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Collectables — Bonhams & Goodman (No longer trading)

Auction House:Bonhams & Goodman (No longer trading)Number of lots recorded:190
Sale Title:CollectablesLots with images:78
Auction Location:MelbournePrices available:105
Date:22-Apr-2007
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A Night at the Opera, MGM, 1935, lobby card, condition B; and an Australian daybill for 'A Night at the Opera', condition A, Lobby Card 11 x 14in.
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Eleven pieces of artwork for various six-sheet posters, all gouache and ink on card for 1929/1930 films including 'Shadow of the Law', Paramount; two for 'Montana Moon', MGM; 'So This Is London', Fox Film; 'Let's Go Places', Fox Film; 'Journey's End', Gainsborough; 'Young Nowheres', First National; 'Sleeping Partners'; 'Hot For Paris', Fox Film; and 'Sunny Side Up', Fox Film; six other similar pieces of artwork for advertisements; and ninety eight black and white photographs of six-sheet posters and…
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The Women, MGM, 1939, one lobby card, condition A-, 11 x 14in.
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Goodbye Mr Chips, MGM, 1939, six lobby cards including three duplicates; condition B; and 'National Velvet', MGM, 1944, two lobby cards and two 11 x 14in. stills, condition B- to A- (10), 11 x 14 in.
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The Rogue Song, MGM, 1930, gouache, ink and pencil poster artwork on card for six-sheet poster, Artwork 11.5 x 23 cm. Overall 21 x 28 cm
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Three typed letters from Stan Laurel to Archie Collins, all three t. l. s. on 'Stan Laurel, 849 Ocean Avenue, Santa Monica, Calif. headed notepaper, dated January-February, 1959, discussing the health of fellow performer Harry Moreny and other entertainers including Tommy Trinder and Winifred Atwell, all signed 'Stan', two in original 'Stan Laurel' franked airmail envelopes; and approximately fifty photographs, the majority of trapeze artist Olga Varona, including two with friends Laurel Hardy and others…
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An autographed photograph of laurel and Hardy, large black and white publicity photograph signed in different inks by laurel and Hardy, with additional inscription 'To Olga and Archie, with love Lucille 1975', 30 x 24 cm
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An autographed photograph of Laurel and Hardy, black and white 10 x 8in. head and shoulders publicity photograph signed in different inks 'OUR KIND WISHES ALWAYS OLGA & ARCHIE Stan Laurel' and 'Oliver Hardy', framed, 25.5. x 20 cm.
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Leading Men, three autographs including Gary Cooper on a piece of paper mounted with a photograph of Cooper, framed; and two signed photographs of David Niven and Laurence Olivier, framed (3)
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Hollywood leading men, four autographs on pieces of paper including Laurence Oliver, W. C. Fields, Leslie Howard and Charles Laughton, all mounted and framed with a photograph of the respective actor (4)
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Male Actors, four autographs including Tom Cruise on 'Days of Thunder' advert; an advert for 'Nixon' signed by Anthony Hopkins; a poster for 'The Quest' signed by Roger Moore; and a machine print photograph of Gregory Peck; and four photographs of the respective stars with the recipient of the signatures (8)
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An autographed photograph of Fred Astaire, signed in black felt pen; an Orson Wells signature on a piece of paper mounted and framed with a photograph of the director; and a signed photograph of Mickey Rooney (3)
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Jungle Book, United Artists, 1942, French poster, framed, condition A-
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National Velvet, MGM, 1944, US three-sheet and 3 lobby cards, condition B+, Three sheet 81 x 81in.
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The Three Musketeers, MGM, 1946, six lobby cards; and 'Raintree County', MGM, 1957, a complete set of eight lobby cards, condition B+ to A- (14), 11 x 14in.
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Paleface, 1948, Paramount, seven lobby cards, condition B+, 11 x 14in.
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Wizard of Oz, MGM, 1939, a Silver Anniversary re-issue US one-sheet poster, 1949, framed, condition A-, 41 x 27in.
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War Films, An Australian one-sheet and a re-issue Australian daybill for 'Bridge on the River Kwai', Columbia, 1958; two Australian one-sheets; 'Catch-22', Paramount, 1970; and 'Patton', 1970; and four Australian daybills: 'Oh What A Lovely War', Panavision, 1969; 'Von Ryan's Express'; 'Tora Tora Tora'; and 'The Blue Max', condition A- to A (8), One-sheets 41 x 27in.
