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Auction House:ArtvisoryNumber of lots recorded:305
Sale Title:Fine Chinese and Asian Arts Featuring Property from the Collection of Walter Hochstadter, Day 2.Lots with images:305
Auction Location:MelbournePrices available:182
Date:22-Jul-2024
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A painted pottery figure of a Huren, Tang Dynasty (618-907), the Tang dynasty, which arose in 7th century China, wielded significant influence over its neighbouring countries, earning it the title of the great Tang Empire. This work is a pottery figurine of a Hu person, which broadly refers to foreign ethnic groups in Chinese Art, specifically those from Western regions. This figure May represent a merchant who travelled back and forth along the silk Road. Its deeply carved features, including a full beard…
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A painted pottery figure of a Lokapala, Tang Dynasty (618-907), modelled standing on a rocky base, with remnant mineral pigment decoration, 69 cm high. Provenance: Leonard Joel, an important private collection of Asian Art, Melbourne, 12/09/202. No reserve
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A very fine pottery figure of a camel, Tang Dynasty (618-907), this is a camel figurine from the Tang dynasty. The Tang dynasty represents a magnificent era in Chinese history, characterised by its openness to external cultural influences. The silk Road played a crucial role in introducing new ideas and visual inspiration from abroad. Highlighting the extensive reach of this trade route, the two-humped Bactrian camel was the favoured transportation for merchants. These camels could travel longer distances…
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A turquoise inlaid gilt-bronze openwork mirror, Eastern Zhou, Warring States period (475-221 B.C.) or later, featuring a central knob surrounded by a circular border adorned with three feathers and encircled by figures amidst mythical beasts. The mirror also showcases an outer band of mythical beasts and cloud pattern, all gilded. The reverse side exhibits a black-green patina with some encrustation. This mirror comes with a fitted Japanese wood box, 17 cm diam
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A rare bronze 'Bixie' weight, Han Dynasty (206 Bc-Ad 220), the weight is cast in openwork as three winged, free-standing bixie with their jaws open, heads turned over their backs and leaning blow a central mountain. From Kusaka Shogado, one of Tokyo's foremost dealers. These weights were likely used to anchor corners of seating mats and were typically crafted in sets of four. Compare three gilt-bronze weights dated to the Han dynasty nearly identical in style in the Harvard Art Museum, object number: 1943…
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A Yue celadon ewer, five Dynasties - Northern Song Dynasty, 10th-11th century, for an almost identical example in the Art gallery NSW collection: ewer, Yue ware, 9th century-10th century, https://www.artgallery.nsw.gov.au/collection/works/278.1975/, no reserve, 16.8 cm high 17 cm (wide)
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A black glazed Lobbed water dropper, Song-Jin Dynasty, 12th-13th Centruy, 7.5 cm high. Provenance: Bonhams Sydney, Asian Art, 12/04/2023, lot 29
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A Jizhou tortoiseshell-glazed tea bowl, Southern Song Dynasty (1127-1279), the bowl is covered inside and out with a dark brown glaze surrounding irregular, transparent, amber-white glaze splashes.11 cm diameter, diameter 11 cm. Provenance: Luen Chai, Hongkong, a private collection, Adelaide
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A rare Jizhou black glaze deep tea bowl, Southern Song Dynasty (1127-1279), the interior of the bowl finely decorated with light brown dots, it is covered overall with dark brown glaze, 11.1 cm x 7.5 cm high. Provenance: R&V Tregaskis Oriental Art, Sydney, the Reid family collection, Sydney, Australia, Bonhams Sydney, 9 May 2018, lot 63 (Sold $26791)
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A small Jian tea bowl, Southern Song Dynasty (1127-1279), rounded form, covered in a thick russet glaze pooling hare's fur in the centre, the exposed biscuit at the base a deep chocolate brown colour, diameter 9.4 cm
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A small moulded Yaozhou bowl, Northern Song - Jin Dynasty (960-1234), the conical bowl features finely moulded interior detailing, showcasing a scrolling stem adorned with six flower-heads surrounding a central florette. It is covered in a lustrous olive-green glaze, while the unglazed knife-cut ring foot and recessed base add a contrasting touch. Hails from one of Tokyo's most esteemed dealers, Kitayama fine Arts. A similar example, boasting identical size and decoration, can also be found in the J.J.…
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A rare Longquan celadon Guan-Type 'Lotus Petal' bowl, Southern Song Dynasty (1127-1279), it has deep, rounded sides, is carved on the exterior with overlapping petals rising from the foot, and is covered with a thick, even glaze of soft blue-green tone. 7.4 cm high, 17 cm diameter. Though bearing the marks of time with chips and broken pieces to the rim, this bowl has undergone meticulous restoration, resulting in a seamless presentation that retains its original aesthetic appeal, diameter 17 cm
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A Qingbai conical tea bowl, Southern Song Dynasty (1127-1279), the bowl is finely carved with floral motifs in the interior, covered overall with a pale blue glaze appearing lucid in areas where it pools, 14.4 cm diameter.
