Full details of each lot are displayed, except the lot number, estimate and price. You must be a subscriber to view lot numbers, estimates and prices.

Click here to view registration and subscription levels

Modern Design — Leonard Joel Pty. Ltd.

Auction House:Leonard Joel Pty. Ltd.Number of lots recorded:140
Sale Title:Modern DesignLots with images:140
Auction Location:MelbournePrices available:74
Date:14-Aug-2011
***
Piero Fornasetti (1913-1988), an enamelled metal waste paper basket; together with one other in the style of Fornasetti, circa 1960, the first of tubular form, raised on six studded feet depicting a lithographic transfer of repeated grisaille portraits on a yellow ground, printed Fornasetti Milano, made in Italy; together with another waste paper basket of corresponding form and medium displaying a lithographic transfer of repeated Italian newspapers, printed Felice Galbiati Arte Decorativa, Milano (Italy)…
***
***
***
A La Sorentina coffee maker, in the style of Atomic, cast in aluminium, accompanied by the original milk jug, filter and cup, manufacturer's plaque to top La Sorrentina Made in Italy; together with an original Atomic coffee maker instruction booklet, 24 cm high.
***
***
***
Philippe Starck (born 1949), a candle wall sconce, circa 1987, triangular, cast in brushed aluminium with a candle apperture and two pins supporting an image, accompanied by the original packaging, impressed Starck Ingw to edge, 20 cm depth.
***
***
***
A Guido Venturini Lingham porcelain floor vase, manufactured by Alessi, 2002, the sculptural three sectional vase comprising circular base and pedestal with internal bowl and domed cover, boldly striped in black on a white ground, stamped Guido Venturini Alessi and numbered 56 /99, accompanied by a certificate of authenticity, 117 cm high.
***
***
***
A Richard Ginori porcelain chocolate set, circa 1980, comprising a lidded chocolate pot, a saucer and a square dish, each decorated in shaded pink bands with mint green rims on a white ground, stamped Richard Ginori Italy to base, the dish 15 cm square.
***
***
***
Piero Fornasetti (1913-1988), a cigarette case, circa 1960, rectangular, with a lithographic transfer entitled 'Cigarettes', gilt stamp to base Fornasetti Milano made in Italy, accompanied by the original box, 30 cm long.
***
***
***
John Perceval (1923-2000), terracotta glazed charger signature incised 'Perceval' on base 48 cm diameter
***
***
***
Klytie Pate Oam (1912-2010), circa 1980, an earthenware bottle, of waisted tubular form with fitted a stopper, decorated in a mottled application of brown oxides and multi green glazes, incised signature to base, 31 cm high.
***
***
***
Hiroe Swen (born 1934) Shinto, circa 1974, the large mallet shaped vase, compressed and with a bold geometric design glazed in a textured manganese on a blue ground, impressed Hiroe and Hs seals to base, 41 cm high. Exhibited Hiroe Swen, pastoral gallery, Queanbeyan, November 1974. Includes certificate of authenticity from pastoral gallery
***
***
***
An Ellis Ceramics earthenware model of a cat, the stylised figurine with a bulbous head and pierced eyes, textured and burnished on a white glazed ground, incised Ellis to base, 20 cm long.
***
***
***
John Gilbert (act. circa 1960s), the large ovoid lidded earthenware jar incised and with applied decoration to the exterior depicting Hakia flowers with an iron oxide decoration to the stone and terracotta coloured ground, incised Gilbert to base, hairline cracks to lid rim, 38 cm high.
***
***
***
Harold Hughan (1893-1987), circa 1950s, the tubular wheel thrown jar with everted rim and recessed lid decorated with a stylised motif to lid in iron oxide on a stone coloured ground, painted signature and impressed artist monogram and Glen Iris studio mark to base, 17 cm high.
***
***
***
Harold Hughan (1893-1987), circa 1950s, the tubular wheel thrown jar with everted rim and recessed lid decorated with a stylised motif to lid in iron oxide on a stone coloured ground, painted signature and impressed artist monogram and Glen Iris studio mark to base, 17 cm high.
