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The Kenneth & Gloria Ely Collection, Part I — Gibson's Auctioneers & Valuers

Articles on this Sale

Auction House:Gibson's Auctioneers & ValuersNumber of lots recorded:209
Sale Title:The Kenneth & Gloria Ely Collection, Part ILots with images:209
Auction Location:MelbournePrices available:148
Date:27-Feb-2023
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A Royal Worcester porcelain plaque by John Stinton, 1918, a named view featuring highland cattle in a misty Glencoe valley, signed J. Stinton to lower image, puce backstamp and partial view title verso, oval 23 x 15 cm, frame 41.5 x 32.5 cm
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A Royal Worcester porcelain plaque by John Stinton, 1918, a named view, 'Trosach' (sic) featuring highland cattle in a rugged valley, signed J. Stinton to lower image, puce backstamp and title verso, 23 x 15 cm, frame 41.5 x 32.5 cm
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A Royal Worcester porcelain plaque by Harry Davis, circa 1916, featuring goats on a craggy riverbank with arched bridges and castles in the background, signed H. Davis to lower left of image, enclosed by a cobalt border, puce backstamp verso, 28 x 17 cm, frame 49 x 39 cm
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A Royal Worcester porcelain plaque by John Stinton, 1929, a named view, 'Bettws -Coed' (Betws-y-Coed, Snowdonia) featuring highland cattle in a misty valley setting, signed J. Stinton left of image, puce backstamp and painted title verso, 15 x 23 cm, frame 30 x 39 cm
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A Royal Worcester porcelain plaque by John Stinton, 1912, a named view of 'Grasmere' featuring cattle by a stream, signed J. Stinton lower centre, puce backstamp and painted title verso, 15 x 23 cm, 29 x 38 cm frame
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A Royal Worcester porcelain plaque by Harry Davis, 1925, depicting a farmyard scene with piglets at a feed trough overseen by a larger pig and a farm dog, signed H. Davis lower right, puce backstamp verso, 15 x 23 cm, frame 29.5 x 39.5 cm. Other Notes: pigs are a rare subject on Royal Worcester and Harry Davis was the only artist permitted to paint them. Most surviving examples are dated 1925 and show the same composition, based on a sketch Harry Davis made during a single visit to a local farm.
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A Royal Worcester porcelain plaque by John Stinton, 1918, a roundel featuring highland cattle by a stream in a misty landscape setting, signed J. Stinton to lower image, puce backstamp verso, 10 cm diameter, frame 21.5 x 21.5 cm
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A Royal Worcester porcelain plaque by Harry Davis, 1916, a roundel featuring Scottish black face sheep beside a loch, signed H Davis lower left of image, puce backstamp verso, 10 cm diameter, frame 22 x 22 cm
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A Royal Worcester porcelain plaque by Harry Davis, 1919, a roundel featuring Scottish black face sheep in a highland valley with fir trees, signed H Davis to left of image, puce backstamp verso, 10 cm diameter, frame 21.5 x 21.5 cm
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A Royal Worcester porcelain plaque by Richard Sebright, circa 1908, depicting a still life arrangement of apples, grapes and strawberries in a naturalistic setting, signed R. Sebright lower right, puce backstamp verso, 23 x 15 cm, frame 33 cm x 38 cm
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A Royal Worcester porcelain plaque by Richard Sebright, 1926, depicting a still life arrangement of autumn fruits against a naturalistic background, signed R. Sebright lower right of image, puce backstamp verso, 15 x 23 cm, 30 x 38.5 cm frame
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A Royal Worcester porcelain plaque by C. Johnson, 1925, depicting a farmyard scene with chickens and cockerel, faintly signed C. Johnson lower right, puce backstamp verso, 23 x 15 cm, frame 32 x 40xm
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A Royal Worcester porcelain plaque by Harry Davis, 1960's, an Italian view in the style of Corot featuring a piper beneath a tree and a village in the near distance, signed H. Davis lower left, black backstamp verso, 12 x 17 cm, frame 26 x 30 cm
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A Royal Worcester porcelain plaque by William Hawkins, 1912, painted after Meissonier's 'The print Collector' and enclosed by cobalt and tooled gilt borders, signed W.A Hawkins lower left of image, puce backstamp verso, oval 28 x 17 cm, frame 46 x 37 cm, note, label with title and place of purchase, 'Royal Worcester factory for £25 in 1917' verso, the original painting by Jean Louis Ernest Meissonier forms part of the Wallace collection, London
