*** | Schulim Krimper, 1893-1971, Desk (circa 1955), Black Bean, the shaped rectangular glass top above a stylised linear frame and dual brass-capped supports united by a removable slatted shelf, above a single pedestal pivoting on a copper cylinder, with four… | *** | |
*** | Schulim Krimper (1893-1971), a teak cocktail cabinet, the rectangular body with four doors, each inset with a recessed panel carved with an arrangement of four concave circular dishes, centred by a glass inset sliding tray, above three frieze drawers with… | *** | |
*** | Schulim Krimper, 1893-1971, bureau (1955), black bean, the hinged upper section and six lower drawers each with a stylised reeded fascia, opening to a suede writing surface, six pigeon hole compartments and two shelves, the drawers with bronze pendant… | *** | |
*** | An Australian contemporary bespoked sassafras hardwood chest, after Edmund Spence design, Sweden, mid 20th century the rectangular top above a woven wooden facade concealing eight drawer compartments, supported on tapered feet 90 x 160 x 50 cm | *** | |
*** | A Grant Featherston Contour chair, model R152, circa 1952 upholstered in a fabric designed by the artist John Olsen chair stamped underside 91 x 74 x 83 cm | *** | |
*** | A Queensland walnut dining suite, by Schulim Krimper, circa 1950, comprising an extension dining table and six matching chairs, each with a cane inset back and upholstered seat (7) 230 cm wide. 93 cm deep. 75 cm high. Provenance: Purchased directly from… | *** | |
*** | Schulim Krimper (1893-1971), a teak framed glass top coffee table, with a rounded rectangular top, above bowed supports and a linear slatted shelf, 45.5 cm high, 91 cm wide, 51 cm deep. Provenance: Private Collection, Melbourne | *** | |
*** | Brian Sayer and Christopher Connell, two Post Modernist 'G'Day' aluminium chairs, 1988 and 1992 and a 'G Day' mirror, cast from recycled aluminium cans, foldable; one chair with Central Foundry cast integrated plate to underside of seat, series 1,… | *** | |