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The Kenneth & Gloria Ely Collection, Part II — Gibson's Auctioneers & Valuers

Articles on this Sale

Auction House:Gibson's Auctioneers & ValuersNumber of lots recorded:194
Sale Title:The Kenneth & Gloria Ely Collection, Part IILots with images:183
Auction Location:MelbournePrices available:146
Date:28-Feb-2023
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Gabriel Argy-Rousseau (1885-1953), a 'Moray Eel' mounted lighting plate, the rectangular plate in swirling purple toned pate-de-cristal on a stepped and textured metal stand, signed in the mould, 'G. Argy-Rousseau', 13 x 18 cm. Literature: Janine Bloch-Dermant, G. Argy-Rousseau, catalogue Raisonne, London 1990, no. 30.12
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Gabriel Argy-Rousseau (1885-1953) a 'Three Holes' night light a pale amber to russet pate-de-verre domed shade on a stemmed wrought iron stand, shade signed in the mould, 'G. Argy-Rousseau', 14 cm high, 8 cm diameter. Literature: Janine Bloch-Dermant, G. Argy-Rousseau, catalogue Raisonne, London 1990, no. 22.17
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Gabriel Argy-Rousseau (1885-1953), an 'Exotic Foliage' lamp, a pale gold and red domed pate-de-verre shade in a conforming dish and raised on a tall stemmed wrought iron stand, shade signed in the mould, 'G. Argy-Rousseau', the shade 12.5 cm high, 8 cm diameter, the overall height of the lamp 32 cm. Literature: Janine Bloch-Dermant, G. Argy-Rousseau, catalogue Raisonne, London 1990, no. 25.25
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Gabriel Argy-Rousseau (1885-1953), a 'Foliage' night light, a mottled amber and green pate-de-verre shade on a wrought iron base, shade signed in the mould 'G. Argy-Rousseau', 18 cm high, 8 cm diameter. Literature: Janine Bloch-Dermant, G. Argy-Rousseau, catalogue Raisonne, London 1990, no. 23.13
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Gabriel Argy-Rousseau (1885-1953), a 'Foliage' night light, a high domed amber and green pate-de-verre shade on a three stem wrought iron base, signed in the mould, 'G. Argy-Rousseau', the shade 14 cm high, 8 cm diameter, overall 30 cm high. Literature: Janine Bloch-Dermant, G. Argy-Rousseau, catalogue Raisonne, London 1990, no. 23.14
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Gabriel Argy-Rousseau (1885-1953), an 'Aquatic Plants' night light, a rich gold to deep russet domed pate-de-verre shade on a stemmed wrought iron stand, signed in the mould, 'G. Argy-Rousseau', the shade 17 cm high, 8 cm diameter, overall height 25 cm. Literature: Janine Bloch-Dermant, G. Argy-Rousseau, catalogue Raisonne, London 1990, no. 24.21
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Gabriel Argy-Rousseau (1885-1953), an 'Aquatic Plants' night light, a pointed cream and modulating amber pate-de-verre shade on a wrought iron stand, signed in the mould, 'G. Argy-Rousseau', the shade 17 cm high, 8 cm diameter, overall height 18 cm. Literature: Janine Bloch-Dermant, G. Argy-Rousseau, catalogue Raisonne, London 1990, no. 24.21
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Gabriel Argy-Rousseau (1885-1953), a 'Rosettes' night light, an amber and green domed pate-de-verre shade in a wrought iron stand, shade signed in the mould, 'G. Argy-Rousseau', 19 cm high, 8.5 cm diameter. Literature: Janine Bloch-Dermant, G. Argy-Rousseau, catalogue Raisonne, London 1990, no. 23.15
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Gabriel Argy-Rousseau (1885-1953), a 'Dune Flowers' night light, a spherical gold, purple and russet pate-de-verre shade upon a four stem scrolling wrought iron stand, signed in the mould, 'G. Argy-Rousseau', the shade 13 cm high, 13 cm diameter. Literature: Janine Bloch-Dermant, G. Argy-Rousseau, catalogue Raisonne, London 1990, no. 25.26
