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The Collector's Auction — Leonard Joel Pty. Ltd.

Auction House:Leonard Joel Pty. Ltd.Number of lots recorded:168
Sale Title:The Collector's AuctionLots with images:168
Auction Location:SydneyPrices available:99
Date:17-Sep-2024
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Tom Dixon: a pair of Beat wide pendant lights, Hand-raised, welded and beaten in brass with matte black exterior and golden interior.
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Minotti: two 'Prince' armchairs and footstool, upholstered in charcoal flecked wool., chair: 89 x 87 x 87 cm, footstool: 40 x 71 x 52 cm
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Archimede Seguso for Vetri D'Arte: a Murano glass 'Carnevale' vase, Italy, the tapering cylindrical form in shades of pink, red and green, inscribed to base: Archimede Seguso Murano., height 39.5 cm
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Vincent Dupont-Rougier for Delcourt collection: two 'OUK2' side tables, glazed ceramic., height 60 cm, diameter 60 cm
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Tom Dixon: a mirror ball pendant light, with highly reflective copper shade.
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Luigi Onesto: a Murano glass 'Anelly' vase, Italy, of thick ovoid form, in clear and blue sommerso glass with pink and yellow murrini and bubble decoration., height 27 cm
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Rachel Donath: four 'Grace' dining chairs, each solid oak with woven rush to seat and back., height 85.5 cm, width 45 cm, seat height 46 cm
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Two terracotta table lamps, with shades, European plugs., height variable, diameter approximately 30 cm
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A modern double-sided sideboard, custom designed by Architect Tim Allison, Sydney, with cupboard doors to each side opening to reveal fitted interiors of slides and drawers, one end with raw edge where it would abut the wall., height 70.5 cm, width 258 cm, depth 84.5 cm
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Versace: a 'Serge' floor mirror, the rectangular smoked glass plate with applied border of black lacquer rocaille scrolls., height 240.5 cm, width 120 cm, depth 10 cm
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Luigi Onesto for Vetreria Oball: a Murano glass teardrop vase, Italy, the sommerso glass in yellow, red and blue, Vetreria Artistica Oball label to body., height 15.5 cm
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Tom Dixon: a pair of Beat fat pendant lights, Hand-raised, welded and beaten in brass with matte black exterior and golden interior.
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Antonio Citterio for Maxalto: dining suite, comprising: dining table (Recipio '14), four chairs (Caratos) and two benches (Sella), the seats upholstered in a grey cream leather., table: height 73 cm, length 228 cm, width 105 cm, bench seats: height 46 cm, length 100 cm, width 43 cm
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Luigi Onesto for Vetreria Oball: a Murano glass vase, Italy, of flattened ovoid form with sommerso glass in layers of clear, pink and blue, inscribed to base: oball Murano, with Vetreria Artistica Oball label to body., height 21 cm
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Tom Dixon: a Beat tall pendant light, Hand-raised, welded and beaten in brass with matte black exterior and golden interior.
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A Cararra marble Stoup, circa 1880, of shell design, adapted to be used as a sink., height 12 cm, width 46 cm, length 56 cm
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A collection of antique copper and brass utensils, including three Victorian jelly moulds, two kettles, two ale mullers, two flagons, two scoops, two skillets, a pan and a trivet.