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A large Royal Worcester porcelain plaque by Harry Davis, 1912, depicting a flock of Scottish black face sheep in a softly sunlit highland setting, signed H. Davis lower left, 20 x 31 cm, 37 x 47.5 cm frame
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A Royal Worcester porcelain plaque by James Stinton, probably 1914, featuring mallard ducks in flight across marshlands, signed Jas Stinton lower right, puce backstamp verso, 15 x 23 cm, frame 36 x 43.5 cm
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A Royal Worcester porcelain plaque by Harry Davis, 1929, featuring black face sheep on a heather topped hill overlooking a loch and soft sunlit mountains, signed H. Davis lower right, puce backstamp verso, 15 x 23 cm, frame 25 x 30 cm
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A Royal Worcester porcelain plaque by Harry Davis, 1907, featuring Scottish black face sheep in a sublime highland valley, signed Harry Davis lower right, puce backstamp verso, 15 x 23 cm, frame 31.5 x 40.5 cm
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A Royal Worcester porcelain plaque by John Stinton, 1926, a named view roundel, 'Worcestershire' featuring a rural scene at dusk with a cottage and a figure walking cattle down a lane, signed J. Stinton to lower image, puce backstamp and painted title verso, 10 cm diameter, frame 22 x 22 cm
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A Royal Worcester porcelain plaque by John Stinton, 1925, a roundel featuring highland cattle in a misty landscape setting, signed J. Stinton to lower image, puce backstamp verso, 10 cm diameter, frame 22.5 x 22.5 cm
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A Royal Worcester porcelain plaque by Harry Davis, 1908, featuring Scottish black face sheep in a sublime highland valley, signed Harry Davis lower right, puce backstamp verso, 23 x 15 cm, frame 38.5 x 33.5 cm
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A Royal Worcester porcelain plaque by John Stinton, 1907, a named view, 'Derwentwater', featuring cattle drinking in a sublime landscape, signed J. Stinton lower left, puce backstamp and painted place name verso, 15 x 23 cm, frame 30 x 39 cm
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A Royal Worcester porcelain plaque by John Stinton, 1905, a named view, 'Loch Etive', featuring highland cattle in a sublime landscape, signed J. Stinton lower right, puce backstamp and painted title verso; with H.G Stephenson label, 14 x 22.5 cm, frame 30 x 38 cm
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A Royal Worcester porcelain plaque by Harry Davis, mid 20th century, a majestic landscape with a castle and aqueduct, signed H. Davis lower right, backstamp obscured, 9 x 12 cm, frame 26 x 31 cm
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An important Royal Worcester porcelain plaque by George Mosley, 1931, depicting a lion and crouching lioness on a craggy mountainside overlooking a sublime valley, signed G. Mosley lower left, 20 x 25.5 cm, frame 38.5 x 43.5 cm, note, this assured study of the lion pair is a rare departure for George Mosley who is best know as a painter of fruit and birds
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A Royal Worcester porcelain plaque by William bee, 1926, featuring a basket spilling summer fruits and daisies, signed W. Bee lower right, puce backstamp verso, 10 cm diameter, frame 22 x 22 cm
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A Royal Worcester porcelain plaque by Richard Sebright, 1916, featuring a basket spilling summer fruits and daisies, signed R. Sebright lower right, puce backstamp verso, 10 cm diameter, frame 21 x 21 cm
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A Royal Worcester porcelain plaque by Reginald Austin, circa 1925, featuring a still life of full blown roses in a vase, signed R.H Austin lower left, oval 28 x 17 cm, frame 40 x 32 cm. Provenance, the Rogowski collection, Leonard Joel, February 1998, lot 475, G.R Nicholas collection
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A large Royal Worcester porcelain plaque by John Stinton, 1926, featuring highland cattle beside a loch in a sublime highland valley, signed J. Stinton lower right, 20.5 x 25.5 cm, 39 x 43.5 cm frame
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A Royal Worcester porcelain plaque by John Stinton, 1917, a roundel featuring cattle drinking in a tranquil stream, signed J Stinton to lower image, puce backstamp verso, 10 cm diameter, frame 21 x 21 cm
