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A Fine Bronze Tibetan Kadampa Stupa, c.13-14th Century, in…
Auction House:
Auction Location:
Sydney
Date:
13-Dec-2009
Lot No.
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Description:
A Fine Bronze Tibetan Kadampa Stupa, c.13-14th Century, in classic multi level form resting above a double lotus platform with beaded rim, the base sealed and decorated with an incised double vajra, 29 x 15 cm Note: For a similar example cf. Galerie Koller, Zurich, Asiatica, 25 March 2006, Lot 154 Reference: '... [this form of stupa] ... is associated with the ancient Kadampa order founded by 'Brom ston (1008-1064), the chief disciple of Atisha (982- 1054). The design of this stupa is described as round and resembling a heap of lotuses. The dome (kumbha or anda) is shaped like a bell and rests on a lotus pedestal rather than on a terraced square foundation (vedika). In some texts the dome is said to represent the seven limbs of enlightenment. The square structure over the dome represents a pavilion (harmika), which was originally a special room designated for the Buddha or a cool upper room for the summer season. Some texts state that the harmika symbolises the Eightfold Path. The spire or axle-tree (yashti) is comprised of thirteen rings which are interpreted as progressive stages (bhumi) leading to Buddhahood. The spire is surmounted by a baldachin or a parasol (chattra) which is indicative of the Buddha's position as a universal monarch (chakravartin). The finial is a closed lotus with ribbons. In certain texts it is referred to as the protuberance (ushnisha) and in many Tibetan stupas it is composed of a crescent moon and a sun disc. The stupa constitutes the primary and most popular Buddhist monument expressive of the Buddha's parinivana, the Dharma body and the state of enlightenment often defined as the Buddha mind. According to Buddhist texts there are three classes of people who deserve to have stupas built over their bodily remains: Buddhas, arhats and universal monarchs (chakravartin). Originally a simple hemispherical mound built over the Buddha's relics. The stupa became progressively elaborate as an architectural structure and received complex doctrinal interpretations. It also received rich artistic expressions in stone, brick, wood, metal and painting. In all Buddhist lands its artistic and architectural designs have certain features in common but there are also specific regional variations inspired by indigenous cultures and artistic tastes...' Skourupski, Tadeusz, 1998, Body, speech and Mind; Buddist Art From Tibet, Nepal, Mongolia and China, Spink & Sons Lt. London, No. 36
Estimate:
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Price:
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Category:
Unclassified