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A brass mounted campaign style pedestal desk, the leather lined top above three drawers and with three drawers to each pedestal on bracket feet., height 77 cm, width 137.5 cm, depth 69 cm
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A three fold leather screen, painted with Chinoiserie scenes on a red ground within a flowerhead border., each panel 184 x 56 cm
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A late Victorian gilt composition looking glass, in the Adam revival style, the oval bevelled plate in a velvet lined frame surmounted by and an urn and suspended from berried leaf swags (losses)., height 94 cm, width 44 cm
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A Victorian Sevres pattern porcelain and amboyna occasional table, the oval top inset with a porcelain dish painted with an 18th century scene in giltmetal mounts, having oval plaques to each corner, on cabriole legs., height 67 cm, width 67 cm, depth 49 cm
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A Queen Anne walnut long case clock, circa 1710, the eight day movement by John hill, King Street Covent garden, with silvered chapter ring, Roman hours and Arabic minutes, subsidiary seconds dial and date aperture, the spandrels with putti holding a crown, the hood with cornice above a plain frieze, the door with engaged columns, the moulded trunk door with matched veneers and lenticle glass, the sides with feather banded panels on a base with moulded foot., height 217 cm, width 53 cm, depth 28 cm
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John Stoddart, the Beggar's opera: Mr &, Mrs Peachum, two watercolours on paper, each signed and titled: 'The Beggar's Opera' / Mrs. Peachum / John Stoddart, John Stoddart 'The Beggar's Opera' / Mr Peachum, Mrs. Peachum: 47 x 33 cm (61 x 45.5 cm framed), Mr Peachum: 46 x 29 cm (61 x 40.5 cm framed)
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A pair of early Victorian cast iron garden benches, in the "Twig and Serpent" design, each back and seat composed of tied oak branches with leaves and acorns, the ends with entwined snakes., height 85 cm, width 126 cm, depth 60 cm
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A Victorian brass bound teak campaign chest, in two parts, having two short three long graduated drawers with typical recessed handles, on turned feet., height 103 cm, width 101 cm, depth 48 cm
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A Colonial cedar child's high chair, mid 19th century, the caned miniature bergere with turned legs and stretchers on a removable table base with reeded front legs., overall height 92.5 cm
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An antique north West Persian rug, the navy blue field with all over flower head and tendril design within triple border of geometric and cruciform motifs., 180 x 90 cm
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A matched pair of elm and ash Windsor chairs, East Anglia, circa 1800, of typical form with a pierced splat above the solid seat, on turned legs., height 90 cm
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A George I ebonised bracket clock, circa 1700, by Joseph Windmills, London, the eight day movement with passing half hour strike and repeater by Joseph Windmills, London, with silvered chapter ring, Roman hours and Arabic minutes, date aperture, the spandrels with cherubim, the domed case with giltmetal handle, the plain frieze with pierced fretwork panel, on bun feet., height 42 cm, width 27 cm, depth 17 cm
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A Regency mahogany Pembroke table, the oval twin-flap top on plain frieze and ring turned tapering legs with brass castors., *CITES permit May be required for export, height 70 cm, width 123 cm, depth 92 cm
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A William IV mahogany gentleman's shaving stand, the circular swivel mirror in a scrolled support on a two-tier pedestal with lotus leaf and scrolled tripod legs., height 149 cm
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A mahogany and inlaid vitrine, first quarter 20th century, retailed by Prouds, Sydney, the shaped cornice inlaid with amboyna and ebony, the central door enclosing glass shelves, above a drawer, on turned tapering legs united by an undertier., *CITES permit May be required for export, height 182 cm, width 107 cm, depth 42 cm
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A Scottish George III mahogany long case clock, the movement signed Will Donnie, Edinburgh, having a brass face with Roman hours and Arabic minutes, subsidiary seconds dial and calendar date aperture, the hood with swan-neck pediment above the arched glazed door flanked by brass mounted columns, the shaped trunk door flanked by fluted quarter columns on a moulded base., *CITES permit May be required for export, height 216 cm
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A French gilt composition wall mirror, late 19th century, the mottled plate in a moulded frame with winged cartouche cresting flanked by recumbent cherubs., 155 x 84 cm
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A George IV rosewood console table, the mirrored back with pierced brass gallery on turned supports above a marble top, the plain frieze on gilt scrolled supports, with mirror on concave plinth base., *CITES permit May be required for export, height 125 cm, width 122 cm, depth 42 cm
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A Louis XIV fauteuil, the carved arms with scroll terminals, on bobbin turned legs united by a moulded x-stretcher, the padded back and seat upholstered in tapestry featuring birds, flowers and griffins., height 118 cm, width 66 cm, depth 60 cm
