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Auction House:Philips Auctions AustraliaNumber of lots recorded:382
Sale Title:Fine & Decorative ArtsLots with images:380
Auction Location:MelbournePrices available:233
Date:19-Mar-2017
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A Chinese hardstone pierced disk, in eight wedge-shaped segments around a roundel, with pierced archaistic dragon motifs to each segment, the roundel similar with a dot border in relief, mounted in a box frame, diameter 30.5 cm
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A carved Chinese panel, Qing Dynasty to early 20th century, the rectangular panel in red and gilded colours profusely pierced and carved with ten figures and a deer in a garden pavilion setting, relief carved to the upper right, probably a furniture panel, the outer frame with blue black colours sprinkled with shell fragments, height 16 cm, width 46 cm
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A group of two antique Chinese blue and white plates, Qing Dynasty, probably 18th century, one plate with three groups of scrolling fruit and floral motifs to the cavetto centred with similar decoration to the centre within concentric blue lines, wavy borders, and a bordered ruyi mark underside; the other having a broad arabesque border with dotted outlines centred with a flower, a private bordered mark underside, diameter 14.5 cm, and 17 cm
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A Chinese famille rose teabowl and cover, late Qing Dynasty, 1909-1912 period, the footed tea bowl of typical ogee profile well decorated with sprays of differing species of auspicious flowers between key fret and lappet borders, the lid conforming; with Hongxian character mark underside and to lid, height 8.5 cm, diameter 10.5 cm
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A fine antique Chinese silver hanging ornament with an amber bead, late Qing Dynasty, 19th to 20th century, depicting a woman in regional dress with pantaloons and overdress, carrying a basket, with flowers to her hair, earrings and a hat hung with little links, suspended from a chain and amber bead with hook, unmarked, length 6.5 cm
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A good antique Chinese scroll, Qing Dynasty, 19th century, in watercolours upon paper, depicting a wise elder seated upon a rock beneath an auspicious pine tree, holding a long strand of beads with a book at his side and engaging with a dragon turtle, with numerous seal marks throughout image and to margins and various calligraphic scripts, mounted upon coloured silks on paper, length 90 cm, width 40 cm
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A Chinese blue and white peony bowl, Qing Dynasty, second half 19th century, an elegant shallow bowl with a single trailing branch of peony, with script to the bowl and four character Tongzhi mark underside, height 4.5 cm, diameter 24 cm
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A group of twenty three antique Chinese silver and silver gilt hat ornaments, Qing Dynasty, late 19th to 20th century, a delightful collection of figural motifs including deity figures, all attached to a card, length 5 cm, and smaller
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An unusual pair of double layered Chinese porcelain vases, 20th century, double gourd vases with cloud shaped piercings decorated with floral medallions upon an arabesque decorated lemon ground, with a moulded and lappet decorated waist and neck, a central flask decorated with fish; bearing Qianlong seals underside, height 28 cm
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An antique Chinese lacquerware games box, Qing Dynasty to Republic era, early 20th century, the domed rectangular box with canted edges, raised on bat and claw feet (one foot partly absent), with a fitted tray holding a few antique ivory game pieces, a single drawer, richly decorated with traditional figural and floral motifs in gold colours upon a black ground, height 15 cm, length 33 cm, width 24 cm
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A novelty Chinese cloisonne 'Peach' teapot, the peach shaped teapot with moulded leaves enclosed within a twig form frame serving as the base, handle and spout, with articulated leaves and embellished with wire worked coloured peaches and flowers upon an apple green ground, height 19 cm, width 25 cm
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An antique Chinese blue and white baluster vase, Qing Dynasty, the ovoid vase of waisted form with a short neck, freely decorated with arabesques and flowers throughout between a ruyi styled border to the collar, stiff leaf borders to the neck and base, unmarked, with stand, height 23 cm
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A pair of large Chinese Straits Baba Nonya baluster vases, Qing Dynasty, late 19th century, the vases in famille rose enamel colours and typically decorated with a profusion of flora and butterflies on an aqua ground, bordered red seal reign marks underside, height 47 cm
