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The Bourgeois Taste — Leonard Joel Pty. Ltd.

Auction House:Leonard Joel Pty. Ltd.Number of lots recorded:123
Sale Title:The Bourgeois TasteLots with images:123
Auction Location:MelbournePrices available:89
Date:12-Mar-2020
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A collection of Worcester 'Royal Lily' pattern porcelain, mid-late 18th century, comprising an oval dish, marked flight with a crescent to base, a cake plate, three tea cups and two saucers. The oval dish 21 cm wide, 13 cm deep. Provenance: The John Scarce Collection of Porcelain, the oval shaped dish purchased from the Payne collection, Leonard Joel, 24th May 1956, lot 118.
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Three 'Dragon in Compartments' pattern porcelain dishes, late 18th century, the first a Flight Worcester soft paste soup bowl, bearing two paper labels to verso: Scott Muir collection and Connoisseur's store. The second a Chamberlain's Worcester lobed oval serving dish with a shell shaped handle. The third shaped and square in form. No marks to reverse. The soup bowl 20.5 cm diameter, 4 cm high. Provenance: The John Scarce Collection of Porcelain
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A similar pair of large Mason's Ironstone Imari tankards, 19th century, circa 1830, each of generous proportions, decorated in Japanese Imari inspired patterns, flanked by a dolphin handle. Impressed marks to base. Each 14 cm high, 21.3 cm wide. Provenance: The John Scarce Collection of Porcelain
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A Dr Wall Worcester bowl and coffee can, 18th century, circa 1755-1790, the bowl decorated in blue and white with exotic bird on branch motif. Crescent mark to base. The coffee can decorated in the Imari palette, with fretted square mark to base. The bowl 7 cm high, 14.3 cm diameter. Provenance: The John Scarce Collection of Porcelain
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An English soft paste tea cup and saucer, 18th century, the scalloped cup and saucer, richly decorated with butterflies and fruits, enclosed by a turquoise enamel border. No mark to reverse, however bearing the BADA sticker to verso. The saucer 13.5 cm diameter, the cup 5.5 cm. Provenance: The John Scarce Collection of Porcelain
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A Worcester Barr Flight and Barr porcelain serving dish, early 19th century, painted with gilded blue borders and reserves of fancy birds and butterflies. Impressed BFB to base. 4 cm high, 19 cm wide. Provenance: The John Scarce Collection of Porcelain
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Two English plates, 19th century, the first dish, being creamware of circular form with a repeating floral pattern border, impressed 'Swansea' to base. The second dish with a scalloped floral rim, decorated centrally with fruit and vegetable motifs. Derby mark to reverse. The Derby dish 19.1 cm diameter. The Swansea plate 18.5 cm diameter. Provenance: The John Scarce Collection of Porcelain
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A Flight Worcester soft paste tea caddy, late 18th century, circa 1790, the tea caddy of ovoid and fluted body decorated with floral sprays. Lid missing. The tea caddy 13.5 cm high. Provenance: The John Scarce Collection of Porcelain
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A Worcester Dr Wall tea bowl, saucer and cup, 18th century, circa 1790, each piece fluted and decorated with blue and gold floral sprays, underglazed blue crescent mark to base of teacup and tea bowl. The tea bowl 8.5 cm diameter, the saucer 14 cm diameter. Provenance: The John Scarce Collection of Porcelain
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A small collection of Worcester porcelain, 18th century, comprising a chocolate cup, sucrier and underplate, all decorated with gilded highlights and cornflower motifs. Underglazed blue crescent moon mark to one piece. The chocolate cup 13 cm high. Provenance: The John Scarce Collection of Porcelain
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A Chamberlain's Worcester armorial serving dish and cover, 18th century, the fan shaped dish and lid both heavily gilded in a seaweed pattern enclosing a finely painted coat of arms for Edward lake, along with the motto 'Un Dieu, Un Roi, Un Coeur'. Probably made for the marriage of Royal Navy Lieutenant Willoughby Thomas lake to Charlotte MacBride at Northwood, Hampshire, on May 19th, 1795. The lid embellished with a dolphin form handle. Puce factory mark to base. Along with a matching trio. 17.5 cm wide,…
