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Asian Art, Classic Furniture & Objects — Leonard Joel Pty. Ltd.

Articles on this Sale

Auction House:Leonard Joel Pty. Ltd.Number of lots recorded:454
Sale Title:Asian Art, Classic Furniture & ObjectsLots with images:442
Auction Location:MelbournePrices available:235
Date:15-May-2016
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A Victorian silver hot water pot, Hamilton & Inches / Edinburgh / 1878, baluster in form, heavily embossed with alternating bands featuring the twelve symbols of the zodiac, seated on a circular pedestal foot, approximately 374 gms, 19 cm high
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A Victorian silver creamer, George Angell / London / 1853, compressed circular, with heavily embossed floriate decoration beneath an oversized fluted spout and a scrolled handle, approximately 280 gms, 13.5 cm high
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A Victorian silver Christening mug, Henry & Henry John Lias / London / 1852, the fluted body with an engraved scroll work design, approximately 188 gms, 10 cm high
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A set of six George III Old English pattern spoons, Thomas Wallis / London / 1791, total weight approximately 398 gms, 22 cm long
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A cased Victorian silver fish knife and fork, Howard & Hawksworth / Sheffield / 1858, total weight approximately 196 gms, the case 39.5 cm wide (wear to the leather case)
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A sterling silver goblet, Martin, hall & Co. / Sheffield / 1908, the plain bowl with a lobed lower body, supported by a circular foot, approximately 268gms, 21.5 cm high
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A small Victorian silver salver, Samuel Smily / London / 1861, circular, with a moulded shell and scroll border, on three shell and scroll feet, the centre engraved with a repeating scroll design, approximately 348 gms, 21 cm diameter
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An Art Deco silver two-handled trophy cup, Roberts & Dore / Birmingham, / 1923, the plain round body flanked by two angular side-handles, supported by a circular pedestal foot, approximately 334 gms, 17.5 cm high
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A silver miniature cased card set and a George IV silver vinaigrette, the card set housed in a domed silver case, maker's marks for grey & Co., Birmingham, 1905, 5.5 cm high, the vinaigrette with a raised border and an engraved outer case, maker's marks for Thomas Shaw, Birmingham, 1837
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A Victorian silver gilt wine jug, Alexander Macrae / London / 1865, ovoid in form with an exaggerated scroll handle, the body engraved on a stippled ground, with opposing oval plaques, supported by a circular foot, approximately 698gms, 35.5 cm high
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A William IV three piece sterling silver tea set, John Wakefield / London / 1833, each of compressed circular form, heavily embossed with floriate decoration, raised on a pedestal base with a gilt interior to the sugar vessel and creamer, total weight approximately 1432gms, the teapot 17 cm high
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A Victorian silver goblet, Hirons Plante & Co. / Birmingham / 1867, the hand chased bowl featuring an embossed jewel inspired design in alternating diamond and tear drop formations, supported by a domed circular foot, approximately 252gms,17.5 cm high
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A pair of Sheffield plate lidded tureens
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A silverplate four bottle tantalus, housing four matching ruby flashed and etched bottles, along with two similar bottles, total height 49 cm
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An 800 silver tea caddy, the hexagonal and lobed body with a floral and scroll engraved lid, approximately 170 gms, 7.5 cm high
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Three sterling silver creamers, including a helmet-shaped creamer with a beaded rim, supported by a square pedestal foot, maker's marks for Anne Bateman, London, 1794, with an additional hallmark for George Gray, approximately 100 gms, 13.5 cm high, the pedestal footed creamer, rubbed hallmarks, approximately 70 gms, 10 cm high, the tripod footed creamer with maker's marks for Thomas shepherd, London, approximately 68 gms, 10 cm high
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A pair of silver plate wine coasters, a candlestick and a silver mustard pot, the gallery edged wine coasters 12.5 cm diameter, the columnar candlestick, 18.5 cm high, the mustard pot, 6.5 cm high
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An English sterling silver pair cased Keywind fusee verge pocket watch with Outer case, the movement marked James Mew / London / Serial no. 5220, the case hallmarked Wb / London /, circa 1759, with an enamelled Roman numeral dial and arcaded Arabic seconds, the movement with a gilt wash and filigree decoration, (hairlines and losses to the dial, damage to the hinge of the pair case and the travelling case), the dial 37 mm diameter