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A Chinese polychrome porcelain plaque, Qing Dynasty, late 19th century, depicting a contemplative seated male deity figure in a landscape setting, sporting a prominent bald head and accompanied by books, a basket and a double gourd water carrier, with script and red seals throughout, housed in a Chinese timber frame, height 62 cm, width 41 cm, (includes frame)
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A Japanese woodblock triptych print, Meiji period, later 19th century, a theatre restaurant or kabuki theatre scene with diners and figures in theatre boxes, some caricature figures, with lines of shamisen players and dancers; with various seals, signatures and extensive blocks of script to the upper section, height 35.5 cm, width 70 cm
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Hirokage, Utagawa (Active 1855-1865), an 1859 ukiye-o woodblock print, 'Shogun's Road at Shitaya', number 11 from the series, Comical Views of Famous Places in Edo; with artist's signature, additional seals and cartouches, height 33 cm, width 22 cm
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A pair of Mughal miniature portrait medallions, 19th century, a male and female Regal half portrait pair in oval medallions, in watercolour on paper, with name cartouches in Arabic below, height 13 cm, width 20 cm
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Two Japanese woodblock prints, Edo period, circa 1820s-40s, Ukiye-o woodblocks of actors, including Enrosai Shigemitsu's 1848 woodblock of Ichikawa Danjuro VIII as Yoshioka Kanefusa (central panel from a triptych) and; Utagawa Kunisada's woodblock of Bando Mitsugoro III as Danshichi, with signatures and various seals, height 37 cm, width 25 cm
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A pair of Tibetan Buddhist paintings, an image of the green Tara surrounded by her twenty one smaller manifestations and their various attributes; and an image of Vajrabjhairava, a wrathful deity with multiple faces and limbs with the consort Vajra Vetali and surrounded by twelve manifestations, in opaque watercolours upon paper, height 21.5 cm, width 15.5 cm
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An Indian Mughal miniature painting, in gouache colours depicting five male figures in a garden setting, two beneath a tent canopy, with Arabic script to the margins, height 19.5 cm, width 10.5 cm
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A pair of contemporary Chinese school linocuts, 1988, a junk and a dragon boat race, Linocuts with colours on paper, signed and dated beneath image, one with red seal, height 34 cm, width 33 cm, and smaller
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A group of four vintage Mughal watercolours, comprising a scene of women bathing, a romantic interior scene, a woman in a garden accompanied by a peacock, and a woman in a garden with a deer, all in saturated opaque colours on paper, with gilded highlights and Arabic script, height 19.5 cm, width 10.5 cm
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A large Japanese woodblock print, Edo period, about 1,800, a monochrome image of a samurai figure, apparently Shaki, by an unknown artist; bearing a handwritten certification label verso dated 1950 with description, height 51 cm, width 29.5 cm
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Two Japanese woodblock prints by Kuniyoshi, Utagawa (1797-1861) and Sharaku, Toshusai, (About 1794), a Kuniyoshi woodblock of a full length actor as an animated samurai with the publisher's seal of Hori Takichi, and a half profile woodblock by Sharaku of a Kabuki actor, with publisher's seal of Tsutaya Juzaburo, with signatures, height 38.5 cm, width 25.5 cm
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Eight mixed silver spoons, four dessert, four teaspoons, 18th to early 19th century, London (four), Edinburgh (one), two, one with rubbed English marks, various dates and makers, all sterling; and two Continental silver, six Old English spoons, and one fiddle pattern spoon, two as found; hallmarked underside, silver weight 158gr, length 17.5 cm, and smaller
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A silver plated rolling dome serving tureen, early 20th century, with rubbed maker's mark to quatrefoil beneath a Crown, having a roll back cover with an ivory button form handle, with reeded handles, bead detail and raised on four long tapering reeded legs with scrolling capitals and paw feet, height 21 cm, length 35.5 cm, width 22 cm
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An Austro-Hungarian .800 silver serving platter, later 19th to early 20th century, with Dianakopf stamp and maker's mark KM, oval, with reeded ribbon tied rims, hallmarked to rim, silver weight 1466gr, length 51 cm, width 36.5 cm
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An Austro-Hungarian .800 silver fish platter, later 19th to early 20th century, with Dianakopf stamp, Navette shaped with reeded ribbon tied rims; hallmarked to rim, silver weight 1245gr, length 57.5 cm, width 30.5 cm