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Gabriel Argy-Rousseau (1885-1953), a 'Flowered Bowl' perfume burning night light, a spherical amber and orange pate-de-verre shade on a wrought iron stand, signed in the mould 'G. Argy-Rousseau', 14 cm high, 11 cm diameter. Literature: Janine Bloch-Dermant, G. Argy-Rousseau, catalogue Raisonne, London 1990, no. 23.18
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Gabriel Argy-Rousseau (1885-1953), 'The Prairie' night light, a domed rouge and orange pate-de-verre shade on a wrought iron stemmed stand, shade signed in the mould, 'G. Argy-Rousseau', the shade 13 cm high, 9 cm diameter. Literature: Janine Bloch-Dermant, G. Argy-Rousseau, catalogue Raisonne, London 1990, no. 26.14
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Gabriel Argy-Rousseau (1885 - 1953), a 'Spotlight Dancer' night light, a rounded purple, blue and red toned pate-de-verre shade on a wrought iron stand, shade signed in the mould, 'G. Argy-Rousseau', the shade 15 cm high. Literature: Janine Bloch-Dermant, G. Argy-Rousseau, catalogue Raisonne, London 1990, no. 28.07
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Gabriel Argy-Rousseau (1885-1953), an 'Oriental Foliage' lamp, with a blue and teal domed pate-de-verre shade on a three stem wrought iron stand, shade signed in the mould 'G. Argy-Rousseau', 40 cm high, 15 cm diameter. Literature: Janine Bloch-Dermant, G. Argy-Rousseau, catalogue Raisonne, London 1990, no. 25.30
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Gabriel Argy-Rousseau (1885-1953), an 'Anemones' perfume burning night light, a sage and deep green pate-de-verre shade on an elevated wrought iron stand with a decorative finial above an aperture, shade signed in the mould, 'G. Argy-Rousseau', the shade 13 cm high, 8 cm diameter, overall 25 cm. Literature: Janine Bloch-Dermant, G. Argy-Rousseau, catalogue Raisonne, London 1990, no. 20.18
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Gabriel Argy-Rousseau (1885-1953), a 'Butterflies' night light, the rounded yellow and green pate-de-verre shade on a wrought iron base, shade signed in the mould, 'G. Argy-Rousseau', 14 cm high, 11 cm diameter. Literature: Janine Bloch-Dermant, G. Argy-Rousseau, catalogue Raisonne, London 1990, no. 24.26
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Gabriel Argy-Rousseau (1885 - 1953), a 'Modern Foliage' night light, a pine cone shaped maroon, russet and amber pate-de-verre shade on a wrought iron stand, signed in the mould, 'G. Argy-Rousseau', 14 cm high, 8 cm diameter. Literature: Janine Bloch-Dermant, G. Argy-Rousseau, catalogue Raisonne, London 1990, no. 25.04
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Gabriel Argy-Rousseau (1885-1953), a 'Branches in Bloom' night light, a deep purple and amber pate-de-verre domed shade with skirt on a five stem wrought iron stand, shade signed in the mould, 'G. Argy-Rousseau', the shade 20 cm high, 10 cm diameter, overall 29.5 cm high. Literature: Janine Bloch-Dermant, G. Argy-Rousseau, catalogue Raisonne, London 1990, no. 27.17
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Gabriel Argy-Rousseau (1885-1953), a 'Star Decoration' night light, a rounded amber and purple pate-de-verre shade in a wrought iron stand with curled tendrils, signed in the mould, 'G. Argy-Rousseau', the shade 11 cm high, 8 cm diameter, 15 cm overall. Literature: Janine Bloch-Dermant, G. Argy-Rousseau, catalogue Raisonne, London 1990, no. 28.09
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Gabriel Argy-Rousseau (1885-1953), an 'Indian Thistle' night light, a gold, red and amber cylindrical pate-de-verre shade in a post and rail wrought iron stand, shade signed in the mould, 'G. Argy-Rousseau', the shade 16.5 cm high, 7 cm diameter, 19.5 cm high overall. Literature: Janine Bloch-Dermant, G. Argy-Rousseau, catalogue Raisonne, London 1990, no. 27.33
