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Eve Glenn Posters, The Beatles, Cameras & Photographic Equipment — Leski Auctions Pty. Ltd.

Articles on this Sale

Auction House:Leski Auctions Pty. Ltd.Number of lots recorded:358
Sale Title:Eve Glenn Posters, The Beatles, Cameras & Photographic EquipmentLots with images:358
Auction Location:MelbournePrices available:265
Date:29-Oct-2024
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'Smash Uranium Police States', 1978 poster by Michael Callaghan (1952-2012) and printed by Earthworks Poster Collective. Screenprint on paper, 51 x 75 cm
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'Films On Black Australia', 1978 poster designed by Michael Callaghan, founder of Redback Graphix, and printed by Earthworks Poster Collective. This poster won a Bronze Hugo Award in Chicago. Screenprint on paper, 50.5 x 75.5 cm
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'Black School Benefit', 1981 poster for November event held at Northcote Town Hall. Included performances by No Fixed Address, Hard Times, Us Mob, Ross Hannaford, and Lucky Dog. Print on paper, 45 x 64.5 cm
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'Police Bashing - Show The Cops That We Won'T Take This Shit Anymore', 1985 poster. Screenprint on paper, 51 x 75.5 cm
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'Roxstop - Desert Action and Festival', 1997 poster designed by artist and activist Lyn Hovey and printed at Pitt(?) for the Roxby Action Collective. Screenprint on paper, 75.5 x 53.5 cm
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'Palm Island Is For Bwgcolman', early land rights poster, c. late 1970s. The Bwgcolman is the self-assigned name for the Aboriginal Australians who were deported from many areas of the Queensland mainland and confined into resettlement areas on Great Palm Island. Screenprinted on paper, 51 x 30 cm
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'May Day Eve - Bash Against The Bicentennial', 1988 poster designed by Sue Miller for event organised by the Aboriginal Rights Solidarity Group. Offset print, 59.5 x 41.5 cm
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'Wrong Side of The Road... 48 Hours On Our Side of Town' starring Us Mob and No Fixed Address. Poster designed for the opening at the Sydney Opera House, October 30th, 1981, The movie was written and directed by Ned Lander. Offset Print, laminated, 60 x 86 cm
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'Advance Australia', 1983 poster depicting new Australian flag design incorporating the Aboriginal flag. Designed and printed by Jillposters, which was active from 1983 to 1987. Screenprint on paper, 76 x 51.5 cm
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'Keep Your Friends - Don'T Join The Police Force', most likely Brisbane origin. Screenprint on paper, 75.5 x 50.5 cm
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'Cunning Stunts - Appearing Live', c. 1980 poster including handwritten letter on reverse from Hellen Sky to Eve Glenn. Cunning Stunts were a UK women's alternative circus and cabaret group active from 1977 to 1982. Offset print, 59.5 x 42 cm
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'Cunning Stunts - Appearing Live', c. 1978 poster designed by Andrew Haig, with photography by Michelle Williams. Cunning Stunts were a UK women's alternative circus and cabaret group, active from 1977 to 1982. Offset print, laminated, 59 x 41.5 cm
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'High Rise Bombers,' c. 1977 poster designed and printed by Jillian Gibb (1945-2017), later known as Viva Jillian Gibb. The High Rise Bombers was one of Paul Kelly's first bands. Screenprint on paper, laminated, 69 x 49 cm
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'Paul Kelly and The Coloured Girls', 1986 poster for 'Gossip' double LP debut album released by Mushroom Records. Printed on paper, 51 x 76 cm
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'Wild Girls Bombarding Sydney - Barbie's Dead', c. 1980 poster for performances by Melbourne all-women punk rock band Barbies Dead. Screenprint on paper, 71.5 x 50.5 cm
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'The Fantastic Barbie's Dead Are Playing Sharon', poster for performances by Melbourne all-women punk rock band Barbie's Dead. In unused condition with no venue details filled in. Printed on paper, 47.5 x 67.5 cm
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'Peter Disgrace Presents The Toxic Shock Ladie's Auxiliary Benefit Party', 1981 poster for event held September 10th at Collingwood Town Hall, Supper Room. Possibly designed by Jane Murphy and printed by Wendy Black. Screenprinted on paper, laminated. 57.5 x 45 cm Formed in 1979, Toxic Shock were an all-female rock band trying to raise money to make a record. The lead singer was radio presenter Fran Kelly.