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Two Worcester Dr Wall blue ground floral plates, late 18th century, circa 1770-1790, the first with a scalloped rim, painted with gilded scale blue borders and reserves of flowers. Fretted square mark in underglaze blue to reverse. The second painted with gilded blue borders and reserves of flowers. No mark to verso. 19 cm and 17.5 cm respectively. Provenance: The John Scarce Collection of Porcelain
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Two Worcester Dr Wall blue ground floral plates, late 18th century, circa 1790, the first, a saucer dish in the 'Royal Marriage' pattern, the three flower sprays incorporating a bow, an arrow and a lover's knot. Crescent mark in underglaze blue to reverse. The second with a scalloped rim, painted with a wide gilded blue border enclosing central reserves of flowers. Crescent mark in underglaze blue to reverse. 18 cm and 19.5 cm diameter. Provenance: The John Scarce Collection of Porcelain
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Three Worcester Dr Wall blue and white plates, 18th century, circa 1760-1780, the first lobed in form, decorated in 'Pine cone' pattern, with a blue crescent mark reverse. The second with a scalloped rim, decorated in 'Kangxi Lotus' pattern, with a pseudo Chinese mark in underglaze blue to reverse. The third with a scalloped rim, decorated with Chinese inspired motifs, with a blue crescent mark reverse. 20 cm, 19.4 cm and 19.7 cm diameter respectively. Provenance: The John Scarce Collection of Porcelain
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Three Worcester first period soft paste plates, 18th century, circa 1760-90, each with a lobed edge. The first painted with gilded scale blue borders and reserves of florals scenes. Fretted square mark in underglaze blue to reverse. The second decorated with a central floral arrangement within a gilded blue ground with a gilt dentil border. Fretted square mark in underglaze blue to reverse. The third decorated with a central floral and fruit arrangement within a gilt blue marbled border. Underglazed blue…
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A Chamberlain's Worcester serving dish, 19th century, circa 1820, the heart shaped dish, decorated in the 'Thumb and finger ' pattern. Chamberlain's Worcester 276 in red to reverse. 3.5 cm high, 26 cm wide. Provenance: The John Scarce Collection of Porcelain
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Two Worcester Japanese inspired porcelain dishes, 18th century, the first circular in form and delicately decorated in the Imari palette, signed Chamberlains Worcester to reverse. The second of scalloped form with kakiemon flower and dragon motifs overall. Crescent moon mark to reverse. The circular dish 24 cm diameter. Provenance: The John Scarce Collection of Porcelain
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A Chamberlain's Worcester porcelain armorial plate, 19th century, circa 1840, the plate, with a matt blue and heavily gilded border, enclosing a central full coat of arms for Baron Dudley. Signed Chamberlain's & Co., new Bond street to reverse, along with a Dyson Perrins Museum sticker and Christies stickers for the Eric Dare collection. 23.2 cm diameter. Provenance: The John Scarce Collection of Porcelain
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Two English porcelain cream jugs, late 18th century, circa 1790S, the first of tapering form with a lobed body. Decorated in florals, raised on a circular foot. Possibly Newhall. Numbered 135 to underside of base. The second of boat form with a lobed body. Decorated in florals. Numbered 87 to underside of base. 12 cm and 10.5 cm high respectively. Provenance: The John Scarce Collection of Porcelain
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A Herculaneum porcelain tea set, 19th century, circa 1815-20, the transfer printed decoration in blue and white with pagodas in landscape with over gilt decoration. Comprising a teapot, creamer, sugar, four tea cups and saucers, one coffee can, a teapot stand and a cake plate. The teapot 16 cm high. Provenance: The John Scarce Collection of Porcelain
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A Dutch Delft calendar plate, 18th century, the plate, titled 'February', decorated in blue with figures seated around table, some smoking church warden pipes. Bears mark 'Hs' to reverse. 24.5 cm diameter. Provenance: The John Scarce Collection of Porcelain
