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Articles on this Sale

Auction House:Gibson's Auctioneers & ValuersNumber of lots recorded:170
Sale Title:The Graham Joel CollectionLots with images:165
Auction Location:MelbournePrices available:164
Date:19-Jul-2020
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A George III Scottish sterling silver tea service, George Fenwick, Edinburgh, 1811 comprising a teapot, creamer and sugar basin with associated tongs each with grape and leaf chased work and gadrooned rim the teapot 16 cm high, total weight of silver 1160gms. Provenance: The Leonard Joel Collection, Melbourne
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A pair of George III silver sauce boats with covers, in the Adam style, London, 1819 of classical form with loop handles and beaded decoration throughout the cover and base with an incised armorial cresting 16.5 cm high, 24 cm across the handles, total weight of silver 1610gms
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A set of four George IV silver salts, John Edward Terrey & Co, London 1823 each of of squat baluster form with an inverted gadrooned rim, embossed with panels of figures and foliage 6 cm high, 9.5 cm diameter, total weight of silver 530gm
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A cased set of six Art Nouveau silver teaspoons and a set of tongs, John Thomas Heath & John Hartshorne Middleton, Birmingham, circa 1900 total weight of silver 126gm
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A large collection of Continental silver and silver plate cutlery, 19th century and later including numerous knives with various shaped handles
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An Edward VII pierced sterling silver tazza, Mappin & Webb, Birmingham, 1911 together with a silver sweetmeat dish and a silver sugar caster the sugar caster 17 cm high, total weight of silver 395gms
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A George IV sterling silver salver, William Brown, London, 1828 of rectangular form with a gadroon border, raised on four acanthus leaf moulded feet 3 cm high, 25 cm wide, 20 cm deep, 565gms
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A large set of associated English Kings pattern sterling silver cutlery, 19th century and later comprising eighteen tablespoons, sixteen forks, twelve dessert forks, twenty six dessert spoons, six teaspoons, ten entree spoons and two ladles the largest piece 25 cm long total weight of silver 6070gms
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A collection of English sterling silver condiments, 18th century and later comprising three various size mustard pots, a salt cellar, eight various pepper castors, and three small condiment spoons the largest mustard pot 7 cm high, total weight of silver 620gm
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A George III sterling silver ewer, London circa 1790 decorated in the Adams style with husk flower swags and beaded decoration, the hinged lid with a vase finial, carved wooden loop handle 34 cm high, total weight of silver 795gms. Provenance: Mrs E B Myer Collection
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A George II sterling silver tray, Robert Abercromby, London, 1742 with a central armorial cresting, later 19th century decoration with a shell and scroll edge and raised on hoof feet 16.5 cm diameter, 220gms
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A George III sterling silver salver, Mark Richard Rugg I, London, 1770 with serpentine gadroon border, raised on hoof feet 36 cm diameter, 1110gms
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An Edward VII sterling silver two handled butlers tray, John & William F Deakin, Sheffield, 1909 of octagonal form with pierced handles, the foliate etched central plate within a gadroon border, raised on four scrolling feet 62 cm long, 2100gms
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A collection of Georgian sterling silver, 1827 and later comprising a coin set toddy ladle, a dessert fork, William Chawner II, London 1827 and a silver tablespoon, Jonathon Hayne, London, 1834 the ladle 36.5 cm long, total weight of silver 110gms
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Two rose gold and seed pearl mounted mourning brooches, dated 1787 each with a hair inset back, one inscribed verso 'Love and Harmony', the other 'J.C obt. 8 March 1787' the largest 4 cm high
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A Georgian style sterling silver sauce boat, Atkin Brothers, Sheffield, 1905 with delicate hoof feet and a scrolling loop handle 10 cm high, 16 cm wide, 8 cm deep, 200gms
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A set of four George III sterling silver bottle coasters, Robert Hennell I, London, 1787 each with pierced gallery edge and armorial cresting, turned wooden bosses 12 cm diameter