***
***
***
Sylvia Halpern (born 1919), circa 1976, the large earthenware sculptural form, fashioned as an inverted arrow head with short neck flanked to each side with tubular extensions, and with an applied decoration of white slip glazed in a spattered manner, painted signature and '76 to base, 53 cm high.
***
***
***
Rolph Bartz (act. circa 1970s), circa 1985, the deep conical porcelain vase with an irregular rim and a low relief carved motif of stylised gum leaves, impressed artist monogram and painted '85 to base, 16 cm high.
***
***
***
Rolph Bartz (act. circa 1970s), circa 1986, the conical porcelain vase with narrow foot and with a low relief carved frieze to rim designed as an Art Deco styled motif, impressed artist monogram and painted 86 to base, 18 cm high.
***
***
***
Rolph Bartz (act. circa 1970s), the deep sided bowl with a pierced and asymmetrical rim depicting a stylised scene of gum trees, all glazed in pale turquoise, impressed artist monogram to base, 20.5 cm diameter.
***
***
***
Rolph Bartz (act. circa 1970s), the compressed conical vase with a pierced and low relief carved rim depicting hills and gum tree gullies all glazed in pale turquoise, impressed artist monogram to base, 15.5 cm high.
***
***
***
Rolph Bartz (act. circa 1970s), the conical porcelain vase decorated with a wrap around pattern of repeating gum leaves in indigo blue on a white ground, impressed artist monogram to base, 19.5 cm diameter.
***
***
***
Rolph Bartz (act. circa 1970s), the wide deep porcelain bowl with an irregular rim and low relief carved frieze depicting a repeated gum leaf motif, impressed artist monogram and painted Rolf Bartz to base, 21 cm diameter.
***
***
***
Ray Taylor (act. circa 1970s), the large spherical form with short neck and applied concentric ridges to rim decorated in vertical glazed bands of brown and green and an azure blue collar to neck, painted R.T to base, (chips to rim ridges and base), 47.5 cm high. Provenance: Distlefink Gallery, Melbourne
***
***
***
Les Blakebrough (born 1930), circa 1960s, the tall tapering earthenware jug with low set handle and decorated with a stylised geometric motif to front all glazed in a pale grey ground, impressed artist monogram and Sturt Pottery marks to base, 28.5 cm high.
***
***
***
Rolph Bartz (act. circa 1970s), the ovoid porcelain vase with rim pierced and carved in low relief depicting a stylised landscape, impressed artist monogram to base, 14.5 cm high.
***
***
***
A Royal Doulton Chang Ware bowl, circa 1930, signed Charles Noke, the deep bowl decorated in an all over glaze of mottled cream, red and blue with a faux crackle finish, factory mark, signed Noke and monogram for Harry Nixon all to base, 23.5 cm diameter.
***
***
***
A Seguso Vetri d'Arte grill work lamp, circa 1950s Two sectional, with a conical body raised on a rolled and ribbed pedestal, surmounted by a tapering cover with a compressed top, the whole decorated with fine rouleau applications to the exterior edges, all of clear and translucent red glass with gold foil inclusions throughout, 51 cm high.
***
***
***
A large Italian art glass vase Late 20th century, signed, of flattened teardrop form with an asymmetrical rim displaying a black crackle pattern on a yellow ground, above a facetted clear and frosted base, signature indistinct and numbered 1/1 to base, 57 cm high.
***
***
***
A clear pressed glass decanter, mid 20th century, of tapered angular form with a pressed geometrical pattern to the exterior and a gilded ovoid stopper, 28 cm high.
***
***
***
Jean Claude Novaro (born 1957), a glass vase, circa 1984 Baluster, with a rolled neck, inset with a submerged internal chamber decorated with a stylised village scene on a cerise blotted ground encased within a clear exterior with raised gold foil inclusions, incised J.C Novaro 84 to base, 13.5 cm high.