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'Redgum - If You Don'T Fight You Lose', 1981 poster for performance at Latrobe Union Hall by Australian folk and political music group Redgum. Formed in Adelaide in 1975, Redgum were best known for their 1983 anti-war song 'I Was Only 19'. Support acts included Toxic Shock, and the Razettes. 76 x 51.5 cm
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'The Wet Ones', c. 1980s poster for The Wet Ones, a Melbourne band formed by Sue World, Genny Hassall, Rosie Joy, and Kelly Brimacombe in 1981. Screenprint on paper, 67 x 47 cm
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'The Kevins', 1979 poster. The Kevins were a Melbourne band active from 1979 to 1983 with releases produced by label Missing Link and Mushroom's subsidiary White Label Records. Printed on paper, 76.5 x 42.5 cm
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'The Kevins', 1981 poster designed by Bob Daly. The Kevins were a Melbourne band active from 1979 to 1983 with releases produced by label Missing Link and Mushroom's subsidiary White Label Records. Printed on paper, 76 x 51.5 cm
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'Barbie's Dead', c. 1980 poster for performances by Melbourne all women punk rock band Barbies Dead. Screenprint on paper, 71.5 x 51 cm
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'Barbie's Dead', c. 1980 poster promoting performance of the Melbourne all-women punk rock band Barbie's Dead. Venues include Prince of Wales Hotel. Screenprinted on paper, signed by Eve Glenn in pencil verso, 29.5 x 42 cm
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'81 Stun - Stingers & Jigsaw', 1981 poster for event held at Merrilands Hall, Atherton, Queensland. Printed on paper, 54.5 x 42 cm
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'Women's Dance - Northcote Town Hall', poster designed and printed by Eve Glenn for event celebrating the launch of 'Toxic Shock' single record. Toxic Shock were a 1980s all-female band, led by bassist Sylvie Leber and guitarist Eve Glenn. The lead singer was radio presenter Fran Kelly. Formed in 1979, the band released one single on the Emi Custom label in 1981. Image of Helen Sky, dancer, musician and acrobat from Soapbox Circus, which became Circus Oz. Signed by Eve Glenn in pencil at lower r
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'La Costa De Northcote', two calendars, from 1983 and 1984, designed and printed by Jane Elliot and Cas Lawrance. Each calendar comprises 7 pages, with photos and drawings of Northcote women. Screenprinted on paper, the first 38 x 52 cm overall, the second 42 x 29.5 cm overall
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'The Real Mighty Bonza Whacko Wimmin's Circus', 1979 poster for 18th October performance at St Mathews Hall, Prahran College. Screenprint on paper, 68 x 50 cm
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'The Wimmin's Circus - Direct From Melbourne', c. 1980 poster for The Wimmin's Circus, which was established in Melbourne in 1979. Designed and printed by Eve Glenn. Signed by Eve Glenn in pencil at lower right. Screenprint on paper, 51 x 76 cm
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'Wimmin's Circus', c. 1980 poster printed by Women's Warehouse Collective for The Wimmin's Circus, which was established in Melbourne in 1979. Screenprint on paper, laminated, 75 x 51 cm
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'Beat Your Breasts', c. 1980 poster for performance of Tasmanian band the Ovarian Sisters and others in concert. Screenprint on paper, 43 x 60 cm
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'Women's Cafe', c. mid-1980s poster for event held at Tzakpina in Lonsdale Street. Printed on paper, laminated, 37.5 x 50.5 cm
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'Sydney Women's Film Group Presents For Whom The Avon Bell Tolls...', 1980 poster designed by Carol Ruff. Offset print, 57 x 45 cm
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'Failing in Love Again', c. 1979 poster designed and printed by Carol Porter for the Pram Factory production of 'Failing In Love Again' which was a hit musical by Australian singer, comedian, and writer Jan Cornall. Screenprint on paper, 64 x 45 cm
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'Greasey - No Heroes - They Sell to Make You Buy Bondage'. Screenprint poster, 76 x 51 cm
