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Articles on this Sale

Auction House:Mossgreen Auctions (No longer trading)Number of lots recorded:607
Sale Title:International Decorative ArtsLots with images:606
Auction Location:MelbournePrices available:358
Date:29-Aug-2017
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A Chinese Canton enamel bronze hand warmer, 18th century, the sides painted mountain landscapes, with yellow enamel with brass handle, pierced lid, 14 cm high, 14 cm wide, 11 cm deep. Provenance: Private Melbourne collection
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A Chinese hardwood table screen with ink enamel porcelain panels, early 20th century, well painted with landscapes, whole size: 60.5 cm high, 60 cm wide, each panel about 10 x 20 cm (ex frame). Provenance: Old ACT Collection
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A Chinese gilt belt buckle, Qing Dynasty, possibly 18th Century or later, in an archaic form, depicts a chilong cast in high relief, 8.6 cm long
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A Korean silver box,19th century, of rectangular shape resting on a flat bottom, the cover decorated with two large, stylized characters 'Fu Gui', the sides with two deer with pine, fungus, crane and tortoise, 17 cm wide, 12.3 cm deep, 10 cm high. Provenance: Private Queensland collection
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A Chinese silver box, late 19th-early 20th century, finely decorated with two crabs claiming reeds, 'Qichang' and 'Zeewo' marks to the base, 20.9 x 13.3 x 6.7 cm. Provenance: Private Queensland collection
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A rare Chinese silver melon shaped covered box, late Qing to early Republic period, early 20th century, with a lion knob, each petal finely decorated with bamboo, plum blossom, and orchid, 'Tianji' mark to the edge of the lid, 8 cm high, 8.7 cm diameter, 145.26g weight
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An Indian silver pepper pot, Kutch (Cutch) 1885-1910, together with an Indian silver salt/mustard pot, Calcutta, late 19th century, with original glass liner, both 6 cm high
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An Indian silver repousse Bowl, Lucknow circa 1880, 10.3 cm diameter, 6.3 cm high, The nawab of Lucknow had paired fish as his state emblem
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A Chinese silk child's robe, 19 th century, with embroidery border and collar, perspex frame, the robe 92 cm high, the frame, 165 x 103 cm. Provenance: A private deceased estate, Majorca, Spain
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A Chinese hardwood Hongmu alter table, Qing Dynasty,19th century, the top with scrolled ends, apron with simple raised scroll and geometric patterns, the straight square legs with side stretchers, 80 cm high, 106 cm long, 38 cm deep
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A pair of Chinese black lacquer two door standing cabinets, late Qing dynasty, 19th century, gilt lacquer and carved with children playing in gardens on the shore of a lake, with pavilions and houses, the frames and borders decorated with seven immortals, 245 cm high, 118.5 cm wide, 57 cm deep
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A Sino-Tibetan gilt bronze seated green Tara, 18th century, wearing an elaborate crown, sitting in lalitasana on a double-lotus base issuing a lotus flower that supports her right foot, her right hand lowered in varada mudra, her left raised in vitarka mudra and each holding a lotus stem flanking her shoulders, 12.5 cm high. Provenance: An old NSW private collection
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A very rare Northern Thai stoneware figure of Ganesh, Sawankhalok, 15th century, the elephant headed god seated with a conch in one hand, the end of his trunk in a bowl, 23 cm high. Provenance: ex Brake-Lau-Eckerman Collection, Mossgreen, 'The Ray Mitchell and Julian Sterling Collections', 26-27 February, 2007, lot 295
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A Nepalese bronze Vajrasattva, early 20th century, seated on lotus pedestal, holding vajra and bell in front of his chest, 44.5 cm high. Provenance: ex Mark Lissauer Collection
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A Chinese bronze standing figure of Guanyin, Yütang Shisou mark, Qing Dynasty (1644-1912), nationalistically cast figure standing on a cloud, turning slightly to the left with hands and forearms held before her, dressed in a flowing robes adorned with silver-thread inlay scrolls, wearing a beaded necklace of seeded studs, the reverse with a four-character inscription in seal-script, 49.3 cm, wood stand, Compare with Sotheby's Paris,16 December, 2015,lot 42, Christie's New York, 27 November, 1991, lot 49,…
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A Tibetan gilt-copper repousse seated figure of Ushnishavijaya, 18th century, 38.4 cm high. Provenance: Purchased from Suzy Lebasi, Melbourne
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A Chinese stucco seated Buddha, Dali style, Ming dynasty (1368-1644), seated in a double lotus position, with two hands place together in front of the chest, 104 cm high. Provenance: An old private Queensland collection
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A Tibeto-Chinese gilt-repousse seated figure of Shakyamuni Buddha, Qing Dynasty, Qianlong mark and of the period (1736-1795), seated in Vajrasana on a lotus base, his hand in Bhumisparsa, seven character Qianlong mark, various inscriptions in Tibetan, Manchu, Mongolian and Chinese, 33.2 cm high, For similar example see Mossgreen, 'The Ray Mitchell and Julian Sterling Collections', 26-27th February 2007, lot 27. Provenance: Mossgreen, 16 -17th November, 2009, Lot 2
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An Indian silver repousse bowl, Lucknow, circa 1880, 9 cm diameter, 5 cm high, The nawab of Lucknow had paired fish as his state emblem
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A Tibetan silver teacup stand and cover, 19th century, the cup stand and its elaborately worked domed cover, finely chased and repousse worked with Buddhist auspicious symbols, with a splayed lotus form finial and a coral bead knob, 16 cm high
