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February Art and Antiques Auction — Cordy's

Auction House:Cordy'sNumber of lots recorded:671
Sale Title:February Art and Antiques AuctionLots with images:164
Auction Location:AucklandPrices available:446
Date:26-Feb-2013
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A silver cased wristwatch, circular case hallmarked London 1919, white enamel dial with Arabic numerals, brown leather strap
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A Rolex Oyster Perpetual Air-King-Date gent's wristwatch, stainless steel case and original bracelet and clasp, the black dial with maker's logo, name, model, etc., the glass with bubble over the date aperture. Original crown.
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A c.1910 European Hebdomas gent's pocket watch, the open face with Ð pale pink and white enamel dial, decorated with applied gold and silver florals, Roman numerals, the exposed escapement with scroll engraved plates, nickel plated case, the back plate with decorative embossing and 'Spiral Breguet Levees Visibles, 8 Jours. .....', stem wound, working, small chip to enamel
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An early 20th century gent's Omega open face pocket watch, stem wind, the enamel dial with subsidiary seconds dial and Arabic numerals, nickel plated case.
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A gold plated pocket watch suspended on a 9ct. gold bow brooch, key wind movement, gilt face with Roman numerals, subsidiary seconds dial at VI, blued steel hands. With key, working.
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An 18ct. gold fob watch with an ornately engraved case, open face, the white enamel dial with Roman numerals and gilt 'jewelling' outside the 'railtrack' minutes, lever wind movement.
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A 12ct. gold fob watch, decoratively engraved case with open face, London import marks, the gilt dial with Roman numerals, lever wind movement.
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A large silver cased chronograph pocket watch, the case hallmarked Chester 1885, key wind movement, the cream enamel dial numbered 61383 with Roman numerals, railtrack minutes and 300 split divisions, gold hands and blued steel sweep second hand
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A large silver plated cased chronograph pocket watch, key wind movement, white enamel dial with Roman numerals, repairs to enamel
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A large silver cased chronograph pocket watch, hallmarked Birmingham 1885, presentation engraved, key wind movement, white enamel dial with blued hands including sweep seconds, Roman numerals, rail track minutes and 300 split division.
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An Art Deco period reddish brown Bakelite desk clock of Odeon style with Arabic numerals. Length 140, working order.
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An electro-magnetic clock made in the U.S. by the Barr Company, the matt steel dial with Arabic numerals and seconds dial, brass fittings with pendulum, on round turned base and under a dome, in working order. Height including base and dome 29 cm
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A French brass cased carriage clock, the Corniche case with an oval glass panel to the top, white enamel dial with Roman numerals, gong striking movement, in original case with key, working. Small chip on front glass panel
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An early 20th century French brass cased carriage clock, the rectangular case with a conforming rectangular white enamel dial with Roman numerals sized to fill the face, small fault to enamel and to glass, with original Morocco leather case and with key, working order. Height 11 cm
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A French brass cased carriage clock, white enamel dial with Roman numerals, handle and one foot absent, with Morocco travelling case.
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A Victorian black slate mantel clock of architectural form, restrained inlay of variegated green marble panels, the white enamel dial with Roman numerals, the French movement with suspended pendulum.
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A 19th century marble mantel clock, of architectural form, the side panels in red marble, the top set with a bronzed sphinx, French movement, the enamel dial with Roman numerals and name of retailer Kohn Bros., Wanganui. Silver presentation plaque to the front, presented to Corp. Cummings of the Wanganui Rifle Volunteers 1880. 5 cm x 18 cm x 38 cm
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An early 19th century French mantel clock, the dial surmounted by a woman in Orientalist costume, the dial with Breguet style hands, concentric line engraving, Roman numerals and floral decorated bezel. The mechanism striking on a bell and with silk suspended pendulum, the whole raised on a substantial ormolu plinth base embellished with stiff acanthus and anthenion leaves.
