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Fine Furniture and Decorative Arts - Day 2 — Sotheby's

Articles on this Sale

Auction House:Sotheby'sNumber of lots recorded:264
Sale Title:Fine Furniture and Decorative Arts - Day 2Lots with images:245
Auction Location:MelbournePrices available:183
Date:26-Oct-2010
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A wall mounted bronze fountain, centred with a oval bronze bowl with slightly rounded conical sides, surmounted by a spout flanked by scrolling leafage and between stylised winged seahorses, the heads turned in opposite directions and each having one wing wrapping to support the bowl, the rectangular bronze back plate designed to be wall mounted. Width 92 cm. Depth 51 cm, 49.
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A George IV library chair, with shaped top rail and turned centre splat, scroll arms, red leather seat, fluted apron, tapering turned and reeded front legs. Provenance: The collection of the late Charles Lloyd Jones
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A George III mahogany wine table, the rectangular tilt top resting on a turned centre pedestal with three downswept legs, 72.5 cm wide, 55.5 cm deep, 75 cm high. Provenance: The Collection of the Late Charles Lloyd Jones
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A George IV rosewood pedestal sofa table, the rectangular top with rounded twin drop leaves above two frieze drawers, supported on a carved centre column with bead, lobed and gadroon carving, quatreform base and lobed feet. Width 152 cm. Depth 64 cm. Height 73.5 cm. Provenance: The collection of the late Charles Lloyd Jones
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two George III mahogany canterburys, each with four openwork compartments above two drawers, on turned legs with casters, (2), 46 cm wide, 36 cm deep, 55 cm high and 45 cm wide, 35 cm deep, 44 cm high Respectively. Provenance: The collection of the late Charles Lloyd Jones
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An Edwardian mahogany open arm salon chair, the oval shaped back with inlaid surmount and supports, carved decorative garlands, the back, seat and arm pads all upholstered in red plush velvet, scroll arms, the frieze inlaid, on tapering fluted legs. Provenance: The Collection of the Late Charles Lloyd Jones
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A pair of mahogany leather upholstered wing back armchairs, of generous proportions, upholstered in brass studded tan leather with loose cushion, outswept arms, raised on fluted square legs with 'H' stretcher, (2). Provenance: David Jones Gallery, Sydney;. The Collection of the late Charles Lloyd Jones
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An Australian cedar breakfast table, the circular top with carved rope twist border, turned column support with triform base and scroll feet. Diameter 121 cm. Height 72.5 cm. Provenance: The collection of the late Charles Lloyd Jones
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A pair of Louis XV style walnut fauteuils, two similar fauteuils and two upright chairs, one pair with caned shaped carved backs and black leather upholstered seats and arms rests and cabriole legs, another similar pair with white leather seats and the remainder with white cushions, (6). Provenance: The Collection of the Late Charles Lloyd Jones
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A George IV rosewood three seater settee, with turned back rail above the red leather upholstered back and loose cushion seat, flanked by upholstered arms, the fronts with carved rosettes over pilasters with ornate leaves and scrolls, a wide frieze and raised on bulbous legs terminating in elaborate brass acanthus leaf capped casters. Width 216 cm. Depth 73.5 cm. Height 93 cm. Provenance: The collection of the late Charles Lloyd Jones
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A George III style black lacquer 'Chinoiserie' fall front bureau, decorated throughout with Chinoiserie decoration to a blue-grey ground, the fall front enclosing a fitted interior of pigeon holes, drawers and a central cupboard, all above two short and two long drawers, 91.5 cm wide, 46 cm deep, 107 cm high. Provenance: The Collection of the Late Charles Lloyd Jones
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A red lacquer 'Chinoiserie' etagere and two Chinese stools, 20th century, the etagere of oval form with brass gallery to top above three Chinoiserie decorated small drawers, slender tapering legs united by a kidney shaped platform, together with one black and one red Chinoiserie stool, (3), Etagere 81 cm high, Stools each 46 cm high. Provenance: The Collection of the Late Charles Lloyd Jones
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A set of six French walnut Louis XV style fauteuils, each with carved and caned shaped backs and caned seats, each with a white fitted leather cushion, on cabriole legs, (6)
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A lampstand, painted in grey blue with all over Chinoiserie decoration, 61 cm high. Provenance: The Collection of the Late Charles Lloyd Jones
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A pair of Georgian mahogany demi-lune tables, the D-shaped tops over a wide shaped frieze, raised on four tapered fluted legs, (2), 114 cm wide, 59 cm deep, 74 cm high. Provenance: The Collection of the Late Charles Lloyd Jones
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A Patek Philippe Elipse D'or solar clock, in gilt brushed brass with curved tambour ends, a solar panel to the top, oval royal blue face with applied brass baton indexes and hands, circuit board with transistors connected to the photo-electric cell, battery pack back up power, dial and movement signed, stamped Patek Philippe, Geneve, No. 311477, case No.
