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A Gentleman's Collection: The Estate of Mr Neil Robertson — Leonard Joel Pty. Ltd.

Articles on this Sale

Auction House:Leonard Joel Pty. Ltd.Number of lots recorded:501
Sale Title:A Gentleman's Collection: The Estate of Mr Neil RobertsonLots with images:501
Auction Location:MelbournePrices available:495
Date:2-Dec-2018
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Nine printed papier mache snuff boxes, late 19th century, each varying in size and design. Five boxes depicting figures, the remaining four depicting various animals, largest 8 cm diameter
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A carved walking stick handle together with two carved stopper mounts, late 19th century, the walking stick handle carved in the form of a hound' head, with silver plate collar., an ebonised stopper, naturalistically carved as a seated pug., a stopper, carved in the form of a fisherman's head, inset with glass eyes., longest 15 cm
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Seven printed papier mache snuff boxes, 19th century, five of circular form including a portrait of French solider, along with two rectangular snuff boxes, each depicting a female portrait., largest 10 cm long
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Five pique tortoiseshell boxes and a horn snuff box, 19th century, comprising three George III tortoiseshell and silver pique single and double scent etuis., a George III tortoiseshell and silver pique tooth pick case, elongated oval in form with garland decoration to the lid., a small tortoiseshell and rose gold pique box, rectangular in form with decorative design to lid., a 19th century horn and rose gold pique snuff box, sqaure in form, bearing the name 'Rochfort' to lid., tooth pick case 9.5 cm.
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Eight Georgian tortoiseshell pique patch boxes, 18th and 19th century, four of navette form and four of oval form. Each decorationed with silver or gold pique decoration, largest 10 cm long.
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Four shelves of books, including authors Cecil Beaton, Hamish Hamilton, and E.F. Benson
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Four shelves of books, primarily by author E.F. Benson
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Four shelves of books, including authors John Betjeman, Cyrill Conolly, and William Gerhardi
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Four shelves of books, including authors Isabel Colgate, Diana Cooper, and David Garnett
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Four shelves of books, including authors Isak Dinesen, Lawrence Durrell, and J.G. Farrell
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Four shelves of books, including authors Olivia Manning and fourteen volumes of 'A statistical account of Scotland' and four volumes of 'Recording Britain'
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Four shelves of books, including twelve volumes of Proust's 'Swann's Way' and Philip Mansel's 'Louis XVIII'
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Four shelves of books, including authors Rosamond Lehmann, and C.H.B. Kitchin
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Four shelves of books, includes authors Beverley Nichols, Leo Tolstoy, and W.S. Maugham
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Four shelves of books, includes seven volumes of 'Clyde Company Papers', ten paperback volumes of Schillers Werke, and works by the author Saki
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Four shelves of books, including authors V. Sackville West, and Edith Sitwell
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Four shelves of books, including authors H.E. Bates, Edith Sitwell and five volumes of 'The diary of Samuel Pepys'
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Four shelves of books, including fifteen volumes and other publications by Ivan Turganey.
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A collection of nine stone inset pill boxes, of varying shapes. Including a stone inset box with hound' head decoration., largest approximately 4.5 cm long
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A Nautilus shell mounted on sterling silver base, late 20th century, the shell raised on putto formed stem above a an embossed base depicting Neptune maker's mark for St James house Company, London, circa 1980., 186gms sterling silver, 17.5 cm high
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A group of silver plate and sterling silver objects, including two 925 silver cat formed boxes, a silver plate box decorated with a recumbent lion, a silver plate whistle surmounted with dog finial, two sterling silver animal form pepperettes, a sterling silver egg- form nutmeg grater and a sterling silver egg- form vinaigrette., total weight approximately 182 gms, the largest 7.5 cm, 3.5 cm
