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Jewellery, Decorative and Fine Arts — Cordy's

Auction House:Cordy'sNumber of lots recorded:328
Sale Title:Jewellery, Decorative and Fine ArtsLots with images:328
Auction Location:AucklandPrices available:257
Date:27-Aug-2024
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A large Victorian chinoiserie tole ware lidded metal tea cannister, gilt on black. With maker's brass applied label to the reverse 'J. Waters Maker. Birmingham', height 43 cm. Provenance: From the collection of Gerry and Valerie Bermel (of Travis Antiques, Wellington 1950's to 1986).
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A set of six Victorian copper harvest measures, two quarts down to half gill, all with lead verification stamps.
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A 19th century bronze wall sconce gas lamp as Melusine, the winged goddess with serpent like tail holding a lamp, decorative circular wall mount fitting, height 32 cm. Melusine is a figure of European folklore, a female spirit of fresh water in a holy well or river.
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An early 1900s bronze bust of a young woman, her hair drawn back in a plait and wearing a cross, signed J. Campagnola and dated 1904. On green marble plinth, height 26 cm.
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A pair of bronze harvest cherubs, one carrying a sheath of wheat, the other with sickle and grape bunches. On marble bases, height 22 cm.
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A bronze figure of Hermes or Mercury (possibly), seated and holding a large flagon. On green marble base, height 17.5 cm.
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bronze nude figure, a woman playing the cymbals, height 24 cm.
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An 1862 VR Customs and military marked brass padlock. of heart form, the markings engraved, working order, length 11.3 cm. Provenance: Ex. A family member who worked for New Zealand Customs in the 19th century.
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A rare 19th century fruitwood carved pear form tea caddy, with short stalk to the domed top. In good polish. Iron escutcheon, lock and hinge. Remains of foil lining, height 13.7 cm. Provenance: From the collection of Gerry and Valerie Bermel (of Travis Antiques. Wellington 1950's to 1986).
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A rare George III figured walnut miniature apprentice made fall front bureau, the fall front with fitted interior including leather writing surface and central arched mirrored compartment, above two short and three graduated full width drawers, raised on bracket feet. 17.7 x 9 x 21 cm. Provenance: From the collection of Gerry and Valerie Bermel (of Travis Antiques. Wellington 1950's to 1986).
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A rare 19th century Grand Tour marble covered miniature commode, the top and side with inlaid parquetry panels, the serpentine front with three full width drawers with red lacquered interiors, gilt metal swing handles and crowned scroll escutcheons. Carved wooden bracket feet flanking the central shell to the frieze. 25.5 x 16 x 16.8 cm. Provenance: From the collection of Gerry and Valerie Bermel (of Travis Antiques. Wellington 1950's to 1986).
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A fine quality Victorian period whalebone walking stick, the tapered shaft with wide bands of encircling spiral, fine diamond and lineal carved detail. With wide silver fitting to the octagonal tapered knob marine ivory handle, length 87.5 cm.
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A fine quality Victorian period whalebone walking stick, traditional long plain tapered shaft with marine ivory handle carved in the form of a woman's leg with stitched boot, horn disc highlights with steel and ebony pin fixings, length 92 cm.
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A fine quality Victorian period whalebone walking stick, traditional long plain tapered shaft with oak and ebony long V-form inlays below the plain handle, length 87.5 cm.
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A late 19th century brass telescope, two drawer, on tripod base, by T. Peacock & Son, Auckland, length 118 cm.
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A Victorian Adkins brass sextant, in original mahogany box, with accessories. Maker J. Adkins, Upper East Smiths Field, London.
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A 19th century reverse painting on glass, 'Christ Entombed on the Altar'. Repairs to cracked glass. 29.5 x 39.5 cm.
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A pair of 19th century majolica holy water stoups, hole in the top for hanging, multiple old glaze chips . 15 x 32 cm.
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A c.1800 finely embroidered silk picture of the port of London, worked in colours with entitled below the image 'A View of the Tower with the Bridge & part of the City of London'. 26 x 37 cm. Labelled verso. Minor distress.