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An English sterling silver pair cased verge pocket watch, the case marked Gmb Nvc / London / 1827, with an enamelled Roman numeral dial, the movement with a gilt wash, engraved and filigree decoration and serial no. 18579, (fine hairlines to dial), the dial 47 mm diameter
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An 18 carat gold cased Swiss quarter repeating chronograph pocket watch, circa 1890, crown wind, with an enamelled Roman numeral dial and subsidiary seconds, the dial 45 mm diameter
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An 18 carat gold cased key wind fusee pocket watch, the movement marked Parkinson & Frodsham / London /, circa 1860, fusee lever, key wind & set, made for the Spanish market, the dial 43 mm diameter
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An Art Deco sterling silver cased travelling clock, William & George Neal / London / 1921, the miniature sterling silver case enclosing a vibrant blue guilloche enamel dial with gilt Roman numerals, housed in the original velvet box, the clock 8.5 cm total height
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A French miniature brass cased carriage clock, 19th century, with a single barrel movement and a matching brass back plate inset with an enamel dial, total height 11 cm
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A brass cased carriage clock, with a single barrel movement and a full enamel back plate, total height 14.5 cm
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A 19th century brass cased carriage clock, with a single barrel movement and a full enamel back plate, total height 14.5 cm (cracks to enamel)
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A 19th century brass cased carriage clock, Recorbet, Bruxelles, with a double barrel movement and two dials on a full enamel back plate, total height 15 cm
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A brass cased carriage clock, late 19th century, designed with a matching brass back plate and silvered dial, single barrel movement, total height 15 cm
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A late 19th century brass cased carriage clock, Boxell, Brighton, designed with a matching brass back plate and dial, twin barrel movement, with key, total height 17.5 cm
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A Victorian brass skeleton clock and dome, Massey & Windham / Cornhill / London, the cathedral inspired openwork brass clock with single fusee barrel and chain movement, housed under a rectangular glass dome, 27 cm total height
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A Victorian brass framed skeleton clock, circa 1860, the Gothic style cathedral formed clock, double fusee, striking, with one bell and gong, mounted on white marble base, no glass dome. Provenance: Purchased from Tooronga hall Antiques
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A Victorian brass skeleton clock, Kilpatrick & Co, the openwork brass clock engraved with a floral design, with a single barrel movement and an enamelled dial, with key, 26 cm total height
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A large Anniversary clock and dome, German, 20th century, the brass clock supported by six classical style columns surmounted by a pagoda inspired top, the enamelled dial with a hand painted circular garland, the dome, 39 cm high
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A small Anniversary clock with a glass dome, inscribed 'Presented to/ Miss Grace Cooch/ by the staff of the central District/ Superintendent's office/ Southampton West station L& S Railway on the Occasion of her Marriage/ 27th December 1920,' total height 31 cm
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An Art Deco 'Father Time' novelty Strut clock, the ivorine back plate inset with a vignette of Father, Time to the dial, eight day movement, 7.5 cm high
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A mahogany cased mantel clock, the waisted, marquetry inlaid body surmounted by an acorn finial, chiming, 40 cm high
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A Vienna single weight regulator wall clock, within a walnut case, the circular enamel dial enclosed behind glazed shaped door flanked by carved columns, with key, no finial, 107 cm high
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A French patinated bronze mantel clock, neoclassical in design with scrolled handles, Grecian key borders and a reclining cherub mount to top, 37 cm high
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A pair of Contiental spelter figural lamps, each modelled as a page boy with a staff in hand, surmounted by a pink frosted faceted glass shade, 53 cm total height