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A 19th century green onyx cased mantel clock, the architectural case of temple form with broken arch pediment flanking a vaulted canopy raised on Corinthian and Doric columns from a deep plinth base of conforming outline, the dial with an annular chapter ring with Arabic numerals in circular cartouches, the centre with a fine pierced plaque, the French movement marked 'A.D. Mougin' striking on a gong. Width 465, height 36.5 cm
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A French brass corniche cased carriage clock with a white enamel dial with Roman numerals. With key, working. Height 10.5 cm
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A 19th century mahogany cased bracket clock, the arched case with reeded canted front corners, ogee moulded base and gilt metal bun feet, the circular silvered dial with Roman numerals marked 'Goudge & Co., Copthall Ave, E.C. (London)'. The movement with Westminster chimes striking on gongs. Height 37.5 cm
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A 20th century Kaiser caged bird time piece, the cage suspended on a chrome stand, alarm mechanism at fault. Height 20 cm
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A large late 19th century American Ansonia 'regulator' octagonal wall clock, the circular dial with Roman numerals, pendulum movement, with key. Length 80 cm
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An old Black Forest wood cased octagonal wall clock with cut brass inlay, painted wood dial with Roman numerals and twin weight pendulum movement. Width 32 cm
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A late 1920's oak granddaughter clock, the silvered dial with Roman numerals, the key wind movement striking on a gong, the long case body with moulded detail and central diamond plaque, block feet to the platform base. Height 128 cm
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A Mercedes wall clock, set to the middle portion of a wooden plane propeller, in working condition. 39 cm x 24 cm
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A 19th century walnut cased Viennese regulator wall clock, the ivory toned dial with Roman numerals and brass borders, the pediment and case with half turned column mouldings, turned finials, glazed door and side panels, large brass disc pendulum. Height 122 cm
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Three 18ct. yellow gold and steel watch keys, one mounted with a dog, small repair required, one of Breguet form, the other with ribbed ball end.
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Two 19th century 18ct. yellow gold watch keys, both in the form of a fob chain 'T' bar.
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A Cartier 1920s enamel and gold gilt miniature desk clock, the silvered dial with Arabic numerals and cut steel hands, the two-tone gilt case with white enamel line border and framing to the glass face cover, raised on pale grey agate flared bracket base, mechanical movement, working. Wear to gilt at top corners, two minor flake chips to base. In vintage case with a hinged door front. 4 cm x 3.4 cm x 49, the base of the case engraved 'Cartier Paris', the movement numbered 96107 to the front and back plates.
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An early 1900s pocket watch holder, in the form of a mahogany longcase clock, the pocket watch with a white enamel face with Roman numerals and seconds dial. Has key, not in working order. Height 31.5 cm
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A late Victorian silver and cut crystal smelling salts jar, the plain silver hinged lid and mount with fitted stopper, the plain crystal body with star cut base. Birmingham 1894 by Hasler Bros. Height 78.
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A seven piece Edwardian period silver dressing table set with decorated borders, two pairs of brushes, hand mirror, shoe horn and button hooks, two silver dressing table boxes, together with two silver dressing table jar lids,. Birmingham 1906 by William Hutton & Sons Ltd.
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An Art Nouveau silver lady's hand mirror, the back decorated with a pair of peacocks framing a central plain cartouche, oval form mirror, the swollen handle with reeded scrolling. Birmingham 1912 by W.F. Rabone. Some attention required.
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A late Victorian silver and cut glass double ended scent bottle, embossed leaf scroll decoration to the hinged and screw lids, faceted cylindrical form. Length 10.4 cm
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A German blue and white porcelain scent bottle, decorated in the Onion flower pattern, the hinged lid with silver mounts enclosing a domed form top with original silver topped cork stopper, crossed sword underglaze blue marks to base. Height 8.5 cm.
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Two Georgian period silver bottle tickets, 'Madeira', London 1791 by John Rich, and 'Shrub', Edinburgh 1824 by John J. Hay. Shrub has no chain suspension.