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A rare pair of Thomas Webb & Sons ivory cameo glass candlesticks, circa 1885 designed by George Woodall and painted by Jules Barbe, pattern I 499 each finely decorated throughout with classical foliate and floriate motifs, the cameo work heightened in brown enamel each base impressed Thomas Webb & Sons within a ribbon band 39 cm high. Provenance: Billila Historic House, Halifax Street, Brighton, Victoria. Illustrated: Perry, Christopher Woodall, The Cameo Glass of Thomas and George Woodall, Richard Dennis,…
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A pair of rare Thomas Webb & Sons ivory cameo glass candelabra, circa 1885 designed by George Woodall and painted by Jules Barbe, pattern I 499 each finely decorated throughout with classical foliate and floriate motifs, the cameo work heightened in brown enamel 48 cm high, 32 cm wide. Provenance: Billila Historic House, Halifax Street, Brighton, Victoria. Illustrated: Perry, Christopher Woodall, The Cameo Glass of Thomas and George Woodall, Richard Dennis, Somerset, England, 2000, pg 86
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A Thomas Webb & Sons cameo glass vase circa 1890 - 1900 the translucent shoulder form ruby glass body overlaid with opaque white carved with stylised flowers, leafy stems and butterflies, factory book number W1444 the base etched with a circular mark Thomas Webb & Sons Cameo 22.5 cm high. Illustrated: Perry, Christopher Woodall, The Cameo Glass of Thomas and George Woodall, Richard Dennis, Somerset, England, 2000, pg 57
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A Thomas Webb & Sons cameo glass vase, circa 1890 - 1900 Webb pattern number W1444, marked Gem Cameo of shoulder form in ruby red glass overlaid in opaque white and carved with honeysuckle, leafy stems and butterflies, acid etched circular mark Thomas Webb & Sons Cameo 25 cm high. Illustrated: Perry, Christopher Woodall, The Cameo Glass of Thomas and George Woodall, Richard Dennis, Somerset, England, 2000, pg 49
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A Thomas Webb & Sons ivory cameo glass vase, circa 1885 of baluster form with a pale caramel coloured ground, carved in shallow relief with a continuous frieze of foliate scroll work, heightened in brown enamel, impressed mark THOS WEBB & SONS 15.5 cm high
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A rare silver mounted cameo glass claret jug attributed to Thomas Webb & Sons maker's mark Joseph Cook & Son, Birmingham, 1880 the tapering yellow ground body overlaid in opaque white, finely carved with foxgloves and leafage, with a Bacchus mask spout and loop handle raised on a circular acanthus decorated foot 31 cm high
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A Webb cameo glass vase, circa 1900 the translucent ovoid yellow glass body overlaid with opaque white and pink, carved with spring flowers, leafy stems and berries '??????12.5 cm high
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A Thomas Webb & Sons cameo glass vase, circa 1890 - 1900 the translucent ovoid yellow glass body overlaid with opaque white and pink, carved with spring flowers, leafy stems and butterflies, acid etched circular mark, Thomas Webb & Sons cameo 15 cm high
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A Thomas Webb & Sons cameo glass vase, circa 1890 - 1900 the translucent bottle form yellow glass body overlaid with opaque white and pink, carved with primroses, leafy stems and butterflies, acid etched circular mark, Thomas Webb & Sons cameo 19 cm high
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A silver mounted Stourbridge cameo glass scent bottle attributed to Thomas Webb and Sons, 1898 of slender teardrop form in aquamarine blue overlaid in white, carved both sides with foliate motifs and insects, the silver hinged top makers mark possibly Charles May & Sons, Birmingham, 1898 17.5 cm high
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A Victorian ruby glass jug of baluster form with a tri-form spout, the body with applied clear glass swaging, conforming handle 29 cm high
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A silver mounted green flashed and silvered glass pounce pot, English, circa 1860 the faceted tapering body surmounted by a pierced sterling silver caster cap, the base with a lozenge stamped Varnish & Co. patent, London 11 cm high
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A collection of fourteen Bristol green glasses, 19th century all with a short stem, raised on a circular foot, varying shaped bowls the largest 13 cm high
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A Royal Worcester vase by John Powell, dated 1912 painted with herons in an oasis below a clear blue sky, dual gilded loop handles, signed W. Powell, puce printed factory marks 25 cm high. Provenance: The Leonard Joel Collection, Melbourne
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A Royal Worcester cup and saucer, circa 1840 the double walled cup finely jewelled and gilt with behive piercing and decorated with birds and butterflies, gilt borders, printed puce and green factory marks 6.5 cm high. Provenance: The Howard Collection The Leonard Joel Collection, Melbourne
