One of collection highlights is an Austrian art deco bronze dancer and onyx lamp (Lot 70 ) with a catalogue estimate of $1500-$2000.
Another is a four-panel screen (Lot 419 ) in the manner of Swiss and French painter, sculptor, metal craftsman and interior designer Jean Dunand (1877-1942).
Born in Lancy, Switzerland, Jules-John Dunand later adopted the first name Jean and in 1922 became a naturalised French citizen.
He won several prizes at the Geneva School of Arts before moving to Paris and working as a sculptor and copper craftsman.
A member of the National Society of Fine Arts, Dunand worked with a wide range of materials to create vases, plates, boxes and jewellery.
In 1912, he began working with Japanese lacquer painter Seizo Sugawara, who had emigrated to France, making large decorative panels and screens.
A Chinese blue and white ‘Zhong Kui’ Rolwagen vase (Lot 115 ) is an important item in the Mills collection.
A vanquisher of demons, Zhong Kui played an important role as a mythological guardian, popular in Chinese art from the Tang dynasty (618-907). According to legend, he is a ghost who suicided after the emperor unjustly dishonoured him.
Two large pairs of porcelain and cast metal cranes (lots 50 and 51) are another attraction, along with a set of four Chinese Gongshi scholar’s rocks on stands (Lot 85 ).
A green crackle-glazed Meiping vase (Lot 86 ) and a mixed group of oriental and other ornaments (Lot 87 ) are worth closer examination, while a colourful 18th century Chinese clobbered miniature teapot (Lot 111 ) would be perfect for serving guests.
Meiping was an important development in ceramics during the Chinese Yuan, Ming (1368-1644) and Qing (1644-1911) dynasties, the term being used to describe a tall vase with a wide shoulder and mouth. Unusual is the Japanese bronze Ikebana vase (Lot 121 ) along with the Japanese kiseruzutsu turtle and shell tabako-ire (Lot 125 ). Ikebana is a traditional Japanese type of flower arrangement and the vase requires a scarce variety of blooms. Derived from the Cambodian word khsier, kiseru pipes were used mainly in the Meiji period (1868-1912) when cigarettes were introduced, while tabako-ire means a tobacco pouch.