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A George III and later mahogany mantel clock, with circular white enamel dial and Arabic numerals, French movement, the arched mahogany case with boxwood stringing and shell patera, on rectangular platform base and brass squat bun feet. Height 29.5 cm. Provenance: The collection of the late Charles Lloyd Jones
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A Patek Philippe Geneve gilt metal naviquartz chronometer in mahogany case, the white dial with black Roman numerals, black metal hands and sweep seconds hand, gilt brass frame with power indicator, hinged three-tier mahogany case with brass mounts and stand to reverse, no.1. 802. 869, signed to dial, Case 12.5 cm, wide 16 cm, deep, 8 cm high. Provenance: The Collection of the Late Charles Lloyd Jones
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A pair of George III silver wine coasters, Robert Hennell, London, 1782, each with beaded rim above pierced sides with urns at intervals, bright cut engraved decoration and ribbed border, wooden base, (2). Width 12.2 cm
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A George III silver waiter, John Robertson I, Newcastle, 1800, the centre engraved with vacant cartouche and a foliate border, upturned ribbed rim, raised on three feet, 173gms. Width 14.2 cm. Provenance: The collection of the late Charles Lloyd Jones
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A William and Mary silver tazza, London, circa 1692, engraved crest to centre, raised gadroon border, on flared foot with similar gadroon border, makers marks rubbed, 153. 8gms. Width 15.5 cm. Provenance: The collection of the late Charles Lloyd Jones
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A George III circular silver bowl, Daniel Smith and Robert Sharp, London, 1784, the plain hemispherical bowl raised on slightly flared circular foot, inscription to underside, 438gms, 16. Width 8 cm. Provenance: The collection of the late Charles Lloyd Jones
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A small collection of miscellaneous items, including a Georg Jensen rectangular silver cigar box with fluted sides and presentation inscription to inside lid 'Charles To mark the occasion of David Jones 125th Birthday Celebration from your colleagues 26.5.63'; a Georg Jensen silver Paper knife, no. 73, inscription to blade; a George Jensen silver handled blossom pattern scissors, no.
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A Queen Anne silver coffee pot, Benjamin Pyne, London, 1707, of tall tapering form with conforming spout, strapwork decoration to cover, engraved armorial to one side and monogram within a foliate cartouche to other side, ivory scroll handle, ribbed foot, 818gms. Height 25 cm. Provenance: The collection of the late Charles Lloyd Jones
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Four silver gilt scallop shells, Carrington & Co, London, 1966/67, each with polished finished bowl and naturalistic textured outer surface, raised on shell feet, (4), total weight 988gms, each. Width 12.5 cm. Provenance: The collection of the late Charles Lloyd Jones
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A selection of silver items, comprising a George IV compressed teapot, maker 'Iw' London 1827, with ribbed borders, rosette finial, replaced timber handle; a George III silver boat shape jug, London 1807; a barrel shape covered beaten silver box, possibly Stuart Devlin; a pair of Asprey & Co. Ltd, London 1972 silver commemorative goblets to celebrate the silver wedding anniversary of Queen Elizabeth II and Hrh Prince Philip, Duke of Edinburgh, (5),Combined 488gms, Teapot 23 cm wide, Jug 14 cm wide, Goblets…
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A pair of clear glass lustre candlesticks, 19th century, each of baluster form with facetted stem and a stylized leaf supporting a garland of facetted glass prism drops, (2). Height 30 cm. Provenance: The collection of the late Charles Lloyd Jones
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A marble sculpture of a young woman and dog, the young female with hair tied back and downcast gaze, semi-clad in diaphaneous classical attire with her left hand resting on the back of her small companion who is standing on a treestump. Height 101.5 cm. Provenance: The collection of the late Charles Lloyd Jones
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A pair of 'blance-de-chine' vases, 19th/20th century, each of tapering cylindrical form, incised below the short waisted mouth with a floral frieze beneath the white glaze and set with two mask and ring handles, drilled and fitted for electricity, wood stands and shades, (4), 44 cm high. Provenance: The collection of the late Charles Lloyd Jones
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A cast iron stork and snake umbrella stand, the stork perched holding the writhing snake in its beak and forming the top rest for the stand, at its feet two removable shells form the base, registration marks to rear. Height 77 cm. Provenance: The collection of the late Charles Lloyd Jones
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A French bronze sculpture 'Libellule' signed Mathurin Moreau (French 1822-1912), modelled as a semi-draped Nymph seated on a tree stump, on circular socle, signed and bearing bronze plaque 'Par Malthurin Moreau Medaille D'honneur du salon', weathered and separated from sandstone base, 110 cm including sandstone plinth. Provenance: The collection of the late Charles Lloyd Jones. Literature:Bronzes, Sculptors and Founders 1806-1930 by H.
