*** | A two train English musical bracket clock by Thomas Satcher, London, circa 1790 a silvered chapter ring with Roman numerals, break arch dial with two tune selector on gilt dial, AIR and MINUET, fully engraved back plate 36 cm high, 23 cm wide, 15 cm deep.… | *** | |
*** | A tortoiseshell bracket clock by William Osborn, London 36 cm high, 26 cm wide, 17 cm deep | *** | |
*** | A mahogany bracket clock by J Wallis, English, circa 1860, double fusee with anchor escapement, in a flame mahogany case with stepped crown and pineapple finial, gilded ball feet and ring handles to the fretted sides, with key, 48 cm high, 28 cm wide, 16… | *** | |
*** | A gilt-brass mounted ebonised bracket clock, signed Francis Dorrell, London, the ebonised bell top case with pineapple finials, above a break arch dial, with date aperture, subsidiary dial in the break arch and gilt spandrels, the two train fusee movement… | *** | |
*** | A Regency mahogany bracket clock by H.W. Barrett, London, circa 1810, with a twin fusee 8 day striking movement, with maker's mark to the Roman dial, 38 cm high, 21 cm wide, 15 cm deep | *** | |
*** | A Regency mahogany eight day bracket clock by Samuel Henry Leah, London, circa 1825, the foliate brass inlaid case with a pagoda top and a twin fusee 8 day striking movement, 60 cm high, 31 cm wide, 17 cm deep | *** | |
*** | A George III mahogany bracket clock, circa 1790 by J. Jackson, London and Bristol the gilt mounted mahogany bell top case with female caryatids and urn-form finials, decorated throughout with applied scrolling foliate decoration raised on bracket feet,… | *** | |
*** | A George III ebonised bracket clock, English, circa 1790, single fusee, the arched case with brass trims and bracket feet, the white enamel dial with Roman numerals, key and pendulum, 22 cm high, 20 cm wide | *** | |
*** | A late Victorian Classical Revival oak cased triple fusee bracket clock, J. C Jennings & Co, 25-26 Great Sutton Street, London, the case of of Roman temple profile with Corinthian pilasters, a silver chapter ring to the rectangular dial with Germanic… | *** | |
*** | An early Victorian mahogany double fusee bracket clock, Pc Dodd, 79 Cornhill, London, 1840, the painted Roman dial with strike silent in arch, striking on bell, signed to dial and movement, pendulum and key, 60.5 cm high, 28 cm wide, 18 cm deep | *** | |
*** | A French rosewood bracket clock, circa 1770, with silk suspension, the clock of architectural form with a cushion top with carry handle and finials on pillars, an extended pediment above a frieze of pierced gilt bronze decoration, the Roman dial with a… | *** | |
*** | A late Victorian mahogany double fusee bracket clock, Walter & Co., London, 1880s, the white painted Roman dial with rounded arch above a high relief carved floral swag and side scrolls above an extended plinth base, striking on bell, movement signed, key… | *** | |
*** | A Victorian mahogany cased double fusee bracket clock, by Samuel James, Stevenage, 1880s, with a serpentine crest and relief carved embellishments to the face, painted Roman numerals to the signed dial, striking on bell, with key and pendulum, 41.5 cm… | *** | |
*** | A brass mounted mahogany bracket clock by Winterhalder and Hofmeier, circa 1910 with a three train Westminster chime movement contained within a string inlaid domed case 39 cm high | *** | |
*** | An early Victorian mahogany veneer double fusee bracket clock, 1850, the pagoda top clock with restrained bead detail, the large white painted dial with Roman numerals and steel hands, bell strike, key and pendulum, 49 cm high, 27 cm wide, 18 cm deep | *** | |
*** | An Arts & Crafts bracket clock, Wurttemberg, German, the 14 day strike with copper strapping and a copper dial with Arabic numerals, with pendulum, 36.5 cm high, 22.5 cm wide, 16 cm deep | *** | |
*** | An oak cased Westminster chime bracket clock, German, circa 1920, 36 cm high, 26 cm wide, 19.5 cm deep | *** | |
*** | A Grecian temple style oak cased bracket clock, Winterhalder and Hofmeier, circa 1900, eight day movement and quarter striking on two gongs, the silvered dial with Roman numerals and enclosed by a decorative mask, marks to mechanism, with associated key… | *** | |