*** | A large and impressive mid 18th century English ebonised twelve-tune musical bracket clock, George Graham, London, surmounted by a large flambe finial on a bell shaped caddy over a double stepped plinth set with eight graduated finials, with pierced sound… | *** | |
*** | A fine early 19th century satinwood bracket clock of small size and with enamel dial, Grant, Fleet Street, London, number 318, surmounted by an urn over a concave moulded caddy, the sides set with carved volutes with applied flowerheads on an ebonised… | *** | |
*** | A fine and very rare late 18th century English ormolu-mounted, satinwood and amaranth-banded musical bracket clock, Vulliamy, London, number 285, surmounted by a stepped caddy top with pineapple finial over applied rams head mounts to the front corners,… | *** | |
*** | A fine late 18th century English brass-mounted triple-pad top bracket clock with enamel dial Hare, London, surmounted by an urn finial on a block with pierced brass side pieces, each of the three pads with brass edging over a well moulded cornice, side… | *** | |
*** | A good early 19th century brass-mounted mahogany six-tune musical bracket clock Lewin Levin, London, surmounted by five finials on a stepped caddy top with applied swag mount, over leopards-head side handles and a pierced brass sound frets to a shaped… | *** | |
*** | An early 19th century English quarter chiming mahogany bracket clock, the dial signed for Brockbanks, the lancet shaped case with ripple moulded details and inlaid with ebony lines, set to each front corner with a cast Egyptian monopodia, with lions mask… | *** | |
*** | A brass-mounted mahogany bracket clock, the dial and movement by James McCabe, circa 1825, the case 20th century, the signed silvered dial with Roman chapter ring and matching brass hands with strike/silent lever at XII, the signed movement with… | *** | |
*** | A first half of the 19th century rosewood bracket clock, the dial signed for James Condliff, Liverpool, surmounted by a well turned wooden finial on a gadrooned caddy with matching finials to the tops of the cluster columns flanking a recessed brass-bound… | *** | |
*** | A George III mahogany bracket clock, by Robert Holland, London 1750, the caddy top with four gilt finials above an arched glazed door enclosing a silvered dial with Roman and Arabic numerals and subsidiary seconds and date dials and a strike silence, with… | *** | |
*** | A George III mahogany bracket clock by William Cook, the caddy top with four gilt pineapple finials above an arched glazed door enclosing a silvered dial with Roman and Arabic numerals, date aperture and strike silent, with a verge escapement and an 8 day… | *** | |
*** | A Regency mahogany bracket clock by J.M French, Royal Exchange, London, the rectangular case with radially gadrooned shallow caddy top with central acorn finial, rectangular side apertures with silk lined brass frets, the moulded plinth raised on scroll… | *** | |
*** | A mid 19th century rosewood case bracket clock by T Jones Sydney, the top with glass panel and stepped pediment above a black enamel Roman chapter and signature 'T Jones Sydney' on a finely engraved floral ground, the movement with twin chain fusee,… | *** | |
*** | A George III mahogany bracket clock, John Thwaites, London the arched silvered dial with, subsidiary strike/silent and seconds dial, with Roman chapter ring, with a twin fusee eight day striking movement, anchor escapement, with pull repeat, knopped… | *** | |
*** | A mahogany bracket clock, the steep pagoda top over fish scale side frets and a moulded base on turned feet, with painted Roman 5.75 inch dial, now with an associated French movement signed Dehne a Paris (pendulum lacking). Height 39.5 cm | *** | |
*** | A Victorian mahogany bracket clock, Scottish, circa 1880, the double fuse movement with gong strike, foliate engraved silver dial, Roman numerals, the rectangular case with wooden side frets, embellished with elaborately carved clusters of thistles,… | *** | |
*** | A mahogany cased bracket timepiece, by Mosely East Street, Brighton, first half of the 19th century a brass inlaid mahogany timepiece with arched top over cornucopia ring side handles, fish scale side frets and a plinth base., the signed, painted Roman… | *** | |