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An early 19th century Italian tulipwood centre table, the circular marble top on gilt and bronze lion monopodiae supports., height 84.5 cm, diameter 106 cm
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David Roberts (Scottish, 1796-1864), Greek church of the holy Sepulchre, Jerusalem, hand coloured lithograph, signed and titled in the stone, 32 x 48 cm (54 x 68 cm framed)
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David Roberts (Scottish, 1796-1864), church of the Convent of Saint Catherine's on mount Sinai, hand coloured lithograph, signed and titled in the stone, 33.5 x 49 cm (56 x 68 cm framed)
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A George III mahogany table clock, the movement by Tim Jordan, snow hill, London, the domed top with gilt brass carrying handle and four pinecone finials, the arched door with pierced brass spandrels enclosing a brass dial with silvered chapter ring having Roman hours and Arabic minutes and gilt rocaille decoration to the internal spandrels, strike silent dial, date aperture, eight day movement striking on a bell., height 49 cm, width 27.5 cm, depth 18 cm
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A George III mahogany Pembroke table, the twin-flap top above real and false end drawers with boxwood lines, on square tapering legs with castors., *CITES permit May be required for export, height 71.5 cm, width 100 cm, depth 77.5 cm
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An antique Chinese Ningxia runner, composed of six panels centred with a lion mask with scrolled fretwork spandrels in shades of blue and yellow., 450 x 78 cm
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A Colonial cedar and blackwood chest of drawers, mid 19th century, having three small drawers above three long drawers with original knob handles, flanked by turned blackwood columns, on turned feet., *CITES permit May be required for export, height 119 cm, width 126.5 cm, depth 60 cm
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A rare Colonial cedar longcase clock by Richard Johnson of Sydney, circa 1835, the arched hood with three brass finials and brass framed door, the arched trunk door flanked by simple turned columns on a base with moulded recessed panel on turned front ball feet, the silvered dial with Roman numerals and subsidiary seconds dial inscribed 'Johnson Sydney', having blued steel hands and English eight day movement., height 224 cm
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A child's rustic 'Hedgerow Chair', late 19th century, the stick back above a scalloped seat rail., height 67 cm
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A rustic three legged stool, early 19th century, with solid elm top., height 30.5 cm
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An antique oak and chestnut upright spinning wheel, maker's name of John Kerry, Evesham (circa 1850) of typical form with turned elements and spindles., height 129 cm
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An antique oak cradle, late 17th century, with shaped hood, turned finials, the panelled sides with carved lozenges and rosettes., height 74 cm, width 95 cm, depth 44 cm
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An English rustic oak panel back chair, 18th century, the solid shaped back and seat flanked by a pair of shaped arms on facetted legs., height 87.5 cm
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An antique oak carved panel, 16th/17th century and later, with St Andrew and another saint possibly John the Baptist, with strapwork and mask detail, later mounted as a door., 64 x 55 cm
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A pair of William and Mary oak side chairs, each with a tall panelled back and scroll carved crest rail, above the solid seat on turned front legs with turned front stretcher., height 120 cm
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A pair of Arts & Crafts cast iron fire dogs, each with a repousse copper boss of Celtic design., height 30 cm
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An antique Welsh oak hanging wall cupboard, late 17th century, with a moulded cornice above a door with a pierced section and two panels, opening to reveal an arcaded interior, with a shelf and four small drawers., height 82.5 cm, width 65.5 cm, depth 28 cm
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A pair of Victorian oak side chairs, in the 17th century style, each with a scrolled top rail above a pierced and scrolled carved splat flanked by barley twist uprights, the upholstered seat on tapering barley twist front supports.
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Three ancient terracotta vessels, comprising a Greek red figure miniature lekythos with a palmette design, a small dish and a small amphora shaped vessel., Lekythos: height 10.5 cm
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An oak spoon Rack/Salt box, early 19th century, the tall back with two spoon rails, above the salt receptacle with hinged top., height 63.5 cm, width 26 cm, depth 21.5 cm
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A bronzed sculptural jardiniere stand, after Adolphe Maubach, late 19th century, the rams head urn supported by a pair of tumbling putti on a square ribboned plinth, signed: a Maubach to base., height 71 cm
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A Khotan carpet, having two diamond medallions within multiple geometric patterned borders in shades of brown and grey., 400 x 212 cm
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A 19th century Colonial silver mounted carved emu egg on stand, the egg decorated with an image of a swagman, the mounting marked "Sterling Silver"., height 33 cm