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Gabriel Argy-Rousseau (1885-1953), a 'Masks' night light, a rounded amber and red toned pate-de-verre shade on a wrought iron stand, shade signed in the mould, 'G. Argy-Rousseau', shade 14 cm high, 9 cm diameter. Literature: Janine Bloch-Dermant, G. Argy-Rousseau, catalogue Raisonne, London 1990, no. 23.12
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Gabriel Argy-Rousseau (1885-1953), a 'Hoopoes' night light, a domed russet and purple pate-de-verre shade on an elevated arching wrought iron, stand, signed in the mould, 'G. Argy-Rousseau, 20 cm high, 9 cm diameter. Literature: Janine Bloch-Dermant, G. Argy-Rousseau, catalogue Raisonne, London 1990, no. 25.27
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Gabriel Argy-Rousseau (1885-1953), a 'Tropical Flowers' night light, a domed pale amber and red pate-de-verre shade on a three stem stand, shade signed in the mould, 'G. Argy-Rousseau', the shade 13 cm high, 8.5 cm diameter, overall 21 cm. Literature: Janine Bloch-Dermant, G. Argy-Rousseau, catalogue Raisonne, London 1990, no. 25.22
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Gabriel Argy-Rousseau (1885-1953), a 'Falling Petals' night light, a red, amber and dark toned pate-de-verre shade upon a wrought iron stand, shade signed in the mould, 'G. Argy-Rousseau', 16.5 cm high, 11 cm diameter. Literature: Janine Bloch-Dermant, G. Argy-Rousseau, catalogue Raisonne, London 1990, no. 23.39
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Gabriel Argy-Rousseau (1885 - 1953), a 'Star Decoration' night light, a rounded deep amber pate-de-verre shade in a wrought iron stand, signed in the mould, 'G. Argy-Rousseau', the shade 11 cm high, 8 cm diameter, 15 cm high overall. Literature: Janine Bloch-Dermant, G. Argy-Rousseau, catalogue Raisonne, London 1990, no. 28.09
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Gabriel Argy-Rousseau (1885-1953), a 'The Corollas' night light, a bullet shape red and deep toned pate-de-verre shade on a wrought iron stand, the shade signed in the mould, 'G. Argy-Rousseau', 20 cm high, 9 cm diameter. Literature: Janine Bloch-Dermant, G. Argy-Rousseau, catalogue Raisonne, London 1990, no. 26.07
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A pate-de-verre mouse paperweight by Daum Nancy, early 20th century, realistically modelled in deep blue and green colours, signed to base, 'Daum Nancy' with cross of Lorraine, 6 cm high, 7.5 cm wide, 9 cm deep
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Henri Berge (1868-1936) for Amalric Walter (1870-1959), a pate-de-verre chameleon mounted bowl, in modulating cobalt, green and yellow colours featuring a realistically modelled lizard perched on the edge of the bowl, the tail trailing through the centre, etched signature, 'Walter Nancy' underside, 9 cm high, 17 cm wide
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Amalric Walter (1870-1959), a fish night light, the pate-de-verre fish in polished green, blue and teal colours upon integral waves and a patterned brass stand, inscribed mark, 'A Walter.Nancy', with registration mark in circle, 18 cm high, 23 cm wide, 8 cm deep
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M. Corrette for Amalric Walter (1870-1959), a flower decorated night light, the pate-de-verre domed shade in amber and brown colours with a wrought iron ringed finial cap and circular wrought iron shade signed in the mould, 'M Courette', height 13 cm
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M.Corrette for Amalric Walter (1870-1959), a flower decorated night light, the tall pate-de-verre domed shade in yellow amber colours with a wrought iron ringed finial cap and circular wrought iron stand, signed in the mould, 'M Courette', 21 cm high
