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Antiques & Fine Art — Cordy's

Auction House:Cordy'sNumber of lots recorded:708
Sale Title:Antiques & Fine ArtLots with images:54
Auction Location:AucklandPrices available:596
Date:1-Dec-2015
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A quality 19th century French small Mignonette size carriage clock by Margaine, the traditional brass case with swing handle to top, the white enamel dial with Roman numerals, the renowned maker Francoise August Margaine's iconic beehive mark to the back plate, traditional bevelled glass panels, attractive small near miniature size. Working and with key
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A good 19th century French small carriage clock, traditional 'corniche' case with bevelled glass panels to all sides, swing handle to the top, the gilded face plate enclosing the circular enamel dial with Arabic numerals above a subsidiary dial for the 12 hour alarm striking on a bell, good working order and complete with key
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A 19th century French brass cased carriage clock, traditional bevelled glass panels to all sides, the fixed overhead handle with turned and ridged supports, the white enamel dial with Roman numerals, raised on short turned feet, working order
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A quality 19th century French brass cased carriage clock, bevelled glass panels to all sides including curved side panels, the white enamel dial with Arabic numerals highlighted with gilt including butterfly and swans amongst reeds, the top with swing handle and presentation engraved 'Miss E.J. Cann on her Departure for N.Z. With Best Wishes from Mr and Mrs Jonathan Davies. Corwen 1909', working order, complete with leather travel case. Miss E.J. Cann is recorded in 'Papers Past' as one of the 'Passengers…
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A 19th century French brass cased carriage clock of unusual form, serpentine front, the flat top with no handle, bracket base, the gilt face enclosing the circular white enamel dial with Arabic numerals. Working order. 6.8 cm x 7.7 cm x 9.4 cm
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A 19th century French brass cased carriage clock, the white enamel dial with Roman numerals, gong striking movement, working order, one hand absent, in original fitted leather case
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A 19th century French brass cased carriage clock by Richard & Co. (Paris & London), the case with beaded details to the fluted column corners, surmounted by ball finials and with similar beaded detailing to the swing handle; the cream enamel annular dial with Arabic numerals set in an ornate fretwork gilt face incorporating griffins and foliate arabesques. Working and with key. Height 12.5 cm
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A 19th century large French brass cased carriage clock, traditional corniche case, swing handle to the top, the white enamel dial with Roman numerals, the case showing tarnish, in original fitted case
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A 20th century English brass cased carriage clock by David Peterson, heavy brass case with bevelled glass panels, swing handle to top, white enamel dial with Roman numerals and Arabic minutes, Breguet-type hands. Working and with key. Height 11.5 cm
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A French brass carraige clock, the white enamel dial with Arabic numerals, subsidary dial, hairline cracks, the bell striking movement working, side panel absent
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A large 19th century French brass carriage clock, corniche shaped case with bevelled glass panels, oval panel to the top, with swing handle to top, cream enamel annular dial with Arabic numerals set in a matt gilt face, the gong striking movement with repeater action. One side panel with slight chips, working and with key. Height 13.5 cm
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A 19th century English brass cased large carriage clock, the corniche case with bevelled glass panels, oval panel to the top, with swing handle, the white enamel dial marked 'F.C. Russell, Malvern', with Roman numerals and Breguet-type hands; the gong striking movement working and with key. Height 13 cm
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A rare quality petite sonnerie 19th century French brass cased carriage clock, the white enamel dial with Roman numerals enclosing the retailer's details 'Mappin & Webb, London & Buenos Aires', subsidiary 12 hour Arabic numeral alarm dial below, the quality movement with traditional petite sonnerie double gong facilitating striking at the quarters, repeater button to top, working order complete with key
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An old spelter elephant mystery clock, with trunk raised, silver/grey patina, Meiko 8-day pendulum movement. Length 24 cm