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A 19th century Japanese Satsuma vase converted to a kerosene lamp, baluster, decorated with karako children, mounted on a brass column, surmounted by a flattened ovoid vaseline glass font, 61 cm high
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A Victorian kerosene lamp, the brass columnar standard supporting an etched clear glass font and a frosted glass shade, 61 cm high
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A Bohemian gilt overlaid glass vase, ovoid, with gilt and white glass overlay, 40.5 cm high
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A Swiss rosewood and marquetry cased music box, playing eight airs, the case 12 x 42 x 19 cm
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An amboyna and mother of pearl inlaid writing box, the fitted interior inset with a leather writing surface, along with a slender ink and pen compartment, some losses, 10 x 28.5 x 19 cm
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A Victorian rosewood veneered travelling vanity box, the vanity box with cut brass detail, the fitted blue velvet and leather interior containing five silver plate canisters, two silver plate bottles and two rectangular boxes, above a single drawer, 14.5 x 30.5 x 25.5 cm
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A Minton parian figural group, Naomi and her Daughters in Law, circa 1865, depicting the biblical characters of Naomi, Ruth and Oprah, titled to the front of the base, impressed Minton to base, along with a date mark, 33 cm high
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A pair of Continental porcelain figures, Musican and dancer, 20th century, both figures marked with a blue N beneath a Crown, 22 cm high
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A Royal Worcester blush ivory porcelain vase, James Stinton, circa 1907, compressed ovoid, painted with pheasants, beneath a pierced rim, signed Jas Stinton, green factory mark to base, model no. 703, 13 cm high
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A pair of Royal Worcester reticulated porcelain lidded bottles with covers, circa 1884, each with a pierced and latticed reserve and a gilt border, green factory mark to base, 17 cm high
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A pair of Royal Worcester vases, Harry Stinton, circa 1911, compressed circular, with a fluted neck, hand painted with a highland cattle scene, signed by the artist, green factory mark to base, model no. 702, 15 cm high
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A large pair of Victorian Royal Worcester porcelain lidded vases, ovoid, with a fluted neck, painted with a reserve of iris flowers, framed by a gilt tooled border on green ground, flanked by two dragon handles, black factory mark to base, model no. 2050, (restorations), 42.5 cm high
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A Royal Worcester porcelain figural lamp base, circa 1908, modelled as a female lute player, model no. 143, 44 cm high
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A Royal Worcester porcelain figure of a water carrier, circa 1901, modelled as a classically inspired female figure, carrying two amphoras, green factory mark to base, 53 cm high
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A rare Royal Worcester Flavelle Brothers porcelain vase, C. Johnson, circa 1913, baluster, with an everted rim, the body painted with an indigenous Australian scene depicting an Aboriginal male starting a fire, signed by the artist, a Quaker grey border to rim, blue factory mark to base, model no. 2195, (hairline crack and small loss to rim, heavy crazing to the lower body), 20 cm high
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A Royal Worcester two handled vase, Harry Davis, circa 1924, ovoid, painted with Norfolk sheep, signed by the artist, with two C scroll handles, seated on a pedestal foot, puce factory mark to base, model no. 1951, 31 cm high
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A Royal Worcester two handled vase and cover, John Stinton, circa 1914, compressed circular in form, hand painted with a highland cattle scene, signed by the artist, with two figural scroll handles, seated on a pedestal foot, puce factory mark to base, model no. 1572, 27 cm high
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A Royal Worcester two handled porcelain vase, Frederick H. Chivers, circa 1898, ovoid, with a hand painted reserve of fruit, framed by a tooled gilt border on a cobalt blue ground, signed Chivers, blue factory mark to base, model no. 1722, 41.5 cm high
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A Hadley's Worcester porcelain vase and cover, baluster, with twin lion handles, painted with roses, on an oval foot, 24 cm high
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A Royal Worcester bottle vase, circa 1886, ovoid in form with an elongated fluted neck flanked by two small handles, the body decorated with an enamelled floral design, puce factory mark and stamp to base, 31 cm high