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Amalric Walter (1870-1959), a pate-de-verre figure of a bird, realistically modelled in light amber colours upon an integral brown toned base, signed 'Walter, Nancy' to the edge and with monogram to the top of base, 10 cm high
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E. Royer for Amalric Walter (1870-1959), a pate-de-verre guinea pig, 1921, in amber colours the realistically modelled rodent upon an integral rectangular plate, inscribed signature, 'E. Royer 1921' underside, 12 cm high, 16 cm wide, 10 cm deep
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Amalric Walter (1870-1959), a pate-de-verre Tanagra dancer, circa 1910, modelled in buttery yellow tones upon an integral dark oval base, mark of 'Victor Amalric Walter, Nancy, um 1910'
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A small figural plaque after Amalric Walter, Nancy, early 20th century, a small pate-de-verre relief plaque depicting a draped sleeping woman, in amber and brown colours, signed indistinctly, 14 x 7 cm
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Henri Berge (1868-1936) for Amalric Walter (1870-1959), a pate-de-verre glass pedestal vase, circa 1925, of ogee chalice form, relief moulded with three beetles in red and green over a marbled yellow orange ground, intaglio marks, a Walter Nancy, Hberge SS. Clarke to base, 16 cm high
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A cameo glass perfume atomiser by Emile Galle (1846-1904), the cylindrical atomiser with carved and polished russet flowers on a tomato red ground, signature in cameo to the body, with a ground pontil, original paper label to base with handwritten numerals 5858 and 21/22, the silvered mounts marked Le Parisien, Brevete, S.G.D.G, 14 cm high
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A cameo glass perfume atomiser by Emile Galle (1846-1904), the slender conical bottle featuring strappy foliage and swaying flower stems and berry clusters upon an amber ground, signed in cameo to the lower body, the silvered mounts marked made in France, 19 cm total height
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An Art-Nouveau cameo glass vase by Emile Galle (1846-1904), a three colour long-necked vase with a compressed base decorated with lilac flowers and foliage upon a muted frosted ground, signed Galle in cameo to the lower body, with a ground pontil, height 46 cm
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A cameo vase by Francois-Theodore Legras (1839-1916), of ovoid triangular profile featuring a wintery landscape of bare trees against a modulating orange sky, signed Legras in cameo to the lower body, with a ground pontil, 15 cm high
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An Art Deco cameo glass vase by Andre DeLatte (1887-1953), the black on red ovoid vase boldly decorated with a broad frieze of dancing maidens in black picked out in gilt against a stylised landscape, the neck with a conforming geometric border, signed DeLatte Nancy in cameo to body, height 30 cm
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A cameo vase by Francois-Theodore Legras (1839-1916), the ovoid vase with branches of aubergine blossoms and buds trailing from the waisted neck upon a textured acid etched ground, signed Legras in cameo to lower body, with a fire glazed rim and a ground pontil, height 21 cm
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A French cameo glass bowl marked DeVez (Cristallerie de Pantin), circa 1905, a compressed vase in pink, purple and white colours depicting foliage and landscape scenes, signed with pseudonym 'DeVez' in cameo to the body, 7.5 cm high, 13 cm wide. Other Notes: DeVez was the pseudonym of Camille Tutre de Varreux, director of the Paris glass factory, Cristallerie de Pantin. Other marks used by the factory included Pantin and Mont Joye et Cie.
