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Decorative Arts & Furniture — Leonard Joel Pty. Ltd.

Auction House:Leonard Joel Pty. Ltd.Number of lots recorded:375
Sale Title:Decorative Arts & FurnitureLots with images:374
Auction Location:MelbournePrices available:251
Date:12-Oct-2005
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A Moorcroft Flambe Jug Circa 1935 Of ovoid form, painted to either side with a cluster of grapes and leaves in autumnal hues of orange, red and mauve on a graduated dappled green and red ground, raised on a reeded foot, impressed and painted factory marks to base, 18.5 cm high.
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A Moorcroft pomegranate pattern vase, circa 1916, the body of tapering baluster form painted with red and blue fruit and green leaves on a graduated deep blue and mottled blue ground, impressed marks Moorcroft Burslem England 6 and green painted signature to base. Height 19 cm
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A Moorcroft Big Poppy pattern vase, circa 1935, the body of baluster form decorated with a continuous pattern of poppy flowers amongst leafage, on a graduated blue green matt ground. Height 24 cm
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A Moorcroft Flambe Vase Circa 1935 Of baluster form, the
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A large Moorcroft Pansy pattern vase, circa 1920, the body of baluster form painted with pansies in bloom in colours of mauve and apricot amongst foliage on a deep blue ground, impressed Moorcroft made in England and painted signature. Height 31.5 cm
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Two Large Royal Doulton Flambe Veined Vases Post 1930 Each of ovoid form decorated in swirling colours of amethyst and red, printed factory marks and number 1622 to the base of each, the tallest 43.5 cm high. See illustration
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A Royal Doulton flambe veined vase of tapering cylindrical form in graduated colours of amethyst and red, rising to a slender neck, black printed factory marks and printed and impressed 1617 to base. Height 33.7 cm
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A Royal Doulton flambe Woodcut vase post 1930, the body of tapering cylindrical form decorated with a transfer printed scene showing a man pole fishing in a stream against a wooded landscape, on a graduated black and red ground, rising to a slender neck, black printed factory
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A Clarice Cliff Bizarre 'Islands' pattern part dinner service, comprising nine each dinner plates, entree plates and salad plates, six bread and butter plates, nine soup bowls, a covered soup tureen and one other with cover missing, a butter dish, six tea cups and saucers, three coffee cups and saucers, a milk jug and saucer, three graduated oval platters and a fruit plate, each centred by a stylised cartouche showing an island and foliate motifs within pastel blue borders on a cream ground, blue factory…
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A Clarice Cliff Bizarre Delecia Poppy Pattern Bowl Circa 1933 The body of lobed circular form boldly painted with large poppies in colours of red, purple and yellow above a drip glaze, printed factory marks to base, 17.5 cm diameter.
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A Clarice Cliff Fantasque 'Floreat' pattern plate, the body of octagonal form centred by a stylised design showing orange flowers amidst green leaves on a black and cream ground, within graduated yellow, green, black and orange bands, black printed and impressed factory marks to base, 24 cm wide
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A Clarice Cliff Bizarre plate, of octagonal shape
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A Clarice Cliff Bizarre 'Football' pattern sandwich platter, of chamfered rectangular form, boldly painted with geometric pattern of colour blocks intersecting with cross-hatched panels, in colours of yellow, green, mauve and orange, reserved on an orange border, printed black factory mark to base, 29 cm long
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A small Clarice Cliff Bizarre plate, of octagonal form, painted with a central star pattern in colours of green, orange and brown on a cream ground, within a blue and green band border, 14.5 cm wide
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A Clarice Cliff Bizarre Secrets Pattern Dinner Service Circa 1937 A setting for six, comprising six each dinner plates and entree plates, five bread and butter plates, six soup bowls, a sauce jug, a covered vegetable tureen and four graduated platters, each boldly painted to the rim with a stylised landscape scene, tree in blossom and a farmhouse in colours of yellow, green, blue and beige, black printed factory marks to base. (30)
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A Pair Of Rene Lalique Asters Pattern Platters No. 2, Model introduced 1935 Each having a circular opalescent
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A Rene Lalique Plumes De Paon Pattern Opalescent Glass Bowl Model introduced 1932 The body of shallow ovoid form moulded with a continuous graduated pattern of peacock feathers, etched mark R. Lalique France, 23.5 diameter.
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Livio Seguso double sommerso glass vase of compressed cylindrical form with a textured surface, the purple layer outlined in ruby, and the base finished in clear glass, engraved to the base 'Livio Seguso'
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Murano glass light by Fratelli Toso Vetreria, Murano, comprising twenty three opalescent rectangular glass panels each with a moulded hanging loop to each end
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A Loetz Style Iridescent Glass Comport The circular body of dappled amethyst colour having a handkerchief rim, raised on a faceted metal standard and stepped hexagonal base, the base stamped Orfevrerie Dilecta Depose No. 82 Made In France to the underside, 32 cm high.