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Two silver bottle tickets, ornately embossed 'Claret', Birmingham 1847 by George Unite and 'Rum', Birmingham 1832 by Taylor & Perry.
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A large silver grape vine bottle ticket 'Claret'. London 1828 by William Hewitt. Chain suspension missing.
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A George III silver bottle ticket 'Sherry', curved plain rectangular form with cut-out letters, the chain supported from two lobed sections. Edinburgh c.1797 by Walter & Patrick Cunningham.
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A George III silver bottle ticket 'Claret', long rectangular form with a fine engraved border and a decorative arched top. c.1780 by Thomas Wallis II.
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Two early 19th century silver plated bottle tickets, decorative embossed borders, one engraved 'Brandy', the other 'Teneriffe', one with chain.
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A set of three unmarked silver bottle tickets, escutcheon shield shaped, decorated with grapes and vine leaves, engraved 'Claret', 'Madeira' and 'White-Wine'.
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An enamelled 'Moselle' bottle ticket, hand painted, probably Staffordshire 19th century.
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An early 20th century silver jewellery box with pin cushion hinged lid, the serpentine silver frame with a band of pierced Greek-key type decoration, raised on four pad feet, the blue velvet covered box with silk lined interior fitted to the stand, some wear to velvet. Birmingham 1916. 10 cm x 6.8 cm x 72.
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A good Victorian silver vinaigrette, rectangular serpentine form, the radiating panelled leaf and floral engraved covers enclosing a gilded interior with original scroll and leaf pierced and engraved grille, small suspension loop to top. Birmingham 1864 by George Unite.
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An Edwardian period silver sovereign case, traditional push-button release with fitted sprung interior. Birmingham 1907 by E.J. Houlston.
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A late Victorian silver sovereign case, traditional circular form with push-button release revealing sprung interior. Birmingham 1900 by Alfred Wigley, a specialist sovereign and watch case maker.
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An early 20th century American silver book form snuff box, panelled sides, curved spine-form end. Engraved marks 'Hayward Sterling'.
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A Russian silver snuff box with niello decoration, oblong shape, the hinged lid wall and base decorated with foliate tendrils and panels, gilt washed interior with assay marks for Moscow 1845, assayer Andrei Kovalsky, script maker's mark AK and 84 zolotniks (.875 standard), thumb piece absent. 8.5 cm x 3.6 cm x 25. Weight 108gms.
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A Victorian silver vinaigrette, oblong shape with serpentine outline, the hinged lid opening to reveal a gilt washed interior and pierced grille, the exterior engraved with scrolling arabesques framing a cartouche engraved 'AS' to the top. Birmingham 1843 by Edward Smith.
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A late Victorian silver snuff box, flattened oval form, the relief decorated lid with a romantic couple on a rope swing in a garden setting, plain undecorated body. Birmingham 1900 by Henry Matthews.
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A Victorian silver snuff box, rounded rectangular plain form, the hinged fitted lid with raised lip thumb piece. Birmingham 1896 by John Edward Wilmot.
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An early Victorian historical presentation engraved quality silver snuff box, rectangular form, scroll engraved, the lid with an applied heavy cast floral border framing the presentation engraved top, 'PRESENTED TO Robert Maziere Esq. BY A FEW ATTACHED FRIENDS In Testimony of their sense of his unwearied exertions to mitigate the sufferings of the Poor DURING THE PERIOD OF FEVER and FAMINE. In the year 1847'. The interior gilded, all of heavy gauge. London 1840 by Charles Rawlings & William Summers. 8.7 x…
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Two 20th century pre-war silver photograph frames, both rectangular, one with a fine machine engraved pattern, Birmingham 1937; the other plain, Birmingham 1926. 24 cm x 190 and 22 cm x 16 cm
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Two silver thimbles, one boxed in red Morocco case.