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An early 20th century Arts & Crafts beaten and embossed pewter mantel clock, tall domed form, the enamelled dial with black Arabic numerals enclosing the blue centre, the body with a stylised panel of landscape decoration including a windmill, spring wind movement. Height 25 cm
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An Edwardian mahogany cased mantel clock, white enamel dial, Swiss movement at fault. Height 18 cm
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A 19th century walnut German wall clock, the dial with Roman numerals, elaborate decorated case, with key and pendulum and in working order. 30 cm x 57 cm
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A 19th century German wall clock, the enamel dial with Roman numerals, highly decorative frame, with key and pendulum and in working order. 35 cm x 90 cm
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An antique Dutch Friesland Stoeltjesklok, traditional design and decoration, wall mounted, painted mermaid side panels, painted metal dial, ornate pediment, complete with weights and pendulum. Height of clock 76 cm
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An impressive Friesland wall clock, the painted arched dial surmounted by activated ships and fishing figure in the arch and above a pediment painted with an extensive landscape beneath a broken arched pediment flanked by gilt metal figures standing upon globes; the face painted with Roman numerals, figures to the centre and quadrants; a large hourglass shaped panel beneath with gilt metal mount backs the pendulum and weights
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A 19th century German walnut regulator wall clock, the shaped pediment with classical mask highlight, the ivory toned enamelled dial with black Roman numerals, brass borders, centred with twin winding holes and subsidiary dial, two brass drop weights and pendulum with large brass bob, the dome glazed door flanked by full column mouldings with ebonised and turned highlights, the base section of ogee and tapered form terminating in a half finial, working order. Height 123 cm
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A 19th century Vienna regulator wall clock, the dark stained walnut case with domed pediment highlighted with a flared top section supporting the half finial flanked by full finials, the white enamel dial with Roman numerals, the domed glazed door with half column mouldings, tapered ogee base section, the movement with single winding hole and brass weight. Working order. Height 126 cm
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A quality 19th century grande sonnerie three weight Vienna regulator wall clock, the walnut case with carved, panelled and finial pediment, the white enamel dial with Roman numerals, three winding holes to the complicated movement striking on two gongs, the arched glazed door with half column mouldings, the base with flared tapered section with finial highlights. Good working order, recently totally overhauled. Height 127 cm
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An Edwardian Art Nouveau silver plate hand mirror, the back heavily embossed with a classical maiden and flowers
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An early 1900s silver card case, in the form of an envelope, silver chain with large loop handle attached. Birmingham 1911 by F. Blanckensee & Sons Ltd. 9.5 cm x 6.5 cm
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A modern silver photo frame, rectangular with wooden easel strut back. Sheffield 2006 by Carr. 24 cm x 19 cm
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A silver and tortoiseshell pique jewel box, circular, raised on three small feet, the hinged lid set with a domed panel of pique worked tortoiseshell, the interior fabric lined. Birmingham 1917 by E.S. Barnsley & Co. Diameter 8.5 cm
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A silver circular lidded jewel box, the circular shape with hinged lid, the lid heavily embossed with scrolls and birds. Birmingham 1957 by Broadway & Co. Diameter 8.5 cm
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Two Chinese silver items, a posy vase and a photo frame, the vase of trumpet form embossed with prunus blossom, the frame of rectangular shape on easel strut again embossed with prunus. Both pieces by Wang Hing, Shanghai. Vase and frame height 15.5 cm
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An Edwardian silver chain mail mesh purse. Birmingham 1913
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A silver framed chain mail small purse. London 1903
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A Victorian silver cased smelling salts bottle, the round emerald green flask bottle with original Crown Perfumery, London label sits inside a hinged and lidded silver case, the exterior embossed with an allegorical scene to either side. London 1856 by Charles & Richard Comyns
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Two 19th century silver and ivory sugar shovels. London 1833 by John Linnit, and Birmingham 1823. Marks obscure
