William Drummond & Co., total weight 2153gr height 20.5 cm, and smaller
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A Georgian sterling silver card salver, 1776 London, with maker's mark for Robert Makepeace & Richard Carter, the fine bead edged salver bright cut to the tray with scrolling acanthus and floral forms, raised on four ball and claw feet, crisply hallmarked underside, silver weight 230gr, height 2.5 cm, diameter: 15.5 cm
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A pair of silver plated sauce boats, circa 1915, with maker's marks for Hardy Bros, of traditional broad boat shaped design, with double scroll handles and each, raised on three hoof feet with leafy mounts, armorial to sides, height 7 cm, width 16 cm
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A Victorian silver gilt sugar caster in the George II style, 1889 London, with maker's mark for Lambert & Co, a pear shaped pillar caster with a threaded rim and central girdle, the removable lid with a finely decorated pierced grille and a stepped finial, raised on a small waisted base, hallmarked to body and rim, engraved, retailer's mark underside, silver weight 160gr, height 16.5 cm
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A sterling silver toast rack, 1898 London, with maker's mark for William Hutton & Sons, heavy gauge with four partitions, a central handle and raised on four waisted, feet, hallmarked to lower edge, silver weight 134gr, height 10.5 cm, length 9 cm
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A George III sterling silver neoclassical pedestal coffee pot, 1797 London, with maker's mark for probably John Robins, a shield shape moulded pot with a waisted hinged lid with dome and finial, a curvaceous spout, fruitwood handle with thumb spur, and raised on a base of conforming profile, with delicate bright cut border decoration throughout and sejant-rampant lion armorial, crisply hallmarked underside, and to lid, total weight 864gr, height 30.5 cm
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A pair of George II sterling silver basting spoons, 1757 London, with maker's marks for I.T, probably John Tookey, heavy gauge Onslow pattern spoons, contemporary engraved initials E.B to the terminals underside, hallmarked to the pinched stems, silver weight 216gr, length 30.5 cm
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Withdrawn two Australian sterling silver belt buckles, circa 1865, and 1880-1900 with makers' marks King (Fitzroy, Melbourne) and later for F. Basse of Adelaide, a shaped shield form buckle with bright cut scrolling edges and a plain, rectangular buckle, marked to both items, silver weight 82gr, length 8 cm, width 4.5 cm, and smaller
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Two Australian sterling silver belt buckles, circa 1890-1900, with maker's mark for J.M. Wendt, Adelaide and Broken Hill, a rectangular buckle with bright cut borders and initials, the other of square form with scalloped edging and initials, El, hallmarked to both, silver weight 116gr, height 6.5 cm, width 8 cm, and smaller
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A cast sterling silver Fist and club paperweight, 20th century, marked 925S, apparently a cursive 'F' to cartouche, additional, but indistinct letters, X ray testing shows some silver standard variations, the sculptural tactile piece depicting a male fist holding a timber club, possibly weighted, hallmarks and additional marks underside, total weight 667gr height 11 cm
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A fine set of twelve Georgian sterling silver table spoons, 1809 and 1811 London, with makers marks for Eley, fern & Chawner (eight), and F' over Wb, (four), Old English spoons, engraved with initial 'B' to the terminal, hallmarked, underside, silver weight 820gr, length 21 cm
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A pair of English sterling silver candlesticks and a complementary, Mexican sterling decanter, 1923 Birmingham, with maker's marks for William Neale Ltd, and second half, 20th century, with maker's mark for Rrt, Mexico, a pair of hexagonal pillar sticks with conforming flaring sconces and bases, and a mallet shaped faceted decanter with a matching stopper, both, hallmarked, total weight 1039 gr (sticks weighted) Heights: 17 cm, and 21.5 cm
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A Hanau silver bird pounce pot, early 20th century, with a range of pseudo marks including French style, antique poincons marks, Dutch type lion and key marks, others, a songbird pot with engraved feather details with removable head revealing, grille, hallmarked to collar, silver weight 135gr height 10.5 cm, width 13.5 cm
