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Classic Furniture, Objects & Design Auction — Leonard Joel Pty. Ltd.

Auction House:Leonard Joel Pty. Ltd.Number of lots recorded:351
Sale Title:Classic Furniture, Objects & Design AuctionLots with images:322
Auction Location:MelbournePrices available:115
Date:20-Nov-2012
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A Royal Doulton vase signed A. Dewsberry, circa 1910, tubular, with a gilt banded foot and neck decorated with orchids, green factory stamp to base, 28.5 cm high
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A pair of English bisque cache pots, circa 1880, each of campana form, with moulded decoration of cherubs and vines on a blue ground, 18 cm high
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A Royal Crown Derby cobalt covered vase signed A. Gregory, circa 1910, ovoid, with laurel styled terminals, a deep green band with floral cartouche contrasts at the shoulder, brown factory mark to base, 26 cm high
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A 19th century German porcelain plaque 'Magdalena' signed Franz Burghardt Dresden, circa 1805 classically inspired scene depicting a young maiden reading in a grotto, artists signature and title verso, 23 x 16 cm
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A pair of Royal Worcester urns signed H. Davis, circa 1913, the bombe base waisted and rimmed by a moulded collar, short terminals linking the two, decorated with castle landscapes, puce factory marks to base, 24 cm high
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A fine quality Royal Worcester exhibition vase signed H. Davis, circa 1911 baluster, flanked by foliate scroll terminals, the foot and neck moulded and stepped, a central bucolic cartouche within a cobalt blue and a gilt edged ground, puce factory mark to base, 52 cm high
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An exhibition quality Royal Worcester covered vase signed W.A Hawkins, circa 1912 baluster with scroll terminals and moulded throughout with foliate borders, faunal masks and lace like motifs, a central cartouche depicting a family interior scene, the whole of cobalt and gilt, puce factory mark to base, (restoration to foot), 49 cm high
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A pair of Royal Worcester turquoise vases painted by J. Rushton and gilded by J. Davis, circa 1865, each of almond shape with fluted necks, displaying 'The Cavaliers Pets' and 'The lion dog from Malta' respectively within a cartouche, (restoration to base), puce factory mark to base, 33 cm high
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A Royal Worcester turquoise lidded vase signed Hawkins, circa 1903 almond shaped with gilt terminals decorated with a fruit cartouche within raised gold borders, green factory mark to base, 17.5 cm high
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A Royal Worcester cobalt blue pot pourri vase and cover signed Harry Davis, circa 1912, the waisted barrel form raised on three pawed feet upon a tripartite base, the body displaying a large scenic cartouche all surmounted by a pierced cover, puce factory mark, 26 cm tall
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A Royal Worcester twin handled covered vase attributed to Wallace Southhall and George Cole, circa 1902, of elongated form on moulded foot, a floral bouquet cartouche within gold borders, green factory mark to base, restoration to cover, 32.5 cm high
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A pair of Royal Worcester vases signed C.H.C Baldwyn, circa 1903, of elongated form and flared necks flanked by angled terminals, decorated with village scenes, puce factory mark to base, 27 cm high
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A rare Royal Worcester 'Windsor Castle' covered vase signed H. Davis, circa 1905, ovoid, on a moulded foot, festooned with a draped collar and theatrical masked terminals, a delicately pierced neck supporting the cover, decorated with a scene of Windsor castle from the Thames, puce factory mark to base, (restoration to finial), 43 cm high
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A high quality Royal Worcester cobalt vase signed R. Sebright, circa 1909 globular rising to a slender neck with pierced scroll terminals, centrally decorated with a fruit cartouche within delicate gold borders, puce factory mark to base, 27 cm high
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A Royal Worcester ewer signed C. Baldwyn, circa 1902, ovoid, with a helmet shaped spout, decorated with white swans in flight, green factory mark to base, 21 cm high
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A Royal Worcester footed vase signed C. Baldwyn, circa 1903, a low set beaker raised on three padded feet, decorated with white swans in flight, green factory mark to base, 11 cm high
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A Royal Worcester twin handled vase signed C. Baldwyn, circa 1900, spherical on moulded foot with tubular neck, decorated with white swans in flight, green factory mark to base, 28 cm high
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A Royal Worcester vase signed C. Baldwyn, circa 1891, ovoid with moulded collar and scrolled terminals, the body decorated with white swans in flight, green factory marks to base, 23 cm high
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A pair of Royal Worcester vases signed C.H.C Baldwyn, circa 1905, each globular, rising to a narrow neck flanked by Persian style angled terminals, the whole decorated with white swans in flight, puce factory marks to base, 25 cm high
