Full details of each lot are displayed, except the lot number, estimate and price. You must be a subscriber to view lot numbers, estimates and prices.

Click here to view registration and subscription levels

Four Single Owner Collections — Leonard Joel Pty. Ltd.

Auction House:Leonard Joel Pty. Ltd.Number of lots recorded:479
Sale Title:Four Single Owner CollectionsLots with images:479
Auction Location:SydneyPrices available:365
Date:4-Dec-2016
***
A mid Victorian sterling silver tea pot by Henry Holland, of cylindrical form with bright cut decoration, ivory scroll crested handle, 580 grams, 14 cm high
***
***
***
A large Edward VII sterling silver twin handled tray by W&C Sissons, London 1901, with gadrooned and anthemion and foliage scroll handles, central 'C' engraved initial, 72 cm width, 3957 grams
***
***
***
An Edward the VII sterling silver twin handled tray by Hardy Bothers, Sheffield 1912, of elongated shaped rectangular form, engrave C to corners, 62 cm width, 2548 grams
***
***
***
An impressive Victorian sterling silver gallery tray by Martin Hall & Co, Sheffield 1888, of oval form with pierced gallery sides, engraved with fern laurel and central armorial, 58 cm width, 3360 grams
***
***
***
A sterling silver four piece Bachelor coffee service with matched tray, by Hardy Brothers and Edward Barnard & Sons, with ivory handles the two pots and sugar bowl by Edward Barnard & Sons, the tray of a later date and the jug matched both by Hardy Brothers, 2124 grams in total, (4)
***
***
***
A pair of George III sterling silver spoons by Hester Bateman, London 1784, with a George I spoon and a Georgian berry spoon, in the Hanoverian rat tail design, 245 grams in total (4)
***
***
***
A pair of George II sterling silver salts, David Hennell I, London 1758, each with gilded interior, gadrooned rim on stepped pad feet, engraved with bear claw armorial and initials verso, 178 grams (2)
***
***
***
A George II sterling silver porringer by John Bayley, London 1754, with embossed ribbed band and scrolling cartouche with initials Ccm, old antique Dealers Association button, 265 grams, 11.5 cm high
***
***
***
A George III sterling silver card tray by S.H, London 1794, with bright cut floral border and initialled cartouche, on four paw feet, 18 cm width, 134 grams
***
***
***
A pair of George III sterling silver waiters, by Elizabeth Cooke, London 1759, each of circular form with gadrooned rim, with engraved panther crest, 787 grams
***
***
***
A fine George III sterling silver salver by Richard Rugg I, of shaped circular form with gadrooned edge, centrally engraved with armorial, 36 cm diameter 1320 grams
***
***
***
Two Georgian sterling silver castors, maker and date Letters Rubbed, each with pierced cover, 14.5 and 15.5 cm high, 228 grams combined
***
***
***
Two Georgian silver wine funnels, London 1821, Makers marks Rubbed, each of typical form, 13 and 15 cm high, 189 grams in total, (2)
***
***
***
A pair of William IV sterling silver candlesticks by Henry Wilkinson & Co, Sheffield 1837, each with detachable drip pans, rococo scrolls throughout, weighted, 23 cm high
***
***
***
A pair of William IV coasters by T.J.N.Creswick 1834, each with C scroll and acanthus moulded rims, turned oak bases, 19 cm diameter
***
***
***
An early Victorian sterling silver ruby glass lined bowl, Birmingham, circa 1844, with pierced anthemion panelled sides on grape vine moulded shaped circular foot, 443 grams 17 cm high
***
***
***
Two Victorian sterling silver mugs, one by Charles Thomas fox, London 1840, the other by George Angel & Co, date letter Rubbed, the first with floral design in high relief, the other profusely engraved, tallest 10.5 cm, total 292 grams, (2)
***
***
***
A Victorian sterling silver blue glass lined mustard pot by Henry Wilkinson & Co, Sheffield 1853, with pierced circular trellis design, engraved J cartouche, 152 grams
***
***
***
A Victorian sterling silver Entre dish by Robert Hennell III, London 1862, of shaped circular form with holly moulded finial and repousse border, 1803 grams, 27.5 cm diameter
***
***
***
Victorian sterling silver servers by John Gilbert, Birmingham 1884, with sterling slice by Samuel Hayne & Dudley Carter, London 1843, each finely engrave and with sterling blades, 454 grams in total, (3)
***
***
***
A pair of Victorian sterling silver basting spoons by John Henry Lias, London 1839, in fiddle thread and shell design, 314 grams
***
***
***
A set of six Victorian sterling silver salts by Robert Hennell III, London 1857, each with gilt interior of circular form with embossed ban of satyr masks, gilt lined, approx weight 440 grams, (6)