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An Irish sterling silver gravy boat, 1824 Dublin, with maker's mark for William Nolan, the compressed boat with gadroons, an applied shell and scroll rim, a pierced, threaded handle and square section spout, raised on paw feet, hallmarked, underside, silver weight 289gr, height 9.5 cm, width 19 cm
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A fine set of twelve Scottish Georgian sterling silver spoons, 1793 Edinburgh, with maker's marks for W. Robertson, the set of twelve Celtic point tablespoons with engraved initials, A.M, to the terminals, crisply hallmarked underside, silver weight 810gr, length 22.5 cm
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A fine set of six Gary Bradley artisan sterling silver and copper, goblets, a matching sugar bowl and amethyst set spoon, circa 1980. Provenance: acquired from the artist, thence by descent, beautifully hammered silver bowls upon cast copper bases modelled with female, anatomical forms, the matching sugar bowl in solid silver with a fig shaped, spoon set with an amethyst cabochon, hallmarked to all elements, total weight 1993gr, height 9 cm, (goblets)
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A George III soup ladle, 1799 London, with partial maker's mark '...A, an Old English ladle with a rounded bowl, contemporary engraved initials to the terminal, hallmarked underside, silver weight 150gr, length 32 cm
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A George III soup ladle, 1814 London, with maker's mark for William Eley & William Fearn, an Old English ladle with an oval bowl, contemporary engraved initials to the terminal, hallmarked underside, silver weight 202gr, length 32.5 cm
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A 48 piece Italian.800 silver flatware service in two near designs, 1944-1968 period, Palermo, makers' marks for Lupo Bernardo & Figli (42, pa) and Padua, (76 Pd), of neoclassical design with egg and dart borders and anthemion motifs, comprising: knives, forks and cake forks for twelve, table spoons and additional forks for six, steel blades and tines to knives and cake forks, hallmarked to all total weight 3131gr, length 24.5 cm, (knife)
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A fine early Victorian sterling silver card case, 1839 Birmingham, with maker's mark for Nathaniel Mills, the shaped rectangular case, delicately engine turned with a bright cut, garden scene cartouche to one face, and a conforming cartouche with a vase of flowers to the reverse, hallmarked to the rim, silver weight 68gr, length 10 cm, width 7 cm
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A Victorian reticulated sterling silver bon bon dish, possibly 1844 London, with maker's mark for Joseph & Albert Savory, the high-sided dish with an undulating rim, decorative trellis and knot, decoration to the body, a twist swing handle and raised on pierced scrolling, feet, with blue glass liner, hallmarked to lower body and handle, silver weight 182gr, height 11 cm, diameter: 11 cm
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A large sterling silver trophy cup: 'The Corio cricket club, 1854 London, with maker's mark for Edward & John Barnard, the handsome pedestal cup with double scroll handles, finely embossed and chased with floral motifs, awarded for the 'Handicap flat race, 100, 200, 440 yards', 1871, hallmarked to lower body, retailer W. Edwards of Melbourne, silver weight 777gr, height 26 cm
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A six person cased set of sterling silver miniature cruets, 1987/1988, with maker's mark for Asprey, by appointment to H.M the Queen, individual place settings comprising salts, mustard pots with glass liners, and associated spoons, and pepper pots, of plain form with stepped rims, hallmarked to all cased and in original retailer's box, Asprey of Bond, Street, silver weight 360gr (without liners), height 3.5 cm, and smaller
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A Victorian sterling silver presentation ewer with Arkwright family, armorial, 1856 Birmingham, with maker's mark for Elkington & Co, of pedestal baluster form with a finely chased high set scroll handle and a shell form mount, bold rib and flute borders to the rim and foot, presentation inscription to the Reverend Joseph Arkwright, hallmarked below, rim, silver weight 1804gr, height 41.5 cm
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A George III sterling silver cake basket, 1796 London, with maker's mark for Robert Garrard I, the heavy gauge reticulated basket with alternating ribbed loops and opposite, scrolls, gadroons to the rim and foot rim, and a swollen reeded swing handle, hallmarked to the foot rim and handle, silver weight 1127gr, height 11.5 cm, length 35.5 cm, width 27.5 cm