***
***
***
A Venini glass bottle, circa 1993 Tubular, the lower half formed in opaque white glass cased in ruby red extending into translucent emerald green, with a slender neck surmounted by a cased ruby red tapered stopper, incised Venini 93 to base, 32 cm high.
***
***
***
A Venini cased glass ginger jar, circa 1970 Fashioned in the Chinese manner, of compressed ovoid form with small high domed cover, the whole of translucent glass cased in a song de beouf shade of red, incised Venini Italia to base, 24 cm high.
***
***
***
A Jack in the pulpit glass vase, the flat bottomed tubular vase rising to a tapering neck with flared rim, the body displaying a latticed application of glass stringing on a mottled green and metallic gold foil ground, incised to base Zjk, 26.5 cm high.
***
***
***
A group of two Venini scent bottles, circa 1995, the first of tubular form with high domed stopper in tomato red, the second of tapering form flat edged and with facetted sides and tall stopper in graphite grey, each displaying a matt acid etched surface quality and incised Venini 95 to base, the tallest 20 cm high.
***
***
***
A Venini cased glass vase, circa 1994, signed, the bulbous vase on flared foot and with corresponding rim in opaque white glass cased in pale peppermint green with original label to side, incised Venini 94 and signature indistinct to base, 27.5 cm high.
***
***
***
A Venini glass vase, circa 1998, the tubular form with flared shoulder in translucent spearmint green glass with an all over texture of horizontal incisions, incised Venini 1998 / 15 to base, 38 cm high.
***
***
***
A group of two Venini vases, circa 1994, 1995, the first of cornet shape with flared rim in an ombre shaded red set upon a deep violet base with original label to side, the second of conforming design in an opaque pale lavender set upon a deep violet base, each incised venini 94 and 95 respectively to base, the tallest 27 cm high.
***
***
***
Ulrica Hydman-Vallien (born 1938), a glass vase, circa 1980, manufactured by Kosta Boda, the double gourd vase boldly hand painted with a repeat bird motif on a mottled grey ground, incised Kosta Boda Artist Coll. 48962 Ulrica H.V to base and with further hand painted signature Uhv /Al / Mw to side, 36 cm high.
***
***
***
Jean Claude Novaro (born 1957), a glass vase, circa 1989, the baluster vase with short neck displays an applied pattern of marbled iridescent piping on a speckled yellow ground, incised J.C Novaro 1989 to base, 18.5 cm high.
***
***
***
Henning Koppel (1918-1981), sterling silver bowl design No. 1235 H, circa 1978, manufactured by Georg Jensen, the wide flared rim set upon a short foot, with gold wash interior, made for the Georg Jensen 75th anniversary 1979, stamped Hk, D10 Denmark, Georg Jensen, Sterling 1235H, 384grs, 18 cm diameter.
***
***
***
Sigvard Bernadotte (1907-2002), sterling silver vase design No. 823, circa 1935, manufactured by Georg Jensen, the conical form set upon a rippled and flared foot, stamped to base Sigvard Bernadotte, Denmark, Georg Jensen, Sterling, 823 to base, 298 grs, 14 cm high.
***
***
***
Henning Koppel (1918-1981), sterling silver bowl design No. 1235 H, circa 1978, manufactured by Georg Jensen, the wide flared rim set upon a short foot, with gold wash interior, made for the Georg Jensen 75th anniversary 1979, stamped Hk, D10 Denmark, Georg Jensen, Sterling 1235H, 384grs, 18 cm diameter.
***
***
***
Henning Koppel (1918-1981), sterling silver goblet design No. 1235 C, circa 1978, manufactured by Georg Jensen, the wide flared rim set upon a short foot, with gold wash interior, made for the Georg Jensen 75th anniversary 1979, stamped Hk, D10 Denmark, Georg Jensen, Sterling 1235C, 130grs, 7 cm diameter.