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A spinach green jade bowl, Qing Dynasty, 19th century, with rounded sides and flared rim, carved from a dark green stone with overall mottling, wood stand, (2), 22.5 cm. Provenance: The collection of the late Charles Lloyd Jones
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A Staffordshire group modelled as companionable whippets, the two whippets relaxing, the female painted in pale beige with the male in grey to a washed burgundy ground and white base. Height 19 cm. Provenance: The collection of the late Charles Lloyd Jones
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A pair of Staffordshire zebras, two Staffordshire piebald horses, two Staffordshire poodles and a Staffordshire dalmation and a small 18th century model of a bull, (8). Provenance: The Collection of the Late Charles Lloyd Jones
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Six Staffordshire russet and white whippet inkwells on glazed blue bases, all in recumbent positions with crossed forelegs together with another whippet sitting on his haunches, (6), largest Recumbent dog. Height 14 cm. Provenance: The collection of the late Charles Lloyd Jones
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A large pair of kind Charles spaniels and a pair of Staffordshire spaniel spill vases, spaniels in seated position in off -white crackle glaze, the spill vases in the form of tree trunks painted in greens with burnt orange interior behind seated white glazed spaniels, (4), 32.5 cm and. Height 34.5 cm respectively. Provenance: The collection of the late Charles Lloyd Jones
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A group of Staffordshire spaniels painted in white and rust coloured glazes, comprising two large spaniels, a group of two spaniels with one seated on a barrel, a spaniel with pup and a single spaniel, (5), largest. Height 23 cm. Provenance: The collection of the late Charles Lloyd Jones
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Staffordshire figural groups of emperor and empress of France, princess Royal and Albert of Russia, a group of children, a young couple and a pastille burner, (7), Largest 34 cm high. Provenance: The Collection of the Late Charles Lloyd Jones
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An English porcelain pheasant in polychrome hues, 42.5 cm high. Provenance: The Collection of the Late Charles Lloyd Jones
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Eight Vienna porcelain 'Blanc de chine' lipizzaner horses and riders from the Spanish riding academy, 20th century, modelled in varying stances of their routine, mark in underglaze blue, (8), the tallest. Height 30 cm
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A pair of Crown Staffordshire sulphur crested cockatoos, designed and modelled by J.T. Jones, the naturalistically designed perched birds painted white with yellow crest and black beaks, blue painted underglaze marks to base, (2). Height 34 cm. Provenance: The collection of the late Charles Lloyd Jones
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An important Australian cedar and specimen wood sideboard of grand proportions carved with the pictorial history of the foundation and progress of the colony of Victoria, circa 1860, - 1873, by Peter McLean. Width 340 cm. Depth 92.5 cm. Height 351 cm. Provenance: Peter McLean; James Wright Ferguson; purchased 1927; Elias Baitz, Parkville; purchased with house at 90, the Avenue; private collection, Melbourne, since 1944. Exhibited, the Intercolonial Exhibition of Australasia, great hall, Melbourne, 24…
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An Australian colonial flamed cedar sideboard, circa 1840, the carved back board with restrained double scrolls backing a rectangular top with moulded double edge above three frieze drawers with convex fronts, each pedestal with architectural pylon panel door with fanned gadrooning to surmount and foot, raised on squat bun feet. Width 200 cm. Depth 72 cm. Height 90 cm
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An Australian cedar circular pedestal breakfast table, Joseph Sly, circa 1840, with rope carved edge, triform platform and lion paw feet on casters, stamped to underside twice J. Sly. Diameter 107 cm. Height 71 cm. Provenance: William Ellenden Auctions, Wentworth Avenue, Sydney 22March 1991. Reputedly the table came to the vendors family (Mrs Grant Campbell) by descent from her aunt, Elsie Dora Fairfax, nee cape born 17/1/1874.