***
***
***
A Victorian sterling silver and gilt lined goblet by John Wilmin Figg, London 1875, embellished with floral and foliage tendrils, on C scroll foot, 'Caveat a Ctoar' bear armorial, 17.5 cm high, 294 grams
***
***
***
A matched set of four Victorian castors by Edward & Joseph Mappin, London 1863 and Daniel & Charles Houle 1876, each with quatrefoil trellis design, old antique Dealers association button, 308 grams (6)
***
***
***
A set of six Victorian sterling silver gilt salt spoons by George William Adams, London 1861 with a silver jug and cover by John Angell II and George Angell, London 1861, each with anthemion design on stippled ground, 115 grams and 364 grams
***
***
***
Two pairs of Victorian sterling silver salts by Edward Ker Reid, London 1855 and George John Richards & Edward Charles brown, each with blue glass liner, gadrooned rim on stepped pad feet with floral chasing, engraved with armorial and one set also with initials verso, weight unknown as glass dishes wedged in (4)
***
***
***
An Edwardian sterling silver and blue glass lined castor Markes Rubbed and Sweat meat dish with handle by Hilliard & Thomason, the castor with floral garlands, the dish with foliage and trellis design, 15 and 20 cm high (2)
***
***
***
A silver plate meat cover and Cloche, the Larger by James Dixon & Son, the other by Hardy Brothers, the smaller with mesh side, 41 and 35 cm width
***
***
***
A silver plate punch bowl, tray and cup set by Barker Ellis, comprising bowl, tray and 12 x cups
***
***
***
A French Art Noveau gilded silver mounted claret jug, Paris, circa 1890, possibly Baccarat and Roussel Eugene Doutre, the frosted glass carved in low relief with flowering braches picket out in gilt, unmarked, 33 cm high
***
***
***
A fine sterling silver cup by Martin Hall & Ebenezer hall, Sheffield 1888, profusely embellished with quatrefoil trellis embossed design, with gilded interior, 175 grams 12 cm high, with old antique dealers association button
***
***
***
A 20th century silver ecclesiastical jug by Hardy Brothers, Birmingham, of elongated form with cross finial, 28 cm high, 413 grams
***
***
***
A sterling silver flask and cup by Colen Hewer Cheshire, Chester 1924, with small fruit knife, Birmingham, engraved with initials, the knife with leather pouch, (2) 240 grams in total
***
***
***
A sterling silver boxed cruet set by Hardy Brothers, Birmingham 1958, comprising pair of salts, mustard pots each with spoon and castors 1016 grams
***
***
***
A horn handled knife and fork setting for twelve, in original fitted boxes, together with a horn cup mounted in silver plate and a sterling mounted sgian-dubh
***
***
***
A pair of Queen Elizabeth II Silver Jubilee sterling silver cups by J.B.Chatterley & Sons Ltd, Birmingham, each boxed and engraved, 304 grams in total, (2)
***
***
***
A set of four 925 silver mounted cut crystal bottles, together with a sterling Hardy Brothers blue glass lined condiment dish, Birmingham 1960, the dish with Art Nouveau style pierced mount, (5)
***
***
***
An important sterling silver six piece tea and coffee service by Gerald Benney, London 1964, of tapering curved cylindrical form with bark textured surface lifted from a polished band, the hinged covers with emanating textured flat covers, impressed hallmarks and retailed by Hardy Brothers Australian marks, tallest 24.5 cm, 3484 grams in total, Adrian Gerald Sallis Benney CBE RDI (1930 - 2008) was one of the most prolific and influential British goldsmiths of the 20th century. During an illustrious career…
***
***
***
A fine sterling silver gem set rose bowl by Gerald Benney, London 1964, of circular form, the cover with abstract geometric openwork bark textured surface in gilt and silver set with topaz lifted from a plain silver bowl, impressed hallmarks and retailed by Hardy Brothers Australian marks, 21 cm diameter, 996 grams in total, Adrian Gerald Sallis Benney CBE Rdi (1930 - 2008) was one of the most prolific and influential British goldsmiths of the 20th century. During an illustrious career spanning more than…
***
***
***
An impressive and unique sterling silver cross sculpture by Gerald Benney, London 1964, the cross formed with emanating thorns, textured finish throughout on square platform base, weighted, impressed hallmarks and retailed by Hardy Brothers Australian marks, 46 cm high Adrian Gerald Sallis Benney CBE Rdi (1930 - 2008) was one of the most prolific and influential British goldsmiths of the 20th century. During an illustrious career spanning more than 50 years, he was the first British craftsman to hold four…
