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Decorative Arts; Asian Works of Art — Leonard Joel Pty. Ltd.

Auction House:Leonard Joel Pty. Ltd.Number of lots recorded:384
Sale Title:Decorative Arts; Asian Works of ArtLots with images:384
Auction Location:MelbournePrices available:190
Date:6-Mar-2023
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A Doulton Lambeth stoneware ewer decorated by Florence Barlow, circa 1880, of tapering form, the body decorated with pate-sur-pate birds and foliage on a stippled ground, flanked by a stylized bird form handle, incised markers mark, impressed date mark of 1880 and rosette factory mark to underside of base, together with other impressed and incised marks including assistant monograms, 27.5 cm high
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A pair of Doulton Lambeth vases decorated by Florence E. Barlow, circa 1905, each of slender baluster form, with a fluted neck, decorated with floriate motifs and pate-sur-pate geese amongst grasses on a stippled ground, incised markers mark and impressed rosette England factory mark to underside of base, together with other impressed and incised marks including artist and assistant monograms EES & RB, 41 cm high
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A pair of Doulton Lambeth stoneware vases decorated by Eliza Simmance, circa 1905, of baluster form with a fluted neck, each decorated with floriate motifs in the Art Nouveau taste, incised markers mark and impressed circle, lion and crown factory mark to underside of base, together with other impressed and incised marks including assistant monogram for Jane Rumbol, 47 cm high
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A pair of Doulton Lambeth stoneware vases decorated by Frank a. Butler, circa 1905, each of slender form, decorated with repeating relief moulded oak leaf designs, incised markers mark and impressed circle, lion and crown factory mark to underside of base, together with other impressed and incised marks, 28 cm high
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A Doulton Lambeth stoneware vase decorated by Florence Barlow, dated 1882, of urn form, a central oval cartouche to obverse and reserve decorated with landscape scenes, surrounded by pate-sur-pate birds and foliage on a stippled ground, incised markers mark, impressed date mark for 1882 and rosette factory mark to underside of base, together with other impressed and incised marks including assistant monograms, 32 cm high
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A Doulton Lambeth stoneware vase decorated by Florence Barlow, dated 1882, of tapering form, decorated with two oval cartouches of foliate motifs, flanked by raised pate-sur-pate sparrows and foliage on a stippled ground, incised markers mark, impressed date mark for 1882 and rosette factory mark to underside of base, together with other impressed and incised marks including assistant monograms for Florence Tegetmeier, Mary Aitken and Eleanor Burrell, 28.5 cm high
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A Doulton Lambeth stoneware vase decorated by Florence Barlow, of baluster form, decorated with a central band of flying geese in pate-sur-pate on a stippled ground, incised markers mark and impressed rosette England factory mark to underside of base, together with other impressed and incised marks including assistant monogram for Ethel Beard, 31.5 cm high
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A large Doulton Lambeth stoneware vase decorated by Eliza Simmance, dated 1886, of subtle baluster form, with a fluted neck, decorated overall in foliate motifs and beadwork on a central stippled ground, incised markers mark, impressed date mark of 1886 and rosette factory mark to underside of base, together with other impressed and incised marks including assistant monogram for Mary Aitken, Lydia Greig and others, 53 cm high
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A pair of Doulton Lambeth stoneware vases for Art Union of London, decorated by Eliza Simmance, circa 1900, of baluster form with a fluted neck, decorated overall with beadwork and repeating scrolling floriate motifs, incised markers mark and impressed rosette England factory mark to underside of base, together with other impressed and incised marks including assistant monogram for Emily J. Partington, 40 cm high
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A Doulton Lambeth stoneware vase decorated by Florence Barlow & Francis E. Lee, circa 1880, bottle shaped with a slender neck, decorated with scrolling foliage surrounding a central oval cartouche featuring a scene of pate-sur-pate ducks amongst grasses, incised markers marks and impressed rosette factory mark to underside of base, together with other impressed and incised marks including assistant monograms, 29.5 cm high