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An Australian cedar reclining armchair, mid 19th century, the tall shaped back with scroll arms, black upholstery, and lappet-carved legs. Height 106 cm;. Provenance: private Collector; Sotheby's, the Hannon collection of early Australian Colonial furniture, 14 November 1999, lot 842. Thomas young and then by descent. Thomas young was the fifth lawyer to be entered into the roll of the Supreme court in Hobart Town in 1824.
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An Australian cedar chiffonier, circa 1845, the upper section with two shelves, the top one with a waved three quarter gallery above recessed panels and s-scroll supports, above a double ogee carved single drawer and a pair of panelled cupboard doors, raised on a plinth base, 91 cm wide, 51.5 cm deep, 167 cm high; Provenance: Glanmire Hall Antiques, Glanmire, NSW, 1983; 'The Hermitage Collection', The Oaks via Camden, NSW
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An Australian cedar and blackwood double bed, circa 1860, the head and foot boards each with shaped cedar panes between turned blackwood supports and a turned top rail, surmounted by stylized acorn finials, with original rails and slats. Length 214 cm. Width 133 cm. Height 123 cm;. Provenance: The rustic charm, 60 Orimbah Road, Mosman, NSW, 1985; 'The Hermitage collection', the Oaks via Camden, NSW
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A pair of Australian cedar and upholstered grandfather and grandmother chairs, circa 1870, the pierced and foliate carved frames with padded backs, overstuffed seats, serpentine front rails and raised on cabriole legs, terminating in ceramic casters, (2); Provenance: 'The Hermitage Collection', The Oaks via Camden, NSW
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An Australian cedar carver, by Andrew Lenehan, with a spade back and down swept arms, upholstered in deep red jacquard fabric; makers label to the frame
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An Australian blackwood chest of drawers, circa 1870, the rectangular top with a double moulded edge above an arrangement of short and long drawers flanked by bobbin turned columns and raised on bun feet. Width 124 cm. Depth 58 cm. Height 143 cm;. Provenance: James. R. Lawson Pty. Ltd, 212 Cumberland Street, Sydney, NSW, 1995; 'The Hermitage collection', the Oaks via Camden, NSW
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An Australian cedar card table, circa 1845, the rectangular fold over top with green baize interior above an ogee moulded frieze, supported on a bulbous column with carved acanthus leaf carved scrolled feet with recessed casters. Width 92 cm. Depth 46 cm. Height 74 cm
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An Australian cedar and blackwood child's bed, circa 1850, the head and foot boards with turned blackwood legs above shaped panel sides with slats, 186 cm long, 86 cm wide, 105 cm high; Provenance: Tulloch's Antique Auctions, 93 Cimitiere Street, Launceston, TAS, 1983; 'The Hermitage Collection', The Oaks via Camden, NSW
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An Australian cedar breakfast table by Andrew Lenahan, circa 1845, circular, supported on a bulbous turned column and three outswept legs with over scrolled feet and ceramic casters stamped 'A Lenehan' and with the remains of a paper label to the underside of the top. Diameter 124 cm. Height 72.5 cm;. Provenance: 'The Hermitage collection', the Oaks via Camden, NSW
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A fine early Australian cedar double pedestal sideboard, circa 1840, designed in the manner of Thomas Sheraton, the simple rectangular top over a central drawer in fiddleback cedar and flanked by similar smaller drawers with replacement brass ring drop handles, the pedestals each with a small panel door cupboard, the drawers and doors all with borders of fine nulling, supported on ring turned legs. Width 168 cm. Depth 57 cm, 91.