***
***
***
Two Australian silver bowls, salt and coaster by Jamie Linton, each bowl of pedestal form with plenished finish and rope twist banded detailing with concentric coaster, 12, 11 and 10 and 6 cm diameter, total weight 614 grams, (4)
***
***
***
An extensive collection of Australian silver 'Wildflower' boxed sets by Linton, comprising boxed sets of 32 x cocktail sticks, 6 x tea spoons, two sets of 6 cake forks and a rare pair of servers (46)
***
***
***
A collection of Australian silver 'Wildflower' sets by Linton, comprising, 12 x dessert spoons, 12 x starter forks, 6 x cake forks and 6 x tea spoons, (36)
***
***
***
A collection of Australian silver 'Wildflower' serving sets by Linton, comprising, pair of salad servers, cake slice, two pairs of sauce and condiment ladles, butter knife and a serving spoon, (9)
***
***
***
A large set of sixteen Australian silver 'Wildflower' cocktail sticks by Linton, comprising, set of sixteen individual sticks, approx 10.5 cm long
***
***
***
A fine set of eight Georg Jensen sterling silver wine goblets by Harald Nielsen, on geometric stems with hand beaten finish to bowl, each 14-14.5 cm high
***
***
***
A graduated set of sterling silver Georg Jensen coasters by Harald Nielsen, each with typical with grapevine and foliate motif, 2 x large coaster (size 51D) 12 cm, 6 x (size 51B) 9 cm, 6 x (size 51C) 7.5 cm, 6 x (size 51) 6 cm diameter, total weight 667 grams (20)
***
***
***
Two boxed sets of six sterling silver Georg Jensen acorn cocktail nut Picks, each set in original box, (12)
***
***
***
Georg Jensen sterling silver 'Acorn' servers, with Jensen sterling 'Acanthus' sauce ladles, the servers marked George Jensen sterling Denmark, the ladles marked Gj Ltd 925 sterling Denmark, (4)
***
***
***
A Georg Jensen Orchid bud vase by Harald Nielsen (1892-1977) with graduated pair of Georg Jensen boxes by Henning Koppel (1918-1981), all marked sterling with numbers 757, 1121, 325, vase 22 cm high, (3)
***
***
***
Georg Jensen sterling silver 'Acorn' sugar tongs, with Jensen 'Accanthus sterling Sandwich tongs, each marked George Jensen sterling Denmark, (2)
***
***
***
Georg Jensen sterling silver 'Continental' servers and serving spoon, with Jensen sterling and Bakelite salad servers by Henning Koppel, each marked George Jensen sterling Denmark, (5)
***
***
***
A graduated set of Georg Jensen sterling silver 'Acorn' pickle and Roast forks, with cake serving knife and two 'Old Danish' spoons, each marked George Jensen sterling Denmark, (7)
***
***
***
A set of twelve Georg Jensen sterling silver wine coasters, and bottle coaster by Harald Nielsen (1892-1977) with a Soren Georg Jensen Brandy warmer, Sauced and bowl, each marked George Jensen sterling Denmark HN, 1004 grams (16)
***
***
***
A Georg Jensen sterling silver Moustache brush, with miniature bottle Oppener, magnifying glass, letter Oppener and one other by by Harald Nielsen, each marked George Jensen sterling Denmark, (5)
***
***
***
Russell Drysdale sterling silver limited edition plates, one in box frame, two with certificates, (3)
***
***
***
A pair of yellow marble pedestals on white Marbe stepped bases, of typical form, (2)
***
***
***
Twentieth century school Falling Angel, bronze, worn foundry stamp to base, 20 x 19 x 16 cm
***
***
***
Twentieth century school Loading the Ship 1968, bronze, signed with initials and dated to side: Pb 68, 13 cm height, 22 cm diameter
***
***
***
Twentieth century school city life 1968, bronze, signed with initials and dated to side: Pb 68, 24 cm height, 18 cm diameter
***
***
***
Twentieth century school abstract, bronze on stone base, unsigned, 21 x 31 x 13 cm (including base)
***
***
***
A pair of yellow marble pedestals, of typical form, (2)
***
***
***
Twentieth century school school of fish, stone, unsigned, 10 x 39 x 21 cm
***
***
***
Unknown Artist mask, stone and bronze on stone base, unsigned, 41 x 24 x 20 cm (including base)
***
***
***
Two English oak carvings, 16th century, each depicting nude figure with fruit and acanthus mouldings, 80 and 61 cm (2). Provenance: collection of Michael Galloway, Sydney
***
***
***
A French late 19th century bronze figure of an Architect, Depicted seated with artist book, marked 17300, 22 cm high. Provenance: collection of Michael Galloway, Sydney
***
***
***
A pair of 19th century Orientalist figural lustres, possibly American, modelled as a lady in Eastern dress, 36 cm high (each) (2). Provenance: collection of Michael Galloway, Sydney
***
***
***
Set of four brass candlesticks, late 19th / early 20th century, of baluster form with drip pans, 41.5 cm high (each) (4). Provenance: collection of Michael Galloway, Sydney
***
***
***
An oak longcase clock by Robert Mason of Kelso, circa 1820-1830, with swan neck hood, the dial painted with floral spray, 205 cm high, 47 cm wide. Provenance: collection of Michael Galloway, Sydney