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A Pinxton porcelain comport, circa 1800, the navette shaped bowl painted to centre with a landscape scene, raised by a tapering stem. 12.5 cm high, 33.5 cm wide, 21.1 cm deep. Provenance: The John Scarce Collection of Porcelain
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Four English porcelain dishes, 19th century, circa 1840-1860, each decorated with floral motifs against a green ground with gilded decoration. Including a handled serving dish, two plates and an oval platter. The smallest plate bearing the factory mark for Chamberlain's Worcester, along with a Christies sticker for the Eric Dare collection, and a sticker for Havelock House Antiques. The oval platter 29 cm wide, 21.3 cm deep. Provenance: The John Scarce Collection of Porcelain
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A collection of Wedgwood blue and white 'Water Lily' pattern porcelain, 19th century and later, including a oval platter, a basin, and a modern tankard, the platter 23.5 cm x 31.2 cm. Provenance: The John Scarce Collection of Porcelain
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A Coalport porcelain teapot and stand, 19th century, circa 1820, decorated overall in a pale blue ground, with scrolling ivy decoration. Bearing a family crest and motto 'Omni Solum Forti Patria', total height of teapot 13.4 cm. Provenance: The John Scarce Collection of Porcelain
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Two English pearl ware figures, 19th century, circa 1810, each modelled in classical dress and raised on square bases, the first figure modelled as Andromache mourning at the tomb of Hector. The second modelled as Hygieia standing beside a flaming brazier, a serpent coiled around her wrist, a jug of oil in the other hand. 23.5 cm and 22.5 cm high respectively. Provenance: The John Scarce Collection of Porcelain
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Three English porcelain plates, 18th and 19th century, the first with a scalloped edge on blue ground with a repeating garland to the cavetto. The centre decorated with a painted classical urn within a blue and gold garland border. Gold Chelsea- Derby period mark to reverse. The second, a plate by Grainger Worcester, from a dessert service, circa 1825. With a deep blue and gilt decorated border, painted centrally with a scene of Lumley castle in Durham, England. The third, a plate by Minton, circa 1850,…
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Three English porcelain plates, 19th century, each plate decorated with floral motifs on a deep blue ground. The smallest dish signed Chamberlains Worcester to reverse. The smallest 22.5 cm diameter. Provenance: The John Scarce Collection of Porcelain
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Three English porcelain armorial serving dishes, 19th century, the first being a Regency style platter by Spode, the border painted in a rich green with elaborate gilding and well painted bouquets of flowers. The center shows the arms of the family of Clarke, along with the motto 'Alcer', the second being an oval platter, the border in taupe with floral motifs, the centre bearing a full coat of arms painted en grisaille. The third being an ironstone serving dish decorated with a double crest and shield.…
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A Coalport porcelain teapot stand, circa 1800, painted with a geometric gilded border, enclosing a central classical scene painted en grisaille to centre. 21.5 cm wide, 17 cm deep. Provenance: The John Scarce Collection of Porcelain
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An English Brampton salt glazed figural jar, 19th century, moulded in the form of a Sultan. 13.5 cm high. Provenance: The John Scarce Collection of Porcelain
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A Copeland parian ware bust of the Duke of Wellington, 19th century, circa 1850, naturalistically modelled, raised on a socle base. Impressed maker's mark and sculptor's name Comte D'Orsay SC to reverse. 18.3 cm high. Provenance: The John Scarce Collection of Porcelain
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Three black basalt commemorative wares, early 19th century, circa 1813, comprising a matching teapot and creamer (handle missing) of oblong form with lion-head spouts, along with a large bowl. The teapot and bowl moulded with a bust of Wellington attended by Britannia and Fame, the reverse inscribed 'India, Portugal and Spain. Vittoria 21 June 1813', the bowl 10 cm high, 21.5 cm diameter. Provenance: The John Scarce Collection of Porcelain