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A Doulton Lambeth stoneware vase decorated by Florence E. Barlow, circa 1900, of baluster form, decorated with three reserves of pate-sur-pate geese amongst grasses on a stippled ground, incised markers mark and impressed circle, lion and crown factory mark to underside of base, together with other impressed and incised marks including apprentice mark MB, 24 cm high
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A Doulton Lambeth stoneware vase decorated by Hannah Barlow, dated 1887, of baluster form, with a central band of sgraffito lions and lionesses in landscape, incised markers mark, impressed date mark of 1887 and rosette factory mark to underside of base, together with other impressed and incised marks including assistant monograms, 45 cm high
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A Doulton Lambeth stoneware vase decorated by Hannah Barlow & Eliza Simmance, circa 1900, of baluster form, with a central band of sgraffito cattle in landscape setting, incised markers marks and impressed rosette England factory mark to underside of base, together with other impressed and incised marks, 46.5 cm high
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A Doulton Lambeth stoneware vase decorated by Hannah Barlow & Eliza Simmance, circa 1900, of baluster form, decorated with a central band of sgraffito sheep in landscape setting, incised markers marks and impressed rosette England factory mark to underside of base, together with other impressed and incised marks, 40.5 cm
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A Doulton Lambeth stoneware vase decorated by Hannah Barlow, circa 1900, of tapering baluster form, the central band decorated with sgraffito cattle in a landscape setting, incised markers mark and impressed rosette England factory mark to underside of base, together with other incised marks including assistant monogram for Eleanor Tosen, 40.5 cm high
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A Doulton Lambeth stoneware vase decorated by Eliza Simmance, circa 1900, baluster in form, with a fluted and frilled neck, decorated overall with repeating floriate motifs in the Art Nouveau taste, incised markers mark and impressed rosette England factory mark to underside of base, together with other impressed and incised marks, 36 cm high
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A Doulton Lambeth stoneware vase decorated by Hannah Barlow, circa 1905, baluster in form, the central band with sgraffito scene of deer and doe in landscape setting, incised markers mark and impressed circle, lion and crown factory mark to underside of base, together with other impressed and incised marks, 31 cm high
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A Doulton Lambeth stoneware vase decorated by Hannah Barlow, circa 1900, baluster in form, the central band decorated with a scene of sgraffito doe in a landscape setting, incised marker mark and impressed rosette England factory mark to underside of base, together with other impressed and incised marks, 30.5 cm high
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A Doulton Lambeth stoneware tyg decorated by Eliza Simmance, dated 1896, of typical form, decorated with beadwork and scrolling foliage, with a sterling silver mount hallmarked London, dated 1896, makers mark rubbed, incised markers mark and impressed rosette England factory mark to underside of base, together with other impressed and incised marks, 16.5 cm high
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A Doulton Lambeth stoneware vase decorated by Hannah Barlow, circa 1910, baluster in form, the central band decorated with sgraffito horses and donkeys in a landscape setting, incised markers mark and Doulton Lambeth England factory mark to underside of base, together with other impressed and incised marks including artist monogram for Emily E. Stormer, 23.5 cm high
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A Doulton Lambeth stoneware vase decorated by Hannah Barlow, baluster in form, the central band decorated with a sgraffito scene of cattle in landscape, incised markers mark and impressed rosette England factory mark to underside of base, together with other impressed and incised marks, 34 cm high
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A Doulton Lambeth stoneware vase decorated by Hannah Barlow, decorated with a central band of sgraffito goats in a landscape setting, incised markers mark and impressed rosette England factory mark to underside of base, together with other impressed and incised marks including artist monogram for Nessie Newbury, and assistant monograms for Clara Baker and others, 32 cm high