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Three silver decanter tickets, 'Madeira', 'Lisbon' and 'Bucellas'. London 1821 by Charles Rawlings
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Two silver 'Madeira' decanter tickets. London 1807 and 1808
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Two decanter tickets, each with foliate borders, 'Brandy' and 'Madeira'. London 1828 and 1827
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Two silver decanter labels, 'Brandy' and 'Port'. Birmingham 1812 and London 1808
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Three silver decanter tickets, 'Sherry', 'Port' and 'Madeira'; each rectangular with bright cutting and pierced foliate arched top border. London 1793, undated and 1812 by Hester and other Bateman family
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A George III silver decanter label, 'Brandy', crescent form. London 1798 by Peter & Ann Bateman
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A George III silver fish slice, Old English pattern, the shaped blade tapering to a point, a restrained pierced panel to the centre, double line engraved edge. London 1805 by William Eley & William Fearn. 157gms
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A cased pair of Victorian silver and ivory fish servers, the knife with scimitar shaped blade engraved with a cartouche depicting an angler, a crack to the ivory handle. Sheffield 1876 by Atkin Bros
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A pair of George III silver fish tongs, the lower lanceolate shaped blade mirrored by a smaller upper blade with sprung lever action, both blades pierced with a simple trellis design; fitted to a plain thread patterned handle, the upper blade crested with a heart surmounted by a ducal coronet. London 1800 by William Eley and William Fearn. Length 29 cm. 205gms
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A pair of George III silver fish serving tongs with asymmetrical lower blade and similar upper blade, both pierced and engraved, the upper blade activated by a sprung lever; fiddle pattern handle. London 1818 by William Bateman. 255gms. Length 30 cm
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A George II silver marrow scoop, double ended with larger bowl to one end and slender bowl to another. London 1759, maker's mark obscure. 47gms. Length 21.5 cm
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A Queen Anne period silver marrow scoop, double ended with conventional large scoop to one end and slender tapering scoop incorporated into the stem at the other end. London 1713 by Lawrence Jones. 35gms. Length 21 cm
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A pair of William IV silver salt spoons, King's pattern. London 1836/37 by William Eaton
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A mixed set of 19th century Scottish silver teaspoons, fiddle pattern
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A mixed set of 19th century Scottish silver teaspoons, fiddle pattern
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Two George III silver caddy spoons, fiddle pattern with circular bowl. London 1799 by George Smith and fiddle variant, London 1812 by S.J. & W. Blake
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A set of 19th century Dutch .833 silver dessert spoons, Hanoverian pattern, c.1833, maker's mark H& Z. Total 516gms
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A set of 19th century Dutch .833 silver tablespoons, Hanoverian pattern, c.1833, maker's mark H&Z. Total 852gms
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A set of 19th century Dutch .833 silver table forks, Hanoverian pattern, c.1833, maker's mark H&Z. Total 810gms
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A set of 19th century Dutch .833 silver dessert forks, Hanoverian pattern, c.1833, maker's mark H&Z. Total 510gms
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A Harlequin set of George III silver King's pattern tablespoons and forks, three of each, double struck. London 1813 and 1818 by Thomas Wallis & Jonathan Hayne. Approx. 620gms
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Four George III silver table forks, Old English pattern, London 1810 by Thomas Wallis & Jonathan Hayne. Monogrammed. 245gms
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A Harlequin set of four table forks, fiddle pattern, two Exeter 1819 and two London 1831. 230gms
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A set of six Victorian silver dessert forks, fiddle pattern. London 1876 by George Angel. 230gms
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A harlequin set of six William IV silver dessert spoons, fiddle pattern, all Glasgow 1834 by William Russell. 205gms
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Four 19th century silver spoons, fiddle pattern, various dates and makers. 165gms
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A harlequin set of six George III silver tablespoons, Old English pattern. Four London 1813 by Richard Turner, the other two by Godbehere, Wigan & Boult, 1807 and 1811. 435gms