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A Royal Worcester bottle vase, circa 1891, conical in form with an elongated cylindrical neck flanked by two scroll handles, the body decorated with a wildflower motif, puce factory mark to base, pattern no. 1432, 29 cm high
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A Royal Worcester blanc de chine figure of a female, mid 19th century, modelled wearing traditional robes holding small cymbals in each hand, brown factory mark to base faint, 30 cm high
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A Royal Worcester two handled two handled vase, circa 1867, the baluster in form, with a hand painted and enamelled floral motif to body, a fluted neck flanked by two gilded dolphin handles, puce factory mark to base, pattern no. 1327, 27 cm high
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A Victorian Royal Worcester two handled vase, ovoid in form, hand painted and enamelled bird motif to body, with pierced handles and rim, green factory mark to base, 25 cm high
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A pair of Royal Worcester female figures, circa 1868, each modelled wearing classical style dress, one with extensive restorations, 26 cm and 28 cm respectively
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A Royal Worcester 'Hadley Ware' fluted vase, Walter Sedgley, circa 1905, the bulbous body hand painted with a pheasant scene, green factory mark to base, signed W.J. Sedgley, 20 cm high
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A Royal Worcester fluted vase, Harry Stinton, circa 1917, the compressed cylindrical body with an elongated and fluted neck, hand painted with a highland cattle scene, signed H. Stinton supported by a circular pedestal foot, puce factory mark to base, pattern no. 1733, 19 cm high
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A Royal Worcester two handled vase, James Stinton, circa 1908, the bulbous body painted with a pheasant scene, signed Jas Stinton, flanked by two small scroll handles, puce factory mark to base, pattern no. 1515, 15.5 cm high
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A small Chamberlain's Worcester bottle vase, compressed in form, finely painted with a scene of 'Malvern', on a cobalt blue ground with gilded highlights, marked Chamberlain's Worcester, Malvern to base, 13 cm high
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A Royal Worcester figural stem vase, modelled as a turtle balancing a monkey and frog on its shell, beside a bamboo formed vase on a rock formation, impressed factory stamp to base, 23 cm high
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A Victorian Royal Worcester blush ivory Arabesque ewer, circa 1901, the compressed circular body with a cylindrical neck, hand painted with a wildflower scene, pattern no. 1191, 26.5 cm high
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A set of six steeple Chase Sporting prints, after Henry Alken (1785-1851), Charles Bentley (1806-1854) Engraver, coloured engravings, 35 x 49.5 cm
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A large 19th century Sheffield plate tray on a later stand, the circular tray engraved with floral work design surrounding a central reserve bearing the armorial crest of the Bishop of Limerick, supported by three scroll and shell feet, housed on a modern tripod base stand, the tray 60 cm diameter, the stand 53 cm high
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A pair of 19th century Sheffield plate candelabra, each with a central lobed acanthus leaf stem emanating two scroll work arms, supported by a lobed circular foot, 47 cm high
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A sterling silver coffee pot and water pot, Poston Products Ltd / Sheffield / 1951, each pot with a turned ebony side handle and embossed with a scrollwork and floral motif, total weight approximately 954 gms, 22 cm high
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A pair of Edwardian sterling silver bon bon dishes, Cs Harris & Sons Ltd / London / 1920, each bowl reticulated in a continuous scroll work design, supported by a garland border on four feet, retailed by Drummond & Co., total weight approximately 320gms, 7 cm high
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Two German silver Wager cups, 19th/20th century, each modelled as female in traditional medieval dress with extended arms raising a gimballed cup, total weight approximately 196 gms, 16 cm & 6 cm respectively
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A pair of pierced silver sweetmeat dishes, Charles Boyton / London / 1901, each oval bowl ornately reticulated, with a floral garland border to rim, supported by a pierced pedestal foot, total weight approximately 302 gms, 8.5 cm high
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A sterling silver monteith, George Heath / Sheffield / 1921, the lobed body supported by a fluted circular pedestal foot, total weight approximately 684 gms, 12 cm high
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A Sheffield plate bottle coaster, Elkington & Co. /, circa 1853, the latticed and lobed body joining to a circular wooden foot, 18 cm diameter