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'Go Couple Busting', c. late 1970s poster designed and printed by Carol Porter. Signed 'Caz' at bottom right. Screenprinted on paper, 60 x 45.5 cm
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'Strike A Light - A Labour Day Celebration! The Melbourne Concert Hall', 1985 poster printed on paper, performers include Max Gillies, Bruce Spence, Circus Oz and Jane Clifton, 69 x 50 cm
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'Crash Cups', two c. 1984 posters for the women's band Crash Cups. Screenprint on paper, the larger 75.5 x 30 cm, the other 30 x 21 cm
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'Rock Against Racism - Nazis Are No Fun - Smash The National Front', c. 1978 poster designed and printed by Wendy Black and Gavin from the band ? News?. Rock Against Racism emerged in 1976 in response to racist attacks in the UK and the increasing support for the far-right group, the National Front. The first concert was held in London in 1978, with hundreds of events held in the UK and around the world in the following years. Screenprint on paper, 75.5 x 51 cm
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'The Sybylla Women's Ball', 1987 poster for event held at St Kilda Town Hall on 29th May, which included performances by Sally Ford's Washington Wives and Polly Tix. Poster designed by Sue Miller and printed by Sybylla Press. Screenprint on paper, 51 x 76 cm
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'Wipe Out War Not Women!', 1983 poster designed by Deej Fabyc and printed by Jill Posters. Screenprint on paper, 76 x 53 cm
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'Cia Assassin', 1974 poster designed and printed by Jillian Gibb (1945 ? 2017), later known as Viva Jillian Gibb. Gibb was known for her immediate response to the news, taking direct action on whatever medium she had at hand. Screenprint on paper. 84 x 58 cm overall.
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'Kissinger 1983', poster designed and printed by Jillian Gibb (1945 ? 2017), later known as Viva Jillian Gibb. Gibb was known for the immediacy of her response to issues, her posters appearing the very next day. Hand printed silk screen on paper from one stencil, 74 x 54 cm
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'Melt Down Uranium - Fools Gold', poster depicting nuclear power plant cooling tower behind barbed wire fence that reads 'Danger'. Designed by Eve Glenn, printed by Eve Glenn and Wendy Black. Screenprinted on paper, laminated, 56.5 x 41.5 cm
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'Stop Uranium Mining. This Is The Way The World Ends, Not With A Bang - But With A Whimper.', 1984 poster designed by Julia Church. Screenprint on paper, laminated, 76 x 51 cm
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'Lest We Forget', 1983 poster by Jillposters, which was active from 1983 to 1988. Screenprint on paper, 75.5 x 51 cm
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'No Mystery 2,4-D + 2,4,5-T Are Killers', poster designed and printed by Jillian Gibb (1945 ? 2017), later known as Viva Jillian Gibb. Gibb was known for her immediate response to the news. 2,4-D and 2,4,5-T are phenoxyacid herbicides, which were widely used in agricultural industries until being phased out from the late 1970s due to toxicity concerns. Screenprint on paper, 70.5 x 51.5 cm
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'Sink The Invincible - Take The Toys Away From The Boys', poster by A. Chaffey, signed in the plate. The slogan 'Take the toys away from the boys' was popularised through a song written in the early 1980s by The Fallout Marching Band. Offset print, 72 x 48.5 cm
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'Fraser Slashes Aboriginal Health Service', 1979 poster designed and printed by Jillian Gibb (1945 ? 2017), later known as Viva Jillian Gibb. Screenprint on paper, laminated, 81 x 57.5 cm
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'Danger - Worker's Health & Safety At W.N.D', 1983 poster designed and printed by workers involved in the Williamstown Naval Dockyards Art Project. Printed on paper, 76 x 48 cm
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'This Safety Boot Was Mangled - But The Foot Was Saved', c. 1970s poster created by the National Safety Council of Australia, with logo at base of poster and series number 2255. Printed on paper, 62.5 x 48.5 cm