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17th century silk embroidered jewellery box, the fine embroidery embellished with gilt thread applique, featuring various biblical scenes, the lid opens to reveal compartments including a mirror backed decorative centre well, the two front doors open to reveal small drawers, raised on replacement wood bun feet (one of which is loose). Wear and tear commensurate with age. 33 x 23 x 19 cm.
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A 19th century Moroccan Islamic silk wall hanging. multiple temple doors in pastel tones, embellished with decorative piping, the top with bright yellow minarets. Please note: the second photo shows this large wall hanging photographed in three sections due to its size. 164 x 626 cm.
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A vintage Chanel double-sided tote, noire Caviar leather, envelope style front pocket, with 24ct gold plated CC turn lock closure, the back pocket with quilted CC logo, the interior with two zippered pockets, chain and leather shoulder straps. With numbered authenticity card, care booklet and original box. Purchased in Hong Kong approximately 30 years ago and hardly used. 27 x 8 x 23 cm.
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A Louis Vuitton Azzedine Alaia Alma handbag, monogramed canvas and leopard print calfskin, 100th LV anniversary stamped on inside Azzedine Alaia and Louis Vuitton 1896-1996 No.1541. Interior brown lining with one open and one zipper pocket. Together with all original accessories plus padlock and keys. With dust bag. Purchased LV, Auckland. 30 x 23 x 15 cm.
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A Louis Vuitton Pont Neuf bag, noire Epi leather exterior, slip pockets to the front and back, the interior with slip and zippered pockets, with dust bag. Purchased LV, Auckland. 25 x 12 x 22 cm.
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A Louis Vuitton Bellevue tote, burgundy Vernis leather, monogram exterior, leather handles, the interior with two pockets, gold toned LV plaque to the front, with dust bag. Purchased LV, Auckland. 37 x 18 x 24 cm.
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A Louis Vuitton Lussac tote, Toledo blue Epi leather, two interior pockets, as new, with dust bag. Purchased Hong Kong. 38 x 12 x 30 cm.
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A Louis Vuitton Alma handbag, black noir Epi leather, the interior with two pockets, with dust bag. Purchased LV Auckland, hardly used, as new. 32 x 25 cm.
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Louis Vuitton Parioli GM Large tote bag, in damier ebene canvas. Top access is open with magnetic closure and one slip pocket on the front. The interior with classic orange alkantra lining and two open pockets. With outer dust bag. Purchased LV Hong Kong. Hardly used, as new.
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A Louis Vuitton Soufflot Papillon 30 bag, noire Epi leather, the interior with one pocket, with separate pouch, dust bag. Purchased LV, Auckland. 31 x 13 x 19 cm.
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A Louis Vuitton Lockit bag, noire Epi leather, the interior with two pockets. 25 x 9 x 28 cm.
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A Louis Vuitton Shelton handbag, in monogrammed grey patent leather, one outside pocket with snap closure and one internal pocket, with dust bag. Purchased at L.V. Auckland. 16 x 29.5 x 10 cm.
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A Louis Vuitton Jasmine bag, noire epi leather, the interior with one pocket, with dust bag. Purchased LV, Auckland. 32 x 18 x 9 cm.
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A Louis Vuitton Good Luck bracelet, monogram tan leather with a smooth finish and contrasting red Alcantara lining, silver-tone LV floral clasp for an adjustable fit, with dust bag and original box.
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A Louis Vuitton leather belt, tan with LOUIS VUITTON stamped in full next to the gold toned buckle, in original box.
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A Prada rouched leather satchel, brown nappa leather, gold tone hardware, with small travel address holder, with dust bag and authentication card. (Shoulder strap absent).
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A Prada Eyelet bag, black leather with gold tone eyelet holes front and back, keys and padlock, with dust bag.
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A Prada nylon Tessuto Hobo bag, black with leather corners and large folder over closure with industrial silver tone clip, strap can also go over shoulder. With dust bag.
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A Prada nylon small shoulder bag, aubergine tone, leather corners and piping, adjustable webbing strap, with dust bag.