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A brass mounted bracket clock, 20th century, within a walnut veneered case of compact proportions, the brass back plate and silvered dial enclosed behind glazed shaped door, surmounted by four acorn finials, and supported on four scroll feet, 33 cm high
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An Encyclopedia Brittanica set, housed in a Custom made bookcase, 20th century
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A Queen Anne style walnut veneered writing desk, with a shaped rectangular leather inset top, above a single frieze drawer, cabriole legs, 77 x 113 x 59 cm
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A George IV mahogany veneered serpentine top sideboard, with a shaped rectangular top, above a central frieze drawer and a lower pot drawer, flanked by panelled doors, square tapering supports, 90 x 152 x 60 cm
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A pair of Chinese cloisonne and brass lamp bases, baluster in form, the green ground cloisonne decorated with a floral design, each lamp with matching cloth shades, (each lamp base with a compression to one side of the body), the bases approximately 67 cm high
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A good quality pair of Chinoiserie style brass framed lamp tables, square, each with a single shelf, inset to the top with a Chinoiserie landscape scene, brass castors
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A Hepplewhite style mahogany dining suite, comprising a d-end twin pedestal extension dining table, together with a set of eight chairs including two carvers, each with a bowed back and a feather pierced vertical splat
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A good quality silk upholstered three piece lounge suite, comprising a three seat sofa and a pair of club armchairs, each upholstered in a cream floral patterned silk on a vibrant yellow ground
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A 19th century Dutch walnut and marquetry four drawer commode, 99 x 93 x 43 cm
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A Dutch style marquetry inlaid corner cabinet, 106 x 64 x 64 cm
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A 19th century Dutch walnut and marquetry three drawer commode, of compact proportions, decorated overall with floral inlaid panels, 81 x 42 x 32 cm
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A Victorian walnut framed floral upholstered lady's chair, with a floral pattern to the upholstery of the back and seat, above cabriole supports
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A pair of Venetian style cream and gilt painted standard lamps, each with a cloth shade, 162 cm total height
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A good quality Victorian burr walnut veneered Sutherland table, oval, with two drop sides, above turned supports and a cross stretcher, porcelain castors, 73 x 99.5 cm
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A Victorian burr walnut veneered and marquetry inlaid two tier what-not, canted rectangular, each shelf inlaid with a floriate pendant design within turned supports, 54 x 56 x 35.5 cm
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An Edwardian sterling silver salver, Walker & Hall / Sheffield / 1902, the shaped circular tray with a raised foliate scrollwork border, with an engraved centre surrounding the monogram 'Ma', supported by three scroll feet, approximately 568 gms, 17 cm diameter
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A matching sterling silver water jug and cream jug, Hardy Bros / London / 1977, each jug with a baluster body supported by a circular pedestal foot, approximately 1120gms, respectively 14 cm & 17.5 cm high
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A cased set of six Elizabeth II Silver Jubilee teaspoons, Roberts & Belk Ltd. / Sheffield / 1977, each spoon with a Crown mount, housed in fitted case, approximately 92 gms
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A cased set of Elizabeth II four sterling silver napkin rings, Jb Chatterley & Sons Ltd / 1978, each individually assayed in Birmingham, Edinburgh, London and Sheffield, housed in case.
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A sterling silver pepperette, Walker & Hall / Sheffield / 1913, the vasiform cruet with a banded girdle below a domed cover, on a circular pedestal foot, approximately 118 gms silver, 15.5 cm high
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A cased pair of silver salt cellars and spoons, John Millward Banks / Birmingham / 1894, each cast with a thistle design, housed in fitted leather case, the salt cellars 3 cm high
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A Queen Elizabeth II silver salver, Wakely & Wheeler / London / 1959, of shaped circular outline, with a piecrust edge and a gadrooned border, approximately 912gms, 31 cm diameter
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