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A striking pair of cameo style table lamps, modern era, the moulded mushroom lamps with glass baluster stems in mottled orange amber, and teal colours, dotted with small flowers and a profusion of butterflies, bearing facsimile signature of Galle to the shades, height 55 cm
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Two pate de verre vases by Andre Delatte, circa 1920s, the solifleur vases of typical form with bulbous and compressed lower bodies, and long slender necks, in mottled orange and blue colours, maker's mark to lower body of one rubbed mark to other, height 56 cm, and 40 cm
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A painted French opaline vase in bronze mounts, 1878 (8th August), painted date marks underside, the baluster vase decorated with a parrot amidst foliage, in a bright, polychrome palette with gilt enrichments upon a deep cream ground replicating, porcelain, cast and pierced bronze mounts to the rim and base, with twin, handles, height 45 cm
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A Verrieres D'Art Lorrain cameo glass gumleaf vase, circa 1925, the ovoid moulded vase with a tapering neck, overlaid with a purple design of trailing eucalyptus leaves with blossoms and gumnuts upon a frosted rose, mauve ground, mark of Val in relief to lower body, height 19.5 cm
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An Art Deco enamel decorated moulded glass vase by Andre Delatte, circa 1930, the tapering pear shaped orange vase with a small cup shaped neck, a pointed, chevron collar issuing pendant flowers and dotted motifs in white and deep, brown colours, enamel mark of Delatte Nancy to lower body, height 15 cm
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An elegant ninety piece Moser 'Lady Hamilton' stemware set with water, pitcher, introduced 1934, a setting for eighteen comprising: champagne coupes, small water glasses, liqueur glasses, petite liquor cocktail glasses, seventeen port glasses and a pitcher, all of elegant papal cut form with tooled 24 carat gold rims, stencil mark of Moser to base, height 19.5 cm, (jug) and 13 cm, (champagne coupe)
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A large signed Daum Freres & Louis Majorelle glass and iron vase, circa 1925, the hexagonal mould blown mottled orange vase in a textured wrought iron, frame with geometric scroll forms and strapwork, etched signatures of Daum, Nancy with cross of Lorraine and L. Majorelle underside, height 29.5 cm
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A Lalique 'Laurier' opalescent glass vase, first issued 1922, model 947, the cylindrical vase with an allover design of laurel leaves and berries, etched mark of R. Lalique France to foot, height 18 cm
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A frosted 'Pinsons' bowl by Lalique, later 20th century, model 10-386, originally issued in 1933, etched mark of Lalique France, Cristal Lalique Paris decal, the large bowl with an allover design of arching serrated leaves and birds, etched mark underside, height 9.5 cm, diameter: 23.5 cm
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A Lalique 'Tokio' glass powder box, first issued 1921, model 50, the circular box having a striking lid depicting an opalescent chrysanthemum, flower head, early mark of Lalique in relief to the lid interior, height 5.5 cm, diameter: 17 cm
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Two Bohemian cut crystal wares: a vase and a covered jar, mid 20th century, a large heavy gauge basket with radiating fan designs, cross hatched elements, and diamond point bands, and a straight-sided covered sweet meat jar with leaf, navette and diamond form patterns, the lid with a faceted knop, height 22.5 cm, length 23.5 cm, width 15.5 cm, (basket)
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Two mid century French glass vases, 1940s-1960s, a vase with a ribbed base decorated in bright gilt bands and chequerboard, designs, and a free form elongated clear glass vase with pulled ribs and an exaggerated petal rim, both unmarked, height 29 cm, and smaller
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A moulded pate de verre pedestal bowl, the modern era orchid bowl in bright lemon and green colours after Daum and bearing a Daum France etched mark to foot, height 11 cm, diameter: 13 cm
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An Art Deco Charles Schneider smoky quartz glass vase, circa 1930s, the flaring conical vase with panels of radiating clear glass rays between, rough cast' acid etched reserves, upon a thick circular base, etched mark of Schneider to foot, height 29.5 cm
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Two Bohemian glass bowls and a pair of tea glasses, mid 20th century, decorative bowls one variously cut with hobstars and navette forms, the other, similar but probably moulded, and two engraved tea glasses with pierced, silver-plated holders, height 9 cm, diameter: 22 cm, (large bowl)