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A large Australian cedar oval dining table, circa 1860, the oval top with two well figured cedar panels with a moulded edge above a plain frieze, raised on turned legs with stylized lotus leaf decoration, terminating in brass casters, 212.5 cm long. Width 143 cm. Height 75 cm. Provenance: Salamanca Antiques, Hobart, TAS, 1983; 'The Hermitage collection', the Oaks via Camden, NSW
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An Australian cedar four tier what-not of small proportions, circa 1845, with four well figured rectangular shelves, each with a shaped apron to the front, supported on ring turned columns, terminating in ceramic casters, 45 cm wide, 36 cm deep, 101 cm high. Provenance: Salamanca Antiques, Hobart, TAS, 1983; 'The Hermitage Collection', the Oaks via Camden, NSW
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A cedar armchair, early 19th century, the curved overhanging top rail above down swept arms on turned supports over a solid seat, plain front rail, raised on ring turned tapering legs;. Provenance: Glanmire hall Antiques, Glanmire, NSW, 1983; 'The Hermitage collection', the Oaks via Camden, NSW
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A blackwood single bed, Tasmanian, circa 1860, with turned spindle rails above carved shaped bedhead and foot boards and turned baluster posts, Tasmanian oak slats. Length 200 cm. Width 123 cm
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A rare early New South Walesbeefwood occasional table, Sydney, circa 1840, the rectangular top has moulded edges and rounded corners, supported on tapering hexagonal column on quatreform base, raised on peg feet. Length 57 cm. Width 46.5 cm. Height 75.5 cm; Literature:Australian furniture, pictorial History and Dictionary 1788-1938'by Kevin Fahy, Andrew Simpson, illus pl.493; Ninteenth century Australian furniture, Kevin Fahy, Christina Simpson and Andrew Simpson, illus.
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An Australian cedar and upholstered sofa, circa 1850, the back with curved ends and overscrolled central section above s-scrolled arms above a cushioned seat, with an ogee moulded rail and raised on ring turned and foliate carved legs with casters. Width 228 cm. Depth 60 cm. Height 99 cm. Provenance: Dave Alps Antiques, Launceston, TAS, 1983; 'The Hermitage collection', the Oaks via Camden, NSW
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An Australian cedar and pine strung side table, circa 1835, the rectangular top with rounded corners and moulded edge above a pine strung frieze, raised on ring turned tapering legs, 122 cm wide, 57 cm deep, 73 cm high; Provenance: 'The Hermitage Collection', The Oaks via Camden, NSW
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An Australian cedar dresser, circa 1880, the upper section with a tall panel back supporting a glazed door cabinet with one shelf, the lower section with moulded edge rectangular top above two frieze drawers with two panel doors below, raised on tapering square legs, 144 cm wide, 60 cm deep, 221 cm high;; Provenance: Kay Pickett, Evandale, TAS 1983; 'The Hermitage Collection'.
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An Australian cedar drop leaf table, circa 1860, the rectangular top with drop leaves above three short drawers, raised on square legs with a number of impressed stamps with a Crown at the centre and 'Bench Of Magistrates Bulla Delar' in a band around it, 59 cm wide (103.5 cm wide extended), 43 cm deep, 69 cm high; Provenance: E. Stuart 'The Pines' Antiques, Ingleburn, NSW, 1983; 'The Hermitage Collection', The Oaks via Camden, NSW
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An Australian cedar and brass hall stand, circa 1860, the central heart shaped back with turned hat holders above a brass umbrella holder with removable tin trough, raised on bun feet. Width 132 cm (68 cm wide with the base). Depth 40 cm. Height 201 cm;. Provenance:'the Hermitage collection', the Oaks via Camden, NSW
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An Australian cedar tilt top occasional table, circa 1870, the circular top with a moulded edge above a bulbous turned m and shaped outswept legs, 84 cm diameter, 76 cm high. Provenance: 'The Hermitage Collection', The Oaks via Camden, NSW
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An Australian full cedar washstand, circa 1840, the rectangular top with three quarter gallery above two short drawers, raised on ring turned legs joined by a curve fronted shelf. Width 114 cm. Depth 59 cm. Height 84 cm
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A set of ten Australian cedar dining chairs, the curved overhanging top rail with shaped ends above plain cross rails, shaped upright supports, solid seats with plain frieze, raised on ring turned tapering legs, one chair is restored, (10)
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An Australian cedar and rose mahogany work table, of neo-classical design, the rectangular cedar top is cross banded with moulded edges above cross banded frieze with turned inverted finials to corners, the work box has been recovered in deep red silk, the two side supports are flared and divided in peg design both top and bottom and are united by a turned stretcher with applied patera terminals, the side supports are resting on rectangular round bases, applied patera and on squat bun.