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A pair of Doulton Lambeth stoneware vases decorated by Hannah Barlow & Frances E. Lee, of tapering form, with a slender fluted neck, decorated with a central band of sgraffito sheep, incised markers mark and impressed rosette England factory mark to underside of base, together with other impressed and incised marks, 27 cm high
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A Doulton Lambeth stoneware ewer decorated by Hannah Barlow, dated 1876, of typical form, decorated with a central band of sgraffito horses and sheep in a landscape setting, incised markers mark and impressed rosette factory mark to underside of base, together with other impressed and incised marks including assistant monogram for Harriett Hibbut & Eol, 37.5 cm high
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A Doulton Lambeth stoneware urn decorated by Florence E. Barlow, dated 1877, twin handled, decorated with four oval reserves each with a sgraffito storks in landscape settings, incised markers mark and impressed date of 1877 and rosette factory mark to underside of base, together with other impressed and incised marks including assistant monogram for Emma Martin, 28 cm high
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A Doulton Lambeth stoneware vase decorated by mark V. Marshall, circa 1905, of tapering form, the flared neck applied with repeating foliage decoration, incised markers mark and impressed circle, lion and crown factory mark to underside of base, together with other impressed and incised marks including assistant monogram, 44.5 cm high
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A Doulton Lambeth stoneware vase decorated by Eliza Simmance, of baluster form, with a fluted neck, decorated with reserves of pate-sur-pate blossoms within borders of carved foliate scrollwork, incised markers mark, impressed date mark of 1884 and rosette factory mark to underside of base, together with other incised marks, 37 cm high
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A suite of Victorian Derby china in the Imari palette, second half 19th century, thirty-six pieces, comprising twelve each of dinner plates, soup plates, and side plates, all circular, typical stylised floral and foliate decoration in red and blue with gilt details, impressed and painted marks underside, dinner plates 26 cm, soup plates 27 cm, side plates 22.5 cm
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A pair of George Proctor & Co porcelain vases, late 19th century, each of square form, painted with a central cartouche of a female and male French court figure to the obverse and a musical trophy to the reverse, flanked by lug-form handles, raised on splayed bases, 22 cm high
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Six German porcelain busts of French Historic figures, 19th century, modelled as Henry IV, Francois I, Moliere, Gabrielle l' Estrees, Charles I, and Louise de la Valliere, each identified underside, 13.5 cm high, 8.5 cm wide, the base 5.5 cm deep
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An English Staffordshire salt glazed dish, 18th century, the shallow dish with moulded bas relief decoration around the shaped border, 23 cm diameter
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A Murano blown glass vase in the manner of Barovier & Toso, cylindrical tapering towards the foot, the softly facetted body decorated with applied bulbous swirls and irregular subtle drifts of gold flakes within the glass, 40.5 cm high
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A cameo glass vase, by Daum Nancy, circa 1900, of tapering form, carved with a repeating lakeside scene on a graduated orange and purple mottled ground, cameo Daum Nancy signature with the cross of Lorraine, 12.5 cm high, 21 cm diameter
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A composite sterling silver Old English thread and shell pattern flatware service for twelve, the forks and spoons, Langfords silver Galleries, London, the knives C.J. Vander Ltd, Sheffield, various 1960 and 1970s dates, Ninety-one pieces, comprising twelve each of entree knives and forks, table knives and forks, soup spoons, dessert spoons, and tea spoons, together with three further table forks, three table spoons, and a ladle, 4,420g in total (not including the steel bladed knives)