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Four Bohemian cut crystal wares: a tazza, two dishes, and a covered bowl, mid 20th century, a tazza with palm and patterned forms beneath a decorated rim and having a faceted stem to a ray patterned spreading foot, two matching elongated dishes, with hobstar and cross hatched elements, and a heavy gauge covered bowl with diamonds, palm fronds and a cut knop, height 18.5 cm, diameter: 19.5 cm, (footed bowl)
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An Art Deco Daum Freres yellow glass vase, circa 1930, a globular vase with a shaped neck and everted rim, decorated to the body, with a frosted overlapping circular motif upon an acid etched ground, geometric forms to the neck, mark of Daum with cross of Lorraine, Nancy, France to foot, height 16 cm
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Two crystal ashtrays and a modernist bowl, mid to late 20th century, a small cut crystal ashtray and a moulded circular ashtray with diamond, designs, together with a modern circular bowl composed of a series of five, tier off centre squares, unmarked, height 5.5 cm, diameter: 16 cm, (large ashtray)
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A vintage moulded crystal lamp base by Cristallerie Lorraine, circa 1940s, a heavy gauge free form tapering lamp in clear crystal, maker's stencil mark, underside, height 33.5 cm
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A French glass vase by Muller Freres, early 20th century, a tapering moulded vase with a small everted rim in mottled blue, amber and green colours upon a beige base, faint mark of Muller Freres Luneville to body, height 20.5 cm
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An Art Deco 'Opalique' glass bird bowl by Jobling, circa 1930, the moulded bowl with three opalescent birds in relief encircling a flower, head, etched mark of Opalique and Jobling underside, registration number, moulded in relief, height 8 cm, diameter: 18.5 cm
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An Art Deco enamel decorated glass box by Andre Delatte, circa 1925, a mottled powder blue matt box enamel decorated with orange and teal stylised, flowers to the lid and pendant drops and geometric forms to the body, mark of Delatte Nancy to body, height 9.5 cm, diameter: 14 cm
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An important double signed Daum Freres and Edgar Brandt glass and wrought, iron centrepiece, circa 1900, the pate de verre aqua plate with mottled blue and chocolate colours to the rim and a star shape to the centre, etched mark of Daum Nancy with cross of Lorraine, mounted in a single twist off set square section handle with multi, branch vegetal mounts, tiny impressed mark of E Brandt to stem, height 21 cm, diameter: 24 cm
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A Victorian Stourbridge cameo glass and silver scent bottle in the manner, of Thomas Webb, 1885 London, with maker's mark for Sampson Mordan II, the square section white on red bottle, each face decorated with a floral, specimen, with a globular screw top lid, hallmarked to neck, height 13 cm
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A large Bohemian cut crystal bowl, mid 20th century, the bowl with a broad flat base and inverted sides, with scalloped edging and cut with stars, palms and cross hatched elements, height 13.5 cm, diameter: 30.5 cm
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An Art Deco Andre Hunebelle 'Etrusque' vase, circa 1925, the ovoid moulded vase with bold crossed clear glass braces in relief upon a frosted ground, with a polished rim, moulded mark of a Hunebelle in low, relief underside, height 19.5 cm
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Two French Art Vannes mid century style crystal vases, circa 1950s, one of tear drop form with one elongated and one curled rim, the other of bud, form with six exaggerated overlapping lobes with pronounced ribs, stencil, marks underside, height 29.5 cm, and smaller
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A Bohemian three colour cameo vase signed Richard, 1920-30, 'Richard' mark employed by Loetz for glass made for Etling, Paris, the high shouldered baluster vase decorated with iris blooms and strappy, foliage in brown and pale tan colours upon a matte pink ground, cameo mark of Richard to the body, height 30 cm
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An Art Deco opalescent Pierre D'Avesn vase, circa 1930, the jardiniere style moulded vase with a series of five formal flowers with chevron petals and bold stiff leaf foliage, unmarked, height 16.5 cm