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A Nailsea red verre moire four light lamp, late 19th century, with brass mounts and raised on a tapering faceted stem to a spreading diamond cut crystal base, each shade housed in S. Clarke patent glass cups, 42 cm high, 25 cm diameter (approx)
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A Thomas Webb citron cameo glass fairy lamp together with a red cameo glass lamp, late 19th century, the lemon shade featuring a delicately carved flowering stem issuing from the rim and raised on a concave footed base, and a red cameo shade on a frilled base, both with S.Clarke patent pressed glass cups, 16 cm high, 12 cm diameter
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Two Nailsea citron fairy lamps and a satin glass lamp, late 19th century, two citron verre moire shades on matching ruffled bases together with a spiral decor shade, all housed in S. Clarke patent pressed glass cups, the largest 16 cm high, 15 cm diameter
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A Thomas Webb cased glass fairy lamp and a blue and green glass lamp, late 19th century, the Thomas Webb dome with a vine and bird design on a matching petticoat base, and a clear glass bark textured shade on a green banded scalloped and frilled base, both with S. Clarke patent pressed glass cups, 16 cm high, 22 cm diameter (approx)
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A group of blue and citron Nailsea and satin glass fairy lamps, late 19th century, comprising three verre moire shades, two on ruffle edged matching bases, and a diamond pattern satin glass shade on a matching crimped bowl, all with S. Clarke pressed glass moulded cups, the largest 21 cm high, 21 cm diameter
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A pair of Victorian cast brass fairy lamp bases with blue Nailsea glass shades, late 19th century, the bases cast with floral designs and acanthus motifs supporting S. Clarke patent glass cups and domed shades, 19 cm high
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A group of fairy lamps on ceramic bases, late 19th century, comprising four pieces, three Queen's Burmese shades including a Thomas Webb floral decorated shade and a raspberry satin glass shade with a diamond decor all on S. Clarke patent ceramic bases; Taylor, Tunnifcliffe and Co. Backstamps underside, 18 cm high, 19 cm diameter and smaller
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Five fairy lamps including Thomas Webb decorated Queen's Burmese, late 19th century, three vine decorated lamps on matching ruffled bases, a small kerosene lamp and a clear glass lamp on a silver plate stand, four with pressed glass S. Clarke patent cups, the largest 28 cm high
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A collection of fairy lamp shades and glass cups, late 19th century, includes eighteen glass cups, four shades, three coloured lanterns and two glass wax pans, the largest 13 cm high
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Two Queen's Burmese and one satin glass fairy lamp on matching bases, late 19th century, two Thomas Webb floral decorated shades in prunus and forget-me-not designs and a red satin glass shade in a diamond quilted decor all housed in S. Clarke patent cups on conforming quadrafold bases, 16 cm high, 14 x 14 cm
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A Thomas Webb Queen's Burmese decorated lamp epergne and a fairy lamp and base, late 19th century, the epergne painted in prunus design with a central lamp and raised on a brass frame, together with a matching lamp on a crimped base, both lamps with S.Clarke patent pressed glass cups, 14 cm high
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A group of three red Nailsea verre moire fairy lamps and a matching bowl, late 19th century, two on conforming scalloped dishes with an internal pulled decor and one on a triform ruffled base with an external pulled decor, plus a conforming small float bowl with an inverted ruffle rim, 16 cm high, 22 cm diameter (approx)
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Two Nailsea red verre moire fairy lamps together with a clear glass lamp, late 19th century, both Nailsea shades mounted in tricorn shape matching bases with ruffled edges, one in a silver plate stand, both housed in S. Clarke patent pressed glass cups, and a Clarke patent diamond and lemon squeezer shaped base holding a diamond cut shade, 26.5 cm high, 21 cm wide (approx)
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A group of four Queen's Burmese fairy lamps, late 19th century, a pair of shades housed in conforming petal shaped 'Arcadia' cups, a shade on a conforming ruffled base and a Thomas Webb vine decorated shade in an opaque S.Clarke patent ombre cup, 12 cm high, 13 cm diameter (approx)