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Two English creamware armorial dishes, 18th century, circa 1750, the first with a feather moulded rim, decorated with floral garlands to edge with a central coat of arms. Marked Leeds Pottery to the reverse, the second with a pierced and shaped edge. Painted to the centre with a garland of flowers enclosing a coat of arms. No marks to the reverse. 24.3 cm and 20.6 cm diameter respectively. Provenance: The John Scarce Collection of Porcelain
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A collection of five Wedgwood creamware armorial dishes, 18th century, the first being a soup bowl with blue gilt borders, painted centrally with the arms, crest and motto ('Nosce Teipsum') for Samuel Ecton of Northampton impaling those of this wife, Barbara Percy. Samuel and Barbara were married on October 20th 1795, and shortly afterwards they ordered the armorial service. Impressed Wedgwood to reverse, circa 1795-1796. The second, a plate, the centre painted with the arms of William Bennet, Bishop of…
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Four English porcelain armorial plates, 18th and 19th centuries, the first with a blue border and gadrooned gilt rim with palmettes and scallop shells, enclosing a central shell crest for the Graham family with motto 'Loyal au mort'. Chamberlain's Worcester factory mark to reverse. The second with a central crest painted en grisaille within a foliate and faux marble ground border. A Flight Barr and Barr factory mark to reverse. The third with a central crest for the Grosvenor, Dukes of Westminster, painted…
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Three English armorial porcelain plates, 19th century, the first with a shaped and gilded rim, the centre decorated with a family coat of arms with the motto 'Quis Separabit' along with 'Ich Dien' below. Marked Hick, bath to reverse of plate. The second plate, with a gardronned edge and rich blue ground border, the centre decorated with a lion crest. No mark to reverse. The third plate with a gardronned edge and vivid blue ground border, the centre decorated with coat of arms. Sphere and two arrows mark to…
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Four English armorial soup bowls, 19th century, the first, modelled in the Chinese export style, bearing a large painted coat of arms to centre. The second and third bowls decorated overall in florals, one bearing a coat of arms and the other '49th regiment' to centre, manufactured by Davenport. The fourth decorated in iron red with a coat of arms painted en grisaille. 25 cm and 26 cm diameter. Provenance: The John Scarce Collection of Porcelain
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Four English armorial plates, 19th century, the first with a gilt rim and painted flowers to the cavetto, with a single painted crest to centre of plate. The second with painted and impressed floral motifs to the rim, enclosing a painted crest to the centre. Painted 'Spode, 1943' to the reverse. The third plate with a semi latticed border, and a central crest to the centre, possibly for the Earl of Derby. With a factory mark for Phillips London to the reverse. The fourth plate, with a pale blue and floral…
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Five English armorial soup bowls, 19th century, the first with a gilt border with a double family crest. Marked with a Chamberlain's Worcester factory mark to reverse. The second with a painted and impressed floral border with a boar family crest to centre. Painted Spode 1943 to reverse. The third decorated in gold and iron red tones, with a bird family crest to centre. Derby mark to reverse. The fourth with a green ground floral border with a eagle and snake to centre, being the arms of Mexico, the…
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A collection of English porcelain armorial dishes, 19th century, the first a soup bowl with a central coat of arms with the motto 'Viresco'. Made for General Sir Thomas monteith, circa1855. Copeland factory mark to reverse. The second a soup bowl with a central coat of arms with the motto 'Tyme Tryeth Troth. The third and fourth a pair of matching plates each with a family crest, one being Flight Barr and Barr and other being Spode. Made for the Beaumont family of Bretton hall, Yorkshire. Fbb plate circa…