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A tall yellow and black cameo vase by Andre Delatte, circa 1925, the slightly shaped tapering vase raised on spreading foot, a deep frieze of stylised flowers in gloss black upon a contrasting acid etched black and yellow ground, the lower register in yellow modulating to black and dotted, with glossy rectangular motifs, mark of Delatte Nancy to body, height 34 cm
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A pair of red Venetian glass figural candlesticks, second half 20th century, the male and female figures each holding a single sconce, the lady's skirt in a spiral decor with complete white threading, embellished with 'Gold dust, aventurine inclusions and raised on upon spreading domed bases, height 32.5 cm, and smaller
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A pair of blue Venetian glass figurines, second half 20th century, the rococo Commedia dell' Arte Carnival male and female figures in cased blue, and white glass, applied clear glass embellishments with 'Gold dust, aventurine inclusions, and raised upon spreading domed bases, height 38.5 cm
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A Wedgwood dark blue dragon bowl, circa 1920s, design Z4616, the octagonal bowl decorated with three gilt dragons to the white interior, the mottled blue exterior similarly decorated below a key fret border, printed Wedgwood stamp with Portland vase underside, height 8.5 cm, diameter: 18.5 cm
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A Wedgwood red lustre dragon bowl, circa 1920s, design Z4827, the interior with a decorative butterfly upon a pearlised lustre ground, enclosing a patterned rim reserved with three oriental scenes, the cherry red, sponged exterior with encircling celestial dragons in gilt, printed Wedgwood, stamp with Portland vase underside, height 9.5 cm, diameter: 21 cm
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A Royal Worcester Oriental style vase, 1913, design 2540, registration number 617074, the tall trumpet vase upon a spreading square base with cusped corners, decorated in the oriental manner with pavilions in landscape settings, in gold, iron red and gold colours upon a cream ground, chevron border, decoration to the foot, backstamp and additional marks underside, height 31 cm
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A French faience Barber's Bleeding bowl, early 19th century, a tin glazed kidney shaped earthenware bowl underglaze decorated in the folk, manner with freely drawn patterned and floral borders, centred with a vase of flowers, height 8 cm, length 31 cm, width 25.5 cm
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Two vintage cobalt blue porcelain plates and a box, circa 1930s, probably Jaget et Pinon, Tours, two lobed plates centred with the monogram of Anne of Bretagne in gold and enamel colours, featuring the ermine, crown and five fleur-de lis, and a low, domed box with floral swags and patterned borders, marked France underside, diameter: 24 cm, (plate)
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A pair of figural bocage porcelain candlesticks, after Chelsea, 20th century, possibly Samson, Edme et Cie, with mock gold anchor marks, the hard paste polychrome decorated figures, seated and dressed in 18th, century attire, he with an attendant dog and bird, she with a sheep and holding a bird cage, emblematic of marriage, raised on rococo style bases, painted marks to bases verso, height 25.5 cm, and smaller
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Two vintage Royal Doulton flambe wares: a vase and an elephant, mid 20th century, a baluster vase depicting a cowherd tending his stock in a flowery meadow, and a model of an elephant with trunk raised, backstamps and marked 'Flambe, to both, height 15 cm, (vase)
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A pair of signed French neoclassical style porcelain urns, circa 1930s, marked Tours, probably Jaget et Pinon, pedestal urns with ram's head handles, domed covers with flame finials, and raised on square bases, both finely painted to gilt embellished cartouches, with pairs of rustic lovers, signed a. Le Jeune, festoons and sprigs, throughout upon a rich cobalt ground, marked Tours underside, height 41 cm
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A vintage French faience plate, late 19th century, a feather edged plate with a colourful bird painted in the naive manner, a trio of spur marks underside, diameter: 23 cm
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A Moorcroft 'Pansy' vase, circa 1918-1929 period, the baluster vase lightly tubelined and decorated with a deep frieze of pansies in plum, purple and maroon colours upon an inky ground, impressed and painted marks underside, height 13 cm