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Six Australian daybills including 'The Dirty Dozen', MGM, 1967, 'The boat' 1981 and 'Top gun', Paramount 1986; two Australian one-sheet posters including 'The Battle of Britain'; and an Australian three-sheet poster for '633 Squadron', Mirisch 1964, condition a to A- (9)
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Bridge On The River Kwai, Columbia, 1958, seven lobby cards with ''7 Academy Awards' sticker applied to each; and 'The Longest Day', 20th Century Fox, 1962, a complete set of eight lobby cards, condition B to B+ (15), 11 x 14in.
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Apocalypse Now, United Artists, 1979, a US one-sheet poster; and an Australian one-sheet poster, condition A- (2), Both 41 x 27in.
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Epic Films, 'Spartacus', Universal, 1961, a complete set of eight re-issue lobby cards; seven 10 1/2 x 14in. colour stills for 'Spartacus'; 'Ben Hur', Universal, 1960, a set of eight re-issue lobby cards; and eleven 13 1/2 x 10in. black and white stills for 'Ben Hur' (34), Lobby cards 11 x 14in.
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John Wayne, 'The Man Who Shot Liberty Valance' Paramount 1962, Australian daybill; and an Australian daybill for 'The Alamo', Batjac Productions 1960, condition A- to A (2), 30 x 13in
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Westerns, seven Australian daybills including 'One Eyed Jacks', Paramount 1961, 'Rancho Notoriou' 1952, 'Texas Lady' 1955 (7), 30 x 13in and two 1 sheets for 'Silverado' 1985, 'Unforgiven' 1992 and one Australian 3 sheet for 'High Plains Drifter' 1973
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Kim, MGM, 1950, ten lobby cards including three duplicates; an Australian one-sheet for 'Kim'; six Silver Anniversary lobby cards for 'Little Women', MGM, 1949, Lobby cards 11 x 14in.
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Daddy Long Legs, 20th century Fox, 1955, a complete set of eight lobby cards; seven lobby cards for 'The Bells of St Mary's, RKO, 1946; and ten lobby cards for 'Greatest Show on Earth', Paramount, 1952, including five 1960 re-issues, condition B to A- (25), Lobby cards 11 x 14in.
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Shane, Paramount, 1953, two re-issue Australian daybills; a daybill for 'Serpico', Columbia, 1974; a re-issue daybill for 'The Wild Bunch', Warner Bros., 1969, Daybills 30 x 13in.
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Musicals, 'Glenn Miller Story', Universal, 1954, a complete set of eight lobby cards; and two other sets of lobby cards for 'Funny Girl' Columbia, 1968; and 'The King And I', 20th century Fox, 1956 (re-issue), condition B+ to A- (24), 11 x 14in.
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Carmen Jones, 20th century Fox, 1954, a US half-sheet poster, linen backed, condition A-; and 'West Side Story', United Artists, 1961, US one-sheet, linen backed, condition B+ (2), One sheet 41 x 27in.
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The Student Prince, MGM, 1954, a complete set of eight lobby cards; seven lobby cards for 'Seven Brides for Seven Brothers', MGM, 1964; a re-issue Australian daybill for 'My Fair Lady', Warner Bros., 1964; a daybill for 'Mame', Warner Bros., 1974; and a US one-sheet for poster 'Mame' (18), Lobby cards 11 x 14in.
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I Want To Live, United Artists, 1958, a complete set of eight lobby cards; a set of lobby cards for 'The Farmer Takes a Wife', 20th century Fox, 1952; a set of lobby cards for 'In The Heat of the Night', United Artists, 1967; and seven lobby cards for 'The Brothers Karamazov', Avon, 1958, condition B+ to A- (31), 11 x 14in.
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Ten Commandments, Paramount, 1956, A re-issue Australian daybill and a German set of fifteen colour front of house stills; and an Australian daybill and nineteen colour front of house stills for 'Chinatown', Paramount, 1974, condition A- to A (36), Front of house stills 10 x 8in.
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Some Like It Hot, United Artists, 1959, a US six-sheet poster, linen backed, condition A-, 81 x 81in.