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A WWII Featherston Camp (NZ) Japanese prisoner of war carved panel, carved and painted with a woman in traditional robe. Framed. 28 x 20 cm. The back detailed CARVED BY JAPANPON NEE PRISONER OF WAR 1944 PRISON CAMP FEATHERSTON NEW ZEALAND. Done with a 4inch nail and a stone for a hammer. Given to me for just tying up a cut on his leg .... VittoIr Donenler (?) NZASC HQ. WELLINGTON.'
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A rare and historical New Zealand Adolph Kohn Auckland 1908 Silver 'Great White Fleet' presentation casket and document, presentation engraved 'To Rear Admiral Charles S. Sperry, Commanding the American Fleet. From Auckland Harbour Board, Auckland N.Z. Aug. 10th. 1908'. Mounted in jade and gold with accompanying William Seuffert-made marquetry boarded cover illuminated document. The rectangular casket raised on fern feet, the front mounted with two pounamu hei tiki with sealing wax eyes, two kiwis in gold,…
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A Jane Brenkley side table, the oval top decorated with a Pa scene, supported by a carved hei tiki column and leaf decorated base. Signed and dated 1943. In excellent condition. Provenance: Gifted by Jane Brenkley to our vendor's mother, c.1960?s. 60 x 34 x 56 cm.
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A Jane Brenkley chest, the lid, front and back carved with pa scenes, the sides with hei tiki motifs, the interior lid with a riverside scene. the interior lined with Jane's traditional wallpaper, signed and dated 1944. The lid with a repair. Provenance: Gifted by Jane Brenkley to our vendor's mother, c.1960?s. 64 x 40 x 42.5 cm.
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A Jane Brenkley lidded box, the top decorated with a w?hine and native flowers, the sides carved with hei tiki and other M?ori motifs. The interior lid has carved and painted flowers and leaves, embellished with shells, paua and beads, the interior lined with Brenkley's traditional wallpaper. Signed and dated 1944. In excellent condition. Provenance: Gifted by Jane Brenkley to our vendor's mother, c.1960?s. 46 x 32 x 17 cm.
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An inlaid NZ timber box in book form, the spine in Ponga, with various NZ woods and Jara reputedly from the wreck of The Boyd. The spine opens to reveal compartment with hand drawn key to the woods. 23 x 6 x 30.5 cm.
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Kennedy Brown contemporary design solid ash Celebrant's Chair, Made at Cicada Studios 2007. 79 x 53.5 x 57 cm Note: The original made for a Samoan church and blessed by Patrick Dunn, the Bishop of Auckland. This chair exhibited with Object Space. See link below. https://kennedybrown.co.nz/ https://www.objectspace.org.nz/exhibitions/the-chair-a-story-of-design-and-making-in/
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A pair of Clarice Cliff Bizarre orange 'Trees and House' candlesticks, Fantasque range, Elton shape. 8 inch, height 20.3 cm. Note: The Fantasque range evolved between 1928 and 1934 and mainly featured abstracts or landscapes of cottages and trees, as well as some Art Deco inspired patterns. The first Fantasque landscape pattern was Trees and House, which sold well from 1930 until at least 1934.
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A c.1930 uncommon Clarice Cliff Bizarre Latona Dahlia biscuit barrel, boldly painted in floral forms with blue geometric highlights. The lid and sides with disc form handles, cane swing handle attached. Printed and painted marks, height 15.5 cm.
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A Wedgwood Keith Murray bowl / vase, conical shape with five lathe turned bands. Moonstone glaze. Printed circular mark, height 10.5 cm, Dia.15.3 cm
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A rare miniature MacIntyre Moorcroft Florian vase, in the Poppy and Forget Me-knot pattern, height 7.8 cm. Painted green initials and printed MacIntyre mark to base. Provenance: From the collection of Gerry and Valerie Bermel (of Travis Antiques, Wellington 1950's to 1986).
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A pair of Just Andersen Art Deco 'Disko' bronze vases, incised decoration of male and female figures and lathe style lines to base, impressed mark and number to the base, height 20.5 cm. Note: The term 'Disko' refers to a unique alloy developed by Andersen, which combines various metals to achieve a distinctive appearance and durable quality. This material choice allows for a finely detailed finish and a smooth, polished surface that is characteristic of Andersen's work.