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A harlequin set of five Victorian silver spoons, Old English pattern, various dates and makers. 230gms
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A set of 12 Dutch silver coffee spoons, with beaded edged handles, in original box
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12 silver handled table forks and 12 luncheon forks, along with matching fish servers and carving knife and fork, King's pattern handles, knives with 'rustless' blades, the serving utensils with stainless steel blades. The knives Sheffield 1951 by George Howson, the serving utensils of various dates and makers
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A 17th century silver trefid spoon, the stem marked to the back with two pairs of betrothal initials C.T. over I.T., rat-tail backed bowl with worn lip. Marked solely with maker's mark, indecipherable. 37gms. Length 16.5 cm
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A George III silver soup ladle, Old English pattern, with lightly gilt washed oval bowl. London 1809 by Eley, Fearn & Chawner. Engraved with crest to the stem. 195gms
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A 19th century silver toddy ladle, squat circular bowl with beaded rim, socket fitted to a baleen handle with twist finial and silver cap. Unmarked
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A Victorian presentation cased silver sugar bowl and sifter spoon, the circular bowl with chased and engraved floral decoration, raised on mask and paw feet; the spoon with pierced bowl, twist stem and apostle finial; the case marked for Geo. Edward & Sons, Glasgow. The bowl and spoon hallmarked London 1881 by Robert Harper
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An Art Deco silver cigar box, rectangular shape with machine engraved surfaces, the walls decorated with an arcade of columns; satinwood lined. London 1926 by Padgett & Braham Ltd. 20 cm x 16 cm x 7.5 cm
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An Edwardian silver cigar case, rectangular and shaped for the breast pocket, foliate scroll engraved and monogrammed to the front, the interior gilt washed. Birmingham 1901 by William Aitken. 14 cm x 9 cm
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A George III silver sauce boat, oval with gadrooned rim and acanthus capped flying scroll handle, raised on three pad feet; engraved with an ornate monogram 'WMH' in foliate script. London 1760 by William Skeen. Width 17.5 cm
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An Edwardian silver rose bowl trophy cup, hemispherical raised on short stem and circular spreading foot, foliate embossed, presentation engraved. Birmingham 1908 by William Henry Sparrow. Diameter 15 cm
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A George V silver two-handled sugar bowl, in the manner of a porringer, chased and engraved with flowers. London 1927
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A sterling silver oblong tray, with canted corners, cavetto rim. Sheffield 1924 by Walker & Hall. 29 cm x 21 cm
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A Victorian silver salver, pie-crust rim with husk and scroll border, foliate engraved to the centre framing an heraldic coat-of-arms, raised on three scroll feet. London 1857 by Daniel and Charles Houle. 1075gms. Diameter 33 cm
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An 18th century Georgian silver meat skewer, with ornate stem and ring finial, the stem cast and engraved with husk and tendril framing a monogrammed cartouche. London c.1775, maker's mark obscure. Length 32.5 cm
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A Georg Jensen 'Blossom' pattern small silver dish, circular with handles formed as sinuous flowering tendrils. Diameter 11 cm
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A 12 place setting of fruit knives and forks, with blades, tines and ferrules of silver. Sheffield 1911 by Allen & Darwin
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A pair of silver plate and glass tazzas, modelled as fruiting vines issuing from circular domed bases raised on three acanthus leaf feet, supporting moulded glass dishes with beaded rims. Height 24 cm
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An early 19th century Old Sheffield Plate claret jug, the tapered urn form body with engraved border and ribbon framed vacant shield cartouche, fine vertical engraved bands, pedestal base, urn finial
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A c.1900 silver on copper champagne coaster, tall baluster form with pierced banded side, the top flat rim with grape bunch and leaf design, turned wooden base
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A pair of 19th century Old Sheffield Plate wine coasters, the half lobed baluster sides showing good copper, the top rims with repeating scroll and shell highlights, turned wooden bases
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A 19th century silver on copper wine coaster, the flared top with fluted and bead design, turned wooden base