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Four English armorial plates, 18th and 19th century, the first decorated with a floral border on a cream ground, with a griffon head family crest to centre. The second transfer printed with a coat of arms to centre along with motto 'Juste Sans Crainte'. Impressed Spode to reverse. The third decorated with a central full de Burgh coat of arms with the motto 'Un Roy un Foy Un Loy', being for the Earl of Clanricarde. The fourth with a floriate border on a cream ground, bearing a central coat of arms with the…
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Three porcelain armorial platters, 19th century, the first, of blue and white transfer decoration bearing the worshipful Company of drapers to centre. Riley's factory mark to reverse. The second with a shaped edge with painted floriate decoration to border in blue and gilt. The centre decorated with a rampant lion crest painted en grisaille. Stamped Chamberlain's to reverse. The third decorated with a green ground and floral border enclosing a central goat crest. Stamped Chamberlain's 22 to reverse. The…
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Three Chinese export porcelain tea vessels, late 18th century, the first a tea bowl and saucer, decorated with flower sprays in famille rose enamels within gilt cartouches surrounding a monogramed crest to centre for the Heanage family of Lincolnshire, circa 1755. The second a coffee can and saucer, decorated with bamboo and floral border above an elaborate cartouche with central monogram. The third a single coffee can decorated en grisaille with a mythical figure, surrounded by cornucopias. The tea bowl 4…
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A Chinese export famille rose coffee can and saucer, 19th century, circa 1813-1815, the cup and saucer richly decorated with two banded reserves, one featuring Chinese figures engaged in scholarly pursuits, the other decorated with birds, flowers and precious objects. The centre bearing two crests and a ribbon with the motto: Munus Et Monumentum Victoria Henry VIII Spurs 1513. The two crests are for the family of Clerke and the motto suggests that this was made to commemorate the 300th anniversary of the…
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A Sitzendorf Chinoiserie porcelain figural group, late 19th century, modelled as an allegory of spring with two figures harvesting flowers. Blue underglazed factory mark to base. 24.5 cm high
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A Continental porcelain part dessert set, 20th century, comprising twelve plates, four bowls and two oval dishes. Each piece decorated with a yellow ground border, with three reserves and a central scene of exotic birds. The oval dishes 20 cm x 31 cm
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A Japanese Meiji Rinpa Satsuma vase, Meiji period, circa 1900, of typical Kiyomizu stoneware covered in a buff glaze with even small crackle, decorated in overglaze Kyoto enamels, gilding and silvered in Rinpa style with highly stylised chrysanthemum floating on waves. 21.5 cm high
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A large Japanese Seto studio porcelain vase, Meiji period (1868-1912), the rouleau form vase with assymetrical decoration of fan palms in underglaze blue to one side of the vase, with attractive use of negative space. 38.5 cm high, 18 cm diameter. Exhibited: 'The Japanese Aesthetic', ceramic and glass circle of Australia, 2006/2007. 'The golden Journey: Japanese Art from Australian Collections', Art Gallery of South Australia, 2009. Literature: the golden Journey: Japanese Art from Australian Collections,…
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A Japanese Seto studio vase by Kawamoto Masukichi, Meiji period (1868-1912), of baluster form, decorated in enamels and gilding with a quail amongst millet and other flowers, inscribed to the side with the painters signature, with a seven character mark in underglazed blue to the base, reading 'Seto Kawamoto Masukichi Sei'. 33.5 cm high, 13 cm diameter
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A Japanese Kyoaki studio celadon figure of a war horse, by Miyanaga Tozan, circa 1930, modelled as a horse in elaborate trappings, in porcelain. Covered in a celadon glaze. Circular mark to the base 'For Tozan'. 19 cm high, 16.5 cm wide
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A Japanese Hirado porcelain bowl, Meiji period (1868-1912), decorated in underglaze blue on fine pure white porcelain with boys chasing butterflies under an ancient pine tree to the interior, and to the exterior with three vignettes of a boy with a butterfly. Four character mark to the base reading 'Hirado Kasho'. 7 cm high, 21 cm diameter. Exhibited: 'The Japanese aesthetic', ceramics and glass circle of Australia, 2006/2007.