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A French glazed ceramic model of a woman by St Clement, circa 1920s, in beige and deep caramel colours, a coy female nude upon a rocky outcrop, faint incised mark of probably a. Fontana to integral plinth base, St Clement, France mark in relief underside, height 31 cm, length 61 cm, width 14 cm
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A pair of Mason's Ironstone Oriental style vases, early 20th century, post 1891 mark, of ovoid form, one yellow, the other orange, with identical decoration, depicting oriental figures and prunus blossoms to reserves between gold and cobalt fish scale borders and collars, backstamps underside, height 15.5 cm
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A Moorcroft vase in wisteria pattern, 1918-1929 period, the baluster vase with tube lining, decorated with a continuous deep frieze, in rich plum, purple blue and lemon glazes upon an inky ground, with impressed Cobridge mark and painted signature underside, height 20.5 cm
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Two Australian Pottery vases by Carl Mcconnell (1926-2003), a globular pot and a larger similar pot with a broad waisted neck, drip, glazed in shades of iridescent brown and copper colours with high gloss black, brown colours, dark glazed to the interiors, signed C McConnell Australia to one C. MCC Australia to the other, height 13 cm, and 9.5 cm
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A large Pierrefonds Promsy earthenware vase with applied decoration, circa 1920s, the large bold tapering vase with a carinate collar in shades of mottled blue, and decorated with applied pewter roses, apparently signed 'Prom' to body, indistinct impressed marks underside, label to collar, height 45 cm
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A vintage French Majolica bear pitcher, circa 1900, modelled as a grimacing bear in brown colours holding a medallion, maroon, lined, impressed pattern number 126 underside, height 22 cm
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A Boch Freres La Louviere ceramic vase, circa 1930, Belgium, pattern 994, the bottle style vase with small handles to the shoulder and neck decorated, with flowers in a basket, in orange, saffron, turquoise and cobalt colours, backstamp, incised and painted numbers underside, height 26 cm
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A striking Secessionist amphora vase, circa 1910, the vase in blue and yellow colours upon a cream ground with lobed and pierced elements, the stem with four long buttresses to a flaring base, impressed Imperial Amphora marks underside, height 32 cm
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A Gouda Australian themed 'Laughing Jackass' vase, circa 1920, numbered 620/4, Dutch made, designed for the Australian market, the bottle vase featuring a kookaburra, flannel flower, tropical blooms and other flora in a matt muted green, teal, olive and mustard palette, title, Gouda painted marks, Dutch Art Pottery, underside, height 29.5 cm
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Two English porcelain wares: a Barr Flight Barr Worcester plate and an inkwell in the Swansea manner, circa 1810, and 1820, the plate with an angouleme style border and central spray in blue and pink, colours with gilt, impressed mark, and the inkstand with lion's paw feet and applied lion's head masks, exquisitely handpainted with floral specimens, unmarked, diameter: 21 cm, (plate)
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A pair of Empire style urn vases in blue and gold colours, circa 1900, the vases each with deep blue friezes decorated with trophies and formal, elements between stiff leaf, swan and lion's head borders, unmarked, height 22 cm
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A German porcelain figural group, early 20th century, a pair of lovers depicting a flower seller and her suitor in bright, polychrome enamels upon a flower encrusted naturalistic base, an undulate, gilded border to the oval foot, underglaze embellished crown mark underside, height 19 cm
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Two antique Delft plates, 18th century, tin glazed blue and white plates, one with five shaped reserves decorated, with freely painted formal flowers, the other with a scalloped central, reserve enclosing a water garden scene surrounded by circles decorated with patterns and fruit motifs, kiln spur marks to both, painted marks underside, to one diameter: 23 cm, and smaller
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A pair of antique signed Sevres pedestal vases, 19th century, unmarked, elegant slender baluster vases in gilt bronze mounts, both decorated with two gilt decorated medallions containing landscapes and scenes of lovers, signed, Lecq, delicate gilt swags and pendants throughout, the socles raised on square shaped bases, height 34 cm