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An Assembled sterling silver Queen's pattern flatware service for twelve, various dates and makers, 19th century and later, Eighty-four pieces, comprising twelve each of entree knives and forks, table knives and forks, table spoons, dessert spoons, and tea spoons, various English maker, mostly Georgian and nineteenth century dates, the knives twentieth century, 4,201g in total (not including the steel bladed knives)
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A late Georgian or early Victorian sterling silver nutmeg grater, Nathaniel mills, Birmingham, second quarter 19th century (date mark lost), rectangular with a hinged cover, horizontally reeded, the cover with central tablet engraved with monogram Mh, 2.3 cm high, 3.5 cm wide, 2.5 cm deep, 26g
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Two George III sterling silver nutmeg Graters, the larger by unidentified maker (mark rubbed), London, 1791, the other Wardell & Kempson, Birmingham, early 19th century (mark rubbed), both elliptical in outline, the smaller with a domed cover, both with bright cut decoration, the larger 2 cm high, 10.2 cm wide, 3.5 cm deep, 54g in total
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A Georg Jensen sterling silver 'Acorn' pattern flatware service, post 1945 manufacture, Generally a service for eight places with a greater or lesser number of some types of pieces, 113 pieces in all, including knives of five types, starter and main forks, spoons of five types, and a ladle and carving knife and fork, 2,656g in total (excluding knives and serving pieces with polished steel parts)
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A Georg Jensen sterling silver 'Acorn' pattern flatware service, post 1945 manufacture, Generally a service for six places, 102 pieces in all, comprising six each of fish knives and forks, starter knives and forks, main knives and forks, soup spoons, dessert spoons, and various other types of smaller forks and spoons, twelve each of cake forks and tea spoons, two ladles, and ten assorted serving pieces including carving knife and fork and slices, accompanied by a set of six 'Acorn' pattern silver gilt…
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A Georg Jensen sterling silver comport, design 263A, post 1945 manufacture to Georg Jensen's 1918 design, the circular bowl with everted rim and subtly planished exterior raised on a twisted support and a spreading foot, the underside of the bowl decorated with suspended bunches of grapes, 12.5 cm high, 13 cm diameter, 278g
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A Georg Jensen sterling silver comport, design 263B, post 1945 manufacture to Georg Jensen's 1918 design, the circular bowl with everted rim and subtly planished exterior raised on a twisted support and a spreading foot, the underside of the bowl decorated with suspended bunches of grapes, 19 cm high, 18 cm diameter, 624g
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A group of Georg Jensen sterling silver condiment pieces, post 1945 manufacture to Georg Jensen's earlier designs, a set of four salt and pepper casters (two salt, two pepper - design 741), and pair of 2A salt cellars with cobalt-enamelled interiors (design 2A), and a pair of 'Acorn' pattern salt spoons, the casters 9 cm high, 356g in total
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Three sterling silver Surprise eggs, Stuart Devlin, London, 1971, 1975, and 1976, the eggs of typical form, opening to reveal various floral arrangements within, each in original case, the eggs 7.5 cm high. The boxes 6 cm high, 8.5 cm wide, 10.5 cm deep, 394g in total
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Three sterling silver Surprise eggs, Stuart Devlin, London, 1972, 1977, and 1981, the eggs of typical form, comprising silver Jubliee egg, Diana and Charles commemorative egg and a jester egg, each in original case, the largest 8 cm high. The silver jubliee box 6.5 cm high, 8.5 cm wide, 10.5 cm deep, 598g in total
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A sterling silver Surprise egg, Stuart Devlin, London, 1974, of typical form, opening to reveal a kangaroo and joey, numbered 13 underside, the egg 7.5 cm high. The box 6 cm high, 8.5 cm wide, 10.5 cm deep, 226g
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Thirteen sterling silver figures of animals, Stuart Devlin, London, variously 1973-1981, comprising two cockatoos, two deer, two lions, a rabbit, a donkey, an owl, a panther, a camel, a bear and a pair of putto, the cockatoo 5 cm high, 1,076g in total
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An Australian sterling silver ewer, presented as the 'Learmonth Coursing Cup', 1875, Kilpatrick & Co., Melbourne, 1875, the globular body with tall neck and loop handle raised on a spreading foot, the handle modelled as a woody grape vine stem with applied leaves and tendrils spreading from its terminals, the cover mounted with a figure of a standing greyhound, a similar figure of a greyhound modelled in relief within a reserve to one side of the body, its other side with engraved inscription 'Learmonth…