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A Royal Worcester vase by Powell, circa 1912, ovoid form, with a single shaped and pierced upswept gilt handle, and a central painted scene of water birds, on a duck egg blue ground, puce and green marks to base, number 1309, 35 cm high
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A Royal Worcester blush lidded urn unsigned, pattern by Edward Raby, circa 1906, of baluster form on stepped foot, the body moulded with lace cartouches and decorated with red poppies, puce factory mark to base, 43 cm high
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A pair of Royal Worcester blush ewers monogrammed Edward Raby, circa 1900, each of baluster form with moulded collars depicting mythical creatures, a single griffin headed terminal supports the helmet spout, decorated with poppies and insects, puce factory mark to base, 43 cm high
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A Royal Worcester tusk jug attributed to Charles Baldwyn, circa 1887, fashioned as tusk segment with applied antler shaped handle, decorated with an evening scene of birds at rest, puce factory mark to base, 22.5 cm high
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A Royal Worcester vase painted by E.Salter, circa 1888 globular and of Persian influence, intricate pierced terminals flank the body with a central evening scene of birds at rest, puce factory mark to base, 36 cm high
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An impressive Royal Worcester vase signed John Stinton, circa 1909, ovoid on a moulded and stepped foot, the body decorated with a detailed scene of highland cattle, mask headed terminals flank a moulded collar rising to the pierced and draped tubular neck, puce factory mark to base, 56.5 cm tall. Note: This model is the largest Royal Worcester vase produced
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A pair of Royal Worcester lidded vases signed John Stinton, circa 1902, each almond shaped with triangular pierced terminals, decorated with highland cattle to one and highland sheep the other, green factory marks to base, 23.5 cm high
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A Royal Worcester lidded vase signed John Stinton, circa 1910 almond shaped on a beaded foot, flanked by close set terminals rolling towards the beaded neck, decorated with a highland cattle scene, puce factory mark to base, (restoration to finial), 43 cm high
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A Royal Worcester covered vase signed J.Stinton, circa 1934, ovoid on moulded foot with swagged collar all flanked by theatrical masked terminals, decorated with a highland cattle scene, puce factory mark to base, (restoration to finial), 44.5 cm high
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A pair of Royal Worcester lidded urns signed Jas.Stinton, circa 1912, each ovoid with tubular necks flanked by pierced scroll terminals, decorated with game birds, puce factory mark to base, 28.5 cm high
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A Royal Worcester Liidded pot signed Jas.Stinton, circa 1912, a wide moulded foot supporting the compressed and tiered form flanked by pierced terminals, decorated with a wintery scene of game birds, puce factory mark to base, 30 cm high
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A Royal Worcester pot pourri signed (Walter) Sedgley, circa 1921, of large bombe form with faux lattice moulded base hand painted above with rose blooms, together with fitted lid and a domed and pierced cover, puce factory mark to base, 29.5 cm high
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A Royal Worcester ewer attributed to Charles Baldwyn, circa 1887 flat bottomed and of compressed form the handle modelled as a winged dragon, decorated with an evening scene of birds at rest, puce factory mark to base, 18.5 cm high
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A Royal Worcester vase signed E. Salter, circa 1888, the quadripartite globular form rising to a slender neck with pierced and reticulated terminals, decorated with a central evening scene of birds at rest, puce factory mark to base, 42 cm high
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A large Royal Worcester vase signed E. Salter, impressed Hadley, circa 1888 globular on pierced foot, the trumpet neck pierced and supported by an elaborate pierced and reticulated terminal framework, decorated with an exotic evening scene of birds at rest, puce factory mark to base, 56 cm high
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A large pair of Royal Worcester cobalt vases signed John Stinton, circa 1912 baluster on moulded and stepped foot, foliate scroll terminals flanking the trumpet neck, decorated with highland cattle scenes within delicate gold borders, puce factory mark to base, (restoration to body), 51.5 cm high
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A pair of Royal Worcester lidded vases signed J.Stinton, circa 1912, each ovoid on moulded foot and flanked by griffin headed pierced terminals, the body decorated with a scene of highland cattle to front and a landscape cartouche to verso, puce factory mark to base, 36.5 cm high
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Philippa James (active circa 1925-40) Melbourne, circa 1925, the petite pot with a gumnut and leaf applied externally, the body combed and all glazed, incised Philippa James to base, 5.5 cm high