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A iron-spotted Qingbai water dropper and dog figure, Yuan Dynasty (1271-1368), a Qingbai boy on the buffalo water dropper with an iron spot and bluish glaze. A Qingbai dog figure also with iron spot decoration and bluish glaze, 9.5 cm (length) & 5.6 cm (length). Provenance: a Victoria private collection
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A Qingbai double-gourd ewer, Yuan Dynasty (1271-1368), a Qingbai double-gourd ewer, originating from the Yuan Dynasty, characterised by its elongated handle and spout, decorated with brown splashes of iron oxide, Jingdezhen kilns. For a similar example, please refer to 'John Guy Oriental trade ceramics in Southeast Asia, 10th-16th century,' exhibited at the National Gallery of Victoria in 1980, catalogue no. 38, 11.3 cm high. Provenance: Leonard Joel, 11 March 1994, a Victoria private collection
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A Qingbai double-gourd ewer with a 'Cilong' handle, Yuan Dynasty (1271-1368), Originating from the Yuan Dynasty, this ewer characterised by the elongated 'Cilong' handle and spout, covers overall with a translucent glaze exhibiting a pale aquamarine hue. Jingdezhen kilns, 12.8 cm high
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A Cizhou bowl and cover, Jin Dynasty, 12th-Early 13th century, it features dark brown paint over a white slip under a clear glaze adorned with a band of feathery leaves framed by lines. The glaze and slip stop just short of the foot ring, revealing the light grey stoneware body, which has turned a buff colour due to firing. The interior is also coated with slip and glaze. Its domed lid, with a flat top, is decorated similarly. With Japanese wood box, for a similar example: a Cizhou painted bowl and cover…
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A iron-spotted ewer with a 'Cilong' handle, Yuan Dynasty, 14th century, 7.5 cm high. Provenance: A Private Collection, Geelong, Australia.
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A group of two blue and white jarlets, Yuan Dynasty, 14th century, 7.5 cm high 5.8 cm high. Provenance: a private collection, Geelong, Australia.
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A blue and white pouring vessel 'Yi', possibly Yuan/Ming Dynasty, 14th/15th century, 15.5 cm (diameter). Provenance: a private collection, Geelong, Australia.
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A blue and white incense burner, Ming dynasty, 16th century, the cylindrical body of the burner is decorated with a classic motif depicting the 'Three friends of Winter' – pine, bamboo, and plum – symbolising longevity, resilience, and perseverance. Adding to its allure, a repeating cloud pattern adorns the upper rim. Unglazed interior, 9.4 cm x 6.5 cm high
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A 'Longquan' celadon vase, Ming Dynasty, (1368–1644), Stoutly potted of slender ovoid form surmounted by a short, narrow mouth. The shoulder is surmounted by a short cylindrical neck with a lipped rim, the sides carved with a lozenge pattern above a band(s) of vertical flutes. All beneath the thickly applied bluish-green glaze falling short of the foot burnt orange in the firing, 22 cm high
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A Longquan celadon figure of Budai, Ming Dynasty (1368-1644), a Chinese Longquan celadon figure of Budai, Ming Dynasty (1368-1644), the smiling figure modelled leaning against a large bag with a book in his left hand, covered in a deep green celadon glaze, the face and chest, hands and feet unglazed, 15.5 cm high, 13 cm wide
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A large blue and white 'Phoenix' plate, Qing Dynasty, 19th century, painted in the centre with a phoenix above rocks and flowers, D:35.5
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A blue and white brush pot, Kangxi period, Qing Dynasty (1662-1722), 17 cm high. Provenance: a private collection, Victoria
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A group of three blue and white tea cups, Kangxi period, Qing Dynasty, (1662-1722), height 5.3 cm, height 4.5 cm height 4 cm
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A blue and white 'Three friends of Winter' plate, Yongzheng period, Qing Dynasty, (1723-1735), chips on the rim, 32 cm diameter
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A group of four Chinese blue and white porcelain, Qing Dynasty (1644-1911), the lot consists of two blue and white 'Figural' vases and two blue and white dishes. (1) a pair of blue and white 'Figural' vases, Kangxi mark, Guangxu period (1875-1908), Qing Dynasty. (2) a pair of blue and white dishes,Qing Dynasty 19th century, dishes: D:16.6 cm vases: height 23.3 cm
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A group of three blue and white vases (Biqi Ping), Qing Dynasty/Republic period, 19th century/20th century, a group of three blue and white vases, known as Biqi Ping, featuring the large one painted around the body and neck with a five-clawed dragon amidst flame and vaporous clouds, height 15 cm height 9.6 cm
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A waisted blue and white brush pot, Qing Dynasty or later, well painted with bamboo, banana tree, 12 cm high. Provenance: Mossgreen Auctions, Melbourne, 21 Nov 2011, lot 19 ($7170)
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A grisaille decorated cups and saucers, Yongzheng-Qianlong period, Qing Dynasty (1723-1795), 12 cm (diameter ) sauce 7.6 cm high cup
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