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Three sterling silver picture frames, Victorian and later, including a rectangular frame with a reticulated border embossed with c-scrolls, foliate and cupids motifs, with an inscribed cartouche dated 19-19-98. Maker's marks for William Gibson and John Lawrence Langham, London, circa 1897., a folding four panel picture frame mounted within a floriate border., maker's marks for William Devenport, Birmingham, circa 1900., a plain rectangular frame. Maker's marks for W J Myatt & Co., Birmingham, circa 1924.,…
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Two Russian silver niello snuff boxes, Moscow / 19th century, the first rectangular in form, the lid decorated with a scene of the Kremlin, the underside decorated with the Narva Triumphal arch. Assayed by Nicholai Bubrovin, Moscow, circa 1839. Makers marks Ee., the other rectangular in form, the lid decorated with Falconet's Peter the great equestrian statue in an architectural setting, the underside depicts a view of the old St.Petersburg stock exchange and Rostral columns seen from the river Neva. Assay…
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A pair of sterling silver knife rests together with another set of four knife rests, including a pair of knife rests in leaf and stem form. Maker's marks for Robert Hennell III, London, circa 1866., the set of four Georgian knife rests, hallmarks worn., total weight approximately 152 gms silver, leaf form 9.5 cm long
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Ten small silver small dishes and cases, late 19th century and later, comprising heart shaped sterling silver tray. Maker's marks foot William Comyn and Sons, London, circa 1897., a Victorian sterling silver satyr dish. Maker's marks for Rosenthal, Jacob & Co., London, circa 1881., a sterling silver box, the reticulated cover with deer and foliate decoration., maker's marks for Harry Synyer and Charles Joseph Beddoes, Birmingham, 1907., a Swedish silver box, with grape and vine leaf decoration. Stamped F…
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A collection of fifteen silver boxes, 19th century and later, comprising six rectangular boxes, two oval boxes, two square boxes, and five circular boxes., total weight 342 gms silver, the largest 6.5 cm, 3.8 cm, 2.3 cm
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Three sterling silver sauce boats and a creamer, Victorian and later, the first sauce boat, of generous proportions, raised on three hoof feet. Maker's marks for Adie Bros., London, circa 1957., the second sauce boat with a gadrooned edge and raised on three hoof feet. Maker's marks for Stokes and Ireland Ltd, Chester, circa 1927., the third sauce boat, of small proportions, with embossed decoration overall. Maker's marks for Horace Woodward & Co., London, circa 1886., the helmet shaped creamer with a…
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A collection of silverware, Victorian and later, comprising five bowls, including reticulated, embossed and fluted decoration., maker's marks include Vale Brothers and Sermon, William Comyns and Sons, Lee and Wigfull and others., total weight approximately 648 gms silver, Vale Brothers bowl 6.5 cm high
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Two sterling silver jugs and a pair of condiment bottle coasters, the first jug baluster in form, decorated with floriate swags, raised on a circular leaf tip base. Maker's marks for William Marshall, Edinburgh, circa 1857, the second jug plain in design, and of compressed form. Maker's marks for George Perkins, London, circa 1904., the bottle coasters decorated with ribbon decoration, flanked by lion head masks and loop handles.Beraing the mark for the Australian Commonwealth military Forces. Maker's…
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Two silver tea caddies and a sterling silver Christening cup, 19th and 20th century, the first tea caddy of cylindrical from and heavily embossed with birds and floral design. Maker's marks for William Comyns and Sons, London, circa 1896., the second of tea caddy of tapering form with reeded banding. Hallmarks for the Netherlands, circa 1817, with additional export marks for Sheffield, circa 1923., the christening cup heavily embossed with a repeating grape and vine leaf motif, flanked by a matching leaf…
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A collection of ivory and bone handled silverware, 19th century, comprising a five piece Harrison Bros and Howson carving set with sterling silver collars and ivory handles, a single meat fork with an Indonesian carved ivory handle, a bone handled cheese scoop and a George III ivory handled sterling silver fish slice., largest carving knife 41 cm long.