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Philippa James (active circa 1925-40) Melbourne, circa 1925, the small tapered pot with an applied gum leaf to the exterior and all glazed, incised Philippa James to base, 7.5 cm high
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Philippa James (active circa 1925-40) Melbourne, circa 1925, the waisted vase with single gum leaf applied vertically to the exterior, the body combed and glazed, incised Philippa James to base, 9.5 cm high
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Philippa James (active circa 1925-40) Melbourne, circa 1925, the tubular vase with single gumnut and leaf applied to the exterior, all glazed with a mottled effect, signed Philippa James to base, 10 cm high
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Marguerite Mahood (1901-1989) Victoria, circa 1933, a fern Frond filigree lidded vase, of low squat form with double walls, the outer foliate wall pierced and surmounted by a domed cover all glazed greenish blue, small chips, inscribed Marguerite Mahood, MM monogram, fern Frond and model no C 686 all to base, 11.5 cm high
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Philippa James (active circa 1925-40) Melbourne, circa 1925, the squat jug with pouring spout and an applied cicada as handle to the exterior, the body combed, all glazed, incised Philippa James to base, 7 cm high
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Philippa James (active circa 1925-40) Melbourne, circa 1925, the small cup shaped bell with gumnut and branch handle, the surface scraped and glazed, internally a small bead is suspended, incised Philippa James to interior edge, 7 cm high
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Philippa James (active circa 1925-40) Melbourne, circa 1925, the tall vase with applied large gum leaf to the exterior and wrapping over the rim, all glazed, incised Philippa James to base, 16.5 cm high
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Philippa James (active circa 1925-40) Melbourne, circa 1925, the small jug with pouring spout and single branched handle with applied gumnut and leaf to exterior, all glazed, incised Philippa James to base, 8 cm high
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Marguerite Mahood (1901-1989) Victoria, circa 1935, a pierced earthenware lizard bowl, fashioned as a small bowl with pierced foliate band to rim, a modelled lizard wrapping over the edge, hairline cracks to rim, inscribed Marguerite Mahood, MM monogram and model no E1118 all to base, approximately 14 cm diameter
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Arthur Merric Bloomfield Boyd (1920-1999) John Perceval (1923-2000) Victoria, circa 1948, the coffee set for six including pot, sugar bowl, milk jug, six cups and matching saucers, all decorated with multi coloured fish, incised AMB / Jp 48 to base, the coffee pot 24 cm high
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A mid 19th century Australian sterling silver claret jug, maker's mark W. Edwards, Melbourne, circa 1850-1860, having a pear-shaped body and an elongated neck, with an upswept handle and hinged lid, the vine leaf and grape decoration applied from the finial encorporated with the handle and swathes part of the body, displaying an armorial to the front and rests on a finely double-beaded rimmed foot, 830grs total silver weight, 35 cm high
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An Australian carved emu egg and silver plate centerpiece, circa 1860, the centrally raised egg with emu finial set amongst a garden like scene all flanked by twin glass inkwells upon an oval base, 29 cm length
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Robin Vaughan Hood (active 1836-51) Hobart, circa 1840 engraving in a huon pine frame verso label 'Robin Hood / Carver and Gilder / Glass and Picture frame Maker / Sommerset House (No. 34.) / Liverpool-St. Hobart Town, Van Diemen's Land', the frame 82 cm x 71 cm
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A New Zealand specimen wood inlaid box by William Norrie late 19th century, rectangular, with a hinged bevelled rectangular lid, inlaid to the top with an eight pointed star within a lozenge, the lower front inlaid with a repeated honeycomb module, raised on four squat double bun feet, 28.5 x 11.5 x 16.5 cm
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Wallace Anderson (1888-1975) 'Panning For Gold', 1938 cast bronze on a marble base, incised E Gregory, Melbourne and Anderson 1938, 37 cm high
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An early 19th century Chinoiserie black lacquered long case clock, the dial signed J. Baverick, London, with an eight day movement and an anchor escapement on one bell, the brass dial and silvered Roman numeral chapter ring with calendar and subsidiary seconds dial, within black lacquered case painted with figural and architectural motifs, 252.5 cm high
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A 19th century mahogany cased long case clock the dial signed J. Hamson, Macclesfield, with an eight day movement and an anchor escapement, the brass Arabic numeral dial with subsidiary dials for tide, seconds and calendar, beneath a swan neck pediment, the whole with satinwood crossbanding and shell cartouches, 248 cm high
