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Decorative Arts — Leonard Joel Pty. Ltd.

Auction House:Leonard Joel Pty. Ltd.Number of lots recorded:257
Sale Title:Decorative ArtsLots with images:257
Auction Location:MelbournePrices available:135
Date:20-May-2019
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A Royal Worcester Australian wild flowers series vase, circa 1914, painted with wattle. Puce factory mark and retail mark for Thomas Webb & Sons, 19 cm high
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A Royal Worcester porcelain vase, Harry Stinton, circa 1909, ovoid in form with acanthus leaf scroll handles and raised on a square chamfered foot. Painted with a highlands cattle scene, signed H. Stinton, puce factory mark to base, and numbered 2443., 26.5 cm high
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A Royal Worcester porcelain highland cattle vase, Harry Stinton, circa 1919, ovoid in form with mask head scroll handles and raised on a circular foot. Painted with a highlands cattle scene, signed H. Stinton, puce factory mark to base, and numbered 1911., 26.5 cm high
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A Royal Worcester porcelain highland cattle vase, Harry Stinton, circa 1950, ovoid in form with acanthus leaf scroll handles and raised on a square foot. Painted with a highlands cattle scene, signed H. Stinton, black factory mark to base, and numbered 1969., 31 cm high
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A Royal Worcester porcelain vase & cover, circa 1952, ovoid in form, painted with a highlands cattle scene, unsigned, black factory mark to base, and numbered 169., 16 cm high
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A Royal Doulton porcelain hand painted vase, Joseph Birbeck Senior, circa 1915, ovoid in form with a gilt decorated mouth rim and foot. Painted with a riverscape scene, signed J Birbeck (Snr.), green factory mark to base, and numbered 1294., 18.5 cm high
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A Royal Worcester reticulated vase, George Owen, circa 1909, of tapering pear form with a slender neck, flanked by 'Wishbone' handles terminating in applied pearls, gold factory mark, incised signature and shape number 505 to base., 16 cm high
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A fine Royal Worcester reticulated ewer, George Owen, circa 1900, the finely reticulated body flanked by a beaded handle, raised on a chamfered square pedestal foot. Gold factory mark, vase shape 1944, with incised signature G. Owen, 18.5 cm high
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A Royal Worcester porcelain cabinet plate, Horace price, 20th century, the shaped and gilded edge surrounding a fruit and berries still life, signed H. N. Price, black factory mark to base., 22 cm diameter
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A Royal Worcester porcelain bowl, Harry Davis, circa 1926, the bowl painted with three sheep in a riverscape scene, signed H. Davis, grey factory mark to base., 18 cm diameter
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A collection of Royal Worcester porcelain, 20th century, comprising four fruit and berry decorated plates of varying sizes and shapes, and a small pheasant decorated dish. Along with three small fruit and berries vases., the vases 6.5 cm high
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A Royal Worcester porcelain hand painted plaque, John Stinton, circa 1924, the circular panel decorated with painted pheasants, signed by J. Stinton. Puce factory mark to verso. Housed in decorative gilded frame., 11 cm diamater
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A set of seven Royal Doulton porcelain cabinet plates, Percy Curnock, 20th century, each finely decorated with a gilded border surrounding a central reserve painted with roses, signed by P. Curnock, green factory mark to base., each plate approximately 26.5 cm diameter
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Two Royal Worcester porcelain painted dishes, the largest painted with a scene of three sheep in a landscape setting, signed H.Davis. The smaller dish painted with two oxen, signed H. Stinton, the largest 15 cm diameter
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A Royal Doulton porcelain vase, Leslie Johnson, circa 1915, baluster in form, rasied on a circular foot, depicting a draped nude female figure, signed Leslie Johnson, green makers mark to base., 23.5 cm high
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Two pairs of Doulton Burslem dragon decorated side dishes, 19th century, circa 1880s, the first pair of naturalistic form supported by a dragon form base, each hand painted with floral motifs., the second pair elongated and narrow in form supported by a dragon form base, each hand painted with floral motifs., both with factory marks to base, with a retailers mark for a. B. Daniell & Sons., the larger pair 10 cm high, 38 cm wide, 11 cm deep