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A Royal Worcester porcelain plaque by John Stinton, 1916, a roundel featuring highland cattle on a mountainside, signed John Stinton to lower image, with puce backstamp verso, 10 cm diameter, frame 22 x 22 cm
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A Royal Worcester porcelain plaque by Harry Stinton, circa 1916, featuring highland cattle in a springtime mountain setting, signed H. Stinton lower right, faint puce backstamp verso, 22 x 18 cm, frame 40 x 33 cm
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A Royal Worcester porcelain plaque by John Stinton, 1924, a named view, 'Loch Lomond', featuring highland cattle drinking in a sublime landscape setting, signed J. Stinton lower right of image, puce backstamp and painted title verso, 15 x 23 cm, frame 30 x 39 cm
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A Royal Worcester porcelain plaque by John Stinton, 1924, a named view, 'Loch Long' featuring highland cattle in a valley near a stone bridge, signed J. Stinton lower left, puce backstamp and painted title verso, 15 x 23 cm, frame 29.5 x 38.5 cm
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A Royal Worcester porcelain plaque by John Stinton, 1911, a large scale oval plaque depicting wading cattle in a tranquil lakeside setting, signed John Stinton lower right, puce backstamp verso, 22 x 32 cm, frame 36.5 x 44.5 cm
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A Royal Worcester pot pourri jar by John Stinton, 1917, ovoid, with rope twist and acanthus borders to the rim and an oriental ruyi border to the base, surmounted by a reticulated crown cover, decorated to the body with highland cattle in a misty landscape, signed J. Stinton to lower right of image, puce backstamp and shape 2048 underside, 34 cm high
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A pair of Royal Worcester covered urn vases by John Stinton, 1909, the pair with high set Grecian handles and moulded covers, decorated with scenes of highland cattle in misty landscape settings, both signed to lower images, puce backstamps and shape numbers 2336 underside, 37 cm high
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A Royal Worcester vase by Harry Davis, 1924, ovoid, with high set gilded handles and a low cover, decorated with Scottish black face sheep in a suffused craggy landscape, signed H. Davis lower left of image, puce backstamp and shape number 2701 underside, 22 cm high
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A fine Royal Worcester two handle covered vase by Harry Davis, 1910, beautifully detailed high set looping handles with maskhead terminals in gold, salmon and sage shot colours, the domed base conforming, decorated to the body with Scottish black face sheep in a highland setting, signed Harry Davis lower right, puce backstamp and shape 2007 underside, 43 cm high
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A Royal Worcester covered vase by Harry Stinton, 1924, ovoid with high set gilded handles and a low cover, decorated with highland cattle and a small croft cottage in a suffused sunlit landscape, signed H. Stinton lower right of image, puce backstamp and shape number 2701 underside, 22 cm high
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A mixed pair of Royal Worcester vases with covers by John Stinton and Harry Davis, 1907, urn form vases with moulded acanthus handles in blush picked out in gilt, one vase decorated with highland cattle in a misty landscape setting, signed John Stinton lower right, the other featuring finely painted black faced Scottish sheep in a highland valley, signed H. Davis lower right, puce backstamps underside, shape 1969, each 41 cm high
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A Royal Worcester pot pourri jar by John Stinton, 1916, ovoid with basket weave moulding and surmounted by a pierced cover, decorated to the body with highland cattle in a misty marshland setting, signed John Stinton to lower right of image, puce backstamp underside, shape 1286, 30 cm high
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A Royal Worcester pot pourri jar by John Stinton, 1915, ovoid with basket weave moulding and surmounted by a reticulated cover and an internal lid, decorated to the body with with highland cattle in a misty landscape setting, signed John Stinton to lower right of image, puce backstamp underside, shape 1286, 30 cm high
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A pair of Royal Worcester pot pourri vases by John Stinton, 1919, 1924, 1937/8, ovoid vases with reticulated rims, husk swags and moulded handles in gilt and shot colours, decorated with highland cattle in misty Scottish moorland settings, both signed J Stinton, puce backstamps underside and later 1937/8 stamp to one lid, shape 1428, 29 cm each