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Two silver thimbles, one cased in a small floral patterned gilt metal purse.
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A pair of Gorham American sterling candlesticks with urn shaped nozzles raised on circular spreading bases. Height 85.
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A pair of Mueck-Cary American silver candlesticks with urn shaped nozzles raised on tapering stems from circular spreading bases. Height 25.5 cm
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A pair of Mueck-Cary American silver candlesticks with urn shaped nozzles raised from circular spreading bases with gadroon moulding to the edge. Height 75.
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A pair of American candlesticks, with nozzles raised on circular spreading bases with a simple ridged pattern, marked 'Sterling'. Height 95.
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A pair of Heather Mathews American silver candlesticks, urn shaped nozzles raised on circular spreading bases, both decorated with a gadroon pattern. Some faults. Height 90.
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A pair of American silver candlesticks by Black, Starr & Frost, modelled as Doric columns, each square capital with removeable nozzles and restrained decoration raised on fluted columns from a stepped square plinth base. Height 21.5 cm
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A pair of National Silver Co. American silver candlesticks with plain urn shaped nozzles raised on tapering faceted stems from circular domed feet. Height 25 cm Some faults.
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A pair of Edwardian period silver Corinthian column candlesticks. One with loaded base, one without. Birmingham 1903. Maker's mark B & C. Height 15 cm
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A pair of silver plate candlesticks with campana shaped nozzles, tapering columns and circular spreading bases, all embellished with leaf and scroll patterns. Height 30.5 cm
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A pair of French candlesticks, silver over brass, urn form drip trays, with reeded columns on an inverted baluster vase form, the base of three Griffin feet with the three sides containing religious figures in relief, with fittings ready for lamping. Height 48 cm
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An early 20th century lady's silver engraved purse of long swollen rectangular form, scroll engraved, the push-button release revealing green watered silk interior, silver carry chain with finger ring suspension. Birmingham 1913.
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A Victorian cased matching silver sugar bowl and cream jug, flat bottomed and in Georgian style with lobed bands, fine embossed repeating decoration and fluted rim. London 1890 by Charles Boyton (II), with a pair of silver sugar tongs, Birmingham 1889, all in deep purple velvet and silk lined shaped Moroccan leather case.
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An Edwardian flat bottomed cream jug, Sheffield 1901 by Roberts & Belk. Weight 110gms.
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A good William IV silver melon form cream jug, in the cauliflower pattern with lobed rim, acanthus leaf S-scroll handle, raised on a scroll decorated base and four legs, gilded interior. London 1831 by Edward, Edward Jnr., John & William Barnard. Weight 268gms.
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A Victorian silver sugar basket of urn shape with a blue glass liner, the body and stem with fluted detail, the rim with pierced gallery and festoon swags, raised on a square plinth base. London 1880 by Charles Boyton II. Height 12.5 cm
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A Victorian silver sugar bowl, circular shape, the walls decorated with two encircling friezes of flowering tendrils framing a band of flutings. London 1883 by William Comyns & Sons. Weight 125gms. Diameter 10.5 cm
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An Edwardian silver cream jug, oval baluster form with half lobed body. Birmingham 1902 by Levi & Salaman. Weight 159gms
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A Georgian period silver flat bottomed cream jug with a band of engraved decoration and a monogram. 100gms. Newcastle marks, c.1810, probably by Thomas Wheatley. Old repair.
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A Victorian silver three piece tea set, plain oval half lobed bodies, the flat topped teapot with a raised central lobed section and ebonised finial and handle, flat bottoms. London 1887 by Cornelius Joshua Vander. Total weight 629gms.
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An Edwardian silver three piece tea service, the panelled oval baluster form bodies with half lobed decoration, angular handles. Birmingham 1905. Weight 906gms.