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A pair of Doulton Burslem dragon decorated comports, 19th century, circa 1880s, of naturalistic form supported by a dragon form base, each hand painted with floral motifs. Factory marks to base, with a retailers mark for a. B. Daniell & Sons., 29 cm high, 21 cm long, 31.5 cm wide
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A rare pair of ormolu mounted Fo dogs, circa 1900, the mirrored pair of blue and white underglazed fo dogs modelled in a seated position, raised on an integral rectangular base within an elaborate floral encrusted ormolu brocage, 43.5 cm high
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A pair of Sevres porcelain coffee cans and saucers, circa 1820, the demitasse with gilding over a blue ground featuring painted portraits of the French soldier Gabriel Louis De Caulaincourt and his wife, the saucers with painted armorial trophies. Marked underside 'M. Imple De Sevres', demi tasse 7 cm high
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A French porcelain chocolate cup with cover and saucer, 18th century, painted en grisaille on cobalt blue ground, the pot with a gilded cartouche of Abelard, the saucer decorated with a gilded cartouche of Heloise. The underside marked with two blue crossed swords with a star and a '4', 11 cm high
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A set of Meissen porcelain lattice plates, mid 19th century, comprising a set of five circular plates, a square serving plate, an oval serving plate and a side plate. Each with a latticed border and painted with bird motifs., the oval plate 29 cm wide, the circular plates 24 cm diameter
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A Royal Doulton Sung glaze 'Flambe' vase, Charles Noke, tapering in form, decorated with a landscape scene., numbered 3517, 28 cm high
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A Royal Doulton porcelain titanium vase, Edward Raby, of compressed form, depicting three young Warbler birds on a branch., 17 cm high
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Heinrich, Bruges, oil on canvas Schafer (German, 1815 - 1905), 'Bruges', oil on canvas, signed H. Schafer to lower right. Housed in gilded frame., 13.5 cm x 21.8 cm
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A large French porcelain charger, 19th century, Ofr circular form, nicely gilded and painted with floral garlands between a patterned pink and blue ground., 43 cm diameter
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A pair of decorative French porcelain lidded urns, early 20th century, of slender tapering form, with a cobalt blue ground, painted with gold decoration. The lids surmounted with gilded pine cone finials, the bodies featuring painted romantic scenes of courtship and flanked with ormolu handles. The flared feet raised upon gilded metal bases.
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A classical style white marble head of the Emperor Claudius on stand, rendered sympathetically, the life-size head sits on a custom made stand., 23 cm high
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A classical style marble torso after the dancing satyr type, after the antique, the body in chiastic pose, raised on a custom made stand., 34.5 cm high (torso)
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A classical style marble torso of Apollo, wearing a cloak draped over both shoulders and standing in a relaxed contrapposto pose. Raised on a custom made stand., 54 cm high (with stand). The torso 40 cm
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A Chi style marble statue of Bodhisattva, the partial statue modelled in the form of a bodhisattva with draping robes, and adorned with a neck garment and long beaded necklace. Mounted on marble base., 65 cm with stand. The torso 54 cm high
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A classical style Grand Tour bronze of Narcissus, Giorgio Sommer, Napoli, modelled in typical form, signed Sommer to circular base., 21.5 cm high
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A modernist bronze of a horse, 20th century, naturalistically modelled, on a rectangular wooden base., 36 cm high, the base 30 cm wide
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A French bronze of a nymph and satyr, 19th century, signed in the mould 'Clodion', the nymph with a gold patina, the whole raised on a circular pedestal, 53 cm high
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A matched sterling silver Kings pattern cutlery set, various makers and dates, comprising twelve entree knives, twelve main knives, twelve main forks, twelve entree forks, twelve entree spoons, twelve mnain spoons., total weight approximately 3926 gms silver (not inlcuding knives), the main spoons 22 cm long
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A pair of sterling silver commemorative goblets, Asprey & Co Ltd / London / circa 1972, inscribed to circular foot 'Silver wedding of H.M the Queen and H.R.H. The Prince Philip, Duke of Edinburgh 1947-1972. Retailed by Asprey, London., approximately 486 gms silver, 14 cm high