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A carved mountain ash figure of a kookaburra by Robert Prenzel, circa 1920, signed with a stamp, naturalistically carved perched on a branch, the base root wood, twice stamped to the back of the lowest tail feathers 'R. Prenzel', 50 cm high, 34 cm wide, 28 cm deep. Provenance: acquired directly from Robert Prenzel in the 1920s by Gordon Gidney, Melbourne, Thence by descent to the late John Gidney Pennell
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A carved mountain ash Smoker's cabinet by Robert Prenzel, circa 1910 - 1920, rectangular with a pair of doors enclosing a divided interior with adjustable shelves, the recessed panels of the doors finely carved in relief with, respectively, a spray of flowering and fruiting eucalyptus and a spray of flowering banksia, 43 cm high, 54.5 cm wide, 21.5 cm deep
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Robert Prenzel (1866-1941), 'Juanju', a woman of the Waluningma tribe, Gilbert River, North Queensland, after J.W. Lindt, black chalk, ink, watercolour, and paint on paper, signed and dated lower right: Robt. Prenzel 1922, 56 x 38.5 cm, Other Notes: The origin, meaning, and variety of Prenzel's 1920s carved hardwood portraits of indigenous Australian men and women is discussed by Terence Lane in his Robert Prenzel, 1866-1941: his life and work (National Gallery of Victoria, Melbourne, 1994), pp 37-40, one…
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A carved hardwood portrait panel of an Indigenous Australian man by Robert Prenzel, signed, early 1920s, Bust-length, carved in very high relief, the bare-chested man in a laughing expression, stained dark brown, in its original fiddleback blackwood frame applied to the edges of the panel, incised signature lower right 'R. Prenzel Melbourne', 60 cm high, 47 cm wide, 4.5 cm deep. Other Notes: The origin, meaning, and variety of Prenzel's 1920s portraits of indigenous Australian men and women is discussed by…
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A pair of carved mountain ash portraits of an Indigenous Australian man and woman by Robert Prenzel, both signed and dated 1921, both bust-length, carved in very high relief, the bare-chested man in a laughing expression, the woman wearing a scarf and shawl and with a pipe from the side of her mouth, stained dark brown except her clothing, both with incised signature and date 'R. Prenzel 1920' lower right, the man, 45 cm high, 36.5 cm wide, 9 cm deep, the woman, 41 cm high, 37.5 cm wide, 9.5 cm deep.…
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An oak low book-case by Robert Prenzel, 1929, the rectangular top with a low back and bevelled edge above a single cabinet door flanked by adjustable open shelves, the panelled door finely carved in relief with a spray of eucalyptus with open flowers and nuts, with incised signature lower right 'R. Prenzel 1929', 100.5 cm high, 125 cm wide, 38.5 cm deep. Provenance: Dr Gweneth Wisewould (1884 - 1972), Melbourne, acquired by her from Prenzel when they were near neighbours and friends in South Yarra, by…
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An Art Nouveau Oak-Cased mantel clock attributed to Robert Prenzel, early 20th century, the enamelled dial set within a spreading upright case dividing into four feet, the front carved in relief with a stylised flowering plant on a stippled ground, 27 cm high, 16.5 cm wide, 7 cm deep. Provenance: acquired directly from Robert Prenzel in the 1920s by Gordon Gidney, Melbourne, Thence by descent to the late John Gidney Pennell
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A Louis XV style marquetry rosewood and marquetry commode, first half 20th century, the Rouge Royale marble top above three drawers, raised on outswept feet, the drawer fronts and the sides inlaid with floral marquetry, gilt metal mounts throughout, 89 cm high, 90 cm wide, 48 cm deep
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A Louis XV style rosewood and mahogany Bonheur-Du-Jour in the manner of Francois Linke, first half 20th century, the gallery of two drawers flanking an open compartment above the shaped top with leather lined writing surface and three frieze drawers, raised on cabriole supports, ormolu mouldings and mounts throughout, one of these with incised signature 'F. Linke', 102 cm high, 90 cm wide, 53 cm deep. Other Notes: a bonheur-du-jour of identical form by Francois Linke was offered at Christie's in 1999.