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A set of Georgian sterling silver teaspoons, probably 1816 London, with silver standard, no city stamp, maker's mark Gt for probably George turner, although date mark slightly precedes recorded registration date, Old English spoons with monograms to terminals, hallmarked underside, silver weight 84gr, length 14 cm
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An embossed late Victorian sterling silver tray, 1899 London, with maker's mark for William Comyns & Sons, the rocaille styled rectangular dressing table tray with crimped edging, typically decorated with grotesques, shell and foliate forms, centred with a monogrammed cushion form cartouche; hallmarked to tray near edge; retailer Hardy Bros Sydney, silver weight 265gr length 26.5 cm, width 17.5 cm
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A collection of sterling silver cutlery, Georgian and Victorian, early to later 19th century; London, Sheffield; Edinburgh, Exeter, various makers, comprising: six large forks, five smaller forks, and five entree forks, four Victorian dessert spoons, nine dessert spoons, in fiddle pattern, one teaspoon, Old English; hallmarked to all, silver weight 1362gr, length 21 cm, (fork) and smaller
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A silver plated toast rack and a silver plated serving dish, 1897, with marks for Elkington plate (dish), a heavy gauge arching toast rack raised on ball feet; and; a small covered gadroon edged covered serving dish with a dome point lid and urn styled finial; marked underside, height 14 cm, length 16.5 cm, width 9.5 cm, (toast rack)
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A German .800 silver salver, post 1886 mark, with maker's mark for W. Lameyer, a pie crust edged circular salver with reeded rims, hallmarked underside, silver weight 687gr, diameter 34 cm
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Twelve sterling silver salts: two pairs, two groups of four, 1880, 1913 Birmingham with marks for George Unite (pair); E.S. Barnsley, (four); 1880, 1907 London with marks for Charles Edwards (four); C S Harris & Sons (pair), a quartet of floral, ribbed salts; a pair of Gothic styled footed salts; a tri -footed cauldron pair; four blue glass lined cauldron salts with pad feet; hallmarked to all, silver weight 328gr height 3.5 cm, diameter 5 cm
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Four heavy gauge sterling silver dishes, 1969 (two) and 1973 London, with maker's marks for Solomon Joel Phillips (S J Phillips Ltd), plain plate style dishes with shallow trays, flat rims and sharply cut edges, hallmarked underside to rims, silver weight 341gr, diameter 11.5 cm
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A set of six Victorian sterling silver teaspoons, 1876 Glasgow, with maker's makers marks for probably William Coghill, bead edged Old English spoons, hallmarked underside to stems, silver weight 112gr, length 13.5 cm
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Five sterling silver coasters in two Sizes, 1970 Birmingham, with maker's mark for Harrods Ltd (Richard Woodman Burbridge), 1972 (one) and 1973 (two) London, with maker's marks for Wakely & Wheeler, small plain flat based dishes, the Birmingham pair hallmarked to tray, the London trio hallmarked underside, silver weight 248gr, diameter 8 cm, and smaller
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A pair of Georg Jensen 'Living Lilia' tea light holders, modern, designed by Todd Bracher, elegant holders in mirror polished stainless steel with an asymmetric stretched rim feature, stamp of Georg Jensen Denmark underside, height 6.5 cm
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Five heavy gauge sterling silver dishes or Communion trays in two Sizes, 1972 (one) and 1973 (four) London, with maker's marks for Solomon Joel Phillips, (S J Phillips Ltd), three larger dishes, and; Wakely & Wheeler, two smaller dishes, the dishes each with deep bowls, flattened rims with sharply cut edges, simply decorated with concentric engraved rings, hallmarked to the upper rims, silver weight 487gr, diameter 12.5 cm, and smaller
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Three French and Portuguese silver wares, and a silver plated basket, 19th century to mid 20th century, various markers' mark, boar mark for Portugal, a French shell shaped and thread edged sifting spoon, a lozenge shaped .950 silver napkin ring marked 'Madame', a small circular Portuguese .833 silver tray with a rococo pierced rim, a silver plate boat shaped fluted basket with a swing handle, silver weight 246gr (excluding basket) diameter 19.5 cm, (plate)
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Five Victorian sterling silver bright cut teaspoons, 1848 London, with maker's mark for John Le Gallais, Old English spoons, profusely decorated with foliate forms, engraved Jsfr to the terminals, hallmarked underside, silver weight 85gr, length 13.5 cm
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A pair of sterling silver gravy ladles, 1855 London, with maker's mark for Metcalf Hopgood, fiddle pattern ladles engraved 'R' to the terminals, hallmarked underside, silver weight 142gr, length 18.5 cm