***
***
***
Henning Koppel (1918-1981), a small sterling silver goblet design No. 1235 B, circa 1978, manufactured by Georg Jensen, the wide flared rim set upon a short foot, with gold wash interior, made for the Georg Jensen 75th anniversary 1979, stamped Hk, D10 Denmark, Georg Jensen, Sterling 1235 B, 70grs, 6 cm diameter.
***
***
***
Henning Koppel (1918-1981), sterling silver goblet design No. 1235 C, circa 1978, manufactured by Georg Jensen, the wide flared rim set upon a short foot, with gold wash interior, made for the Georg Jensen 75th anniversary 1979, stamped Hk, D10 Denmark, Georg Jensen, Sterling 1235C, 130grs, 7 cm diameter.
***
***
***
A Georg Jensen sterling silver box and dice, the circular box with high domed lid opens to reveal an inclusion of six black dice, stamped Georg Jensen, 925 S, Denmark, 7.5 cm diameter.
***
***
***
A necklace and earring suite by Jacek Szczepanski, the stylized leaf design in gilded and oxidized sterling silver, the conforming earrings to shepherd hook fittings.
***
***
***
A pair of silver drop earrings by Marcin Tyminski, the brush gilded elongated drops in sterling silver to hook fittings.
***
***
***
A pendant / brooch by Marcin Zaremski, of circular design in brushed sterling silver, hallmarked.
***
***
***
A silver bracelet by Krzysztof Roszkiewicz, of asymmetrical design with articulated oval links, all in brushed sterling silver, total length 190 mm.
***
***
***
A pair of earrings by Hans Hansen, designed by Gail Spence, of asymmetrical design in silver and 14ct gold to post and butterfly fittings, circa 1980.
***
***
***
A multi- strand collar by Ursula Muller, the twisted steel collar with aluminium tubular pendants to a push lock clasp.
***
***
***
A silver bracelet, the twisted bangle of Scandinavian design, all in sterling silver.
***
***
***
A pair of earrings by Sik, the concave-convex stylized leaf design in sterling silver to post and butterfly fittings.
***
***
***
A silver brooch by Sik, of asymmetrical design in sterling silver, hallmarked.
***
***
***
A silver bracelet, the elongated triangular links in oxidized sterling silver to a magnetic clasp, total length 190 mm.
***
***
***
A necklace & earring suite by Marcin Strzaikowski, the stylized interlinking disks in gilded and oxidized sterling silver, the conforming earrings to shepherd hook fittings.
***
***
***
A pair of silver drop earrings by Marcin Tyminski Designed as stylized petals and stamen in gilded sterling silver to elongated hook fittings.
***
***
***
An Amethyst ring, of organic design, centrally set with amethyst crystal, all in 9ct gold, in the style of Gary Bradley, ring size M-N.
***
***
***
A necklace & earring suite by Arek Wolski, the twisted oxidized sterling silver and steel wire open links interspaced with tumbled amethysts, the conforming earrings to shepherd hook fittings.
***
***
***
A silver bangle, the twisted bangle of Scandinavian design, all in sterling silver.
***
***
***
A chrome two light table lamp, the cylindrical standard emanating two spherical shades above a square foot, 73.5 cm high.
***
***
***
A chrome desk lamp, with a compressed ovoid shade raised on a scroll ram above a domed foot, 43.5 cm high.
***
***
***
Gerald Abramovitz (born 1928), a cantilever desk light, circa 1961, manufactured by Best & Lloyd aluminium and steel construction of a streamline tubular form with cantilever, raised on rectangular base, 51 cm high.
***
***
***
G' Aulenti (born 1927), a Pipistrello lamp, design originated 1966, manufactured by Martinelli Luce, the lamp of a tapering conical base rising to a telescopic brushed steel stem, beneath an opaque white acrylic lobed shade, rubber plaque to base Pipistrello, Martinelli Luce, design G' Aulenti, made in Italy, 73 cm high.
***
***
***
A Bang and Olufsen Beosystem 4500, circa 1988, the sound system comprising Beomaster amplifier, Beocord tape deck, Beogram Cd player, two Beovox C75 speakers, two wall speakers, brackets, remote control and wiring, includes original owners manual.