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A Nepalese gilt bronze lotus throne base, circa 15th century, the base is an unusually fine vignette of Buddhist devotion, a larger figure would have had its feet on the two prostrate Tantric four-armed figures which lie, their knees bent up and held with a meditation strap, two smaller donor figures kneel at their feet in a gesture of offering to the missing principal figure, each figure has an expressive face and posture, a small Vedic altar to the rear, 9 cm long
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A Mongolian gilt copper 'Meru Mandala', 19th century, the mandala of circular form depicts at it's edge the cosmic ocean quartered by sun discs, rectangles, triangles and moons which encompass auspicious symbols which in turn surround the central tiered square of Mt. Meru which raises up at it's centre a crystal circle., 22 cm diameter, For similar see 'The Wheel of Time' Barry Bryant and Namgyal Monastery p.62
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A Tibetan Densatil (Gdan sa thel) gilt repousse copper panel of Tantric beings, circa 14-15th century, the panel of five cartouches formed by a foliate swirl depicts dancing dakinis, each brandishing a chopper (krrtikha) and skull cup (kepala), 26 cm high
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A Tibetan Densatil (Gdan sa thel) gilt repousse copper panel of Tantric beings, circa 14-15th century, the panel of 5 cartouches formed by a foliate swirl depicts dancing dakinis, each brandishing a chopper (krrtikha) and skull cup (kepala), separated by a skull cup filled with matter, one resting on a three-petalled lotus, the other on a five petalled lotus carefully made to resemble sharp claws, below them is the corpulent figure of a wrathful deity, also holding a kepala and kirrtikha, 26 cm high
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A Tibetan fine gilt copper alter hanging suspension finial, 19th century, the finial of double domed form, a ring for suspension set in a lotus flower top which descends through the two pierced tiers of elaborately scrolling vines and lotus blossoms to a bottom plain tier which is punctuated by holes for attaching the hanging cloth, a plain copper disc sits in the interior with 3 loops, a spliced pin attaches to the top loop, 8 cm diameter, 7.5 cm high
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A Nepalese gilt bronze figure of a winged Apsara, 19th century, wears a hat, a wide skirt and a short cropped jacket with long sleeves that reveal the belly, 10.5 cm long, 11 cm wide
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A Tibetan Newari workmanship gilt copper repousse mandala palace section with traces of red pigment, circa 13-14th century, worked in high relief, depicts a row of joyously dancing musicians in the Nepalese manner above a ribbed border and between vases and flanking a dorje which rests on a lotus above a crescent moon, beneath a band of lozenges which supports a row of swags, the centre of which is in the form of a lotus flower enclosing a bell, flanking the entrance to the 'gate' is a pillar, a kneeling…
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A Nepalese inscribed gilt copper repousse plaque depicting Kartikeya, circa 19th century, within a ring of flames and standing, legs akimbo on his vehicle the peacock, the figure holding his principal attribute, the arrow, in his upper left hand, while his lower left hand gestures in warning, bottom inscribed, 24 cm high
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A Nepalese copper gilt plaque of Chamunda, circa 19th century, within a ring of flames and above a lotus base the four-armed emaciated goddess trampling on a corpse, her left foot resting on a lotus, holding her attributes, a skull drum, a skull-topped trisula and a skull cup, her principal right hand in a gesture of warning, 23.5 cm high
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A pair of Chinese stucco Buddhist lions, Yuan-early Ming dynasty, circa 14th century the powerfully modelled lions with curling manes and golden bells, each bearing a lotus base on his back which arches menacingly at an unseen foe, the tails curling majestically are covered with gold, 20.5 cm high
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A Tibetan repousse copper head of Arhat Ajita, circa 18th century, the smiling face of the Buddhist Saint is surmounted by a leaf headdress, 14.4 cm long, 11 cm wide, For similar use of the leaf as hat see: Sotheby's New York, Indian & Southeast Asian Works of Art, 24 March, 2011, lot 75
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A Tibetan carved hardwood 'Zitan' mandorla, circa 18th century, the arch-shaped mandorla is deeply carved of a dense, blackish wood and depicts to either side an elephant, a lion, and a man riding a goat, beneath a makara and a nagini among flaming scrolls, remains of gold and pigment., 41 x 33 cm
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A Nepalese carved wooden temple strut, circa 17th century, depicting the four armed Vasundhara goddess of abundance, wearing a long garland and holding her identifying sheaf of wheat, standing, her legs gracefully crossed at the knee She stands beneath stylised leaves, above a kneeling donor figure (possibly a Malla king), three lines of Newari script to the lower part of the strut, 91 cm high, similar example please see Christie's Paris, 19, Dec., 2012, lot 108
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A Tibetan firegilt repousee copper cittimandala, circa 17-18th century, depicting various deities seated on their lotus thrones within foliate scrolls, terminating to a lotus blossom at the base, the upper register depicts multiple images of the deity Vajravidarana holding a heart-high visvavajra (double dorje) and bell, symbolising the destructive or cleansing power of the vajra. The vajravidarana cleansing ceremony is a powerful spiritual aid to expunge or tear asunder to release the mental and physical…
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A Tibetan firegilt copper repousse Prabha mandorla, circa 15-16th century, the richly gilt mandorla with mythical animals amid scrolling foliage and within an edge of stylized flame forms, 31 x 28 cm.