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Tarzan, two Australian daybills: 'Tarzan and the Slave Girl', RKO, 1950; and Tarzan's Three Challenges', MGM, 1963; two Australian one-sheets: 'Tarzan and the Lost Safari', MGM, 1957; and 'Greystoke', Warner Bros., 1984, condition A- to A (4), Daybills 30 x 13in.
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Les Diaboliques, Vera Films, 1955, French poster, linen backed, condition A, 31 x 23in.
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Bonjour Tristesse, Columbia, 1958, a US one-sheet poster; and a US one-sheet poster for 'One Two Three', United Artists, 1962, linen backed, condition B to B+ (2), Both 41 x 27in.
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Polish Film Posters, nine Polish posters including 'Yevgeni Oniegin', Lenfilms, 1958; 'Sweet Charity', Universal, 1969; 'Danton'; 'Ostatnie Zadanie (The Last Detail)', Columbia, 1973; 'Escape From New York'; 'The Last Emperor', Warner Bros., 1987; and 'Tootsie' all linen backed, condition B+ to A (9), Majority 41 x 27in.
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Art Films, a French poster 18 x 29in for 'The Big Blue', an Australian daybill for 'Fight Club', Fox 1999 and two one-sheets including 'The Big Lebowski', Polygram 1998 and 'Fargo' 1996, condition A to A- (4), Daybill 30 x 13in. One-sheet 41 x 27in.
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Ran, Greenwich Films, 1985, Japanese poster, linen backed, condition A-, 29 x 20in.
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Snow White and the Three Stooges, 20th century Fox, 1961, a complete set of eight lobby cards; two other lobby card sets for 'Blazing Saddles', Warner Bros., 1974 and 'Young Frankenstein, 20th century Fox, 1974; and an Australian daybill for 'Young Frankenstein', condition A- to A (25), Lobby cards 11 x 14in.
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Comedies, two Australian one-sheets: 'Laurel & Hardy's Laughing 20's', MGM, 1965; and 'The Big Parade of Comedy', MGM, 1964, condition A, 41 x 27in.
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Woody Allen, a large collection of promotional material including five Australian daybills: 'What's New Pussycat', United Artists, 1965, 'Play It Again Sam', Paramount, 1972; two daybills for 'Sleeper', United Artists, 1973; and 'The Front', Columbia, 1976; eight lobby card sets including 'Play It Again Sam; 'Bananas'; 'Sleeper'; 'Stardust Memories' (2 sets); and 'Love and Death' condition A- to A (a lot), Daybills30 x 13in.
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Alfred Hitchcock, two Australian daybills for 'The birds', Universal, 1963; and 'Dial M for Murder', Warner Bros., 1954, condition a (2), 30 x 13in
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The Birds, Universal, 1963, a complete set of eight lobby cards, condition A-, 11 x 14in
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Alfred Hitchcock, four Australian daybills:'Torn Curtain', Universal, 1966; 'Topaz', Universal, 1969; 'Family Plot', Universal, 1976; and 'Frenzy', Universal, 1972; a lobby card for 'The Birds', Universal, 1963; a complete set of eight lobby cards for 'Torn Curtain', 1966, Universal; a set of lobby cards for 'Topaz', Universal, 1969; and two sets of front of house stills for 'Frenzy' and 'Family Plot', condition A- to A (a lot), Lobby cards 11 x 14in.
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Marlon Brando and Montgomery Clift, a set of lobby cards for 'The Young Lions', 20th Century Fox, 1958; a set of lobby cards and a re-issue Australian daybill for 'Julius Caesar', 1953; and two Australian daybills for 'Mutiny on the Bounty', MGM, 1962 and 'Teahouse of the August Moon', MGM, 1956, condition B+ to A (27), Lobby cards 11 x 14in.
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Jack Lemmon, 'The Apartment', United Artists, 1960, a complete set of eight lobby cards; and 'The Odd Couple', Paramount, 1968, an Australian daybill and a complete set of lobby cards, condition B+ to A- (17), 11 x 14in.
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Butterfield 8, MGM, 1960, two Australian one-sheet posters and a complete set of eight lobby cards; and two other one-sheets 'Kim', MGM, 1950; and 'The Yellow Rolls-Royce' Panavision, 1965, condition A- to A (12), 41 x 27in.
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Exodus, United Artists, 1961, US one-sheet poster, linen backed, condition B+, 41 x 27in.