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A Japanese Fukagawa vase, Taisho period, 1912-1936, decorated in underglazed blue and underglazed enamels with a bird on a fruiting branch. Mountain and stream mark in underglaze blue to base. 22 cm high, 12 cm diameter. Exhibited: 'The Japanese aesthetic', ceramics and glass circle of Australia, 2006/2007.
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A Japanese Kyoyaki studio vase, by Miura Chikusen, circa 1930S, of baluster form, decorated to the exterior with two shaped reserves containing birds and flowers in the Ming Chinese Swatow style. Two character mark in underglaze blue to the base for Chikusen. 26 cm high, 13.5 cm diameter
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A Japanese Arita ware Ko Imari Tsubo, early Edo period, circa 1660-1680, the porcelain jar of baluster form with a wide mouth, decorated with a continuous landscape in underglaze blue to the sides. Together with a fitted Japanese wooden box. 21.5 cm high, 17 cm diameter
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A Japanese Kyoyaki studio celadon bowl by Heian Manjudo Showa period (1926-1989), circa 1930S, the large porcelain bowl with carved decoration to the interior and exterior of stylised scrolling peonies and chrysanthemum petal border around the base, the whole covered in an even blue/green celadon glaze. Hexagonal impressed mark to the base. Together with the 'Tomobako' (original signed wooden box). 11 cm high, 25 cm diameter
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Two Japanese Kyoyaki figures of Kanzan and Jittoku by Dohachi, late Edo to Meiji period, circa 19th century, the figures of moulded porcelain with underglaze blue decoration, depicting the ancient Chinese mythical figures of Hanshan and Shide (Kanzan and Jittoku in Japanese). Six character mark to the reverse of each figure reading 'Kachutei Dohachi Zo'. The taller figure 22.5 cm high, 14.5 cm wide
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A Japanese Arita ware porcelain tray, Edo period (1603-1868), circa 18th century, the rectangular tray with everted cavetto decorated to the interior in underglaze blue with a Chinese literati style landscape with a pavilion amidst mountains and forest, the cavetto decorated with scrolling peonies. 4 cm high, 35 cm wide
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A Japanese inscribed Kyoyaki studio bowl by Kiyomizu Shichibei, Taisho period (1912-1926), the glazed stoneware bowl with iron brown decoration of orchids and calligraphic inscription to the exterior. Impressed mark to the base for Shichibei. 6.5 cm high,18.5 cm diameter
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A rare Japanese Arita ware Ko Imari covered tsubo, early Edo period, circa 1660-1680, the tsubo of generous baluster form, decorated in underglaze blue with a continuous landscape featuring a weeping cherry tree to one side and a bamboo plant and garden rock to the other side, the shoulder and original lid decorated with scrolling cherry and pine design. 25.5 cm high, 18 cm diameter
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A rare pair of Arita Ko Imari Kinrande double gourd Tokkuri, mid Edo period, circa 1700-1730, the pair of tokkuri of moulded octagonal faceted porcelain with relief chrysanthemum, decorated in underglaze blue, overglaze enamels and gilding with sprays of chrysanthemum blossom and foliage to either side. 16.5 cm high, 8 cm diameter
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A pair of Japanese Kyoyaki sake ewers, Meiji period (1868-1912), the glazed stoneware ewers of tall ovoid form, with a small spout to one side and a handle arching overhead of woven vine, decorated to each side with young pine saplings. Impressed oval seal mark to each ewer beneath the handle at the rear. 14.5 cm high, 8.5 cm wide
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A Japanese Hirado figure of Monju Bosatsu (Manjushri), Edo-Meiji period, circa 19th century, the fine white porcelain figure modelled as Monju Bosatsu seated on a guardian lion with both hands resting on a sword pommel. On a fitted carved hardwood base. 18 cm high, 15 cm wide
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Three fine Japanese Hirado covered tea bowls, Meiji period (1868-1912), each decorated in underglaze blue, consisting of a pair with one other of different design, the pair decorated with a design of birds resting in fruiting tree branches, the single bowl decorated with alternating roundels of landscape and calligraphic inscriptions. Each marked to the base of the bowl and the top of the lid with 'Hirado Kasho' in underglaze blue. Each approximately 8 cm high, 10 cm diameter. Exhibited: 'The Japanese…