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A collection of sterling silver fiddle pattern mustard spoons, Georgian and Victorian, nine spoons, some monogrammed. Various makers and dates., total weight approximately 124 gms silver, approximately 11 cm long
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A collection of fourteen miniature boxes and cases, Georgian and Victorian, mostly silver, of varying shapes and designs, including three circular boxes, two oval boxes, six vinaigrettes, a rectangular snuff box, a sterling silver needle case and perfume case., approximately 118 gms silver, the needle case 8 cm long
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Seven sterling silver viniagrettes, 19th century and 20th century, the first of rectangular form with floral engraved decoration. Makers marks for Thomas Edwards, London, circa 1850. The second rectangular in form with a raised garland border, and initialled Ma to centre of lid. Makers marks rubbed, probably Francis Clark. The third rectangular with crosshatched decoration overall. Makers marks for Edward Smith, Birmingham, circa 1853. The fourth oblong in form, intialled to lid and later inscription to…
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Five sterling silver boxes, late 19th century/Early 20th century, comprising a rectangular floral engraved snuff box, makers marks for Thomas Hayes, Birmingham, circa 1901. A floral engraved box, rounded rectangular in form, with makers marks for rose and Brough, Birmingham, circa 1899. A simple rectangular snuff box, initialled to lid, with makers marks for a and Jz, Birmingham, circa 1909. A Victorian vesta with a lid inscribed 'Presented to J.I Watmough by members of the conservative club baildon, Dec…
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Seven sterling silver snuff boxes, 19th century, comprising a William IV rectangular box with a replaced oval name plaque to lid reading 'Belonging to William Raper'. Makers marks rubbed, circa 1825. A Georgian snuff box, makers marks for Thomas Shaw, Birmingham, circa 1828. A Georgian snuff box, makers marks for William Eaton, London, circa 1823. Two Victorian rectangular boxes by Francis Clark, one inscribed Edmd young 1864, circa 1840. The other circa 1837. The last two boxes both with rubbed marks, one…
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Two George III sterling silver seaweed pattern boxes, early 19th century, the larger box rectangular in form. Makers marks for Richard Lockwood and John Douglas, London, circa 1802. The other box of miniature proportions and conformed in shape. Markers marks for John Thornton, Birmingham, circa 1808., approximately 58 gms silver, the largest 6 cm, 4 cm, 1.5 cm
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Two George III sterling silver graters, the nutmeg grater cylindrical in form, the lid hinged to a back support which when opened reveals a grating surface. The lid bearing a hog and tree crest. Makers marks for John Mackay, Edinburgh, date mark not visible., the snuff grater of plain oval form. Makers marks for Peter Ross, Aberdeen, circa 1800., total weight approximately 84 gms silver, the nutmeg grater 6.6 cm, 3 cm, 2.7 cm.
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Two George III brightcut sterling silver toothpick cases, Samuel Pemerton / Brimingham / late 18th century, each elongated rectangular in form with chamfered corners, and bright cut decoration overall. Date marks worn to both., approximately 51 gms silver, 8.5 cm, 2.7 cm, 1 cm and 7.5 cm, 1.8 cm, 1 cm
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Nine silver and silver plate Novelity boxes, 20th century, comprising two 925 pumpkin formed boxes, two lattice boxes, two luggage shaped boxes, a book shaped box and two other boxes, the largest 6 cm diameter
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A large collection of sterling silver fiddle pattern spoons, Georgian and Victorian, comprising fourteen soup spoons, some crested and monogrammed., various makers including Mary Chawner, London, William Eaton, London and others., total weight approximately 660 gms silver, approximately 18 cm long
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Seven sterling silver boxes and a sovereign case, 19th and 20th century, including four rectangular snuff boxes, an oval tobacco box, two circular trinket boxes and a sovereign case., maker's include Cornelius Desormeaux Saunders and James Francis Hollings (Frank) shepherd, Birmingham, William Comyns and Sons, London and others., total weight approximately 307 gms silver, the oval snuff box 6.7 cm wide
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A collection of fifteen Dutch silver boxes, 19th century, all of miniature proportions, varying in shape and design, including two circular, five rectangular, two hexagonal, and six oval., approximately 294 gms silver, the largest circular box 5.3 cm diameter
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Two pairs of sterling silver cruets and a pair of egg cups, Georgian and Victorian, including a pair of sterling silver muffineers, raised on pedestal bases. Maker's marks for Henry Chawner, London, circa 1790., a pair of sterling silver pepperettes, each baluster in form with a fluted lower body, raised on a square platfrom base. Maker's marks for William Devenport, Birmingham, circa 1901., the pair of egg cruets, with reeded banding. Maker's marks rubbed., total weight approximately 242 gms silver, the…
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Four Georgian toothpick cases, late 18th century/ early 19th century, the first of rectangular form in tortoiseshell with leaf inset pique decoration to lid. The second oblong in form, in tortoiseshell, decorated with garland decoration to lid with a central panel of plaited hair under glass. The third rectangular with a sliding lid inset with bone, and the fourth box of rectangular from with chamfered corners, mounted with silver and featuring a Ducal crest to lid, the pique box 7.9 cm, 2 cm, 1.2 cm.