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A ninety two piece American sterling silver cutlery service, 1895, with marks for Gorham, the 'Chantilly' pattern service for ten, comprising: dinner knives and forks, fish knives and forks, bread and butter knives, dessert spoons and forks, soup spoons, smaller spoons, and two serving implements, steel blades to knives and tines of fish forks; marked to stems, total weight 4121gr length 23.5 cm, (dinner knife)
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A Regency sterling silver covered serving dish and a plated base with tray, 1838 London, with maker's mark for Benjamin Smith, Royal silversmith, the oval dish and domed cover with armorial for Francis Egerton, 1st Earl of Ellesmere, richly gadroon decorated and having a foliate ring handle, a plated burner base with lion's paw feet and water reservoir tray, hallmarked to lid and dish, silver weight 1705gr (dish and cover) height 23 cm, length 33 cm
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A fine George III sterling silver cake basket, 1808 London, with maker's mark of Iws, of generous proportions, with gadroon edge shell and palmette decoration and a foliate cast swing handle, bearing a contemporary crest, lion rampant, to the centre; crisply hallmarked to the base, silver weight 1370gr length 37 cm
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A George III crested sterling silver pedestal coffee pot, 1766 London, with maker's marks for William & James Priest, of typical baluster profile with transitional rococo neoclassical decoration with embossed trailing flora, acanthus leaf and shell forms, having an ear form ebonised handle; hallmarked underside, total weight 778gr height 27 cm
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A pair of George III sterling silver covered sauce tureens, 1782 London, with maker's mark for Charles Wright, the neoclassical pair of oval profile with domed covers and finials, high looping handles and raised on pedestal bases, with bead edge decoration throughout, with contemporary crests; crisply hallmarked to lids and underside, silver weight 1273gr height 15 cm
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A fine Victorian Scottish sterling silver Inkstand, 1847 Glasgow, with maker's marks for Robert Gray & Son, beautifully decorated to the tray with a profusion of trailing flora upon a textured ground, with foliate rims and ball and claw feet, with the original cut glass silver mounted hinged ink bottles, and a central pot with taperstick holder; hallmarked, total weight 1117gr height 14 cm, length 27 cm
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A pair of Italian .800 silver candelabra on spiral bases, early to mid 20th century, with maker's mark for G. Boggiali, Milan, rococo inspired candelabra with three cast foliate arms from a leafy central support with scroll knop, with floriform pans and spiral nozzles, the baluster stems and domed bases of conforming design; hallmarked underside, silver weight 2254gr height 37 cm
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A cased Victorian sterling silver gilt claret jug and goblets, 1868 London, with maker's marks for Stephen Smith, a jug with a waisted base and high loop handles and a goblet pair exquisitely engraved with fern fronds, a presentation piece to Surgeon Major Robert Lewer of the 9th Queen's Royal Lancers, Kabul 1880, and bearing the Lancers' crest with the Crown of Queen Adelaide; hallmarked to neck and rims and in original case, silver weight 1150gr height 35 cm
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A small vintage French crystal and silver plated decanter, early 20th century, conical with delicate vertical lines descending to clusters of lens cut motifs, the mount with stylised pierced and vegetal motifs, height 25.5 cm
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A forty eight piece St Louis stemware suite for twelve, 1958, year of introduction, in Chantilly pattern and comprising champagne flutes, water or large wine glasses and smaller wine and sherry glasses; stencil marks underside, height 19 cm, (champagne glass)
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A forty eight piece St Louis stemware suite, in Tarn pattern and comprising twelve champagne flutes, twelve large wine or water glasses, twelve smaller wine glasses, and eight smaller cordial glasses and four sherry glasses, height 19 cm, (champagne glass)
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A vintage Baccarat style glass decanter, the globular decanter with a slender neck and faceted stopper, a border of small and large lens cuts to the lower body and slice cut to the neck, unmarked, height 30.5 cm
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A modern Toumani iridescent bowl, 1992, a large deep thick walled bowl with wide undulating rims, the interior in cased mottled green and orange colours, the exterior with a lightly hammered iridescent finish and trailing pewter coloured flora, engraved mark of Toumani to base, height 15 cm, diameter 32.5 cm