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Two Japanese Imperial presentation tea bowls by Tsuji Hitachi, late Edo period, circa early 19th century, each bowl of very finely potted porcelain decorated in underglaze blue with various motifs including butterflies and bamboo foliage interspersed with the Imperial Kikumon (16 petal chrysanthemum emblem of the Japanese Imperial family). Approximately 5 cm high, 10 cm diameter
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Two Japanese Hirado dishes, Meiji period (1868-1912), both dishes of fine porcelain decorated in underglaze blue, one with a chidori (plover) flying before the crescent moon, with three stylised cloud motifs to the reverse, the other dish in Nabeshima style, with relief moulded decoration of mount Fuji with a sky blue background, with pine and waves below, the reverse with two stylised scrolling peonies, and comb design surrounding the foot. The larger dish 18 cm diameter
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A pair of Japanese Ai Kakiemon flower form dishes, Genroku period (1688-1704), the fine porcelain dishes in moulded flower form, the interior decorated in underglaze blue with a ho-ho bird and scrolling flowers, the reverse with hana-karakusa scroll-work, the rims decorated in iron brown enamel. 3 cm high, 18 cm diameter
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A pair of Japanese Ai Kakiemon Decagonal dishes, Genroku period (1688-1704), the dishes of moulded porcelain in decagonal form, each with underglaze blue decoration of waves and cherry blossom to the cavetto, within which is a circular ring of hana-karakusa (flower scrolls), the painting evidencing the dramatic shading of blues associated with the Kakiemon family production. Kakiemon mark to the reverse of each dish. 3 cm high, 18.5 cm diameter
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A pair of Japanese porcelain export vases, late 19th century, each decorated in the Imari palette with dragon chasing pearl motifs. Old staple repairs. 44 cm high
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A large Japanese Imari charger, late 19th century, the circular charger, decorated with alternating scenes in overlapping shaped reserves. 62 cm diameter
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A vintage Japanese three drawer chest, 20th century, the exterior having a distressed painted finish overall and applied with metal work corners, 64 cm high, 58 cm wide, 34.5 cm deep
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A vintage Japanese six drawer chest, 20th century, the exterior having a distressed painted finish overall. The top four drawers with brass ring pull handes above two larger drawers
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A Japanese two-fold screen, late 19th century, the two-fold screen, ornately carved and pierced with peacocks, and cherry blossoms, each panel inlaid with carved bone scenes of birds, leaves and branches on black lacquer. Each panel 191 cm high, 87.5 cm wide
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A Japanese cherry-wood tea table, early 20th century, the thick solid slab top of beautifully figured blonde cherry-wood with a naturalistic edge, raised on cabriole legs, 28 cm high, 100 cm wide
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A pair of Chinese lacquered covered boxes, 20th century, of circular form, with red lacquer tops and gilt highlights. Each box 20 cm high, 43 cm diameter
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A Japanese six fold screen, Meiji period, 19th century, a six fold screen depicting six studies of bamboo with scholars rocks in the Chinese literati style. Each inscibed with a poem and sealed by the artist. Each panel 172.5 cm high, 59 cm wide
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Chinese school 20th century, galloping horse, mixed media on paper (scroll), bears inscription and seal to bottom left hand corner. 110 cm x 52 cm
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A Chinese archaistic bronze Hu form vase, Qing Dynasty (1644-1912), circa 19th century, the archaistic vase of square section hu-form, cast with taotie mask decoration to the front and back, with leaf shaped lappets filled with square spiral decoration below, and two animal mask ring handles to either side. 28.5 cm high, 17 cm wide
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A Chinese blue and white Gu form altar vase, late Ming early Qing Dynasty, the porcelain vase of archaistic gu-form with decoration all around of stylised plantain leaves and cloud collar/ruyi heads to the central section. Old Japanese gold lacquer repair to the mouth, and fritting to the mouth and foot rim. 13.5 cm high, 9 cm diameter
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A small Kayseri silk on silk prayer rug, 20th century, the fine silk rug, depicting a central tree of life and bird motif, within a mihrab cartouche. 140 cm x 93 cm