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A vintage covered cobalt blue porcelain vase, mid 20th century, France, probably Jaget et Pinon, Tours, the large conical pedestal vase with domed cover and button style knop, gilt, decorated in the neoclassical manner upon a rich cobalt ground, marked France, underside, height 31 cm, diameter: 23 cm
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An English porcelain inkwell in the manner of Coalport, circa 1820s, the pink scallop shell inkwell with a gilded swan neck handle with a spread, winged mount, polychrome decorated with honeysuckle, other floral specimens, and gilt embellishments, raised on an oval fluted foot, unmarked, height 10 cm, width 14.5 cm
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A Limoges gilt decorated vase, 20th century, the ink blue baluster vase with a waisted neck, having a tooled border to the collar, gilded rims and decorated with a floral spray to the body, mark of Limoges France underside, height 27 cm
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A Mcintyre 'Cornflower' vase by Moorcroft in Spanish colours, circa 1911, the elegant slender baluster vase with a petite neck, with delicate, tubelining and decorated in muted rouge, terracotta and plum colours upon a washed green and amber ground, painted green signature of Moorcroft underside, height 23 cm
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A group of five vintage porcelain apothecary jars, late 19th century to mid 20th century, a pair of jars, one with old staple repairs to the lid, incised marks, underside, a plain apothecary jar, and two Limoges porcelain jars, one lid, absent, variously decorated, printed marks underside to the Limoges items, height 29.5 cm, and smaller
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A Moorcroft dish in wisteria pattern, 1918-1929 period, the low form dish with roll over edges, tube lined and decorated with a border in rich plum, purplish blue and lemon glazes upon an inky ground, with impressed Cobridge mark and painted signature underside, diameter: 21.5 cm
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A Moorcroft dish in pomegranate pattern, 1918-1929 period, the low form dish with roll over edges, tube lined and decorated with a border of pomegranate fruits and leaves in richly muted plum, tangerine and dark purple colours upon an inky ground, with impressed Cobridge mark and painted signature underside, diameter: 22 cm
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A pair of antique Limoges painted plates, 1891-1932, mark of L Guerin Limoges, cobalt blue plates with gilt bands and roundels hand painted with roses and lilac, a suffused lakeside setting in the background, backstamps underside, diameter: 26 cm
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A Moorcroft flambe vase, circa 1928-1935 period, the waisted vase decorated with a deep frieze in grape and leaf design, in a rich deep muted autumnal palette with light tubelining upon an inky blue, green and terracotta ground, impressed factory mark, facsimile signature and impressed Royal warrant underside, height 15 cm
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A double signed Belgian stoneware iron mounted vase by Guerin and F., Carion, circa 1925, pattern number 152A, an ovoid drip glazed vase in teal and varied brown colours housed in a textured and tendril like mount with a single flower and leaf, incised mark, of Guerin and pattern underside, mark of F. Carion to the leaf, height 13 cm
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A Moorcroft vase in pomegranate pattern, 1918-1929 period, the carinate shaped bottle vase, lightly tube lined with a border of pomegranate fruits and leaves in richly muted plum, tangerine and dark purple, colours upon an inky ground, with impressed Cobridge mark and painted, signature underside, height 15.5 cm
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A 90 piece Villeroy & Boch bone china dinner service, circa 2000, Germany, in Celine and matching Celine Fleurs pattern, a near complete set for ten comprising: plates in three sizes and large bowls, (10 each), 8 smaller bowls, 8 mugs, 9 tea cups and saucers, tea and coffee, pots, creamer, sugar bowl, tureen, gravy boat and stand, salt and pepper, shakers, various serving bowls and platters, backstamps underside, height 24 cm, (coffee pot)
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A group of four asparagus plates, circa 1900, in the manner of Longchamps, Onnaing, Orchies, Wasmuel, moulded plates in predominantly teal, Prussian blue, purple and cream glazes, impressed and painted marks underside, diameter: 25 cm, and smaller
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