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A cobalt blue Bohemian cut and Flash glass vase, early 20th century, a tapering conical vase with long cuts and leaf motifs, a lens cut beaded border to the rim, height 12.5 cm
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Two gilt decorated Baccarat crystal scent bottles, late 19th century, a delicate tapering bottle with a slice cut neck and a tapering stopper, decorated with etched floral sprigs to the body with matte gilt decoration, and a large octagonal tapering and carinate shaped bottle with a slice cut neck and complementary stopper, decorated with raised gilt paste decoration, Heights: 16 cm, and 20 cm
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A St Louis crystal vase, a tapering cylindrical vase raised on a deep circular base, boldly and simply decorated with navette and long horizontal cuts, one half with navettes to the upper border and a trio of horizontal cuts to the lower section, the other half of the vase with the decoration in reverse, mark of St Louis to base, height 14.5 cm
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A French opalescent glass bowl by Etling, circa 1930, the milky white circular dish tinged with yellow having a moulded wispy echinacea style floral design, the three flower cones serving as the feet of the dish, with moulded signature, illustrated in Judith Miller's '20th century glass' page 102, height 4.5 cm. Diameter 17 cm
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A press moulded Baccarat comport, in contrasting clear and frosted flutes and ribs with a scalloped rim and raised upon a slightly domed, base of conforming design; with moulded mark of Baccarat and pattern number 4951 underside, height 8.5 cm, diameter 22 cm
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A six piece Sevres crystal dressing table set, circa 1920s, comprising four bottles of various sizes with stoppers, a covered pot and an atomiser, beautifully decorated to the clear glass with Art Deco stylised floral enamel decoration in blue, orange, olive, emerald and white colours between blue borders, with signature of Sevres to body, height 18 cm, and smaller
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A fine Delatte Nancy cameo table lamp, early 20th century, the mushroom cap style lamp with a slender baluster stem to a domed spreading base, overlaid with hand cut and engraved purple fuchsia throughout upon a mottled blue mauve on white ground, with cast metal supports and fan and berry shaped clips, signed a Delatte Nancy in cameo, height 32.5 cm
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A Vibrant cased glass Art Deco vase by Degue, circa 1930s, the slender barrel shaped vase with a compressed rim, in molten mid green colours flowing to tangerine and deep orange, with a polished pontil, etched Degue to the lower body, height 36.5 cm
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A small cameo glass vase, with signature of Galle, post 1904, with posthumous star mark to signature, a globular vase with Art Nouveau styled flowers and strappy forms hand cut in matte purple upon a frosted ground above a small waisted foot, with mark of Galle, possibly a factory or unfinished piece, height 9 cm
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A small Art Deco glass desk lamp by Hettier & Vincent, circa 1920s-30s, the moulded bell shaped shade with floral motifs and a lappet style border, raised upon a domed square section base with alternating smooth and hammered radiating ribs; moulded name to top of shade under fitting, height 19.5 cm
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A French glass Baccarat style compote, the elegant compote with everted straight sides, decorated with vertical navette border, a knopped stem to a flat circular base, unmarked, height 18 cm, diameter 19.5 cm
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An emerald green 'Lampe Berger' Fragrance oil lamp, in rich emerald, the hexagonal baluster lamp with a shaped footed base with a new wick and mounted by a pierced cage, marked Lampe Berger to the glass and mount, height 19.5 cm
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A small Daum glass and spelter bird lamp, circa 1920s, the slightly baluster shaped shade in vibrant orange, red and chocolate shades upon a mottled yellow flanked by a pair of spread winged doves and raised upon a verde antico base, the shade faintly etched with the mark of Daum Nancy and cross of Lorraine, height 17 cm, width 18 cm, depth 9.5 cm
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Five glass items: a cruet pair, decanter, jug, and scent bottle, early 20th century and after, Continental and Venetian, bottle shaped cruets with sliced necks, globe stoppers and strawberry cut designs; a small bottle shaped decanter with hobstar designs and cross hatching; a Murano hexagonal handblown scent bottle with a leafy stopper with pulled millefiori and aventurine decor, label of Campanella, height 28.5 cm, and smaller