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A kilim hand woven runner, the olive tan ground with repeating small pine cone type motifs in dark brown, grey and salmon pink tones, the three border guards with small repeating motifs in conforming tones. 420 cm x 72 cm
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A hand knotted Afghan Andkhoi rug with formal floral designs, three narrow border guards and one wide guard, in typical colours of rich dark red, dark blue, deep ochre and ivory. Faded. 155 cm x 200 cm
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A Turkish hand knotted rug, all wool, decorated with a step sided medallion with pendant ends on a bright red ground framed by blue and mustard borders. 183 cm x 106 cm
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A hand knotted Persian Saruq runner, the field decorated with rows of small boteh motifs, three narrow border guards, in colours of red, dark blue, pale pink and pale lemon. Width 7 cm, length 275 cm
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A hand knotted Baluchi tribal rug, the field with three large square shaped medallions, geometric floral designs and serrated leaf motifs, multiple narrow border guards, in shades of red, dark blue and old ivory. 2100 by 110 cm
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A hand knotted Baluchi tribal rug, the field decorated with rows of hexagons with geometric motifs, multiple narrow border guards in typical colours of rich red, dark blue, orange and ivory. 180 cm x 100 cm
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A long hand knotted Baluchi tribal rug, the field decorated with rows of hexagonal medallions with hooked running dog borders and geometric motifs, one wide border guard and one narrow guard in typical colours of rich dark red, dark blue, orange and ivory. 250 cm x 125 cm
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A hand knotted Baluchi tribal rug, the field decorated with rows of diamond motifs enclosed in hexagons, narrow border guards with one wide guard, in colours of rich dark red, dark blue, brown and old ivory. 180 cm x 95 cm
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A hand knotted Baluchi tribal rug, the field with a Turkoman design, rows of gul motifs and lines of animals, multiple narrow border guards, in typical colours of rich dark red, dark blue and ivory. 200 cm x 1100
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An old Afghan hand woven grain bag, the field with four rows of latch hook type motifs, the dominant border guard with geometric repeating star form guls, all wool construction with kelim back and elaborate tasselled fringe. 112 cm x 6 cm
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A hand knotted Kazak rug, the central field with geometric medallions in green, blue, black, caramel and red on a red ground, the outer field with conforming patterns on a blue ground. Multiple border guards with florals on brown and blue ground. 98 cm x 180 cm
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A hand knotted Turkoman runner, the field decorated with two rows of small octagonal guls, in rich red tones highlighted with white. 300 cm x 80 cm
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An old hand knotted Turkoman rug, the field decorated with four rows of diagonal hooked running dog motifs, multiple narrow border guards, the two wide guards at either end decorated with butterfly antennae in colours of deep wine red, orange, blue, green and grey. 104 cm x 150 cm
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An old hand knotted Persian Karabagh rug, the field with central medallion and intricate detailed animal and plant motifs and several narrow border guards in colours of deep red, dark blue, green and light brown. 110 cm x 230 cm
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A hand knotted Persian Hamadan rug, the field decorated with one large central medallion and geometric plant motifs, three border guards with central wide guard in shades of red, blue green, pale apricot, ochre and old ivory. Width 140 cm, length 250 cm
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A large hand knotted Turkoman rug, the field with traditional decoration, rows of gul motifs, seven border guards, the central wide guard with hexagonal motifs, each end decorated with a serrated leaf pattern - in colours of rich red, dark blue, deep apricot and ivory. Some wear. 265 cm x 190 cm
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A fine Baluchi hand knotted rug, all wool construction, in rich dark tones decorated with geometric patterns. 230 cm x 125 cm
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An Iranian Sirjan hand knotted rug, the field decorated with three conjoined medallions with ivory background on a field of indigo patterned with scattered rosettes, the field outlined with notch edges upon a further field of terracotta with zig-zag outline and multiple pendant ends, all framed by multiple borders with stylised geometric patterns. 233 cm x 160 cm
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