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A Georgian sterling silver card tray, Richard Rugg I / London / circa 1758, the pie crust edge decorated with shell motifs, raised on three hoof feet and decorated with a coat of arms to centre of tray., approximately 574 gms silver, 25.5 cm diameter
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A comprehensive Czech 800 silver cutlery service with canteen, Franz Bibus / Prague / circa 1922-29, comprising 12 table knives, 12 table forks, 12 table spoons, 11 dessert knives, 12 dessert forks, 12 dessert spoons, 12 fish knives with gilded blades, 12 fish forks, 12 cake knives, 12 cake forks, 12 ice cream spoons with gilded bowls, 11 teaspoons, 12 coffee spoons, 1 soup ladle, 1 cake slice server, 2 gravy spoons, 1 square spoon, a pair of fish servers (large), a pair of fish servers (small), a pair of…
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A William IV sterling silver salver, J. Chas Edington/ London / circa 1836, of typical circular form, the scrolled pie crust edge encompassing a band of engraved flowers with an armorial crest to the centre, raised on three scrolled feet, 2135 gms sterling silver, 42.5 cm diameter
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A Victorian sterling silver mounted claret jug, John Wilmin Figg / London / circa 1854, the sterling silver mount cast with maks heads, above a rampant lion, 29 cm high
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A William III Brittania silver tankard, Thomas Parr I / London / 1697, of typical tapering form with two reeded bands to body between a peacock head amourial, flanked by a reeded strap handle.Bearing a retailer's paper label to verso reading 'Thomas & Co. 153 Bond St, Thos Parr, 1697', approximately 244 gms silver, 10 cm high
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A Queen Anne sterling silver tankard, Seth Lofthouse / London / circa 1708, of typical tapering form with a simple reeded decoration to the upper body with a scroll handle with the intialls 'MB' to handle., approximately 172 gms silver, 10 cm high
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A Queen Anne Brittania silver tankard, John Rand / London / circa 1703, of typical tapering form, with simple reeded motif to mouth rim and foot, flanked by a scroll handle., approximately 238 gms silver, 10.5 cm total height
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A sterling silver tea and coffee service, Adie Bros / Birmingham / circa 1925, of plain baluster form with a c- scroll handle., the coffee pot 23 cm high
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A pair of Adam style sterling silver candlesticks, Matthews Company, New jersey, of tapering form, with decorative banding to base and shoulder., approximately 636 gms silver (possibly weighted at base), 23.5 cm high
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A pair of ornate silverplate champagne buckets, 19th century, with flared ribbed rims, naturalistic handles, raised on flared shell bases, each bucket is engraved with a coat of arms with a cartouche below reading 'Fide Et Virtute', each 25.5 cm high, 24 cm diameter. Other Notes: The latin phrase 'Fide Et Virtute' translates to 'By Faith and by Courage' which also happens to be the motto of William Ewart Gladstone (1809 - 1898), a British statesman and Liberal party politician. In a career lasting over…
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A large Elcetroplated candlestick, Edward Spencer (1872-1938) for the Artificers' Guild, London, circa 1900, of columnar form and raised on a square base, 42 cm high
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An Arts & Crafts sterling silver chalice, Omar Rasmden & Alwynn Carr / London / circa 1908, the hand beaten bowl of tapered form, with a stylised foliate band to upper body above the inscription '30th October 1883-1908'. The circular foot decorated with a scroll design, the verso inscribed Omar Ramsden Et Alwyn Carr Me Fecerv NT.', 14 cm high, 10.2 cm diameter
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A George III sterling silver salver, John Hutson / London / circa 1791, circular, with a decorative pie crust border, raised on three scroll feet., approximately 2600 gms silver, 45 cm diameter
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A Georg Jensen sterling silver comport, designed by Johan Rohde, the tapering bowl raised on an openwork leaf and berry formed stem, above a stepped circular foot., design no. 17B, 12.5 cm high, 14.5 cm diameter at widest point
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A five piece Victorian sterling silver tea and coffee service, Hunt & Roskell / London / circa 1873, of generous proportions, comprising a creamer, sugar bowl, spirit kettle, coffee pot and tea pot, some with ivory handles. Decorated with a engraved band with mask decoration.
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A Tiffany sterling silver bowl, of circular form with a reticulated edge.