***
***
***
A chrome three light standard lamp, the cylindrical standard emanating three spherical shades, raised on a circular foot, 163 cm high.
***
***
***
A single pendant chrome floor lamp with counter weighted arm, the large spherical shade supported via a fine rod with counter weight, all raised upon a rectangular stand on circular base, 131 cm high.
***
***
***
A large Kare design pendant ceiling light, fashioned as a spherical wired frame, the surface punctuated overall with multiple metal rosettes all enamelled white, 90 x 80 cm.
***
***
***
A small Kare design pendant ceiling light, fashioned as a spherical wired frame, the surface punctuated overall with multiple metal rosettes all enamelled white, 52 x 50 cm.
***
***
***
A three pendant chrome floor lamp on marble base, circa 1965, the tubular base supporting three arched extensions each terminating in a small spherical shade all raised upon a circular marble base, 215 cm high.
***
***
***
A three pendant gilt floor lamp on marble base, circa 1965, the tubular base supporting three arched extensions each terminating in a small spherical shade all raised upon a rectangular marble base, 198 cm high.
***
***
***
A group of two vintage studio lights, manufacturer's mark A.E Cremer, Paris Each light within a pivot support raised on a telescopic tripod base, 198 cm high.
***
***
***
A mid 20th century draftsman's table with a telescopic base, manufacturer's stamp Nike Eskilstuna, Sweden, with an adjustable laminated rectangular top above a hydraulic extendable standard foot, 120 x 124 x 80 cm.
***
***
***
A mid 20th century dentist's trolley, the rectangular glass inset top above a pale green enamelled metal body with four drawers, raised on a tubular frame with castors, 66.5 x 87 x 36 cm.
***
***
***
A mid 20th century dentist's cabinet, the raised back with glazed sliding doors above a glass top, the pale green enamelled metal body inset with multiple doors and drawers, plinth base, 94 x 132 x 36 cm.
***
***
***
Grant Featherston (1922-1995), a pair of R160 armchairs, circa 1951, each with a body of moulded ply and upholstered in red woollen cloth raised on outs wept supports, (the base limed at a later date and lacking manufacturer's stamp).
***
***
***
Grant Featherston (1922-1995), an RS161 settee, circa 1951, a body of moulded ply and upholstered in red woollen cloth raised on outs wept supports, (the base limed at a later date and lacking manufacturer's stamp).
***
***
***
Grant Featherston (1922-1995), a seven piece dining suite, circa 1953, comprisingg a dining table with a fold over swivel top and two A310H space armchairs and four A310H space dining chairs, the chairs each of a body of moulded ply and upholstered in red woollen cloth raised on outs wept supports, (the base limed at a later date and lacking manufacturer's stamp), the dining table 167 x 70.5 x 90.5 cm.
***
***
***
Grant Featherstone (1922-1995), a pair of B210 armchairs, circa 1953 Each with a body of moulded ply and upholstered in red woollen cloth raised on outs wept supports, (the base limed at a later date and lacking manufacturer's stamp).
***
***
***
Grant Featherston (1922-1995), an R160 armchair, the body of moulded ply upholstered in floral canvas, raised on out swept supports, manufactures stamp to base (fabric distressed).
***
***
***
Grant Featherston (1922-1995), a B230 armchair, circa 1953, the body of moulded ply upholstered in a chocolate brown cotton canvas raised on out swept legs, stamped manufacturer's mark to base.
***
***
***
Schulim Krimper (1893-1971), a teak low table, unsigned, the rectangular top with canted sides raised on three pairs of end standards, each pair joined with a stretcher, on shaped sled feet, 176 x 43 x 51 cm.
***
***
***
Schulim Krimper (1893-1971), a Japanese oak sideboard, signed S Krimper, the rectangular body of three geometrically panelled sliding doors and an arrangement of four drawers, on splayed legs, signed to the top of the upper drawer front, 203 x 90 x 49 cm.
