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Auction House:Webb'sNumber of lots recorded:269
Sale Title:Decorative ArtsLots with images:269
Auction Location:AucklandPrices available:187
Date:13-Jun-2018
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Keith Murray for Wedgwood spherical vase c1930, with lathe turned bands in matt yellow glaze, printed mark to base 'KM, Wedgwood of Etruria and Barlaston, Made in England'. Height 15.5 cm
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Keith Murray for Wedgwood annular spherical vase c1930, in moonstone slip glaze, printed mark to base 'KM, Wedgwood of Etruria and Barlaston, Made in England'. Height 24 cm, diameter 21 cm
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Keith Murray for Wedgwood Queensware pitcher c1942, cream glaze, printed mark to base 'KM, Wedgwood of Etruria and Barlaston, Made in England'. Height 22.5 cm
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Keith Murray for Wedgwood fruit bowl c1930, moonstone slip glaze, printed mark to base 'KM, Wedgwood of Etruria and Barlaston, Made in England'. Diameter 21.5 cm, height 10 cm
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Clarice Cliff lotus vase c1940, matt white glaze with green interior. Mark Clarice Cliff, Newport pottery England, height 13 cm high, length 22 cm, depth 17.5 cm
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Two Clarice Cliff Bizarre geometric plates c1928, handpainted in blue, orange, yellow and green. Diameters 25.5 cm
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Seven piece Clarice Cliff Bizarre Capri coffee set c1935, coffee pot, two conical cups & saucers, milk jug and sugar bowl, coffee pot height 20 cm
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Clarice Cliff Bridgewater orange lotus vase, 1934, ribbed, painted encircled decoration with a stylised cottage, tree and bridge landscape in orange and yellow, blue and violet. Clarice Cliff Bizarre mark to base, height 29 cm
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Pair of tan Antiqued leather club armchairs, standing on square section wooden legs, floating cushions, bronze studs, height 98 cm, width 79 cm, depth 100 cm
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A very finely knotted Persian rug, coral coloured central field with vase ornamentation, main border blue background, also with vase decoration, kilim ends. 215 cm x 150 cm
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Mario Bellini Cubo television for Brionvega (1992), made with metal and semi-transparent black acrylic which leaves the inner workings of the TV exposed, the influence of Bellini's architectural training is seen in the televisions sculptural form. Working. Complete with aluminium portable case and original packaging, width 38 cm, depth 38 cm, height 34 cm
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Jan sideboard by Alf Aarseth for Gustav Bahus c1960s, in rosewood, manufactured in Norway. Four cupboard doors open to shelved interior and three drawers, length 221 cm, height 82.5 cm, depth 44 cm
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Zaha Hadid for Alessi, Italy table centre piece (2009), made in black melamine, consisting of five separate parts, which can be assembled in a number of different configurations, length 60 cm, width 30 cm, height 7 cm
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Ericsson wood wall telephone, restored exterior, set with two bells above a mouth piece, with candlestick ear piece to left side, crank handle to right side in wooden casing, height 52 cm, width 24 cm, depth 32 cm
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Two Shelley Vogue Art Deco trios c1930, geometric design. Two bone china cups, two saucers and two plate sets, yellow pattern no. 11742 (pictured), blue pattern no. 11789. Tallest height 7.5 cm
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Arne Jacobsen egg chair, designed 1958, manufactured by Fritz Hansen, in red wool upholstery, aluminium swivel base, FH Made in Denmark' marked base. Height 106 cmm, width 88 cm, depth 70 cm
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Le Corbusier LC5 sofa, originally designed 1934, manufactured by Cassina, free-standing daybed with frame of chromed steel and upholstered in black leather, length 206 cm, height 70 cm, depth 73 cm
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Attributed to William Norrie- glove box, in New Zealand native timbers, damage to base, length 28 cm, width 14.5 cm, height 11 cm
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George Baxter - the Reverend J. Waterhouse Superintending the Landing of the Missionaries At Taranaki, print dated 1844, John Leech frame, 29 cm x 40.5 cm, Surprisingly few depictions of European immigrants arriving in New Zealand exist within our Art history. This Baxter print depicts the arrival of the Rev. Charles and Mrs Creed at Taranaki. Reproduced in the Wesleyan Missionary Societies' Journal, the accompanying text described the 'seven native females in a transport of joy, anxiously carrying Mrs…
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A collection of Foy Brothers Maori portrait photographs, c1872-1886, black and white carte de visite photographic print, Pare Whakerongomai (Pare Watene), 16.5 x 10.8 cm, verso 164. Pare Whakerongomai, Hori Ngakapa Te Whanaunga, 16.8 x 10.6 cm, verso 258. Ngakapo, Te Whareuma Piako, 16.8 x 10.8 cm, verso 252. Te Whareuma Piako, Parato manaia, 16.8 x 10.7 cm, verso 253 Paroto manaia. Ringora-Te-Ao, ngati Whakane - Josiah Martin, silver gelatin DOP, 20.6 x 15.3 cm, verso another photo fern trees Hokitika…