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A near pair of Royal Worcester pot pourri jars, one by Ambrose hood, 1910 and 1912, the 'Rose jars' with spiral flute reticulated lids and conforming decoration to the lower body in shot colours above a trellis moulded foot, both decorated with magenta and pink roses upon a suffused ground, one signed hood, puce backstamps and shape numbers 1720 underside, 20 cm high
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A Royal Worcester 'Stuart' rose jar and cover by Walter Sedgley, 1919, the high shouldered lobed jar with a moulded and pierced dome cover, finely decorated to the body with a loose arrangement of blowsy magenta and pink roses upon a suffused ground, signed Sedgley to the upper body, puce backstamp underside, shape 1312, 32 cm high
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A Royal Worcester two handle vase by Harry Davis, 1919, the ovoid vase with high set bracket handles with acanthus terminals and a moulded neck and base with shot colours picked out in gilt, decorated with a pastoral scene featuring a lad with two harnessed draft horses in a suffused landscape setting, signed H. Davis lower right, puce backstamp and shape number 2425 underside, 29.5 cm high
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A Royal Worcester two handle lamp base/vase by Frank Roberts, 1910, the ovoid vase with high set bracket handles with acanthus terminals and a moulded neck and base with shot colours picked out in gilt, decorated with a pastoral scene with distant cottages in a valley, signed F. Roberts to lower image, drill hole to base, puce backstamp and shape number 2425 underside, 24 cm high
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A Royal Worcester vase by Harry Davis, 1913, the egg shape vase with a reticulated collar raised on three scrolling legs with mascaron terminals to a pierced tripod base, decorated with Scottish blackface sheep in a highland valley, signed H. Davis to the lower body, puce backstamp underside, shape G773, 16 cm high
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A Royal Worcester pot pourri jar by Harry Davis, 1922, ovoid with a gilded basketweave base and a moulded reticulated cover and an internal lid, decorated to the body with a scene of Scottish black face sheep in an autumnal rural setting, signed H. Davis lower left, puce backstamp underside, shape 1286, 20 cm high. Provenance, Leonard Joel, November 2009, lot 185
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A Royal Worcester two handle covered vase by Walter Powell, 1902-5 period, the Hadley ware vase with square set bracket handles depicting wading storks in a soft landscape setting, with green and gold decoration to the handles, neck and pedestal base, green Hadley's printed mark underside and red fractional marks 247B/8567, 20.5 cm high
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A Royal Worcester covered urn vase by George H. Cole, 1903, the cobalt vase with moulded details and bracket handles picked out in gilt, finely decorated to the body with pendant hops, signed G.H Cole to the upper body, green backstamp and shape number 2192 underside, 30 cm high
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A Royal Worcester vase by William Powell, 1907, the baluster vase with an ornately moulded collar and scrolling dragon head handles, decorated with a peacock and peahen perched in a fir tree against a suffused misty landscape, signed W. Powell lower left, green backstamp underside, Hadley shape F100/H, 32 cm high
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A Royal Worcester pot-pourri jar by John Stinton, 1918, ovoid with basket weave moulding and a reticulated cover and internal lid, decorated to the body with highland cattle in a misty landscape setting, signed J. Stinton lower right, puce backstamp underside, shape 1286, 30 cm high
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A Royal Worcester pot pourri jar by John Stinton, 1919, ovoid, with basket weave moulding and surmounted by a reticulated cover and internal lid, decorated to the body with highland cattle in a misty marshland setting, signed John Stinton to lower right of image, puce backstamp underside, shape 1286, 30 cm high
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A pair of Royal Worcester apple green and white covered vases by Harry Davis, 1906, pedestal vases with high set scrolling handles and mascaron terminals, decorated with pastoral scenes featuring a shepherd with his flock, loose arrangements of summer flowers to the reverse, further embellished with gilt pendants and decorations, both signed H. Davis lower right of image, puce backstamps underside, shape 2401, 28 cm high