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A group of four clear and frosted fairy lamps, including a nursery ware lamp, late 19th century, comprising a Nailsea frosted and white verre moire shade with a matching scalloped base, a clear glass lemon squeezer S. Clarke patent shade and base, a spiral decor shade and a novelty nursery shade featuring a happy and sad baby, all housed in S. Clarke patent pressed glass cups, 17 cm high, 18 cm wide (approx)
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A mixed group of six red fairy lamps, late 19th century, comprising three Nailsea verre moire shades on conforming ruffled bases and a clear glass cup, a banded shade on a matching crimped dish base, a diamond decor ribbed shade with a matching cup and a ruby glass two piece lamp with applied uranium glass feet and pulled petal feature, includes four S. Clarke patent cups, 15 cm high and smaller
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Three blue Nailsea and satin glass fairy lamps, late 19th century, two verre moire shades on conforming frilled and crimped bases, and a satin glass shade with a diamond decor on a wavy crimped base, all shades housed in pressed glass S. Clarke patent cups, 15 cm high, 16 cm diameter (approx)
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A group of four Thomas Webb Queen's Burmese fairy lamps, late 19th century, variously decorated with floral motifs including two on matching petticoat bases, each housed in S. Clarke patent moulded cups, three in conforming opaque colours, the other clear, 15 cm high
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A group of four Thomas Webb Queen's Burmese fairy lamps with ceramic bases, late 19th century, comprising a pair of shades on matching floral decorated ceramic bases, a vine decorated shade upon a similar base and a Roman oil lamp style fairy lamp base with a Queen's Burmese shade, all housed in S. Clarke patent pressed glass cups, Taylor, Tunnicliffe & Co marks to the Clarke patented bases, 16 cm high
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An impressive Queen's Burmese crystal base five branch banquet lamp, late 19th century, the domed shades housed in S. Clarke patent pressed glass cups above a faceted stem, a diamond cut font issuing curvaceous brass arms each housing thistle shaped posy holders above a spreading base, 84.5 cm high, 45 cm diameter (approx)
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Four fairy lamps on floral decorated ceramic bases, late 19th century, two Queen's Burmese shades and two raspberry satin glass shades with diamond decors on S. Slarke patent textured bases; Taylor, Tunnifcliffe and Co. Backstamps underside, each 13 cm high, 15 cm diameter
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A Nailsea blue verre moire fairy lamp together with various fairy lamp items, late 19th/20th century, the shades on three matching S. Clarke patent glass cups, together with a metal fairy light epergne stand on a pink ruffled base, a triangular milk glass dish and an original pyramid lights retail box with two 'Burglar's Horror' 'Pyramid' candles, the largest 12 cm high
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A mixed group of five fairy lamps and bases, late 19th century, including two satin glass shades on S. Clarke patent ceramic bases, marks of Taylor, Tunnicliffe & Co underside, clear and teal glass shades on Clarke trademark brass stands with pyramid night light ceramic inserts, and a enamel decorated blue frosted shade on a blue cup, the largest 11 cm high
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A Nailsea glass and Doulton Burslem fairy lamp, late 19th century, a citron verre moire shade in an S. Clarke moulded cup upon a flower decorated stand with a compressed font, bulbous feature to the stem above a domed base; impressed Doulton Burslem and Clarke's patent fairy marks to base, 34 cm high
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A red satin glass fairy lamp and two candlesticks, late 19th century, a spiral decor shade on a conforming white rimmed ruffled base and housed in a S. Clarke patent cup, a Thomas Webb Queen's Burmese shade on a matching base with a crystal cup, and a red glass ombre shade on a tall glass S. Clarke base, 28.5 cm high, 17 cm diameter (approx)
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A group of four Thomas Webb Queen's Burmese fairy lamps, late 19th century, decorated in vine and prunus designs, with domed shades in pressed glass S. Clarke cups, two on Queen's Burmese bowl shaped bases, one of petticoat form, and one in a ceramic base, Taylor, Tunnicliffe & Co marks to base, 15 cm high