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A 19th century flame mahogany long case clock, with an eight day movement and an anchor escapement on one bell, the brass Roman numeral dial with calendar and subsidiary seconds dial beneath a break arched pediment, above a shaped rectangular casement door, 227 cm high
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A George IV mahogany sideboard, the breakfront top above a frieze drawer, flanked by a deep drawer and a cupboard, brass loop handles (two handles with loop missing), raised on square spade feet, 160 x 94.5 x 64.5 cm
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A 19th century mahogany games table, the circular leather inset top with recessed cavities for housing games pieces, raised on a turned standard and four out swept legs, brass caps and castors, 122 cm diameter x 76 cm high
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An Afghan Turkoman floor rug, with a foliate field, in colours of tan, blue and red, 392 x 276 cm
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A George IV mahogany bow front chest of drawers, with two short and two full length cockbeaded drawers, brass loop handles and bracket feet, 88.5 x 83.5 x 50 cm
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A 19th century mahogany framed over mantel mirror, the rectangular plate within columnar surrounds with roundels to each corner, beneath a shaped crest, 85 x 136.5 cm
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A Regency rosewood side cabinet, with a gallery edged two tier mirror back with turned brass supports, above two doors with brass grills, plinth base, 92 x 102 x 42 cm
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A George IV mahogany cellarette, the hinged top with an oval string inlaid cartouche, opening to divisions, raised on square tapering supports, brass caps and castors, 46 x 63 x 33.5 cm
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A good set of six George IV mahogany dining chairs, each with a spade back above a foliate carved horizontal splat and a drop in seat, raised on turned and square supports, brass caps and porcelain castors
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A good George IV mahogany secretaire bookcase, the top section with astragal glazed doors, about a secretaire drawer with oval string inlaid panels and two cupboard doors, bracket feet, (lacking locks), 127 x 241 x 59.5 cm
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An Italian green marble twist design pedestal 19th century classically fashioned on stepped octagonal foot with twisted stem and circular top, 110 cm high
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A set of four rosewood and marquetry salon chairs, each with a shaped, marquetry inlaid crest rail and horizontal splat, above a fitted seat, sabre legs
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A French cut brass inlaid bureau plat, the brass bound rectangular top inset with leather, above a shaped apron with a single drawer at each end, the whole with foliate cut brass inlay, cabriole legs, brass mounts, 123 x 76 x 69 cm
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A Chinoiserie pearwood fire surround in the manner of Gabriel Viardot, circa 1900, with splay top above rectangular supports carved with fretwork panels, gilded dragons and inset with mother of pearl inlaid plaques, 129 x 161 x 45 cm high
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An Afghan wool floor rug on a cream ground, with a foliate and pendant field, 487 x 301 cm
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An 18th century Spanish cloth covered, storage trunk, with a hinged bowed top, applied with faded red material with steel mounts, raised on a later polychrome base, 130 x 64.5 x 68 cm
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A French oak framed chaise longue, each curved end with a reeded crest rail above a fitted cushion, fluted supports, 208 cm long
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A pair of French provincial style corner cupboards, each with a shaped cornice above carved and panelled doors, cabriole supports, 134 x 217 x 58 cm
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A French gilt wood wall mirror, with a recessed rectangular plate within a mirrored surround, beneath foliate crest, 168 x 102 cm
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A set of eight Hepplewhite style mahogany framed dining chairs, comprising six chairs and two carvers, each with a shield back and a red close buttoned red leather seat
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A 19th century mahogany extension dining table rounded rectangular, the apron with beaded panels, above six turned legs with brass caps and castors, two leaves, 261 x 73.5 x 121.5 cm
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A Regency mahogany secretaire bookcase, the astragal glazed top with satinwood glazing bars, above a secretaire drawer enclosing drawers and compartments and a further two short drawers, the whole with satinwood string inlay, raised on square tapering supports united by cross stretchers, 128 x 229.5 x 60 cm
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A good pair of Sheraton style painted satinwood and rosewood demi-lune foldover card tables, each finely painted with neo-classical foliate motifs, opening to a baize interior, raised on square tapering supports and dual gate legs, 90.5 x 76 x 44.5 cm (closed)
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A substantial carved oak framed wall mirror in the rococo style, the rectangular plate with a boldly carved foliate surround, 188 x 147 cm