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An Arts and Crafts hammered copper candlestick by Arthur John Seward, tapered strap form with dished sconce and circular domed base, hammered finish with copper rivet construction. Impressed maker's marks, height 27.5 cm. Note: Seaward was based at the Birmingham School of Arts & Crafts for some years. In 1891 he won a medal for a 'metal photo frame' in the 'Co-operative Festival?, Birmingham. By around 1902 he was making Arts & Crafts metalwork pieces on a small scale; these often bear his 'HS' monogram…
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A 1920's Tiffany Favrile glass trumpet vase, opalescent striped with green tint rim, in gilded bronze engraved pedestal base. With paper label, height 18.2 cm. Provenance: From the collection of Gerry and Valerie Bermel (of Travis Antiques, Wellington 1950's to 1986)
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A Victorian attributed Thomas Webb cameo glass perfume bottle, the white on turquoise glass cut with entwined branches and blossom. Silver embossed screw top lid. Chester 1886 by Frederick Venour, a noted perfume bottle maker. 11.2 cm. Provenance: From the collection of Gerry and Valerie Bermel (of Travis Antiques. Wellington 1950's to 1986).
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Three antique decanters, two ring necked and detailed in gold Hollands and Rum, the third a Bristol Blue Brandy decanter, height 23 cm.
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Eight Bristol Green wine glasses, plain design, tapering bowl on spreading foot, height 13 cm.
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Three 19th century Bohemian glass perfume bottles, includes one Bristol blue pair with ornate gilt highlights and spire topped stopper lids. The other in clear glass with red flashed and gilded highlights, height 21.5 cm. Provenance: Through English family descent, emigrated to NZ following WWII.
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A pair of 19th century Bohemian red glass decanters, facet cut octagonal stoppers, castellated tops, gilt enrichments, height 27.5 cm. Provenance: Through English family descent, emigrated to NZ following WWII.
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A tall 19th century Bohemian blue and white flashed two section vase, cut in a panelled design with ecclesiastical references, the top section removeable from the ovoid bodied base, height 50 cm. Minor faults. Provenance: From the collection of Gerry and Valerie Bermel (of Travis Antiques, Wellington 1950's to 1986).
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A Georgian crystal comport, boat form, cut decoration supported by plain column on square base. (frits commensurate with age and use). 31 x 18 cm.
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A quality pair of Victorian cut crystal lidded sweetmeat bowls on trays, fine hobnail cut decoration, pineapple form finials. Possibly Waterford, height 18.5 cm. Provenance: Through English family descent, emigrated to NZ following WWII.
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A rare 18th century European cut glass armorial beaker, The wheel cut armorial of a standing dragon with a leafy and floral wreath, the reverse cut with an armorial of a builders plane and mallet below 'C.R.K' and with 'A 702' below. Ground pontil. The base labelled 'Glasochrist von Johann Wolf in Franken', height 12 cm. Provenance: From the collection of Gerry and Valerie Bermel (of Travis Antiques. Wellington 1950's to 1986)
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Eleven Waterford crystal wine glasses, Sheila pattern.
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Eleven Waterford crystal champagne flutes, Sheila pattern.
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A 19th century Wedgwood black basalt coffee pot, woven decorative bands to the body, swan finial to lid. (small chip to spout), height 24 cm.
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19th century Meissen porcelain trembleuse lidded chocolate cup and saucer, painted with a farming scene and florals within shaped cartouches, gilt enrichments, pale green ground. Underglaze cross swords mark. (finial broken and reattached), height 11.5 cm. Provenance: From the collection of Gerry and Valerie Bermel (of Travis Antiques, Wellington 1950's to 1986)
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A Royal Doulton World War I bulldog in khaki tone, wearing a khaki green Tam O'Shanter, kilt, shoulder bag and pouch. HN153, printed marks to base including registration no. 663408. Minor faults, height 17.5 cm.
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A Royal Doulton Titanium vase, gilded decoration of ferns, spider in cobweb and moths on a teal cloudy ground. Printed mark to base. Signed T. Morton, height 25 cm.