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Lolita, MGM, 1962, a complete set of eight lobby cards, condition B+ (8)
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James Bond, six Australian daybills: 'Dr No', 1962, two different style re-issues; 'From Russia With Love', 1964', re-issue; 'You Only Live Twice', 1967; 'Live and Let Die', 1973; and 'The Man With The Golden Gun', 1974; condition A- to A (6)
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James Bond, nine Australian daybills including: 'For Your eyes Only', Eon Productions 1961, 'Goldfinger', Eon Productions 1964 (re-issue), 'A View to a Kill', MGM, 1985, 'Goldeneye', MGM, 1995, 'Living Daylights', United artists 1987, 'Spy Who Loved Me', Eon 1977 and 'The world is Not Enough', MGM 1999, 'Never Say Never Again' 1983 and 'Tomorrow Never Dies' 1997, condition A- to a (9)
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1962 'Lawrence of Arabia' daybill, for Columbia films
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To Kill A Mockingbird, Universal, 1962, seven lobby cards, condition B+; and an Australian one-sheet poster, condition A (8), Lobby Cards 11 x 14in.
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1960s films, seven lobby cards for 'Cape Fear', Universal, 1962; and four complete lobby card sets for 'Grand Prix', MGM, 1967; 'Murder Most Foul', MGM, 1964, 'Judgement at Nuremburg', United Artists, 1961; and 'The Wonderful World of Brothers Grimm', MGM, 1963, condition B+ to A (39), 11 x 14in.
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Dr Strangelove, Columbia, 1964, a complete set of eight lobby cards, condition A-, 11 x 14in.
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Cult 1960s films, 'Barbarella', Paramount, 1965, five lobby cards; and 'Bonnie and Clyde', Warner Bros., 1967, seven lobby cards, condition A- (12), 11 x 14in.
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Cars, three Australian daybills including 'The Italian Job', 'FJ Holden' 1977 and 'Freedom' 1982 and two Australian one-sheets including 'Duel' 1971, 'Coup de Ville', condition A to A- (5), Daybill 30 x 13in. One-Sheet 41 x 27in.
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Blow Up, MGM, 1966, Italian poster, condition B+, 200 x 140 cm
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Blow Up, MGM, 1967, Australian daybill and six lobby cards, condition A- to A (7), Daybill 30 x 13in.
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Cool hand Luke, Warner Bros., 1967, US six-sheet poster, linen backed, condition B+, 81 x 81in
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Bonnie and Clyde, Warner Bros., 1967, an Australian daybill; and two other Australian daybills for 'Cool Hand Luke', Warner Bros., 1967; and 'Harper as The Moving Target', Warner Bros., 1967, condition A (3), 30 x 13in.
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Midnight Cowboy, United Artists, 1968, re-issue Australian one-sheet and an Australian daybill; a US one-sheet for 'The Man Who Would Be King', Columbia, 1975; and three daybills for 'Lion In Winter', Haworth, 1968; 'Look Who's Coming To Dinner'; and 'Charley', condition A- to A (6)
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Bikers, three Australian daybills including 'Easy Rider', Columbia, 1969, condition A to A- (3), 30 x 13in.
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Dustin Hoffman, 'Midnight Cowboy', 1969, United Artists, a complete set of eight lobby cards; and three other complete lobby card sets for films starring Dustin Hoffman: 'Papillon', Solar, 1973; 'Lenny', United Artists, 1974; and 'All The President's Men', Warner Bros., 1976, condition B to A (32)
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Robert Redford, 'Butch Cassidy and the Sundance Kid', 20th Century Fox, 1969, an Australian one-sheet poster and a complete set of eight re-issue lobby cards; 'The Sting', Universal, 1974, an Australian daybill and a three-sheet poster; 'The Natural', Tri-Star, 1984, an Australian one-sheet poster; and six lobby cards for 'Barefoot in the Park', Paramount, 1967, condition B+ to A (a lot), Three-sheet 81 x 81in.
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If, Paramount, 1969, a complete set of eight lobby cards and an Australian daybill; and two other daybills for 'Easy Rider' and 'Harold and Maude' (11), Lobby cards 11 x 14in.