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A pair of painted metal provincial lamp bases, obelisque shaped, and supported on a timber plinth rendered in a harmonious style and colour, 79 cm high
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An Afghan wool floor rug, with a foliate field on a cream ground, 300 x 209 cm
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A George II burr walnut and mahogany side cabinet, with a stepped cornice and an ogee frieze drawer above two panelled doors with a cross banded border, the lower section with two short drawers and two full length drawers, bun feet, 106 x 166 x 51 cm
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A French gilt wood overmantel mirror, circa 1860, the bevel edged glazed plate within a heavily moulded and foliate carved scroll surround, surmounted by a floral basket with a scroll canopy, 208 cm x 128 cm
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A five piece Louis XV style walnut framed salon suite, comprising a settee and three bergeres, with foliate carved frames and brocade upholstery, the settee 210 cm length of back
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A Louis XV style gilt metal mounted bonheur du jour, the canted rectangular back with a central cabinet inset with a porcelain medallion and two shelves to either side, above a frieze drawer, cabriole supports, 93.5 x 127 x 50 cm
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A pair of Louis XV style foliate carved gilt wood salon chairs, each with a tapestry upholstered back and seat, cabriole supports
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A French gilt wood console, with a serpentine variegated marble top above a pierced apron and scroll supports united by a cross stretcher, 128 x 86 x 60 cm
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A late 19th century French brass gasolier, converted to electricity, with an open work body and a height adjustable standard, the central frame emanating four brances, each with three lights, above a further central light with a frosted and etched glass shade, 200 cm high
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A Louis XVI style oak framed bergere and ottoman, the bergere with a bowed back, above fluted supports with a conforming ottoman, upholstered in pale blue silk
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A 19th century French gilt wood console, with a serpentine marble top, above a pierced and shell carved apron, raised on scroll supports united by a stretcher, 139 x 93 x 50 cm
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A 19th century Chinoiserie black lacquered desk, rectangular, with a tooled leather inset top, above a central drawer and a further two drawers to either side, raised on ball and claw feet, 137 x 77 x 71 cm
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A Louis XV style gilt metal mounted kingwood vitrine, the shaped cornice above a glazed door and sides, the bombe lower section painted with Romantic scenes, cabriole supports, 81 x 180.5 x 47 cm
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A French brass and glass chandelier, with a knopped glass stem and eight sconces, hung with fleur de lys drops and swags, 90 cm high
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A French Empire gilt wood convex mirror, the circular plate within an ebonised and gilt wood surround beneath an eagle crest above a shell and husk pendant, 109 x 65 cm
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A pair of marble specimen inlaid tables, the circular top inlaid with repeating geometric pattern in multi coloured marble, raised on a fluted bone veneer stem and a square foot, 91 cm diameter x 78 cm high. Note: one illustrated
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A Venetian painted and gilt wood salon chair late 19th/early 20th century, with an oval velvet upholstered medallion back and seat above boldly carved maiden figural supports, painted in red with gilt highlights, raised on a platform base with lion's paw feet
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A glass and painted metal framed chandelier, with a baluster glass stem emanating eight branches, hung with swags, 65 cm high
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A late 18th century French provincial garde-manger a porte, the stepped, rounded cornice above a panelled door with a central pierced metal grill, the lower section with a single frieze drawer and an open storage compartment, 79 x 154 x 53 cm
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A George IV mahogany sideboard, with a crossbanded and string inlaid shaped rectangular top, above central drawer, a deep drawer and a cupboard, raised on six turned and fluted legs, 145 x 92 x 64.5 cm
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A fine quality William IV mahogany library bookcase, the top with four astragal glazed doors with arched glazing bars, above four solid panelled doors interspersed with columns, the left hand cupboard enclosing pigeon holes, raised on turned feet, 252 x 266.5 x 53 cm
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A Regency brass inlaid rosewood centre table, the circular tilt top inlaid with a foliate cut brass border, above a platform base and four out swept legs with brass caps and castors, 127 cm diameter x 75 cm high
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