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A small tulipwood secretaire a Abattant in transitional Louis XV / XVI style, mid 20th century, of subtle arbalete outline, the thick pink and yellow breche marble top with moulded edge above the fall enclosing open compartments and a leather lined writing surface, beneath that a slide with bookrest and a pair of cupboard doors below, the front, sides, and inner surfaces of the slide and cupboard doors quarter-veneered, 127 cm high, 86 cm wide, 41 cm deep
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A Louis XVI style mahogany and Bois Satine book-case, mid 20th century, of breakfront rectangular outline, the stepped and moulded top above a wire-grilled door enclosing adjustable shelves extending full width behind the flanking false door fronts, on tapering turned feet, gilt metal mounts to the doors and feet, 177 cm high, 155 cm wide, 43 cm deep
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A pair of Louis XIV style walnut fauteuil, of typical form, each a square back and down-swept open arms, on turned supports with conforming stretchers, covered in period style needlepoint, 102 cm high, 66 cm wide, 72 cm deep
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A rosewood and painted commode in transitional Louis XV / XVI style, first half 20th century, of breakfront rectangular outline, the grey-veined white marble top above a central cupboard door flanked by recessed panels, raised on cabriole supports, the door painted with a scene of winged putti in a landscape in the manner of Francois Boucher signed M. Lebrun, the adjacent panels with conforming printed decoration, gilt metal mouldings and mounts throughout, 102 cm high, 90 cm wide, 46 cm deep
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A wall mirror in an antique-style carved and gilt frame, the rectangular plate within a frame exuberantly adorned with exotic flower buds and leaves, 153 cm high, 128 cm wide
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A George IV rosewood games table, Mid-1820s, the rounded rectangular top enclosing a baize lined playing surface, raised on a square pedestal, platform base with outswept feet with brass caps and castors, 74 cm high, 92 cm wide, 47 cm deep
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A Regency figured mahogany Pembroke table, 1810s, the rounded rectangular top above a frieze drawer to one end and a conforming false drawer front to the other on ring turned tapering supports with brass caps and castors, the top crossbanded in satin wood and rosewood, the friezes inlaid in various woods, 72 cm high, 95 cm wide (extended), 81 cm deep. Provenance: The Estate of the late Seton Marshall
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A George III brass-bound mahogany cellarette on stand, late 18th century, of oval outline, the hinged top enclosing a zinc-lined interior, resting on a stand with tapering square supports with brass caps and castors, 69 cm high, 58 cm wide, 41 cm deep. Provenance: The Estate of the late Seton Marshall
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A Louis XV style marquetry rosewood, tulipwood, and marquetry commode, second half 19th century, of bombe form, the Rouge Royale marble top above three drawers, raised on outswept feet, the upper drawer with a fall front enclosing a rosewood interior with small drawers and leather lined writing surface, the drawer fronts and the sides inlaid with floral marquetry, ormolu mounts throughout, 92 cm high, 90 cm wide, 45 cm deep
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A George II style mahogany and upholstered sofa, late 19th / early 20th century, the hump-back and rolled arms above the seat for three, on foliate ball-and-claw forefeet, recently recovered in amethyst Zoffany 'Tespi' velvet with removable sleeves to the arms, 90 cm high, 199 cm wide, 91 cm deep
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A stained beech and upholstered open armchair in George II 'French' style, early 20th century, the arched back and padded outswept arms above the generous seat, on foliate cabriole supports, recently recovered in amethyst Zoffany 'Tespi' velvet, 94 cm high., 67 cm wide, 77 cm deep
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A pair of mahogany and upholstered open armchairs in George II 'French' style, late 19th / early 20th century, each with a square back and padded outswept arms above a generous seat, on foliate cabriole supports, recently recovered in Zoffany grey velvet, 93 cm high, 74 cm wide, 84 cm deep
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A French ebonised pier cabinet in boulle manner, second half 19th century, rectangular in outline, the frieze above a glazed door enclosing a red baize lined interior with a removable shelf, on a plinth base, the front inlaid with borders and panels of simulated tortoiseshell and cut brass, polished brass mouldings and mounts throughout, 91 cm high, 66 cm wide, 34 cm deep