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 'Black Cargo', 1991 poster designed by Lin Tobias for performances of play by John Romeril at the Anthill Theatre, South Melbourne. Offset print, 59.5 x 42 cm
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'Australian Council of Trade Unions - Working Women's Charter', March 1980 poster for regional meetings, with text in multiple languages. Poster authorised by Victorian Trades Hall Council. Designed by Eve Glenn. Offset print on paper, laminated, 42 x 52 cm
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'Women 150 Presents New Moods - A Women's Festival', 1985 poster for September event comprising exhibitions, theatre, sport, films, dances, and music. Printed by F. D. Atkinson Government Printer. Offset print on paper. 84 x 59.5 cm
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'Rainbow Warrior', poster designed by Eve Glenn (with original signature), printed by Eve Glenn and Carol Porter. Background pattern based on Tivaevae 'Anthorium' design by Cook Island artist Norma Iro. Silk screen print on card, 64 x 50.5 cm
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'If It's So Safe and Pure Test It On The Cote D'Azur', 1995 poster by Carol Porter signed in the plate 'C. Porter - Red Planet, 95' . Hand-printed colour silk screen on card, 51 x 64 cm
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'Palm Sunday Peace Rally and Festival', 1988 poster designed by artist and activist Lyn Hovey. Printed on paper, laminated, 71 x 51 cm
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'Close Pine Gap', 1987 poster designed by artist and activist Lyn Hovey. Produced by the Melbourne Anti Bases Campaign. Offset print, 72 x 50.5 cm
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'Women's Peace Camp - Pine Gap Nov 11TH', 1983 poster designed and printed by Jillposters Collective, a women's screen-printing collective in Melbourne that was active from 1983 to 1988. Screenprint on paper, 45 x 64.5 cm
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'Positive Perspective - Young Women's Photographic Collective', 1985 poster designed by Moira Burke. Screenprint on paper, 75.5 x 50.5 cm
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'Paul Jacobs & The Nuclear Gang', 1979 poster for screenings of political documentary of same name produced and directed by Jack Willis and Saul Landau. Poster design by Matilda Graphics, Sydney. Printed on paper, 54.5 x 42.5 cm
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'Bread Not Bombs', c. 1983 poster by Jillposters, a women's silk screen printing collective in Melbourne, active from 1983 to 1988. Screenprint on paper, 45.5 x 65 cm
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'Kanaky Free & Independent', 1988 poster printed by Another Planet Posters and designed by Dianna Wells, a Melbourne based printmaker and photographer. The movement in New Caledonia for independence from France became very active from the 1970s. Screenprint on paper, 58 x 83.5 cm
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'Lipstick Addiction - Life As A Body', poster designed and printed by Wendy Black, printed at Rmit Union Screen Print for selection of films and performances held by the Rmit Union Arts Activities, in collaboration with the Rmit Women's Group. Programmed by Virginia Fraser (1947 - 2021), an Australian artist, writer, curator, and advocate for women artists. Screenprint on paper, 76 x 50.5 cm
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'Climax Records - Get There - Quick', 1979 poster designed by Philip Brophy, an Australian musician, filmmaker, writer, and academic. This iconic poster was designed for Climax Records, a reggae/new wave record shop in Gertrude St, Fitzroy, run by Max Robenstone. Screenprint on paper, 76 x 51 cm
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'You Don'T Have to Be Dead to Hold A Retrospective', 1982 poster designed by Jan Mackay, a feminist activist printmaker best known for her contributions to the Earthworks Poster Collective at the Tin Sheds in Sydney. Screenprint on paper, 75.5 x 50.5 cm
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'The Story of Whoopsie', c. early 1980s poster designed by Graham Lightbody and printed by Lucifoil Posters for performance presented by Pipi Storm Theatre, a dedicated children?s theatre group that performed in schools and welfare institutions across New South Wales until the late 1980s. Lucifoil Poster Collective was active from 1980-1983 and worked out of the Tin Sheds, Sydney. Screenprint on paper, 84 x 53 cm