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A Royal Worcester green ground vase by Frederick Chivers, circa 1903, urn shape with moulded high set handles having a painted panel of fruit within an elaborate raised gilt cartouche, signed Chivers lower right of image, black backstamp underside, shape 1969, 31 cm high
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A Royal Worcester pot pourri jar by John Stinton, 1925, ovoid, with a gilded basketweave base and a moulded reticulated cover, decorated to the body with a scene of highland cattle in a misty landscape setting, signed J. Stinton lower right, puce backstamp underside, shape 1286, 20 cm high
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A Royal Worcester scroll handled vase and cover by John Stinton, 1919, the ovoid vase with a moulded and reticulated collar, decorated to the body with highland cattle in a misty moorland setting, signed J. Stinton lower left of image, puce backstamp underside, shape 1515, 29 cm high
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A Royal Worcester covered pedestal vase by Harry Martin, 1911, ovoid with high set loop handles and a domed cover above a waisted neck, decorated with magenta and creamy yellow roses upon a suffused ground, signed H J Martin to the upper body, puce backstamp and shape number 2160 underside, 26 cm high
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A near pair of Royal Worcester pot pourri vases by William Jarman, 1909, ovoid with basket weave moulding and reticulated covers in shot colours, with internal lids, decorated to the bodies with blowsy loose arrangements of magenta and pink roses against a suffused ground, signed W.E Jarman, puce backstamp and shape number 1286 underside, 30 cm high
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A Royal Worcester pot pourri jar by Harry Stinton, circa 1930, ovoid with a moulded gilt collar and foot and surmounted by a reticulated turban cover, decorated with highland cattle in a suffused sunlit landscape, signed H. Stinton lower right, puce backstamp and shape number 2048 underside, 25 cm high
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A petite Royal Worcester ewer vase by Harris Davis, 1921, the ewer featuring black face Scottish sheep in a muted mauve grey landscape with trees against a blush tinged sky, signed H. Davis lower right, puce backstamp and shape number 2711 underside, 19.5 cm high
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A Royal Worcester covered pot pourri jar by Harry Davis, 1924, ovoid with basket weave moulding and a reticulated cover and internal lid, decorated to the body with Scottish black face sheep in an autumnal rural setting, signed H.Davis lower left, puce backstamp underside, puce backstamp and shape number 1286 underside, 30 cm high
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A Royal Worcester vase by Walter Sedgley, 1903, the slender ovoid pedestal vase with bracket handles and moulded details to the neck and foot, decorated to the body with a pheasant and hen perched in a fir tree in a woodland setting, signed Sedgley to the lower body, with puce backstamp and Hadley shape number 247/H underside, 23 cm high
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A Royal Worcester two handle lamp base/vase by Harry Stinton, after 1903, ovoid with high set bracket handles with acanthus terminals and a moulded neck and base with shot colours picked out in gilt, the body decorated with sailing boats on choppy seas, signed H. Stinton lower right, drilled to base for a lamp conversion, puce backstamp and shape number 2425 underside, 29.5 cm high
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A Royal Worcester 'Stuart rose' jar and cover by William Jarman, 1912, the high shouldered lobed jar with a moulded and pierced cover, decorated with magenta and pink roses against a soft cream and autumnal ground, signed W.E Jarman to upper body, puce backstamp and shape number 1312 underside, 32 cm high
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A Royal Worcester jardiniere by Walter Sedgley, 1919, ovoid with a waisted, reticulated neck and a moulded gilt collar, decorated in the round with blowsy pink and magenta roses upon a suffused ground, signed Sedgley to the upper body, puce backstamp and H295 shape mark underside, 20 cm high, 22 cm diameter
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A Royal Worcester urn vase by Albert Shuck, 1904, with a slender trumpet neck and high set flying scroll handles, decorated to the body with pink and magenta sweet peas and stiff leaf motifs to the collar and base, signed a. Shuck, puce backstamp and shape number 1935 underside, 35 cm high