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A Dr Wall Worcester dish, circa 1770 the central shaped panel decorated with flowers and swags, within a gilded blue border and serpentine rim; underglaze blue crescent mark 19 cm diameter. Provenance: The Harrow Collection
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A pair of Sevres style bronze mounted porcelain vases, French, 19th century of baluster form decorated with a gilt-bronze foot and caryatid handles, the pale yellow and blue ground with raised gilt scrollwork, centred by a cartouche depicting cupids frolicking in a garden landscape, the obverse with a cartouche of doves and birds in a landscape, signed Collot, one urn with a cover 60 cm high, 50 cm high. Provenance: The Leonard Joel Collection, Melbourne The Margolin Collection, Sydney
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A Dr Wall Worcester polychrome and blue scale basket and cover on stand, circa 1770 of shaped form profusely decorated with applied flowers and leafage on a blue scale ground, applied branch handles, underglaze blue fretted square mark to the plate, the platter 25.5 cm long, the basket 13 cm high
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A miniature porcelain figure group, German, 19th century modelled as companions in period costume, seated on a Louis style canape, underglaze blue printed factory mark 5.5 cm high
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A Flight Barr & Barr gilded plate and a dish with Oriental decoration, probably Worcester, 19th century the dish 19 cm diameter
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An early Bow porcelain sauce boat, circa 1760 with fluted body decorated with birds and flowers, B.A.D.A. seal mark to base 6 cm high together with an early Derby sauce boat, circa 1760 of lobed form decorated with sprays of flowers 6 cm high
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A Rockingham covered urn, circa 1840 of baluster form painted and gilded with a continuous frieze of spring flowers, gilded loop handles 13 cm high. Provenance: The Leonard Joel Collection, Melbourne
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A Dr Wall Worcester polychrome and blue scale basket and cover on stand, circa 1770 of lobed form profusely decorated with applied flowers and leafage on a blue scale ground, applied branch handles, fretted square mark, gold B.A.D.A. seal 16 cm high, 25 cm wide across the stand. Provenance: The Treacy collection, Joshua McClelland, 24th May 1949.
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English, circa 1790 A Worcester Barr Flight & Barr vase, circa 1790 painted with a landscape scene of Valle Crucis Abbey, the cylindrical body with beaded decoration and gilt highlights impressed crowned BFB mark and inscribed Valle Crucis Abbey 9 cm high
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A pair of fine Spode vases, circa 1820 each of baluster form flanked by lion mask loop handles, finely painted in gilt with classical floral motifs on a gilded scale ground, beaded foot and rim, puce mark Spode 1166 26 cm high. Provenance: The D Clifford Collection, 1986
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A Copenhagen porcelain figure, Danish, 20th century the figure of a milkmaid, a cow and a cat printed factory marks to base 18 cm high
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A Worcester Barr Flight & Barr inkwell, circa 1810 of shaped form with entwined snake handle, ornately painted and gilt with a panel of seashells probably by Thomas Baxter, puce printed factory mark referring to the Coventry Street address and royal patronage 11 cm high, 15 cm wide, 8 cm deep
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A Royal Worcester porcelain plate by George Owen, circa 1902 of circular form, ornately decorated with stylised beehive piercing, signed G Owen, printed black factory marks 20 cm diameter. Provenance: The Whitehouse Collection
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A Royal Worcester cup and saucer, circa 1840 the double walled cup finely jewelled and gilt with behive piercing, on a pink and green ground, the later saucer with similar decoration and gilded landscape panels, printed puce and green factory marks the cup 6 cm high, the saucer 10.5 cm diameter
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A Dr Wall Worcester covered tureen and ladle, circa 1775 each painted in gilt with panels of flowers on a deep blue ground, underglaze blue crescent mark, together with a similar Dr Wall Worcester scale blue circular plate, underglaze blue fretted square mark the tureen 15 cm high, 16 cm wide, the plate 19 cm diameter
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A Chelsea plate, circa 1760 with a pie crust edge decorated with butterflies, insects and exotic birds, red anchor mark, remnants of a gold B.A.D.A. seal 20.5 cm diameter. Provenance: The Payne Collection, 1956, Leonard Joel and Joshua McClelland
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