***
***
***
Jean Le Guen (French, born 1926), Vesperale, hand-loomed wool, signed Le Guen lower right, weavers signature and manufacturing plate verso, manufactured by Robert four, Paris, 111 x 174 cm
***
***
***
A William IV mahogany library armchair, upholstered in burgundy leather. Provenance: collection of Michael Galloway, Sydney
***
***
***
South African cape Yellowwood armchair, circa 1830, with curved back splat, turned legs, pegged construction. Provenance: collection of Michael Galloway, Sydney
***
***
***
A Herman Miller Isamu Noguchi coffee table, signed to the edge of the glass top
***
***
***
A Charles & RayEames aluminium group chair for Herman Miller, with padded black leather seat, marked
***
***
***
Poltrona Frau 'Isodoro' bar cabinet, circa 2000, finished with shelves, doors, and drawers veneered in canaletto walnut and chrome-finished accessories, exterior upholstered in cream saddle hide, 117 cm high
***
***
***
A Charles and RayEames chair and ottoman manufactured by Herman Miller, 670 & 671, in black leather and rosewood veneer
***
***
***
A Paolo Piva Alanda Pyramid coffee table, circa 1990, 60 x 120 cm. Provenance: collection of Michael Galloway, Sydney
***
***
***
A pair of Italian Designer leather chairs, after a design by Poul Kjaerholm PK22, purchased from Space furniture in 2000
***
***
***
An Australian contemporary art glass screen by Warwick Pascoe, with frosted glass panels with Japanese influenced design
***
***
***
A contemporary Australian iron base side table by Le Forge, with circular glass top. Provenance: collection of Michael Galloway, Sydney
***
***
***
A pair of French 19th ivory and gilt bronze mounted candlesticks, possibly Dieppe, modelled as fawn holding grapes, signed T.Blard, 21.5 cm high
***
***
***
A bronze figure, after G.Geefs 'Lion in love', 20th century, of typical form, 27.5 cm high
***
***
***
A Meissen porcelain group figure 'The broken eggs', after M.C Acier, 19th century, Typically modelled, polychrome and gilt painted, blue crossed sword mark to base, 24.5 cm high
***
***
***
An Italian walnut cassone, 17th century, with vase and scrolling tulip inlay panels on Baroque moulded block feet, 172 width x 55 depth x 68.5 cm height
***
***
***
An Italian Cabasset helmet & cast iron Roman Burgonet helmet, both 19th/20th century copies, the Burgonet with mythical Roman scenes
***
***
***
An Afghan Sipar Dhal, 18th century, constructed in several layers of buffalo hide bound with circular banding of woven leather
***
***
***
A Turkish Flintlock pistol, early 19th century, the lock & barrel heavily inlaid with silver, fine hilt with brass inlay & cast brass butt, original ram rod not present
***
***
***
Two Afghan bone inlaid Jesail, 19th century, both with original ram rod
***
***
***
A Middle Eastern Blunderbuss, mid 19th century, possibly Turkish, with original ram rod
***
***
***
A Continental saw grip Duelling pistol, mid 19th century, with original wooden ram rod, barrel possibly walnut
***
***
***
A Dayak head Hunters sword, Malai Peninsula, Borneo, hand forged steel blade with carved wood sheath, ivory and bone hilt and fittings
***
***
***
A Dayak head Hunters sword, Malai Peninsula, Borneo, hand forged steel blade with carved wood anmd wicker banded sheath, figural dragon head handle & wild boar tusk ball on sheath
***
***
***
Two Nepalese Kukri, 20th century, one with horn handle & the other with two accompanying small knives, both in leather covered wooden scabbards
***
***
***
A Ceylonese Kastane, 18th century, with silver and brass inlaid blade and ornate bone hilt, together with a Burmhese Dha with brass wire banded hilt, wood and white metal banded scabbard
***
***
***
A fine hand knotted Turkish Hereke silk carpet, signed, in green, blues and reds on cream ground, Hereke verso, 253 x 350
***
***
***
Teatro Del Belgio folio, Created by Gualdo Priorato Galeazzo 1606-1678, on Venetian giltwood book stand, later backed cover and title pages
***
***
***
A pair of French ormolu bronze figural candelabra, 19th century, the part robed classical female figures with dolphin on rococo scroll bases, 78 cm high
***
***
***
An Italian giltwood mirror, 18th/19th century, the original glass plate with scrolling frame, 95 x 157 cm
***
***
***
An Italian neoclassical giltwood and Feaux marble topped console table, late 18th century, 125 width x 58 depth x 86 cm height
***
***
***
A pair of Italian carved giltwood campana, converted to lamps, late 18th early 19th century, Reminants of original paint and gilding, 73 cm high including shade
***
***