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A matched suite of sterling silver Old English pattern spoons, various makers, Georgian and later, comprising six dessert spoons, six soup spoons, six teaspoons, and a basting spoon., maker's include Robert gray, Edinburgh, John Turton & Co., Sheffield and others., total weight 924 gms silver, basting spoon 32 cm long
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Two unusual figural snuff boxes, 19th century, including a monkey head snuff box inset with glass eyes and bone teeth with hinged lid., a rabbit form snuff box with a hinged lid to base with silver banding, monkey 6 cm high, 5.5 cm wide, 7 cm deep
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Seven female portrait miniatures, early 19th century and later, including three in square ebonized frames, two in oval frames, all painted in watercolour on ivory and board, largest 8.5 cm x 7 cm.
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Five portrait miniatures and a still life with parrot, early 19th century and later, the four portrait miniatures all concerning female sitters all in oval frames,three of which are painted on ivory. The still life titled to verso 'Still life with parrot and Ming' by Barbara Valentine, watercolour on ivorene, largest portrait 6.5 cm high, 5.5 cm wide.
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Seven male portrait miniatures, 18th century and later, the largest portrait of a young Georgian gentleman painted on a wooden panel, the six remaining portraits all painted on ivory., largest framed 11.5 cm high, 8.5 cm wide.
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A collection of various miniatures, 18th century and later, including a framed wax portrait miniature, two alabaster framed profiles portraits in cast metal, a folding folio comprising a young male and a female sitter in watercolour, and others, wax portrait including frame 18 cm diameter
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Four framed miniature floral still Lives, 20th century, three signed Boyd Waters, the other in watercolour signed violet Copestier, largest 10.5 cm x 12.5 cm
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A portrait miniature of a gentleman, 18th century, the finely painted watercolour on ivory, set within an oval paste inset frame, 3.7 cm x 3 cm.
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A Sheraton George III burr elm tea caddy, circa 1820, rectangular form with cantered corners, the top and front inlaid with shells, the hinged top enclosing compartments with covers, largest 13 cm high, 19 cm wide, 10 cm deep
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A collection of twenty souvenir paper weights, circa 1910, of varying shapes and designs including canterbury cathedral, Mont St Michel and Holyrood palace, largest 8 cm diameter
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A collection of 22 paper weights, circa 1910, of varying shapes and designs., largest 7 cm diameter
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A collection of Nineteen porcelain boxes, 19th century, comprising seventeen circular boxes, fourteen of which have floral decoration. Along with two square boxes, one in the capodimonte style., largest 5 cm high, 8.5 cm long, 6.5 cm wide
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A George III Sheraton satinwood tea caddy, circa 1800, the lid and front with cartouches of shells and ebony and satinwood banding enclosing two compartments with covers, 13 cm high, 18 cm long, 10 cm wide
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Nine Georgian ivory toothpick cases together with an ivory box, late 18th /Early 19th century, comprising seven toothpick cases with pique decoration, and two others. Along with an ivory vanity box, with gilded garland and ribbon decoration to lid, the larger box 8.5 cm diameter.
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Seven Georgian ivory toothpick cases, late 18th/Early 19th century, each of rectangular or rounded rectangular form. Decoration including cameo plaque, seed perals, pique and hair inlay., central panel of plaited hair under glass., largest 8.5 cm long.
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A collection of eleven banded agate handled seals and a boxed seal set, late 19th century, of varying sizes and designs. The boxed set comprising additional seals, largest approximately 6 cm long
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A collection of fourteen seals, 19th and 20th century, comprising six mother of pearl handled seals, five brass seals, one hardstone seal, a beaded seal and a mahogany handled seal., largest 7.5 cm long
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A collection of sixteen agate handled seals, 19th century, Varying in shape and design., largest 6 cm long
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A collection of inset snuff boxes, 18th century and later, each of circular form, including pique tortoise shell, lacquer, and Bakelite., the largest 8 cm diameter.
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A Chinese Canton export carved ivory fan, 19th century, the front ivory panel finely carved with scholars and pagodas, the reverse also carved with figures within trees and pagodas. The interior with pierced ivory panels. The fan painted with a gathering of nobles set in alternating interiors and landscapes featuring pagodas, the whole bordered with painted birds and fruit, housed in a period lacquered case, fan 52 cm wide.