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An early 20th century Georgian Revival silver four piece coffee set, in the Adams style comprising coffee pot, hot water pot, sugar and cream, each with a restrained fine panelled floral band and shield form cartouche, raised on spreading circular foot, the domed lids with turned ball and applied silver finials, the pots with carved wood handles. Sheffield 1914 by Senton, Russell & Co. Ltd. Total weight 1560gms.
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An Edwardian silver lidded hot chocolate pot of plain baluster form, shaped top rims, the bulbous base raised on three pad feet. London 1906 by Horace Woodward & Co. Ltd. Weight 265gms.
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A heavy Edwardian three piece silver tea set, rounded rectangular baluster form with gadroon top rim, the angular handles with acanthus leaf detail, ivory heat rings to the pot. Sheffield 1902 and 1904 by Bramwell & Co. and John Turton & Co. Weight 1195gms
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A Victorian period silver plate on copper pedestal teapot of Georgian style with fluted decoration, gadrooned borders, ebonised handle and stepped oblong base.
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A George II silver coffee pot, elegant baluster form, the body half embossed with repeating lobe and floral embossed contemporary decoration, the dome lid with urn form finial and conforming embossed band, restrained scroll and leaf decorated spout and wood handle fittings, spreading circular base. c.1740 probably by Thomas Whipham, marks worn. Weight 647gms. Height 23.5 cm
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An early 20th century silver teapot of oval baluster form, half lobed body, engraved with the crest of a pelican and presentation engraved. Sheffield 1917 by Goldsmiths & Silversmiths Co. Ltd. Weight 712gms.
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A good silver Guernsey milk jug, the traditional spherical body with plain cross ribs, wicker basket weave covered handle, the lid with strap handle, the base stamped 1½PT. Birmingham 1963 by Kenneth Tyler Key. Weight 310gms. Height 15.7 cm
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An early 20th century Scottish silver heavy caster, the bulbous body with tapered section, pierced baluster fitted lid, gadroon borders, decorative pad feet. Edinburgh 1918 by Wilson & Sharp Ltd. Weight 148gms.
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A 'Harrods of London' boxed silver cruet set, mustard, salt, pepper and two spoons, with glass liners. Birmingham 1965/66.
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An Edwardian period silver caster shaker of octagonal section, baluster shape. Sheffield 1909, maker Walker & Hall. Height 16 cm
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A modern silver pepper grinder, of traditional form, London 1988, 6 cm x 11 cm
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A hobnail cut crystal caster shaker with silver top. Birmingham 1934. Height 13.5 cm
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A pair of Victorian silver cauldron salt cellars, each squat circular shape with gadrooned rims, raised on paw feet from lion mask mounts. London 1862 by Robert Harper. Weight 230gms. Along with two silver salt spoons.
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An early 20th century three piece silver condiment set, includes mustard pot, salt cellar and pepperette, pierced wide geometric bands to the body of each, each with original blue glass liner. Chester 1912/13 by Haseler Bros., together with two George III silver salt spoons, one London 1824, the other bottom marked.
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A set of six George III silver teaspoons, feather edge pattern, shell bowls, London c.1770 by John Lampfert, bottom marked, marks worn.
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A Georgian period fiddle pattern silver sauce ladle. Newcastle 1828, by John Walton.
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A Georgian period bottom marked Hanoverian silver tablespoon. London 1772 by William Collings.
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A pair of Georgian period Old English silver tablespoons. London 1788 by Richard Evans.
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A pair of early Victorian silver serving spoons, double struck in the fiddle, thread and shell pattern, crested with a dragon's head. London 1848 by Chawner & Co. (George William Adams). Weight 368gms.
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A George III silver serving spoon, fiddle pattern. Edinburgh 1817 by 'AC'. Weight 102gms.
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A Georgian period crested Old English silver sauce ladle. London 1796 by Richard Crossley.
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Five 19th century silver teaspoons together with five silver plated teaspoons.
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A George III silver soup ladle, fiddle and shell pattern, oval bowl. Edinburgh 1816 by James McKay. Weight 207gms.
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