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A photo album containing photos of the 1931 Hawkes Bay Earthquake and the Southern Cross plane, also containing various personal photographs from the period
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Te Oranga Maori Me ona Tikanga Rekareka: The Maori at home with his Pleasures and Pastimes, photographic booklet, 24 pages, published by Frank Duncan & Co Auckland, 1900, 18 cm x 23.5 cm
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A Faberge cigarette case in Karelian birch mounted in silver-gilt with a cabochon ruby Thumbpiece, Workmaster Victor Aarne (1863-1934), St Petersburg hallmark for 1899-1908, Faberge cigarette cases are among the most attractive of the objects produced by the firm and were functional items intended for everyday use. The creative use of otherwise simple materials was one of the defining qualities of Faberge's work. This example is predominantly of Karelian birch (mounted in silver gilt), a wood with a…
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A Faberge silver cigar case in the Samorodok Technique, the interior gilded, with a cabochon gemstone thumbpiece. The exterior ornamented with the initials 'TT' in gold, Workmaster Anders Johan Nevalainen (1858-1933), Moscow hallmark for 1899-1908, This case is in the distinctive samodorok technique in which the newly-cast silver was rapidly cooled, causing the highly tactile, rippled effect, dimensions length 10.5 cm, width 5.5 cm, height 1.6 cm
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A Continental European cartouche-shaped gold-mounted box of carved translucent red Jasper c1,800, of beautiful quality, the cover fluted and the bowl fluted and banded, the mounts chased. Unmarked. Hairline crack to top, the fashion for small, highly worked gold boxes reached its apogee in the 18th century. Small enough to be worn on one's person, they were often used to hold snuff, but otherwise were fashionable accessories which indicated the owner's status, good taste and wealth. This example…
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An important New Zealand native timber jewellery box by Anton Seuffert, the top inlaid with a border of geometric laid native timbers, surrounding a cartouche with fine scroll inlays and fern inlays. The sides with gothic arched cartouches displaying various native timbers. Label to the interior, with lift-out tray with scroll inlaid lids, dimensions length 32.3 cm, height 13.5 cm, depth 24.1 cm
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A George II sterling silver salver, formerly the Property of Lord Howe, 1747, Lord Howe (1726-1799), Admiral of the Fleet, British naval officer. His name given to islands off the coast of NSW Australia, designed with an ornate shell and scroll edge and three scroll feet, matching the later two trays. Engraved with the coat of arms of the Marquess of Sligo (see provenance). Hallmarked London 1747, maker Peter Taylor. Width 28 cm. Weight 758g
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A pair of George II sterling silver small salvers, formerly the property of Lord Howe, 1754, both with ornate scroll and shell borders on three scroll feet, the centre engraved with a crest, coat of arms and motto. Identified as Marquess of Sligo, each tray marked on the reverse with the weight in oz. And dwts. Hallmarked London 1754, maker Peter Taylor. Width 18.5 cm. Total weight 734g
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Stuart Devlin letter opener, in original presentation box, Queen Elizabeth II cypher to blade, gilded, rippled handle. Provenance: Gifted from the Queen during the 1990 Commonwealth Games, length 23 cm. Weight 92g
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Sterling silver Kings and Queens pattern cutlery (50 pieces), 12 dessert forks London 1853, 6 small knifes London 1979, 6 knives London 1979, 6 forks London 1979, 6 soup spoons London 1979, 2 serving spoons London 1852, 12 dessert spoons London 1852. Weight 4076g
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A sterling silver salver, standing on three scroll shaped legs foliate pie crust edge, engraved. Verso Wordley & Mayer Fecit Liverpool. Assay marks for London 1836. Diameter 26.5 cm. Weight 524g
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A Louis XV style marbled two drawer commode, bombe shaped, the drawers and sides inlaid, rococo style handles and mounts. Height 82 cm, width 84 cm, depth 47 cm
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A 1920s Art Deco dining extension table & 6 dining chairs (1 carver), the table in blonde maple veneer, scroll shaped legs, the top with anthemion carving at carving at each corner. Fully extended 214 cm long, width 99 cm, height 77 cm
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Two framed Charles Rennie Mackintosh architectural prints, the Hillhouse Helensburgh and Windyhill Kilmacolm. Produced using Mackintosh's original drawings, black line illustration printed on a textured ivory paper. As well as a brief architectural description by the architectural Heritage, Randak design Consultants, 1990, 50 cm x 61 cm each
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A Victorian music canterbury c1870, in inlaid walnut, the top with brass gallery rail, supported by fretworked brackets, single glass door to base, height 104 cm, width 610 cm, depth 40 cm
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