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A George I Britannia standard silver jug, maker's mark of Louis Cuny, London 1720, originally a mug, with repousse scrolls, rocaille and flowers on a fish scale ground around a vacant cartouche, the leaf capped scroll handle, on moulded foot., height 10.3 cm, 295 grams
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A George II silver mug, Makers' mark of Richard Gurney and Thomas cook, London 1753, of plain baluster form with scroll capped handle and moulded foot., height 9.5 cm, 176 grams
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A pair of George III silver sauce ladles, Makers' mark of Alice and George Burrows II, London 1803, in the Old English pattern with circular bowls., length 18 cm, 99 grams
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A George III silver mug, maker's mark of James stamp, London 1777, baluster shaped with repousse swag and half reeded decorations, moulded strap handle, engraved with initials Wab., height 11.2 cm, 144 grams
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A pair of George III silver sauce ladles, Makers' mark of Peter and William Bateman, London 1808, in the Old English pattern with oval bowls., length 18.4 cm, 112 grams
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A Victorian silver mounted cut glass scent bottle, maker's mark of Gibson and Langman, London 1898, the spherical base with hobnail cutting, the hinged repousse cover with scrolls and flowers., height 14.5 cm
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A collection of three George III and William IV bottle labels, comprising Madeira London 1808, port Sheffield 1835, and sherry Birmingham 1836., 31 grams combined
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A William Moorcroft for James Macintyre &, Co. Twin handled Florian Ware vase, circa 1898-1905, of tall tapering outline with handles to the shoulders, decorated all over with stylised flowers and foliage in shades of blue: brown printed Florian Ware mark, with hand painted green signature., height 25.5 cm
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A large Moorcroft jardiniere, circa 1920, decorated in the "Pansy" pattern, impressed Moorcroft and made in England with hand painted signature., height 32.5 cm, width 29 cm
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A large Moorcroft vase, circa 1925, of elongated bell form, decorated in the "Spanish" pattern on a mottled blue and green ground, hand painted green signature., height 43 cm
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A Royal Doulton Stoneware "Old Bill" bulldog figure, circa 1916, the seated canine wearing a helmet, pouch and haversack., height 17 cm
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A French gilt brass carriage alarm clock with repeater, late 19th century, the bevelled glass case with fluted column uprights, Arabic numerals in leather case., height 17 cm
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A Russian Ikon of Christ Pantocrator, the 17th century oil on panel, in 18th century silver gilt oklad with maker's mark of Yakov Frolov (1766-1799) and modern kiot., 52 x 46.5 x 9 cm
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A Russian silver, gilt and enamelled Kovsh, maker's mark of Orest Kurlyukov, Moscow circa 1910, of traditional form the boat shaped bowl having an enamelled reserve painted in colours with a boyar and his wife offering bread and salt before the walls of a town, within a cast scroll frame, the high looped handle with leaf scroll ornament and set with coloured glass cabochons and to the rim., height to handle 18.9 cm
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A Faberge guilloche enamel and silver desk clock and frame, Workmaster Viktor Aarne, circa 1900, rectangular, with a slightly arched top and beaded borders, the oyster white guilloche enamelled field set with an enamelled clock with Arabic numerals, above an oval frame surmounted by a ribbon tied laurel wreath, the back with ivorine panels and supported by a scrolled strut, in velvet lined fitted morocco case., height of clock 13.3 cm
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A silver singing bird box attributed to Karl Griesbaum, first quarter 20th century, richly chased in the Renaissance revival style with strapwork scrolls, masks and birds, on four leaf scrolled feet, the bird shaped catch raising the oval domed top revealing a feathered singing bird on a pierced gilt panel, stamped 800., height 66 cm, width 10.5 cm, depth 7 cm
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A Dresden porcelain urn-shaped pot pourri, late 19th century, the pierced cover with plumed helmet finial, decorated all over with garlands of roses on a gilt enamel ground., height 33 cm
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A Meissen porcelain shoe and a Continental porcelain chair, both late 19th century, the shoe with a pair of cupids embracing, the Louis XVI style fauteuil painted with Watteau-esque scenes., height of chair 24 cm
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A Bohemian overlay glass posy vase, mid 19th century, the lappeted rim above alternating enamelled and cut glass panels and a knop, on a spreading foot., height 22 cm
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A pair of Continental porcelain dancing figures, late 19th century, a man and lady in 18th century dress., height 12 cm
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A French Sevres-Style painted porcelain plaque, 19th century, signed lower left: C Rochette, depicting a lady with rose corsage and a rose spray in her hair, jewelled earrings and necklace and a puce and gold corsetted gown with lace sleeves., 18 x 14.5 cm (24 x 21.5 cm framed)