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A French marble-topped wrought iron table, early 20th century, the rectangular top on a scrolling wrought iron base, 69 cm high, 105 cm wide, 80 cm deep
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A Provinicial Louis XV walnut commode, mid 18th century, the shaped rectangular top with moulded edge above two drawers, raised on cabriole supports, the drawer front and sides decoratively moulded, 89 cm high, 130 wide, 60 cm deep
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A Louis XV style gilt-framed mirror, 19th century, of asymmetrical cartouche outline, with a shell and dragon to the crest and foliate and rocaille decoration throughout, oil-gilt with water-gilt highlights, 127 cm high, 86 cm wide
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An antique French walnut games table, late 19th century, of square outline, the hinged top with inlaid checkerboard, enclosing a backgammon board, raised on cabriole supports, 79 cm high, 54 cm wide, 54 cm deep
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A French Empire-style mahogany bureau plat, late 19th century, the rectangular top above an arrangement of drawers to one long side and a slide extending from the each shorter side, on turned supports, a curving cross stretcher, the top and slides lined with gilt tooled black leather, gilt metal escutcheons to the drawers and collars and feet to the supports, 78 cm high, 150 cm wide, 79 cm deep
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An Art Deco gilt wood and upholstered suite of a canape and pair of armchairs, second quarter 20th century, in stylised Louis XVI manner. The canape and chairs each with a rounded back with inward-carving arms above the seat with loose cushion, on turned supports, the canape 86 cm high, 166 cm wide, 70 cm deep, the chairs 86 cm high, 73 cm wide, 74 cm deep
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An Art Deco rosewood bow front sideboard in the manner of Jules Leleu, mid 20th century, the stepped top above a central door enclosing drawers between pairs of diaper-veneered doors enclosing adjustable shelves, all divided by half-round columns, raised on two broad feet, the columns and feet brass-mounted, 93 cm high, 257 cm wide, 62 cm deep
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An Art Deco rosewood vitrine in the manner of Jules Leleu, mid 20th century, the bevel-glazed door between moulded sides enclosing a blonde wood interior with adjustable glass shelves, on splayed feet with brass sabots, 159 cm high, 96 cm wide, 39 cm deep
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A Chinoiserie six-leaf lacquered screen, 20th century, decorated in gold on the black ground with various figures in a landscape, 183 cm high, 246 cm wide
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A French marble-topped oak and pine side table, H. Lemoine, Paris, early 20th century, the rectangular top with inset grey-veined pink marble above a pair of frieze drawers, raised on tapering turned supports, the mouldings and supports turned to simulate bamboo, Lemoine's stamp to the top beneath the marble, 75 cm high, 95 cm wide, 60 cm deep
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A set of six Louis XV style gilt wood and upholstered side chairs, late 19th / 20th century, each with a padded cartouche-shaped back and upholstered seat raised on cabriole supports, the frames moulded throughout and carved with floral details, covered in striped ivory and lemon coloured silk, 91 cm high, 53 cm wide, 56 cm deep
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A pair of Louis XV style gilt wood and upholstered fauteuils, each with a padded cartouche-shaped back and outswept arms above the upholstered seat raised on cabriole supports, the frames moulded throughout and carved with floral details, covered in ivory-coloured damask
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A George II style pier mirror, the rectangular plate in a carved and silvered frame with rocaille and floral crest and other details, 128 cm high, 74 cm wide
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A French brass adjustable hearth fender, late 19th century, the ends modelled as urns on pedestals, flanking the pierced rail, 32 cm high, 110 cm wide (extended)
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A French ebonised pier cabinet in boulle manner, second half 19th century, rectangular in outline, the frieze inlaid with simulated tortoiseshell and cut brass frieze above a glazed door enclosing a red baize lined interior with removable shelves flanked by columns to the corners, on a plinth base, gilt metal mouldings and mounts throughout, 107 cm high, 74 cm wide, 35 cm deep
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A George III mahogany tripod table, circa 1780, the tilting circular top raised on a baluster support and outswept feet, 77 cm high, 80 cm diameter