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A Royal Doulton hand painted 'Venice' vase by John Hugh Plant, signed by the artist, the fine ovoid baluster vase painted in the round with scene of Venice port and gilded, raised on fixed bracket foot stand, height 17.5 cm. Provenance: From the collection of Gerry and Valerie Bermel (of Travis Antiques. Wellington 1950's to 1986).
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A Hadley's Worcester lidded potpourri urn, hand painted with roses. Provenance: From the collection of Gerry and Valerie Bermel (of Travis Antiques. Wellington 1950's to 1986).
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A c.1900 Hadley's Worcester lidded potpourri pedestal urn, painted with roses, teal blue and pierced highlights, squat baluster form, height 15.5 cm. Provenance: From the collection of Gerry and Valerie Bermel (of Travis Antiques. Wellington 1950's to 1986).
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A Royal Worcester Hadley Ware baluster specimen vase, painted with violets, the elegant neck and pedestal base with yellow glaze, gilt enrichments, height 17.8 cm.
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A c.1900 Hadley's Worcester tall specimen vase, the compressed ovoid body painted in the round with roses and with relief panels and encircling bands. Printed and painted marks, height 25.5 cm. Provenance: From the collection of Gerry and Valerie Bermel (of Travis Antiques. Wellington 1950's to 1986).
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A Royal Worcester trumpet vase decorated with highland cattle, gilt embellishments, signed H. Stinton.1934, height 19 cm.
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An Edwardian 1905 Royal Worcester peacock painted elegant baluster vase, Hadley shape, painted with a peacock and hen in a misty landscape highlighted with florals, initialled R.H. Raised on four scrolling feet. Painted and printed marks, height 16 cm. Provenance: From the collection of Gerry and Valerie Bermel (of Travis Antiques. Wellington 1950's to 1986).
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A pair of c.1900 Hadley's Worcester squat baluster vases, painted with red and yellow roses, the borders enamelled in a teal green blue tone and with gilt enrichments. Printed and painted marks, height 15 cm. Dia.14.7 cm. Provenance: From the collection of Gerry and Valerie Bermel (of Travis Antiques. Wellington 1950's to 1986).
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A Royal Worcester rose painted vase, signed by M Hunt, the four lobed body with gilt and pierced top rim highlights. Printed marks and coded for 1941. Shape 278, height 9 cm. Provenance: From the collection of Gerry and Valerie Bermel (of Travis Antiques. Wellington 1950's to 1986).
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A Royal Worcester porcelain hand painted classical ewer, the frieze decorated with cherubs and grotesque masks, the body with hand painted fruit cartouche on a cobalt ground, lavish gilt enrichments. Printed green marks including date code for 1902, shape No.1742 and registration 233064, height 31.5 cm.
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Royal Worcester Hadley lidded potpourri urn, squat baluster form, rose painted and gilded, height 12.5 cm. Printed and painted marks, date coded for 1907. Provenance: From the collection of Gerry and Valerie Bermel (of Travis Antiques. Wellington 1950's to 1986).
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An attractive hand painted and gilded small Royal Worcester ewer, the ovoid body painted with the uncommon pink cyclamen pattern 65. Shape 242. Gilt highlights. Printed and painted marks to the base, height 19.5 cm. Provenance: From the collection of Gerry and Valerie Bermel (of Travis Antiques. Wellington 1950's to 1986).
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An Edwardian 1905 Royal Worcester peacock painted squat ovoid vase, Hadley shape 155, painted with a peacock in a misty landscape highlighted with florals, signed F.J. Bray. Painted and printed marks, height 8.3 cm. Provenance: From the collection of Gerry and Valerie Bermel (of Travis Antiques. Wellington 1950's to 1986).
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A 1905 Royal Worcester Hadley Ware eleven-piece part tea set, includes tea pot, four cups and saucers, sugar bowl and cream jug. Painted with purple violets, teal blue and gilt highlights. Printed and painted marks, date coded 1905. Provenance: From the collection of Gerry and Valerie Bermel (of Travis Antiques. Wellington 1950's to 1986).