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'The Christmas Horror Show - Harpies Bizzare', c. 1978 poster designed by Jane Murphy. Screenprinted on paper, 51 x 75.5 cm
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'Darebin Creek Day Festival', 1985 poster designed and printed by Patrick Jones, signed in plate upper left 'Patrick Jones, '85'. Screenprint on paper, 75 x 59 cm
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'Lynn Quintal - Paintings', c. early 1980s poster designed and printed by Patrick Jones. Lynn Quintal was born in 1952 on Norfolk Island and has exhibited her paintings in Melbourne since 1982. Screenprint on paper, 77 x 51 cm
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'Patrick Jones' Paintings,' 1984 poster designed and printed by Bob Daly. Screenprint on paper, laminated, 75 x 50 cm
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'Thornbury Womens' Neighbourhood House', c. late 1980s poster designed by Lyn Hovey and printed by Thornbury Women's Neighbourhood House at Red Letter Press. Screenprint on paper, 77.5 x 52 cm
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'Debney Meadows After School Programme - 1981 Calendar', poster designed and printed by Ian Roberston in collaboration with Backyard Press, a screenprinting workshop established in Melbourne in 1978. Screenprint on paper, laminated, 74.5 x 50.5 cm
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'Women and Rock and Roll', c. 1980s poster listing many Australian and international artists, e.g. Bonnie Rait, Kate Bush, Chrissie Hines, The Crotchettes, The Modettes, Yoko Ono, The Stray Dags, and others. Screenprint on paper, laminated, 64.5 x 45.5 cm
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'International Womens Day', poster for event held at The Aberdeen Hotel featuring headliners 'Hot Bagels', 'Eyelash Back', and 'Mighty Mouth'. Screenprint on paper, 75.5 x 51 cm
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'Repeating Patterns: Jan Mackay, Hand-Painted Furniture, Paintings & Props. Wollongong City Gallery', 1981 poster by Jan Mackay, a feminist activist printmaker best known for her 1970s contributions to the Earthworks Poster Collective at the Tin Sheds in Sydney. Screenprint on paper, laminated, 75 x 51 cm
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'Upper Hunter Valley Environment Exhibition', 1979 poster designed by Chips Mackinolty of Earthworks Collective. Screenprint on paper, laminated, 75 x 50.5 cm
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'Filmnews,' 1978 poster designed by Jan Mackay and printed by the Earthworks Poster Collective featuring portrait of Sarah Gibson and information on how to subscribe to Filmnews, an Australian monthly film industry newspaper published from 1975 to 1995. Screenprint on paper, laminated, 74 X 46 cm
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'Accordion to Mao', poster designed and printed by Ian Robertson. Screenprint on paper, laminated, 65 x 50 cm
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'Accordion Snap', set of two posters designed and printed by Ian Robertson, one with man, one with woman, each playing Frontalini accordions. Screenprint on paper, laminated, 75 x 50.5 cm
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'Reel Women in 16 Mm', 1978 poster advertising a season of new films by women curated by Kerry Dwyer and screened at the Pram Factory, Carlton. Designed and printed by Eve Glenn. Printed on paper, laminated, 44 x 63 cm
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'Sheila Alone - By Jenny Kemp' and 'Calling For Help - By Peter Handke', c. 1979 poster designed and printed by Bob Daly for theatre dates at the Pram Factory, Melbourne. Screenprint on paper, laminated, 52 x 41 cm
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'The Bitter Tears of Petra Von Kant - By R.W. Fassbinder', c. 1978 poster designed by Carol Porter for theatre performance at the Pram Factory. Offset print on paper, laminated, 59 x 43.5 cm
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'Nightshift', c. late 1970s poster designed and printed by Bob Daly. Nightshift was a group within the Pram Factory theatre that focused on productions of work from international sources, especially radical new plays. Screenprinted on paper, laminated, 42.5 x 29 cm