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Two Derby porcelain figures, late 18th/early 19th century, comprising a bocage candlestick figure of a shepherdess and sheep on a scrolled base, and a figure of a male flautist, seated on a gilt chair in a pink coat, flowered waistcoat and striped breeches, blue D and anchor mark., height of candlestick 24 cm
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A Minton's porcelain ovoid ewer, circa 1910, the leaf cast handle with satyr mask terminal, the body decorated with trailing flowers and foliage on a yellow ground, on a square foot., height 29 cm
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A Chelsea porcelain figure of a girl and a Sitzendorf porcelain group of two children with a birdcage, the 18th century figure in peacock patterned apron, the other group in shades of brown., height of tallest 16.5 cm
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A Spode pearl ware part fruit service, early 19th century, transfer-decorated in the "Uva" or grape pattern in blue, comprising six plates and two rectangular platters., plates: diameter 21.5 cm, platters: 30 x 22.5 cm
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A Royal Worcester Australian flowers coffee set, date code for 1926, painted by R. Austin with Australian native flowers, Flannel flower, Christmas bell, wattle, Heath, pink gum and wattle., saucers: 10 cm diameter
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A Royal Worcester porcelain plaque painted by James Stinton, date code for 1928, signed lower right: J Stinton, decorated with highland cows in a mountainous landscape, puce mark verso., 8.5 x 10.5 cm (20 x 22 cm framed)
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A Royal Worcester porcelain plaque painted by Raymond Rushton, date code for 1926, signed lower left: R. Rushton, titled 'Entrance to St Pierre port, Guernsey', featuring a fishing boat entering the port, puce mark and title verso., 14.5 x 10 cm (27 x 22 cm framed)
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A Worcester (Dr Wall) porcelain fluted cup and saucer, circa 1765, painted in colours with exotic bird, butterflies, insects and foliage, within gilt scalloped borders, blue underglaze fret mark, paper labels to base., diameter of saucer: 14 cm
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A Worcester porcelain sparrow beak cream jug, circa 1775, painted in the famille rose manner with flowers, fruit and insects., height 8.2 cm
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A Worcester porcelain cylindrical mug, circa 1780, plain strap handle, painted in blue and gilt enamel with stylised flowerheads and foliage, underglaze blue crescent mark., height 12.3 cm
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A large Worcester porcelain tankard, circa 1820, with gilt rim and moulded foot, finely painted with a continuous still life scene of various flowers, a pineapple and two birds, grapes, other fruit and roses, height 13 cm
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A Worcester (Dr Wall) porcelain blue scale cream jug, circa 1765, having gilt cartouches on the blue scale ground painted with exotic birds and foliage, insects and flowers, underglaze blue fret mark., height 11.5 cm
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Two Barr Worcester mugs, late 18th century, each cylindrical with a moulded scroll handle, decorated in gilt to the rim and with the initials Sb and MP, the smaller with inscription to underside "Sarah born Oct, 9th, 1794" the larger "Mary Pearson born August 10th, 1774" with incised B mark., height 12 cm, 8.5 cm
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A Chelsea porcelain plate from the Duke of Cambridge service, circa 1760, moulded with scalloped edges and cartouches to the rim, painted in colours possibly by James giles, with fruit, butterflies and insects, gold anchor mark., diameter 23 cm
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A Chelsea porcelain plate, circa 1760, moulded to the rims with gilt rocaille and painted in colours with fruit and butterflies, gold anchor mark., diameter 22 cm
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A Chelsea Derby porcelain figure of Andromache, last quarter 18th century, modelled by Pierre Stephan, the mourning figure leaning on the urn with Hector's ashes, in a gilt and flower patterned tunic and pink robe, black sandals, impressed marks to base, height 23.5 cm
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A pair of Chelsea Derby porcelain teacups and saucers, last quarter 18th century, each with a gilt scalloped rim, painted in colours with swags of flowers., diameter of saucer: 13 cm
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A large Derby porcelain tankard, first quarter 19th century, cylindrical with moulded ribs and squared handle, having gilt scroll decoration to the rim, and a reserve painted in colours with a still life of spring flowers in a basket on a ledge, iron red crowned D mark., height 13 cm
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Two New Hall tea cups and saucers, late 18th century, both transfer decorated with exotic birds and flowers in colours, the saucers with New Hall mark within double circle., diameter of saucers 14.2 cm
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A Victorian porcelain teapot, probably Coalport, moulded and with bird mask spout, decorated in dark blue with gilt enamel scrolls, tendrils and flowers having cartouche shaped reserves with landscape scenes in colour., height 21 cm
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