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Two brass alms chargers, 17th century, each with embossed scenes, largest: 46 cm diameter
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A pair of French neoclassical gilt brass candelabra, 19th century, each surmounted with an Ibis finial, the three extending branches terminating in ram heads, raised on a pillar above three protruding gargoyle heads, supported by three hoofed legs on a tripartal base with a classical fretted border, 57.5 cm high
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A pair of Adam style brass andirons, in the form of urns, 49 cm high, 42 cm deep
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A pair of French ormolu candelabra, 19th century, each consisting of five branches with lapetted nozzles, the lower stem mounted with lion head ormolu, above a square scrolled base, 54 cm high
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A large French oval carriage clock, 19th century, the oval case profusely engraved over all, with glass panels to top, sides and back. The circular dial with Roman numerals enclosed around an scroll engraved plate. The back plate stamped 'Made in France', 27.5 cm total height, approxiamtely 17 cm wide, 15 cm deep
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An Empire portico clock, circa 1790, silk suspension, in black marble and ormolu, the face signed 'Arnoux Paris', raised on brass feet, 40.5 cm high, 30 cm wide, 10.5 cm deep
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A French ormolu mantel clock, circa 1870, silk supsension, in gilded brass, modelled with a lady seated next to a holy spring, 40.5 cm high, 34.5 cm wide, 12.5 cm deep
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A fine Renaissance inspired ormolu clock garniture, Raingo, Paris, circa 1880, eight day strike on bell, the case of architectural form, in gilded and silvered brass. Each candelabra with four radiating branches and a central nozzle, clock 47 cm high, 28 cm wide, 15.5 cm deep
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A French portico clock garniture, circa 1880, eight day bell strike, in green pyrennes marble, surmounted with a bronze lion, the four collumns with gilt bronze capitals, raised on brass bun feet, 47 cm high, 35 cm wide, 19.5 cm deep
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A Louis XVI portico clock, circa 1790, silk suspension, composed of black and white marble and applied ormolu, raised on brass feet, 54 cm high, 43 cm wide, 10 cm deep
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A Jaeger-Lecoultre Atmos 'Marina' clock in original box, circa 1970, the brass framed five panelled body in frosted glass decorated with gold relief fish and reeds, centred by a white enamelled face and Arabic gilt numerals, includes original service manual, 23.5 cm high, 18 cm wide, 13.5 cm deep
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A Bateman bracket clock, early 19th century, time only, single fusee, housed in a rosewood case with glazed bevelled inset panels to the top and sides, 26 cm high, 16.5 cm wide, 13.5 cm deep
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A Jaeger-Lecoultre 'Atmos' clock in original box, circa 1970, the brass framed five glass body exposing the internal mechanism within, centred by a white enamelled chapter ring and Arabic gilt numerals, includes original service manual., 22 cm high, 16.5 cm wide, 12 cm deep
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A longcase Domestic regulator clock, Housen and Son, with deadbeat escapement, 186 cm high
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A 19th century surveyer's chronometer, De Casseres, Amsterdam, two day movement, free strung, helicore hairstring, housed in orginal enamel travelling case, serial number 597, 13 cm diameter
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A Georgian longcase clock, 189.5 cm high, 49.5 cm wide, 28 cm deep
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A matched French clock garniture, Le Roy & Fils, 19th century, the waisted gilt brass body inset with hand painted porcelain panels. Matched with a pair of candlesticks., the clock 36 cm high, the candlesticks 18 cm high
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A Jaeger-LeCoultre Atmos clock, the nickel plated framed five glass body exposing the internal mechanism within, centred by a striking lapis style dial, with pepetual motion. Includes original service manual., 22 cm high, 18 cm wide, 13 cm diameter
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A harlequin set of six Hepplewhite dining chairs, early 19th century and later, the shield backs with central splats, some bearing carved wheat sheafs to the crest, others with roundel detail, raised on square tapered legs, each approximately 93 cm high
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A Georgian bookcase secretaire, early 19th century, the moulded cornice above two glazed doors enclosing shelves divided with a central vertical panel. The fall front secretaire enclosing a fitted interior of pigeon holes and drawers above two lower doors, the whole raised on turned feet, 246 cm high, 130 cm wide, 54.4 cm deep
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A Regency extension dining table, circa 1815, the three leaf table with a rounded rectangular edge, raised on eight fluted legs, on brass castors, 75 cm high, 138 cm wide, 260 cm approximately
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A set of six Regency dining chairs with two carvers, circa 1815, each with a square rail above an X-form splat and reeded stiles, the seats upholstered in linen, raised on turned front legs and splayed back legs, each approximately 85 cm high
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A Georgian mahogany breakfast table, early 19th century, the solid rectangular mahogany flip top with rounded edges, with original brass fittings, the quadripartite base terminating on finely cast brass caps on casters
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A fine Victorian Cuban mahogany extension dining table, 19th century, the rectangular top with rounded edges, on a concertina base, raised upon fluted legs on castors, one spare leaf., approximately 73 cm high, 112 cm wide, and 216 cm long (fully extended)
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A set of six Victorian rosewood Saddle-Back dining chairs, circa 1860, with upholstered drop in seats, and octagonal tapered front legs, each approximately 85 cm high
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A Victorian games table, mid 19th century, the shaped demi-lune top folds and swivels to open, raised on a carved quadripartite base, 68.5 cm high, 102 cm wide, 50 cm deep
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A Georgian chest of drawers, serpentine fronted, the four graduated drawers with brass handles
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A Georgian Chippendale style tea table, 19th century, the leaf opens to a polished top and is supported by a single gate leg. The table is raised on square legs with blind fret carving to apron.