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A Nepalese repousse copper linga cover, circa 17th century, the slightly domed cylinder is mounted with four faces of Shiva showing considerable traces of gilding, the front a fierce, bearded and mustachioed visage, the flared base of the cover rests on the coils of the naga-snake whose cobra head rises along the shaft, while the tail tucks neatly behind it's body, raised on a lotus base, 30 cm high. Provenance: Christie's Amsterdam, 'The Kemper Collection of Himalayan Art', October 1994, lot 58
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A Nepalese bronze figure of Hevajra, circa 17th century, the eight headed (7 principal, one above) deity gazes intently into the face of his sakti as they engage in the graphic manifestation of the union of opposites, his 16 hands holding skull cups filled with attributes, an elaborate 'bone' apron descends between them as they step to the right, 12.8 cm high. Provenance: Sotheby's Ny, Indian and Southeast Asian Art, 2nd June 1992, lot 206
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A Tibetan Pala revival style coppery bronze figure of Amityus, circa 18th century, a cold-gold painted face typical of Tibetan use, is seated on a separately-cast, high, stepped throne inlaid with small corals and blue glass beads, 12.4 cm high
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A pair of Nepalese gilt repousse temple architectural panels, circa 17th century, depicting male and female angels offering garlands, the winged angels gaze with wide eyes at the onlooker, their dhotis billowing as in flight., the female: 40 cm high, 28 cm wide, the male: 39.5 cm high, 26.5 cm wide
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A Nepalese carved stone stele depicting Uma-Mashesvara, circa 12th century, Shiva relaxing with his consort Parvati, with Nandi at his right elbow on a rocky outcrop while celestial dancers and musicians entertain them in the lower register, 36 cm high, 29.7 cm wide
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A Khmer stone figure of a dancer, circa 10-12th century, the heavily effaced figure still maintaining its athletic grace in a pose of extreme flexion, the waistband of the samphot flying upwards as if in motion, the whole figure embodying the classical Khmer concept of masculine power, dignity and grace, 25.5 cm high
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A Tibetan bronze seated figure of a Geluapa Lama, possibly and emanation of Tzongkhapa, circa 18th century, seated on a lotus throne with his right eye in the customary downcast position, while his left stares straight ahead as if blind, with a pronounced smile,a sword and book (pustaka) borne on a lotus flower to either of his shoulder Tzongkhapa - the founder of the Gelugpa, or reformed Yellow Hat sect of Tibetan Buddhism - himself an emanation of Manjusri, the god of wisdom, 14.5 cm high
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A Chinese bronze of a standing Monk Mahkyapa, Qing dynasty, circa 18th century, stands on his lotus base, one hand clasped over the other, the voluminous sleeves of his robe falling to his knees, trace of the original red pigment to the lotus base, 20.5 cm high
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A Tibetan large copper prayer wheel, 19-20th century, the wheel contains a large roll of Buddhist prayers, sewn into a cloth pouch, which surrounds a central post, a counterweight causes the wheel to turn when spun, and propels the prayers to the heavens, 35 cm long
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A western Tibetan terracotta Tsa Tsa, circa 12th century, powerfully depicted 3 headed, 12 armed deity within a flaming nimbus strides over two diminutive prostrate figures (Bhairava and Kalaratri), 6 cm high
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A Tibetan red and gold lacquered manuscript cover, circa 16-17th century, The exterior covered with gold with lacquer images of the five Tathagatas - Ratnasambhava, Akshobya, Vairocana, Amitabha and Amogasiddhi, arranged in parallel rows, each seated in dhyanasana on a lotus throne encircled by a scrolling foliate tendril. The reverse is of brilliant red lacquer with four parallel rows of 16 (64 in all) diminutive images of Amitabha - the Buddha of Long Life in gold and black line. The outer edges of the…
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A Tibetan painted and gilt lacquer sutra cover, circa 18-19th century, The exterior cover with a reserve within a raised gilt edge with scrolling foliate designs of brilliant colours within a brocade pattern border, while the interior red lacquer ground is painted in red and gold with 5 images of the Buddha of Long Life, Amityus, 31.5 x 8 cm
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A Tibetan lacquered wood official document box, circa 18th century, with gold scrolling foliate designs over the red lacquer surface and with brass fittings was used in official ceremonies for handing over important documents and scrolls, 10 cm high, 63 cm wide, 7.5 cm deep
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