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A pair of blanc de chine Chinoiserie figural porcelain lamps, mid 20th century, depicting a male holding a frog and a female court figure holding a fan, each with original shades. 54 cm base height, 90 cm total height
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A framed Victorian Chalkware relief carved bust, late 19th/Early 20th century, the relief carving portrait, depicting a young female, housed in a circular frame. The frame 40 cm diameter
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A decorative giltwood mirror, 20th century, the frame featuring flowers, buds and leaves in shallow relief, 119.5 cm x 93 cm
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An impressive Art Deco Venetian glass chandelier, circa 1920s, having twelve branches with moulded pineapple formed shades, all heavily adorned with glass droplets, emanating from a central stem, the chandelier 78 cm long (not including chain)
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A good quality Chippendale style chair, 20th century, the back splat decoratively carved in ribbon motifs, raised on cabriole legs with ball and claw feet. The seat 49.5 cm high, 46 cm deep
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An Italian alabaster figural group, 19th century, modelled naturalistically as three children fishing, titled 'Fishing on the Cavern', 55 cm high
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An Italian marble pedestal, 19th century, of neoclassical form, the rectangular top with champhered corners, raised on a columnar and gadrooned pedestal, terminating on an octagonal base, 117 cm high. The ledge 26 cm x 39 cm
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A French neoclassical trumeau mirror, 19th century, the frame monochromed, having a moulded cornice above floral garlands tied with a rippling bow, the mirror bordered with beading and flanked by columns, 161 cm x 104 cm
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A collection of French Lisio silk Passementerie covered bedroom accessories, including a bedside stool, bedspread, three cushions, and two rolled pillows, stool 50 cm high, 65 cm wide 45 cm deep
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A Continental portrait miniature in silver frame, circa 1909, depicting an officer, watercolour on ivory. The frame stamped Aw to verso. Initialled '19 Lb 09'. 7.7 cm x 5.8 cm (including frame).
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A good quality Chippendale style flame mahogany side table, 20th century, the flame mahogany veneered side table of serpentine form with patera moulding to top, inset with five drawers, each with decorative swan neck handles. Decorated with Grecian key fretwork frieze brackets, raised on four square canted legs. 83 cm high, 90 cm wide, 46 cm deep
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A gilt brass and frosted glass lantern, 20th century, the frosted glass lantern, in a facetted frame with patera detail. 102 cm high to canopy
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A pair of flame mahogany veneered demi lune tables, late 19th century/ early 20th century, each of demi lune form, raised on four square tapered legs. Each approximately 73 cm high, 122 cm wide, 59 cm deep
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A William IV fiddleback mahogany cellarette, circa 1830, the rectangular hinged top opening to a compartment, above a single cupboard door, raised on a plinth base. 72.5 cm high, 65 cm wide, 38 cm deep
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A mahogany Hepplewhite style dining chair, 19th century, the back having carved vertical slats, above an upholstered seat, raised upon tapered legs with spade feet, 91.5 cm high
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A Chippendale style mahogany ribbon back chair, 19th century, having pierced carved splats, a silk upholstered drop-in seat, raised upon square carved legs united with stretchers, 93 cm high
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A Hepplewhite mahogany shield back dining chair, 19th century, the elegantly carved back above an upholstered seat, raised on carved tapered legs, 95 cm high
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Five framed hand-coloured engravings of various historical figures, 19th century, including Prince Regent, Alexander I and Francis II, 36.5 cm x 46.5 cm
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A framed coloured etching titled 'Tommy Grey with the Tail of his Order', 19th century, 39.5 cm x 51 cm
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Two pairs of framed hand-coloured etchings of botanical studies, early 19th century, 43 cm x 35 cm (largest pair)
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