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Stanley Kubrick, 'Clockwork Orange', Warner Bros., 1972, an Australian daybill and a US one-sheet poster; a daybill, an Australian one-sheet poster and sixteen lobby cards for 'Barry Lyndon', Warner Bros.,1975; and two UK one-sheet posters and a photo one-sheet poster for 'The Shining', Warner Bros.,1975 (16), Daybills 30 x 13in
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The Godfather, Paramount, 1972, an Australian daybill, a US one-sheet poster and a three-sheet poster; and an Australian daybill, a US three-sheet poster and a one-sheet poster for 'Godfather part 2', Paramount, 1974, condition A- to a (6), three-sheet 81 x 81in
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Godfather, Paramount, 1972, a complete set of eight lobby cards; and a set of lobby cards for 'Godfather Part II', Paramount, 1974, condition A (16), 11 x 14in.
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John Wayne, nine Australian daybills including 'Chisum', Warner Bros 1970, 'The Cowboys', Sanford Productions 1972, 'McQ', Levy Gardner 1974, 'The Shootist', Paramount 1976 and 'Rooster Cogburn', Universal 1975, 'Circus World' 1964, 'Big Jake' 1971, 'In Harm's Way' 1965, 'The Undefeated' 1969, condition A- to A (9), 30 x 13in.
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Clint Eastwood, fifteen Australian daybills including 'Outlaw Josey Wales', Warner Bros, 1976, 'Pale rider', Warner Bros, 1985, 'High Plains Drifter', Universal 1973, 'The Gauntlet', Malpaso Productions, 1977 and 'Escape from Alcatraz', Paramount, 1979, 'Hang 'Em high' 1968, 'Two Mules for Sister Sara' 1970; and a US one-sheet poster for 'Tightrope' 1984, condition A- to a (16)
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Clint Eastwood, a foreign three-sheet for 'Magnum Force', Warner Bros., 1973; six Australian daybills: 'The Good The Bad and the Ugly', United Artists, 1967, re-issue; 'Play Misty For Me', Universal, 1971; two for 'Magnum Force', Warner Bros., 1973; 'Where Eagles Dare', MGM, 1968 and 'Kelly's Heroes', MGM, 1970; two complete lobby card sets for 'Paint Your Wagon' and 'Escape From Alcatraz'; and other assorted lobby cards including three for 'High Plains Drifter', Universal, 1973 and three for 'Where Eagles…
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The Exorcist, Warner Bros, 1974, an Australian daybill, a US one-sheet poster, a foreign three-sheet poster and a complete set of eight lobby cards, condition A- to A (11), Three-sheet 81 x 81in.
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Australian films, five Australian one-sheet posters including 'Picnic at Hanging Rock', AFC 1975 and 'The Crossing' with Russell Crowe, Beyond Production 1990, 'Tim' with Mel Gibson, 'Chant of Jimmy Blacksmith' 1978 and 'Freedom' 1982, condition A to A- (5), 41 x 27in.
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1970s Cult Films, 'The Last Picture Show', Columbia, 1971, a complete set of eight lobby cards; and an Australian daybill and seven lobby cards for 'American Graffiti', Universal, 1973; condition A- (26), 11 x 14in.
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One Flew Over Cuckoo's Nest, Fantasy Films, 1974, an Australian one-sheet poster, a complete lobby card set and two Australian daybills; and two Australian one-sheet posters and fifteen assorted lobby cards (incomplete, two trimmed) for 'Zorba The Greek', International Classics, 1967, One-sheet 41 x 27in.
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Jack Nicholson, an Australian daybill for 'Chinatown', Paramount, 1974; and 'The Postman Always Rings Twice', MGM, 1981, condition A- to A (2), Daybill 30 x 13in.
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The Man Who Would Be King, Columbia, 1975, an Australian daybill; and four other daybills including '; 'How The West Was Won', MGM, 1962; 'Mash'; 'The Poseidon Adventure'; and 'Papillon', condition A (6), 30 x 13in.
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John Belushi, 'Animal House', Universal, 1978, an Australian one-sheet poster; and an International one-sheet poster; and a set of eight lobby cards for 'Blues Brothers', Universal, 1980 (10), One-sheets 41 x 27in.
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Taxi Driver, Columbia, 1976, a US one-sheet poster, condition A-, 41 x 27in.