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An Australian cedar hall chair, circa 1860, the shaped back with scrolled decoration, over a solid seat, raised on turned tapering legs. Provenance:Tulloch's antique Auctions, 93 Cimitiere Street, Launceston, TAS, 1983; 'The Hermitage collection', the Oaks via Camden, NSW
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A set of four Australian cedar chairs, the curved top rail within shaped upright supports above solid seats, raised on ring turned and bulbous tapering legs(4)
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An Australian three tier what-not, circa 1860, with three rectangular shelves each with raised moulded edges, supported on ring turned columns, terminating in casters;. Width 70.5 cm. Depth 47.5 cm. Height 114.5 cm
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An Australian cedar child's armchair
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An Australian cedar cutlery box, circa 1850, 41 cm wide, 30 cm deep, 18 cm high. Provenance: The Rustic Charm, 60 Orimbah Road, Mosman, NSW, 1984; 'The Hermitage Collection', The Oaks via Camden, NSW
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An Australian cedar pole screen, circa 1840, the rectangular needle point screen within a cedar frame, raised on a pole above a bulbous turned stand with a triform platform base, raised on bun feet. Height 134 cm
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A rare bird's eye huon pine writing box, circa 1885, the rectangular shaped box inlaid with brass marquetry, huon pine, pauwa shell (mother of pearl), the hinged black sassafrass timber top, opening to reveal a japanned and silk lined interior together with a drawer incorporating fitted compartments and two ink containers and a leather covered writing slope. Width 29 cm. Depth 20 cm. Height 14 cm
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A South Australian sampler, by Annie Caroline Ricketts, Boolcunda East, the needlework is depicting various exotic birds, a fountain, an urn, a bible, animals and plants and verses and is dated Sept.22.1892, in original bird's eye maple frame with framers label to verso, 33.5 x 62 cm. Boolcunda East is a small mining town in the Flinders Ranges in outback South Australia
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A rare scrimshaw stand, circa 1880, the carved scrimshaw etched with a delicate leaf motif throughout mounted on a hardwood stand 57 cm wide, 16 cm high. It is reputed that a Seaman who worked on a whaleboat operating out of Hobart in the 1880's is thought to have crafted this elaborate ornament in his spare time. This stand has until recently been on loan at the Maritime Museum Hobart
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An Australian emu egg casket with gilded and silver plate mounts, the egg surmounted by two bronzed aboriginals and foliage, a decorative central gilt banding and interior gilding, supported by a fern tree shading a kangaroo and emu and a snake coiled around a plant, all raised on wooden plinth bearing scratched W. Kerr mark to underside beneath screws. Height 32 cm
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A sterling silver commemorative chalice, depicting an Australian scene, by Daniel Houle and Charles Houle, London, 1861, of flared globular form, with central cartouche bearing an inscription 'Presented to John Kelly Esq. Police Magistrate by the Police of Deniliquin Moulamein and Moama as a Token of Respect for Him February 28th 1862' elaborately decorated with Australian native animals and stockmen and their horses supported on circular foot decorated with small flower sprigs, in a fitted leather case…
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A Charles I silver seal top spoon, maker TP in shaped shield, London, 1639, the shell shaped bowl with square facetted handle, the seal with prick initials D. H over H. B, 56.4gms. Length 18 cm
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A James II silver porringer, maker T.S in monogram below coronet, London, 1684, of cylindrical form with recessed foot and slightly flared lip, the sides engraved with Chinoiserie figures, exotic birds and foliage, double scroll handles, raised on shallow circular foot, 268gms. Width 18.5 cm
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A George II silver circular salver, William Peaston, London, 1750, the centre engraved with an armorial, the scroll border interspersed with shells, raised on hoof feet, 970gms. Diameter 33 cm
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A George III silver covered cup, Joseph Craddock and William Reid, London, 1813, of campana shape, the domed cover surmounted with eagle head with a Crown collar and outstretched wings with leafage surround, the rim with ribbon and latticework, 2500gms (approx). Height 45.5 cm
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A pair of George II silver dinner plates, Peter Archambo, London, 1740, of plain design with waved gadroon borders, (2), together 1292gms, 25 cm wide