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Two carved ivory fans, late 19th century, one fan decorated with Chinese figures in landscape to one side and 18th century gentry in landscape to verso, the other with French watercolour panels of rural scenes within floral swags and painted flowers to verso, both contained in a period lacquered box with painted landscape, 18.5 cm long.
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A collection of eleven enamel boxes, 18th century, of varying shapes and designs including painted landscapes., largest 9 cm long
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A collection of eleven enamel boxes, 18th century, of varying shapes and designs including 'Queen Caroline', 'The trifle from Harrogate', 'Token of regard'', a pug form patch box and a perfume etui with original glass vile., largest 4.5 cm long
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A collection of nineteen English enamel boxes, 18th century, of various shapes and sizes, including souvenir boxes and momento patch boxes., largest 5 cm long
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Three ivory boxes, 19th century and later, including an Anglo Indian Vizagapatam style miniature sandalwood trunk overlaid with pierced bone panels on claw feet, a circular box inset with a watercolour miniature of an eighteenth century gentleman., a rounded rectangular patch box, inset with a miniature portrait of a boy, trunk 5 cm high, 9 cm long, 5.5 cm wide.
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Five Japanese animal carvings, 19th century and later, comprising a Japanese reticulated ivory crayfish, two vegetable ivory netukes depicting a snail and a rabbit, and two ivory dog netsukes., Crayfish 10.5 cm long.
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A collection of nine bronze and metal items, 19th and 20th century, comprising two miniature figures of Quan Yin and a reclining Buddha. A bronze elephant form door knocker, a Japanese mixed metal picture stand, two miniature animal figurines and a bronze figure of the Capitoline wolf., picture stand 15.5 cm high, 16 cm wide
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Six stone carved objects, 20th century, comprising a Chinese jadeite comb carved in the form of a ram head, together with a pair lapis carved animal reliefs, and a devotional figure, comb 16.5 cm long
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A Louis XVI ivory and 9ct gold mounted carnet de bal, 19th century, the ivory case banded in 9ct gold, the hinged lid applied with 'Souvenir' in gold above a cartouche with two putti within a ribbon adorned cartouche. The other side applied with 'Damitie' gold above a cartouche also banded in gold ribbon. The case enclosing three ivory writing cards and a pencil. Presented in a tan leather Hardy Bros case, the carnet de bal 3.8 cm long, 4.4 cm wide.
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Two papier mache card cases and three boxes, 19th century, including a card case inset with mother of pearl, painted to each side of case., a card case painted with birds and flowers to each side., a papier mache snuff box with painted polychrome exterior and crest shaped mount to lid., a hardstone and gold plated snuff box, rectangular in form with a reeded edge., a George III tortoiseshell and pique purse., the peacock card case approximately 10.5 cm long, 7 cm wide
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A collection of eleven sterling silver cruets, Victorian and later, comprising a pair of salt cellars, each raised on three dolphin from feet. Maker's marks rubbed, Birmingham, circa 1863., a pair of small salt cellars, each embossed with acorn decoration, raised on three scroll feet. Maker's marks for Mappin & Webb, London, circa 1890., a pair of waisted pepperettes. Maker's marks for William Adams Ltd, Birmingham, circa 1902., watering can and pail formed cruets, 20th century, stamped 925., three single…
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A large collection of sterling silver fiddle pattern forks, Georgian and Victorian, comprising eighteen main forks, some crested and monogrammed., various makers including Richard Rugg I, London, William Eaton, London and others., total weight approximately 1296 gms silver, approximately 20.5 cm long
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Five Chinese miniature items, 19th century and later, comprising pierced dragon bowl, dragon handled teaspoon, small repousse box and a pair of silver plate basket formed cruets., the teaspoon 10.8 cm long
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Eight Georgian and Victorian serving utensils, 19th century, comprising a George IV sterling silver tea caddy spoon, makers marks for John, Henry and Charles Lias, London, circa 1829. A Dublin sterling silver ladle with a shell form basin, makers marks rubbed. A pair of Victorian sterling silver salt shovels, makers marks rubbed, Dublin, circa 1877. Two agate handled serving knives, one hallmarked Edinburgh, circa 1803, the other with rubbed marked. An agate handled sugar shovel and a Victorian silver…
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Five ivory wax seals and an ivory walking stick handle, 19th century, including three hand shaped seals, one with turquoise and garnet inlay., an acanthus leaf handled stem with a silver seal, and one other., the walking stick handle naturalistically carved in the form of a fist., the largest 18.1 cm long.