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A Royal Worcester vase by George B. Johnson, probably late 1920's, the baluster shape vase with moulded feet decorated to the body with storks in a desert oasis against a pale blue sky, signed G. Johnson to the lower body, puce backstamp and Hadley shape F106/H underside, 22 cm high
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A Royal Worcester vase and cover by Charles Baldwyn, circa 1906, of baluster shape having high set moulded acanthus handles, husk swags and stiff leaf motifs decorated in cream and coral colours picked out in gilt, decorated to the body with swans in flight through bulrushes upon a matt pale blue ground, a swallow to the reverse, signed C H Baldwyn lower left, puce backstamp underside, shape 1937, 26 cm high
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A Royal Worcester covered urn by Harry Davis, 1913/1914, with a moulded dome cover, decorative collar and acanthus lug handles, decorated with a semi-circular pastoral scene with cattle and a distant castle on a cobalt ground, signed H. Davis to lower right of image, puce backstamp and shape number 2429 underside, 17 cm high
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A Royal Worcester vase by Richard Sebright, 1919, the urn form gilded vase with high set moulded handles and an oval reserve decorated with a basket spilling fruits upon a cobalt ground, signed R. Sebright lower right of image, puce backstamp underside, shape 1969, 21 cm high
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A Royal Worcester jardiniere, 1912, profusely moulded in high relief with lion's head masks, acanthus and grotesque cornucopia in shot olive, bronze and soft gold colours, puce backstamp and shape number 1310 underside, 24 cm high, 33 cm diameter. Provenance, Sothebys, 21 & 22 May 2001, Melbourne, lot 433, Estate of the late ray Booth
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A Royal Worcester pot pourri jar by Harry Stinton, 1922, of lobed form with an ornate applied collar and a pierced lid in gilt and shot colours, decorated to the body with highland cattle in a misty landscape setting, signed H. Stinton lower right, puce backstamp underside, shape 291/H, 16 cm high
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An impressive Royal Worcester covered vase, 1891, globular, with a reticulated collar, husk swags, ribbons and bold acanthus mounted handles surmounted by a stepped dome lid, decorated to the body with wisteria blooms and foliage picked out in gilt upon an ivory ground, puce backstamp, registration mark and shape number 1429 underside, 40 cm high
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A Royal Worcester flower bowl by Reginald Austin, 1924, a waisted pedestal bowl with a scalloped rim and moulded gilt handles, decorated with a loose arrangement of full blown magenta and pink roses to the outer body and internal rims, signed R. Austin to upper body, puce backstamp underside, shape 2344, 14 cm high, 29 cm diameter
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A Royal Worcester porcelain plaque by James Stinton, 1924, featuring a pair of pheasants in a landscape setting, signed Jas Stinton lower left of image, puce backstamp verso, 10 cm diameter, frame 21.5 x 21.5 cm
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A Royal Worcester porcelain plaque by John Stinton, 1917, featuring highland cattle by a tranquil loch, signed J. Stinton to lower image, puce backstamp verso, 10 cm diameter, frame 21.5 x 21.5 cm
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A Royal Worcester porcelain plaque by John Stinton, circa 1920, featuring highland cattle by a mountain stream, signed J. Stinton lower left of image, 15 x 23 cm, frame 32 x 40 cm
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A Royal Worcester porcelain plaque by Harry Davis, 1926, featuring a bucolic scene with figures tending sheep, a hilltop village in the distance, signed H. Davis to lower image, puce backstamp verso, 10 cm diameter, frame 22.5 x 22.5 cm
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A Royal Worcester porcelain plaque by Harry Davis, 1924, featuring a rural cottage scene with figures, signed H. Davis lower right, puce backstamp verso, 10 cm diameter, frame 22.5 x 22.5 cm
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A Royal Worcester porcelain plaque by Harry Davis, 1919, a roundel featuring Scottish black face sheep in a highland valley with fir trees, signed H Davis to left of image, puce backstamp verso, 10 cm diameter, frame 21.5 x 21.5 cm