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An early 19th century Royal Worcester porcelain plaque, the large hand painted plaque with three children watching a robin eat bread, signed Enoch Doe who worked for Flight, Barr and Barr then Worcester in the early 19th century. In gilt and ebonised frame. 39 x 300.
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A Tibetan gilt bronze figure of a sixteen headed deity, in embrace with his consort, standing upon recumbent bodies, raised upon a double lotus plinth base, height 43.5 cm.
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A 19th century wooden statue of Guan Yin, she sits in traditional serene pose on a fabric wrapped rock formation, the stepped base with conforming stepped feet. Wax seal to the back. 58 x 52 x 112 cm.
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An old Chinese large bronze ceremonial teapot, the rounded square section body panelled with fine scroll work, conforming lid with monkey finial and a pierced spreading base, animals to the lug supports for the two handled carry chains, dragon form spout with four subsidiary dragon heads, all over decorated, some green patination. Fine calligraphy engraved to most of the base. 27 x 36 x 215.
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Six bronze chops (seals), in the form of temple dogs, two blanks and two with missing bases.
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A pair of c.1900 Chinese silver specimen vases, by Luen Wo of Shanghai, uncommonly with side spouts and blossom decoration and relief branch detail. Impressed marks, height 15 cm.
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An old Chinese pale green jade bi disc, carved in relief with two confronting dragons. Dia.6.8 cm. Provenance: From the collection of Gerry and Valerie Bermel (of Travis Antiques, Wellington 1950's to 1986)
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An old Chinese carved malachite fu dog on stand, modelled turning to its right. The fitted stand with scroll carved and pierced detail, length 8 cm, height 7 cm. Provenance: From the collection of Gerry and Valerie Bermel (of Travis Antiques. Wellington 1950's to 1986).
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An old Chinese striated pale green jade carving of a Bixie, modelled recumbent with front legs outstretched. On fitted hardwood stand, length 7.3 cm. Provenance: From the collection of Gerry and Valerie Bermel (of Travis Antiques. Wellington 1950's to 1986).
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A Chinese porcelain Canton enamel famille rose shallow dish, brightly glazed with multiple imperial five claw dragons chasing flaming pearls. Possibly early Republic period. Dia.24.5 cm.
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A Chinese porcelain red glaze bowl, soft tone, with Guangxu six-character mark in underglaze blue to the foot. Raised on wood stand. Dia.16 cm.
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A quality Chinese porcelain beehive (taibai zun) form brush washer, the peach bloom glaze over fine incised roundel decoration. Underglaze blue Kangxi mark and labels to base, height 9 cm. Dia.12 cm.
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A Chinese porcelain (taibai zun) beehive form brush washer, well potted with a short waisted neck, the exterior lightly incised with three dragon roundels under the white glaze. Kangxi six-character mark to the base, height 9 cm.
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An uncommon large Chinese porcelain brush pot, underglaze blue restrained decoration with musicians and other figures. Metal band to the top rim, inscription and collection number to the base. Recessed gutter base, height 17 cm. Dia.18.5 cm.
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A pair of 19th century Chinese blue and white lidded ginger jars, darker blue framing to the finely painted scrolling vine and floral ground decoration, height 22 cm. One with one chip to interior of lid. Provenance: By descent through English family who emigrated to NZ following WWII.
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A pair of Chinese lipstick pink vases, each with two cartouches decorated with outdoor scenes, mirror images of each other, with various flowers decorating the body, seal mark to base, height 44.5 cm.
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A quality Chinese porcelain famille rose small dish, plain deep rose-pink exterior, Yong Zheng mark to base. Dia.8.8 cm.
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A pair of large 19th century Chinese famille rose vases, baluster form, with rectangular figured panels on floral ground, shishi and salamanders to the neck and shoulders, flared shaped top rims. Gilt highlights, height 34 cm. Provenance: Through English family descent, emigrated to NZ following WWII.
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Two Chinese 19th century small famille rose tea pots, panelled figure decoration, each with a band of floral decoration including black detailed butterflies. Gilt enrichments. Tallest 12.8 cm. Provenance: Through English family descent, emigrated to NZ following WWII.
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