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A Georgian tripod based oak wine table, circa 1770, with a tilt top mechanism on pad feet, 70 cm high, 75 cm diameter
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A Georgian demi lune fold-over table, 18th century, with boxwood stringing, raised on four tapered square cut legs terminating on spade feet, the table folding out onto gate legs., 69 cm high, 97 cm extended, 96 cm wide
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A Georgian mahogany sideboard, 19th century and later, breakfronted with turned ebonized handles, the central drawer is flanked with two cupboards, one housing a wine rack, the overall raised on six fluted legs, 130 cm high, 200 cm wide, 66 cm deep
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A Regency mahogany fold over card table, early 19th century, opens to a felted surface with an outer band of rosewood veneer, raised on four turned legs, 77 cm high, 91 cm wide, 44 cm deep, 88 cm extended
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A Victorian papier mache painted side table, 19th century, the shaped top with a painted scene of the grand tour, the turned pedestal platform base raised on bun feet, 66 cm high, 51 cm diameter
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An Australian Arts & Crafts oak sideboard, Clauscen & Co, circa 1915, the moulded cornice above a central bevelled edge mirror flanked by column supports, below a metal cartouche with an engraved message reading 'To Will and Mabel with love & best wishes. From Father. March 10th 1915'., the lower portion featuring two flared drawers above three central drawers all with original embossed metal and copper handles. The doors and mirror feature floral carved panels on either side., the inside left hand drawer…
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A Georgian oak bookcase secretaire, late 18th century and later, the carved pediment crested with a brass bird finial above two solid oak doors enclosing a bookcase. The fall front secretaire opens to a fitted interior of pigeon holes and drawers, below four graduated drawers, raised on bracket feet., 213 cm high, 107 cm wide, 54 cm deep
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A large Dutch oak dresser, 18th century, circa 1760, the shallow cornice and apron above three shelves, and two lower cupboard doors., 230 cm high, 168 cm wide, 60 cm deep
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A small Dutch desk, circa 1830, the rectangular top above a single drawer with original lock and key, raised on turned supports, united with a stretcher, 70 cm high, 88 cm wide, 54 cm deep
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An early Dutch oak library table, 19th century, the rectangular top inset with ebony string inlay above gadrooned sides terminating with lion marks, supported on turned baluster legs, 74 cm high, 135 cm wide, 90 cm deep
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An antique Dutch fruitwood side table, 19th century, raised on turned wood supports and united by stretcher base, 74 cm high, 135 cm wide, 100 cm deep
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A large boudoir stool, the oregon frame with turned finial supports, with a large upholstered cushion., 70 cm high, 180 cm wide, 38 cm deep
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An Italian Carrara marble fountain, the single tier basin surmounted with a carved figural fountain head, raised upon a carved pedestal base, 193 cm high, 81 cm diameter
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A pair of 18th century style Breton lidded garden urns, the urns of campana form with fruit and flower decoration, 104 cm high, 53 cm diameter, 70 cm width (handles)
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A Flemish Neo-Classical two door cabinet, 18th century & later, the paquetry inlaid cabinet decorated with arch detail to each door, flanked by lion heads masks. Repurposed from a larger piece., 134 cm high, 137 cm wide, 58 cm deep
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A French polychrome armoire, circa 1791, of plank construction, the moulded cornice above a single door with floral painted panels, fronted with chamfered corners., 183.5 cm high, 115 cm wide, 46 cm deep
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A fine 18th century Flemish verdure tapestry, circa 1730, depicting a woodland scene, with a large tree in the foreground and a city in the far background., 270 cm high x 220 cm wide. Provenance: Graham Geddes Antiques
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A Lalique 'Dans' nude dancer figurine, the frosted figure modelled with raised arms, etched 'Lalique France' to base, 24 cm high
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A Lalique 'Deux Poissons' sculpture, modelled as two entwined koi fish, etched 'Lalique France' to base, 29 cm high
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A Lalique Zelia panther, modelled in a predatory pose, etched 'Lalique France' to base, 37 cm high, 12 cm long, 9 cm wide
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A Lalique 'Deux Moineaux' bowl, the heavy bowl applied with two sparrows to rim, etched 'Lalique France' to base, 17 cm high, 39 cm widest
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