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'Margeurite Duras' La Musica L'Amante Anglaise', c. 1979 poster designed and printed by Bob Daly for performance at the Pram Factory, Carlton. Performers included Jan Cornall and Phil Motherwell. Screenprint on paper, laminated, 43 x 31 cm
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'May Day, Art and Politics' Pram Factory poster designed by Charles Merryweather for Red Dog Posters, screenprint on paper, 102 x 75 cm
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'Paintings By Howard Clark', c. 1980s poster designed by Howard Clark for exhibition featuring paintings by Howard Clark and photographs by Peter Jones, held at Rhumbaralla's Gallery, Fitzroy. Screenprint on paper, 57 x 38 cm
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'Island Shunters', 1977 film poster for Island Shunters, a documentary by Tim Woolmer about the shunters on Darling Island railyard, Sydney. Printed on paper, 45 x 29.5 cm
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'My Natural Feminine Instincts...', c. early 1970s poster designed by feminist cartoonist Liz Mackie. Screenprint on paper, 43 x 30.5 cm
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'Exercise Classes', poster advertising weekly dancing classes held at 322 Brunswick Street, Fitzroy. Hand printed silk screen on paper with silver accents added after printing, 42 x 30 cm
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'Youth Day', c. 1984 poster for event sponsored by Northcote City Council, designed and printed by Redletter Press. Screenprint on paper, 75.5 x 50.5 cm
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'Equal Wages For Equal Work - Tribune Fair', 1985 poster by Redletter Press for event held at North Melbourne Town Hall. Screenprint on paper, 76 x 51 cm
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'Grow Your Own Grassroots Defiance Against The Capitalist Diet', 1981 poster designed by Frances Phoenix (1950-2017), based on original c. 1940s War Gardens for Victory poster. Screenprint on paper, laminated, 82 x 57.5 cm
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'The Song of The Skirt - Clothing Production in 1903', 1979 poster designed by Marie M cmahon and Frances Phoenix. This is poster two in a series of ten posters designed and printed by the Women's Domestic Needlework Group in Sydney. Screenprint on paper, 79 x 51 cm
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'Visionaries 1945 - 1995 From War to Peace Marking Fifty Years of The United Nations', poster designed by Eve Glenn celebrating Jessie Street and Doc Evatt. Sponsored by the Jessie Street Trust and the Evatt Foundation. Signed by Eve Glenn in pencil, verso. Printed on paper, 64 x 49.5 cm
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'Bitumen River - Gallery Collective (Canberra), Hits Iceberg', 1983 poster by A cme Ink, a print workshop established by Julia Church, Mark Denton, and Mandy Martin at Gorman House, Canberra, that operated from 1982 to 1987. Screenprint on paper, laminated, 65.5 x 48 cm
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'Better Conditions For Artists', c. 1985 poster by the Artworkers Union calling for new members. Offset print, 61 x 44 cm
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'Redletter', c. 1986 poster advertising the services of Brunswick's Redletter Press, which operated from 1979 to 1991. In 1992 Redletter and Another Planet Posters combined to form Redplanet, which closed in 1999. Screenprint on paper, 76 x 50.5 cm
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'Echoes of Merri Creek - Music to Make Things to Hear', 1991 event organised by the Environmental Music Project. Designed by Eve Glenn. Offset print, 64 x 48 cm
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'Icon', poster for group exhibition by artists Sue Grounds, Laurel Frank, Ken Evans, and Mark Patton. Image on poster by Mark Patton. Reverse of poster features information about the exhibition and biographies of the artists. Offset print, laminated, 50 x 34 cm
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'Women's Work - Eight Melbourne Photographers', 1982 poster for exhibition curated by Jenepher Duncan at Monash University. Offset print, laminated, 58.5 x 42 cm
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