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A Nailsea biscuit barrel and ruffled bowl, together with a blue glass comport, late 19th century, the biscuit barrel with a silver plate lid, a crimp edge float bowl or fairy lamp base in a blue verre moire decor, and a moulded glass comport with a frosted glass pigeon shaped lid, the barrel 14 cm high, the bowl 15 cm diameter
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A group of five novelty figural fairy lamps, late 19th to 20th century, comprising three coloured bisque owl lamps, one with three faces, and a bisque dog lamp, all featuring glass eyes, and an orange lamp base with applied leaves and flowers and a Nailsea citron moire shade in a S. Clarke patent glass cup, various impressed numerals to owl lamps, 10 cm high, owl, 15 cm diameter, orange base
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Three end of day glass fairy lamps with bases, late 19th century, a ribbed shade on a pulled spiral decor ruffle base, a swirl pattern shade on a similar base, both with S. Clarke pressed glass cups, and a smaller shade housed in S. Clarke patent ceramic base, backstamp underside, 16 cm high, 16 x 16 cm base
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Two rainbow glass fairy lamps, late 19th century, a diamond decor satin glass shade on a matching ruffled bowl base with clear crimped feet and a pink and white stripe lamp on a ruffled petticoat base, both housed in S. Clarke patent pressed class cups, the largest 17 cm high
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Three fairy lamps on floral decorated ceramic bases, late 19th century, comprising a Nailsea red verre moire shade on a two tier S. Clarke patent Doulton Burslem ceramic nightstand base with handle, a Thomas Webb decorated shade and a clear ombre moulded shade, both on S. Clarke patent ceramic bases; Taylor, Tunnifcliffe and Co. Backstamps underside, 21 cm high and smaller
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A Victorian hand decorated pink satin glass cheese dish and bell, 19th century, the frosted bell and matching stand decorated with a loose arrangement of flowers and sprigs in white and gilt, the clear handle with gilt borders, 20.5 cm high, 22 cm diameter
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A group of pressed uranium yellow 'Primrose Perline' vaseline glass table wares, circa 1890, eight pieces comprising a comport, two large bowls, a pair of scallop edged dishes, lidded canisters and a butter dish with matching stand, in various diamond and fan patterns, the comport 20 cm high, 24 cm diameter
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A large group of pressed uranium yellow 'Primrose Perline' vaseline glass table wares, circa 1890, twenty four pieces comprising bowls, a celery vase, biscuit barrel, a covered pedestal canister, assorted small jugs, salts, bon bon dishes, a wax pan and a matching group of tumblers, with various star, fan and diamond designs, the celery vase 18.5 cm high
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A collection of Mary Gregory style ruby glass, 19th/20th century, comprising three vases and a small decanter jug variously decorated in white enamel with figures in landscapes and floral motifs, one vase with trailing clear rigaree decorations, the baluster vase 29 cm high
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A group of Victorian ruby and amberina glass, 19th century, four pieces comprising a cased satin glass ovoid vase, a small amberina vase with clear glass feet and an internal dimpled decor, and a pair of globular vases with clear shell form feet and striking pincered rims with acid green trails, the satin glass vase 18.5 cm high
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A Victorian blue satin glass vase together with two blue 'Pearline' pressed glass canisters, circa 1890, the cased satin glass gourd vase with a spiral dot decor and two conforming canisters in clear and opaque glass, 19.5 cm high and smaller
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A collection of ruby glass table wares, 19th century and later, comprising a cruet set in a silver plate stand, two casters, decanter, two posy vases in stands, three tumblers and a small burner lamp and a pair of salad servers, the decanter 25 cm high
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An overlaid cameo glass vase, attributed to Thomas Webb, circa 1890, carved with a trailing flower stem and a butterfly to the reverse on a bright yellow ground, 10.5 cm high
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A petite blue favrile vase by Louis Comfort Tiffany (1848?1933), an elephant foot vase in modulating iridescent tones, inscribed L.C.T. To base, number R 374, height 9 cm
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A Thomas Webb decorated Queen's Burmese satin glass vase, late 19th century, spherical with an inturned scalloped rim, decorated with trailing vines to the body distinctively marked with a repeating arch motif, 17 cm high, 18 cm diameter