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A pair of George II silver sauce boats, Edward Feline, London, 1741, each with a leaf capped double scroll handle, the sides of one engraved with two armorials, the other with a Crown over griffin, raised on lion paw feet with lion mask head surmounts, (2), 880gms together (approx), each. Length 22 cm
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An Irish silver freedom box, James Keating, Dublin, 1801, circular, the detachable cover with reeded rim, engraved with the arms of Chichester, Marquess of Donegal, marked to inside cover and base, 142gms, 8 cm diameter
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An Irish silver freedom box, Alexander Ticknell, circa 1770, of circular form, detachable cover, engraved with the city of Waterford arms to the cover and coat of arms to the base marked with single makers mark to base and cover, 148gms, 7. 8 cm diameter
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An Irish silver freedom box, Hy Flavelle, Dublin, 1827, circular, the detachable cover with ribbed rim and engraved with arms for the city of Cork, 148gms. Diameter 8.5 cm
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A George III silver dinner plate, Ben Laver, London, 1784 and a George IV silver plate, Robert Garrard II, London, 1823, both of plain design with waved gadroon borders, crested, (2), 546gms and 672gms respectively, 25 cm wide
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Two Irish silver wine coasters, Royal Irish Silver Company, Dublin, 1973 and Rcsl Dublin, 1978, each with pierced embossed sides depicting Bacchus in the vineyard with baskets of fruit and flowers enjoying a flask of wine and falling asleep on a leafy bed within a landscape of trees, windmills and buildings, wooden base with silver boss, one with additional mark to commemorate Ireland's entry into the European Community, (2), 14 cm diameter
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A George III silver tankard jug, probably Isaac Cookson, Newcastle, 1760, of tapering baluster form with reeded girdle, the double scroll handle with key hole shaped thumbpiece, the domed lid and the sides later embossed with flowers and foliage, engraved to lip 'Samuel Martin from his sincere friend R. T. W. Taylor 18th August 1832', reeded and engraved foot, 960gms, 19 cm high
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A George II Irish silver salver, William Williamson, Dublin, circa 1750, an impressive coat of arms engraved to centre, the cast rope edge scroll border interspersed with masks, flowers and shells, raised on three hoof feet, 1294gms. Width 36.5 cm
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A pair of George III silver entree dishes, Paul Storr, London, 1812, of rectangular form with gadroon rims and shell and acanthus leaf scrolls to chamfered corners and sides, armorial to centre, crested to side, (2), 1990gms total weight. Length 28 cm
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A pair of George III silver wine coasters, maker j.s, London, 1777, each with a beaded rim and sides pierced with a row of anthemion, crested with a stag, wooden bases, (2), 12 cm wide
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George III silver salver, ebenezer coker, London, 1772, with gadrooned wavey rim, the centre engraved with armorial and the motto 'One I will serve', engraved foliate decoration, raised on three paw feet, 908gms. Width 34 cm
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A George III silver tankard, makers mark indistinct, London, 1765, of robust proportion, lion shaped thumbpiece, the flared cylinder form body on a shaped foot and bearing an inscription pertaining to the winner of the 'Ross Open Hunt' 1869, 1600gms, 27 cm high
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A Victorian silver flatware service, George w. Adams (Chawner & Co.), London, 1854, comprising eighteen table spoons, eighteen dessert spoons, seventeen tea spoons, six coffee spoons, four condiment spoons, three gravy ladles, five sauce ladles, twenty nine dinner forks, eighteen dessert forks, a large soup ladle and a sifter spoon, all engraved with an armorial cresting, (120), 9050gms (approx)
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A pair of Victorian silver candlesticks, Henry Wilkinson & Co, Sheffield, 1839, each with a shaped circular foot and armorial cresting, rising to a knopped stem decorated with flowers and leafage, conforming sconces, weighted, (2). Height 24 cm
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A George III silver salver, John Carter, London, 1755, of circular form, with beaded shaped rim, central armorial crest engraved, supported on claw and ball feet, 1015gms. Diameter 32 cm
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A George III silver double handle goblet, Richard Gurney and Thomas Cook, London, 1754, of flared form on circular foot, 370gms, 13 cm high
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