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Seven silver figurative serving spoons, 18th century and later, comprising a pair of Victorian apostle spoons each with a shell shaped basin, with an entwining serpent stem. Makers marks for Francis Higgins III, London, circa 1888., along with four other figurative spoons, each Continental, three with a gilt wash exterior., approximately 462 gms silver, the pair of spoons 20 cm long
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A small collection of curios, 19th century/20th century, comprising a small heart shaped tulip vase, three heart shaped containers, a flaming heart perfume and a Victorian posie holder., the posie holder 13 cm long
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A set of six sterling silver fruit knives and forks, Jonathan Hayne / London / circa 1794 -1807, each piece with a pink agate handle with a mask head mount. The knives each dated 1794, three forks dated 1795, one fork dated 1808 and remaining three forks dated 1807., total weight approximately 636 gms, the knives 20.5 cm long
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Three pairs of sterling silver sugar tongs, 19th century, with makers marks for Charles Boyton, London, circa 1854, William Eaton, London, circa 1843 and Isaac Parkin, Exeter, circa 1823, approximately 123 gms silver, the largest 14.5 cm long
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A Victorian matched part suite of sterling silver Old English pattern spoons, comprising six soup spoons and six dessert spoons., maker's include Francis Higgins II, London, John round and Son Ltd, London., total weight 753 gms silver, the soup spoons 21.5 cm long
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A collection of eleven Staffordshire figures, circa 1800 - 1860, including a Ralph Wood figure of the Virgin Mary, a spill vase with figures, eight figures on square bases in traditional costume and one later figure, 24.5 cm high
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A Regency mahogany bracket clock, W.W. Laird Leith, 19th century, the dome mahogany case with satinwood stringing and shell ringed brass handles on brass feet, with single fusee, and time only, 55 cm high, 28 cm wide, 16.5 cm deep
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An Enoch Wood type Staffordshire pearlware figure of atlas, circa 1810, modelled in kneeling pose holding a globe aloft. Raised on an integral square base, 25 cm high
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A Sevres style vase, 19th century, of baluster form with a rose du Barry ground with painted cartouche of eighteenth century nobleman and lady surmounted by a cherub flanked by moulded handles, 40.5 cm high
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An Anatolian rug, 2nd half 20th century, the Holbein-type rug decorated with two hooked octagons within the red field, bordered with scrolling foliage, 110 cm x 57 cm
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An Afghan Baluch rug, circa early 20th century, decorated with a geometric lattice design, 87 cm x 140 cm
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A Persian camel ground rug, early 20th century, decorated with a geometric diaper pattern within the field, 178 cm x 149 cm
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Three George III silk needleworks, 19th century, all oval in form, one depicting a rural scene, the other two concerning ecclesiastical themes, largest approximately 40 cm high (including frame)
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Three Georgian silk needleworks, late 18th century and later, one depicting a rural scene with goats, another of a lady with angel, the third of a lady surrounded with flowers, largest 52.5 cm x 41 cm (including frame)
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A Georgian needlework of a dog together with another of a needlework, early 19th century, the first needlework depicting a King Charles cavalier, seated on a red velvet mat with gold sequins and banding., the second needlework depicting a small bird set within a diamond and foliate design, puppy 38.5 cm x 46 cm (including frame)
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Six needleworks and two samplers, 19th century, the needleworks depicting a shepherdess with lambs, two others with ladies in forest settings, three floral studies, and one sampler in memory of Ann Hobson, dating 1850, largest needlework 36 cm x 32 cm (including frame)
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A pair of mixed media bird studies and a needlework of a bird together with three other needleworks, 19th century, the mixed media incorporating feathers on watercolour, the needleworks including a Georgian boy and girl, mixed medias each 18 cm x 12.5 cm (including frame)
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A George III commode together with a vanity mirror with reeded supports, the commode opening with a hinge top, mirror 62 cm high, 56 cm wide, 26 cm deep
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A portrait miniature of a Georgian lady together with two pairs of silhouettes, 19th century, one pair of silhouettes written to verso 'William Hamlet, bath, 1910', Georgian lady 22.5 x 21 cm
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A Georgian style elbow chair, upholstered in elephant fabric, 89 cm high
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