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Taxi driver, Columbia, 1976, U. S. Half-sheet, rolled; and an Australian daybill, condition A- to a (2), half-sheet
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1976 poster for 'Taxi driver', starring Robert Deniro, by Columbia Pictures
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Deer Hunter, EMI, 1978, a UK one-sheet poster, an Australian one-sheet poster, a foreign three-sheet poster and a lobby card set, condition A- to A (a lot), Three sheet 81 x 81in.
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Mad Max, an Australian daybill 'mad max - Beyond Thunderdome' 1985, two US one-sheets and one 1 photosheet for Mad Max, Roadshow 1979, condition A to A- (4), Daybill 30 x 13in. One-Sheet 41 x 27in.
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Horror, three Australian one-sheet posters including 'Scars of Dracula', EMI 1970, ;The Black Scorpion' 1957 and 'Snale People' 1970 with Boris Karloff, condition A to A- (3), 41 x 27in.
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Horror, ten Australian daybills including 'Christine', Colombia 1983, 'Ghoulies', Empire Pictures 1985, 'Poltergeist', MGM 1982 and 'Return of the Living Dead', Fox 1985, 'Return of Count Yorga' 1971, 'Creepshow' 1982 and five Australian one-sheet posters including 'Aliens', 20th Century Fox 1986, 'Frankenstein' and 'Freddy's Dead - The Final Nightmare', New Line 1991, 'Motel Hell' 1980 and 'Se7en' 1995, condition A to A- (15), Daybills 30 x 13in.
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Horror, nine Australian daybills including 'Revenge of Frankenstein', Columbia 1958 and 'The Shining', Warner Bros 1980, c'To the Devil - A Daughter' 1976, 'Hellraiser' 1987, 'The Hills have Eyes' 1977 and 'Night of Dark Shadows' 1971, condition A to A- (9), 30 x 13in
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Jaws, Universal, 1975, an Australian daybill, a set of lobby cards and a US one-sheet poster; 'Jaws II', 1978, two US one-sheet posters including a 'Red sea teaser' and 'Shark Facts'; a US one-sheet poster for 'Jaws 3D'; three lobby cards for 'Jaws 2'; and other jaws related promotional material, condition B+ to a (a lot)
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The Day The Earth Stood Still, 20th century Fox, 1951, Australian daybill, re-issue 1970s, condition A; and 'Soylent Green', MGM, 1973, Australian daybill, condition A (2), Both 30 x 13in.
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Horror/Science Fiction, 'Creature With The Atom Brain', Columbia, 1955, Australian daybill; a daybill for 'Five Million Years to Earth', Hammer, 1967; and nine 1970s re-issue daybills for 'It Came From Outer Space', 1953, condition A (11), 30 x 13in.
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Deadly Mantis, Universal, 1957, a complete set of eight lobby cards, condition A- (8
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Dr Who and the Daleks, AARU, 1965, a complete set of eight lobby cards, condition A- (8), 11 x 14in.
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Planet of the Apes, 20th century Fox, 1968, Australian daybill; 'Escape from Planet of the Apes', 1971, a US three-sheet and a lobby card set; and two US one-sheets for 'Beneath the Planet of the Apes' and 'Conquest of the Planet of the Apes', condition A- to A (a lot), US three-sheet 81 x 81in.
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Science Fiction, 'Forbidden Planet', MGM, 1956, 1972 re-issue; five other US one-sheets including 'Buck Rogers of the 25th century'; 'Clash of the Titans'; 'Close Encounters of the First Kind'; 'Fantastic Voyage'; 'Flash Gordon' and 'Time Machine' (re-issue); a three-sheet for 'Buck Rogers of the 25th century'; and a set of front of house stills for 'Close Encounters' (a lot)
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2001: A Space Odyssey, MGM, 1968, a 1974 re-issue US one-sheet poster; two Australian daybills; and a set of 1972 re-issue lobby cards, condition B+ to A (11), One-sheet 41 x 27in.
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2001: A Space Odyssey, MGM, 1968, a 1974 re-issue US one-sheet poster; a 1980 re-issue one-sheet; and two Australian daybills, condition A (4)
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Star Wars, 20th century Fox, 1977, a Mylar advance US one-sheet poster, condition B+, 41 x 27in.
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Star Wars, 20th century Fox, 1977, three one-sheet posters, including a US style a and a style D, and an Australian one-sheet, condition B+ to a (3)
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Star Wars, 20th century Fox, 1977, a Polish one-sheet poster, linen backed, condition A, 26 1/2 x 38in.
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