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An Art Deco opalescent glass charger by Verlys, circa 1920s, the press moulded charger with three ducks flying over waves with leaping fish, in blue white modulating to amber colours, moulded maker's mark Verlys France to centre, height 4.5 cm, diameter 36 cm
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A Baccarat enamelled cameo glass and metalware table lamp, circa 1920s, a tapering shade with purple iris decoration upon a frosted and patterned ground, suspended in a black ellipse frame decorated with applied black roses upon a pierced domed base of similar design, height 42 cm
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A large Art Deco aubergine glass vase by Berlys, circa 1930s, the tall straight sided vase with an everted rim and moulded waist and base, boldly decorated with etched geometric 'L' shapes and squares throughout; stencil mark of Berlys underside, height 39.5 cm
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Eleven mixed cut crystal flash coloured hock glasses, 20th century, hand cut in the Bohemian manner, with long slender tapering cut stems to decorative bases, the bowls variously cut with flora and patterns and in an array of jewel-like colours, Heights: 20.5 cm, and 19.5 cm
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An antique D'Argental cameo vase, circa 1900, a baluster vase with a waisted neck, overlaid with trailing rose buds and thorny branches in chocolate, purple and rust colours upon an amber ground, marked D'Argental in cameo, height 29.5 cm
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A Lalique crystal figurine, 'Two Dancers', 1960, designed by Marc Lalique, with etched mark of Lalique France with Registration mark, in frosted glass, two graceful nude dancers upon a textured clear crystal support and oval base, signature mark to side of base, with made in France label underside, height 26 cm
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A pair of antique glass decanters, later 19th century, slender pear shaped decanters with flat rims and waisted bases, having elongated ribbed stoppers, the bodies of gentle lobed form with thread style ribs, polished pontils, height 36 cm
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A Lalique Royat vase, designed 1936; Catalogue Raisonne number 10-921, conical with frosted and clear vertical cut stripes with arrowpoint borders, the rim with protruding and notched embellishments; designed for chocolatier Marquise de Sevigne', the spa town of Royat being the site of their first shop; engraved mark of Lalique France underside, height 15.5 cm, diameter 20 cm
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A vintage cut crystal covered sweet bowl, early to mid 20th century, the circular dish with a domed lid and faceted finial raised on a short pedestal to a heavy base, with floral and star forms throughout, height 20.5 cm, diameter 15 cm
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A WMF gilt metal mounted and etched glass biscuit barrel, early 20th century, the barrel with an internal vertical rib with etched floral sprays with a scrolling and moulded collar, and similarly decorated lid, with an urn form finial and an ornate pierced handle; marked to the collar, height 20.5 cm
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A striking Art Deco olive glass baluster vase by Verlys, circa 1930s, the waisted vase with a squared base with canted corners having a series of bold sabre style ribs to the body upon a frosted and hammered ground; moulded mark of Verlys to one of the ribs, height 28.5 cm
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A set of six French etched glass champagne flutes, late 19th to early 20th century, Belle Epoque style glasses of conical form with facet cut stems, delicately etched with stylised floral forms and stripes, height 17 cm
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An antique porcelain comport and fourteen plates, early 19th century, pattern number 6116 and four dot decorator's cypher, the comport and plates with navy scrolls to the rims joined with hand painted festoons, centred by individually painted loose posies, iron red numerals and cypher underside, height 6 cm, diameter 23.5 cm, (footed dish)
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A pair of brilliant Canary yellow Crown Derby urn vases, 1891, and 1892 or 1893, the vases with cup form shaped rims and high set bracket handles decorated throughout with trailing gilt paste wattle japonaiserie and gilt trims upon the yellow ground; with Prussian blue backstamp, date cypher and painted pattern numbers, 611 over 3969 (one with small professional repair to rim), height 20.5 cm
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A Lladro figurine 'Dama Liberty', 1986-2000, pattern 5377 designed by Jose Puche, 'Dama Liberty' or 'A touch of Class', a 1920s styled lady in draped mauve attire posed beside a pot on stand filled with lilies; blue backstamp and impressed numerals underside, with box, height 37 cm
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