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An antique ombre milk glass comport with a pair of cased glass vases, 19th/20th century, a Fenton type ruffled dish with a clear rim line raised on an electroplate base with dolphin supports, together with a pair of globular satin glass vases with rouge petal rims and shell feet, 22 cm high, 25 cm diameter
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A collection of pressed glass figural vessels, 19th to early 20th century, comprising a small caramel toned pie dish featuring a moulded pigeon lid, a pale blue elephant and rider box, and an amethyst slag glass fish jug, the gaping mouth serving as the rim, 13.5 cm high
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A mixed group of Thomas Webb Queen's Burmese glasswares together with a satin glass bowl, 19th/20th century, comprising a Thomas Webb globular scent bottle with sterling silver mounts, London 1904; a tear drop scent bottle with bamboo decoration; a staple repaired small vase; a pink satin glass bowl and an unusual Queen's Burmese toned pig, possibly a lamp, the pig 11 cm high, 15 cm wide
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A boxed cream jug with bowl and four 'Lismore' pattern brandy balloons by Waterford, pattern introduced 1952, together with six cut crystal dessert bowls, a set of cut crystal tumblers, liqueur and parfait glasses, stencil marks to brandy balloons, the balloons 13.5 cm high
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A mottled art glass vase, 20th century, of balustroid shape the satin finish vase with a mottled purple rim and foot flecked with orange and red colours, the body in flecked amber and lime green tones, with a snapped pontil, unmarked, 24 cm high
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A set of six 'Lismore' pattern crystal hock glasses by Waterford, pattern introduced 1952, a mint in box set, Irish made, with Waterford stencil marks and labels, 18.5 cm high
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A millefiori paperweight and a similar bottle opener, the paperweight with a central pink floret surrounded by five florets in a clear case on a red base, star cut underside, together with an English bottle opener with a petite paperweight style handle with rings of multicoloured florets, the paperweight 6 cm diameter
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A large collection of cut crystal decanters and ewers, nine pieces including six decanters in various styles, one by Waterford, a silver plate mounted claret jug, a small jug and a ewer, together with two silver plate wine labels, the Waterford decanter 34 cm high
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Three carnival glass bowls by Fenton and the U.S glass Company, early 20th century, includes a Fenton ruffled blue iridescent 'Peacock and grape' bowl on spatula feet, a marigold ruffled three legged bowl with a spider orchid motif, and a U.S glass Company white iridescent square ruffled bowl in 'Cosmos and cane' pattern, 28.5 diameter, 20 cm diameter
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A group of antique silver plate and glass table wares, 19th/20th century, a coalscuttle shaped sugar bowl with scoop by Ashberry & Sons, an etched citron glass covered sugar bowl with handle, and a white metal clad faceted ruby glass canister, the largest 18 cm high
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A large cut crystal bowl by Waterford, mid 20th century, a diamond and star cut pedestal bowl with a crenellated rim, stencil mark of Waterford to base, 20 cm high, 25 cm wide (approx)
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Harry Stinton (1882-1968), highland cattle in landscape, watercolour, signed lower right: H Stinton, 24 x 35 cm
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John F Norton (active 1898-1918), Victorian river scenes 1903, two oil on board, signed and dated lower right: J Norton 1903, 28 x 43 cm (each)
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Harold Foster, village by the coast, watercolour on paper, signed lower left: Harold Foster, 44 x 61.5 cm
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Hatcher, middle Eastern market 1932, watercolour, signed and dated lower right: Hatcher 12/3/32, 37.5 x 28 cm
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Jan Hendrik Scheltema (1861-1941), Droving cattle in the morning light, oil on canvas, signed lower right: J H Scheltema, 52 x 75 cm
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Arthur Tomson (1858-1905), cattle by the river, two watercolours, signed lower left and right: Arthur Tomson, 33.5 x 47.5 cm (each)
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