***
***
***
Schulim Krimper (1893-1971), a Japanese oak dining suite, unsigned, the suite comprising a table raised on splayed legs, and eight chairs, including two arm-chairs, together with a matching side table, the dining table 212 x 76 x 100 cm.
***
***
***
Dario Zoureff (attributed), an Australian walnut King size bed head, the bed head with integral side cabinets, together with a matching dressing table stool and a wall mounted dressing mirror, 205 cm long.
***
***
***
A set of eight blackbean dining chairs, circa 1960, comprisingg six dining chairs and two carvers, each with a geometric pierced rest rail above an upholstered back and seat, raised on rectangular supports.
***
***
***
Dario Zoureff (attributed), an Australian walnut dressing chest, the rectangular with a central arrangement of six shallow drawers flanked by an arrangement of three deeper drawers, on shaped and pierced legs, 183 x 86 x 53 cm.
***
***
***
Rosando Brothers, a pair of teak and velvet upholstered armchairs, circa 1950s Each with a square back above a low set seat, the sides inset with pierced teak panels, raised on tapering square supports.
***
***
***
A trio of wrought iron wirework bar chairs, in the manner of Clement Meadmore, the high back chairs fashioned from wirework frames with upholstered seats on long rod legs and with built in foot rest midway.
***
***
***
Sol Shapiro, a carved sideboard, circa 1960, the rectangular cabinet carved with decorative end boards above three cupboard doors each with relief carving centrally, all raised on carved legs featuring a stylised twisted arm and fist motif, 88 x 262 x 54 cm.
***
***
***
A C.F Rojo & Sons walnut dining suite, circa 1955, comprisingg an extension dining table with two spare leaves, six dining chairs, two armchairs and a sideboard, each of stylised outline raised on square supports, the dining table 327 x 73 x 114.5 cm.
***
***
***
An Art Deco rosewood and walnut buffet, the rectangular top above tapering sides, with central cupboard doors, each centred by a burr walnut panel, raised on a shaped rectangular plinth base with a burr walnut fascia, 120.5 x 97 x 51 cm.
***
***
***
An Art Deco rosewood sideboard, the shaped rectangular top above two cupboard doors, a central glazed door and two short drawers, raised on a shaped plinth base, 148 x 95 x 55 cm.
***
***
***
An Art Deco style silvered metal wall mirror, with a bevelled and canted rectangular mirror plate, with a metal surround cast with stylised foliate decoration, 106 x 75 cm.
***
***
***
An Art Deco three piece club lounge suite, circa 1930, the suite comprising three seater sofa and two matching armchairs each upholstered in chocolate brown leather, with scalloped arm rests studded with carved timber accents, all raised on castors, 200 cm back of sofa length.
***
***
***
An Art Deco style two tier glass top auto trolley Each circular shelf inset with smoky glass within a brushed aluminium frame, later castors, 56 cm diameter, 66.5 cm high.
***
***
***
A nest of three graduated glass top occasional tables Each with a circular top inset with smokey glass, within a brushed aluminium frame, the largest 51.5 cm diameter x 33 cm high.
***
***
***
An Art Deco walnut and marble sideboard, the veined marble inset rectangular top above four panelled doors, the outer doors carved with horizontal ribs, the central doors relief carved with a stylised classical scene, raised on a plinth base, 200 x 104 x 49.5 cm.
***
***
***
An ebonised and gilt side cabinet, the chamfered rectangular top above a drop front and two doors within a reeded surround, raised on a plinth base, 79 x 140 x 45 cm.
***
***
***
An Art Deco walnut and marble vitrine, the rounded rectangular top inset with veined marble, above glazed sides and two glazed sliding doors, the body with horizontal ribbed decoration and two panelled doors to the lower section, plinth base, 85 x 138 x 42 cm.
***
***
***
Warren McArthur (1885-1961), an easy chair, design originated 1930, the frame constructed of anodized aluminium tubing and with a padded roll forming back and seat as one, all upholstered in a khaki coloured canvas.
***
***