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A set of eight William IV mahogany dining chairs, early 1830s, a pair of elbow chairs and six side chairs, each with a tablet top rail and shaped horizontal splat above the drop-in seat, on turned fore-supports with cross stretchers, the elbow chairs 87 cm high, 54 cm wide, 56 cm deep, the side chairs slightly narrower
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A George III style mahogany sideboard, 19th century, the rectangular top with bow front centre above an arrangement of drawers and a cupboard, on tapering square supports, the top and its edge banded in satinwood, the front with inlaid decoration, 91 cm high, 209 cm wide, 68 cm deep
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A William and Mary figured walnut mirror frame, circa 1700, of typical cross-grain moulded form with a cushion plate between the convex sight and back edges, 55.5 x 50 cm (sight 33 x 27.5 cm)
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A George II oak drop-leaf dining table, mid 18th century, the top oval when extended above a frieze drawer to one side, raised on turned supports with club feet, 77 cm high, 158 cm wide (extended), 131 cm deep
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A set of six Lancashire stained elm spindle-back side chairs, first half 19th century, of typical form, the back with shaped toprails above two tiers of spindles, with seagrass seats, minor variations in the turned details, each 95 cm high, 49 cm wide, 43 cm deep
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A late Victorian walnut corner bookcase, circa 1890, of three shelves raised on turned supports, the upper-most with a mirrored gallery back, 118 cm high, 186 cm wide, 119 cm deep
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A French walnut writing table in Antiquarian manner, first half 20th century, the rectangular top with leather writing surface above frieze drawers to one side and conforming false drawer fronts to the other, raised on moulded square supports with stretchers, 76 cm high, 145 cm wide, 70 cm deep
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A pair of Regence style walnut and upholstered fauteuils a La Reine, second half 19th century, each with a high square back above down-swept arms and a generous seat, on cabriole supports with curving cross stretchers, the moulded frames carved with foliate details, covered in period-style needlepoint, 120 cm high, 69 cm wide, 71 cm deep
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An Italian Walnut-Framed overmantle mirror, 19th century, the shaped plate within a fretwork frame of trailing grapevine design, 172 cm high, 97 cm wide
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A Spanish oak and fruitwood side table, late 17th / 18th century, the rectangular top above a pair of frieze drawers, raised on splayed shaped trestle supports, the drawer fronts and apron with incised and carved decoration, 82 cm high, 162 cm wide, 72 cm deep
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A George III style mahogany and upholstered wing armchair, late 19th century, the high shaped back and generous wings above rolled arms, raised on moulded supports, in well worn buttoned and close nailed leather, 117 cm high, 81 cm wide, 79 cm deep. Provenance: The Estate of the late Seton Marshall
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A George III oak high dresser, last quarter 18th century, the plate rack with a moulded cornice above three shelves and a breakfront arrangement of six small drawers below, the lower part of breakfront outline with an arrangement of drawers and panelled cupboard doors with reeded square quarter columns to the corners, on shaped bracket feet, the brasses apparently original, 207 cm high, 192 cm wide, 50 cm deep. Provenance: Graham Cornall Antiques, Melbourne
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A set of eight George II style mahogany dining chairs, early 20th century, a pair of elbow chairs and six side chairs, each with a shaped and carved toprail and pierced interlaced splate above a generally stuff-over seat, on cabriole fore supports with ball-and-claw feet, the elbow chairs with outswept arms, the elbow chairs 98 cm high, 64 cm wide, 58 cm deep, the side chairs 96 cm high, 61 cm side, 56 cm deep
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A George III style mahogany chest-on-chest, late 19th century, incorporating 18th century elements, the upper part with a moulded and dentilated cornice and blind fretwork frieze above two short and three long drawers between blind fretwork chamfers, the lower part with a slide above three long drawers, on shaped bracket feet, 185 cm high, 82 cm wide, 57 cm deep. Other Notes: this appears to be a George III period chest that has been reduced in width and had its drawer fronts reveneered. The secondary wood…
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An English oak gate-leg table, early 18th century, the top slightly oval when extended, raised on attractively-turned supports with conforming stretchers, 77 cm high, 155 cm wide, 149 cm deep (extended)
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