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A Royal Worcester porcelain plaque by Harry Davis, 1929, featuring cattle and a figure by a stand of trees, and a distant castle against a dusky pink sky, signed H. Davis lower right, puce backstamp verso, 12 x 17 cm, frame 22 x 26.5 cm
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A Royal Worcester porcelain plaque attributed to Harry Davis, 1928, featuring figures and a rider by a stand of trees, a castle in the distance, apparently unsigned, puce backstamp verso, 10 x 14.5 cm, 22 x 27 cm
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A Royal Worcester porcelain Raymond Rushton, circa 1920s, featuring a country cottage and a garden with vibrant summer blooms, signed R. Rushton lower left, backstamp covered, 10 x 15 cm, frame 22 x 27 cm
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A Royal Worcester porcelain plaque by John Stinton, 1917, a roundel featuring highland cattle drinking from a tranquil loch, signed J. Stinton to lower image, puce backstamp verso, 10 cm diameter, 21 x 21 cm frame
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A Royal Worcester porcelain plaque by John Stinton, 1917, featuring cattle drinking in a sublime highland setting, signed J. Stinton to lower image, puce backstamp verso, 10 cm diameter, 21 x 21 cm frame
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A Royal Worcester porcelain plaque by Harry Davis, 1914, a named view, 'The Severn NR Worcester' signed H. Davis lower right of image, puce backstamp and painted title verso, 10 cm diameter, frame 21.5 x 21.5 cm
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A Royal Worcester porcelain plaque by John Stinton, 1914, a named view, 'Avon near Evesham', a bucolic scene featuring cattle drinking, signed John Stinton to lower image, puce backstamp and painted title verso, 10 cm diameter, frame 21 x 21 cm
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A Royal Worcester porcelain plaque by John Stinton, 1917, a named view, 'On the Avon' featuring cattle drinking, with trinity church, Shakespeare's church, in the background, signed J. Stinton to lower image, puce backstamp and painted title verso, 10 cm diameter, frame 20 x 20 cm
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A Royal Worcester porcelain plaque by John Stinton, 1925, a named view, 'Bakewell Bridge', featuring cattle by the Wye river, Derbyshire, signed J. Stinton lower image, puce backstamp and painted title verso, 15 x 23 cm, frame 30 x 40 cm
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A Royal Worcester porcelain plaque by John Stinton, probably 1916, a named view, 'On the Llugwy' featuring highland cattle by a lake in Snowdonia, Wales, signed John Stinton to lower image, puce backstamp and painted title verso, oval 15 x 23 cm frame 30 x 38 cm
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A Royal Worcester porcelain plaque by John Stinton, 1918, featuring highland cattle by a stream, signed J. Stinton lower left of image, puce backstamp verso, 15 x 23 cm, frame 24 x 40 cm
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A Royal Worcester porcelain plaque by Harry Davis, 1929, a rural scene featuring figures by a riverbank against a rose tinted sky, signed H. Davis lower right of image, puce backstamp verso, 10 x 15 cm, frame 22 x 27 cm
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A Royal Worcester porcelain plaque by Raymond Rushton, 1918, the city hall, Brussels, signed R. Rushton lower right, puce backstamp and obscured title verso, 23 x 15 cm, frame 30 x 25 cm
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A Royal Worcester porcelain plaque by Raymond Rushton, 1918, a named view, the Cathedral Antwerp, signed R. Rushton lower left, puce backstamp and title verso, 23 x 15 cm, frame 29 x 25 cm
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A Royal Worcester porcelain plaque by Raymond Rushton, 1925, a named view, 'Bluebells Ripley', featuring a spring woodland scene in north Yorkshire, signed R. Rushton lower right, puce backstamp and painted title verso, 23 x 15 cm, frame 40 x 32.5 cm, Provenance, the Rogowski collection, Leonard Joel, February 1998, lot 476, George Nicholas collection
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A Royal Worcester porcelain plaque by John Stinton, 1918, featuring highland cattle drinking from a mountain stream, signed J. Stinton to lower image, puce backstamp verso, 10 cm diameter, frame 21.5 x 21.5 cm
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A Royal Worcester porcelain plaque by Harry Davis, 1925, a roundel featuring figures by a stand of trees, a ruined castle in the distance, signed H. Davis lower right of image, puce backstamp verso, 10 cm diameter, frame 22.5 x 22.5 cm
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