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A Loetz Style Gilt Metal Mounted Iridescent Glass Vase The opaque body of tapering cylindrical form decorated to the lower section with swirling patterns in red and white, rising to a flared rim with applied gilt metal swags and a
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An Art Deco sterling silver mounted cocktail set possibly American, a set for twelve, comprising twelve each cocktail glasses, highball glasses and tumblers, one decanter with a silver plate mounted stopper, one jug with a silver plate cover and a swizzle stick, each with a graduated frosted and clear glass body decorated with a scene of a swan taking flight on a lake bordered by bull rushes, applied decorated marked sterling, the decanter 29.5 cm high
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A George V sterling silver Comport Maker's mark William Henry Sparrow, Birmingham 1921 The boat shaped body flanked on either side by stylised scroll handles, raised on a tapering standard and flared oval foot, 844 grs. total weight of silver, 26 cm wide.
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A Georg Jensen Silver Cutlery Service From the original Acorn pattern by Johan Rohde, 1915 A setting for eight with extra pieces, comprising eight dinner knives, eight fish knives, eight small knives, eight dinner forks, eight fish forks, eight seafood forks, eight dessert forks, eight soup spoons, eight fruit spoons, eight dessert spoons, eight coffee spoons, eight teaspoons, a pair of salad servers, one cake server, two serving spoons, three butter knives, one cream spoon, one sugar shovel, a candle…
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A Georg Jensen Silver Cutlery Service From the original Acorn pattern by Johan Rohde, 1915 A setting for six with extra pieces, comprising six short handled luncheon knives, six long handled luncheon knives, six fish knives, six short handled luncheon forks, twelve long handled luncheon forks, six table spoons, six dessert spoons, twelve soup spoons, six teaspoons, six coffee spoons, twelve butter knives, a fish knife, a cheese knife, a cake slice, a pickle fork, a pair of salad servers, and a pair of fish…
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A George V sterling silver and enamel covered box, maker's mark Omar Ramsden & Alwyn Charles Ellison Carr, London 1917, the body of compressed ovoid form decorated with a continuous band of chased rosette and fleur de lys medallions united by thorn branches, the stepped cover having a crenellated rim below a central red, mauve and blue enamel medallion showing a cathedral in a village setting, within a rope twist border, stamped Omar Ramsden Et Alwyn Carr Me Fecit, 388 grs. total weight, 11 cm diameter.
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A George V sterling silver and maple wood Mazer bowl maker's mark Omar Ramsden, London 1930, the shallow circular body carved with three flutes, rising to an applied sterling silver lip hung with a band and leaf pendant border, raised on a reeded flaring circular foot
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A small George V sterling silver and maple wood mazer bowl, maker's mark Omar Ramsden, London 1930, the body of shallow circular form having an applied flaring sterling silver rim hung with stylised fruit and leaf motifs, raised on a stepped and flared circular foot with a rope twist border to the edge, incised Omar Ramsden Me Fecit to underside, 11.5 cm diameter.
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A Pair Of Small George V sterling silver And Maple Wood Mazer Bowls Maker's mark Omar Ramsden, London 1931 Each of shallow circular form, having an applied sterling silver rim hung with a stylised foliate pendant border, raised on a stepped and flared circular foot with a rope twist border to the edge, incised Omar Ramsden Me Fecit to underside, 7.5 cm diameter.
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An Edward VIII sterling silver Goblet Maker's mark Omar Ramsden, London 1937 The lightly beaten body of ovoid form above a leaf and branch moulded knopped stem, raised on a flaring circular foot, stamped Omar Ramsden Me Fecit, 186 grs. total weight of silver, 11.5 cm high. See illustration
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A George V sterling silver plate, maker's mark Omar Ramsden, London 1934, the circular body with a hammered finish and crenellated border, raised on a short foot
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A suite of Villads-Nielsen Continental silver flatware a setting for twelve with extra pieces, comprising twelve dinner knives, thirteen fish knives, four butter knives, six dessert knives (one with blade broken), five fruit knives, twelve dinner forks, twelve fish forks, eleven cake forks, four pickle forks, twelve table spoons, ten dessert spoons, ten coffee spoons, two cake slices, a soup ladle, a sauce ladle, a large serving spoon and three smaller serving spoons, each with a lobed handle with jewelled…
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A Carlton Ware Chinaland pattern ginger jar and cover, circa 1927 the ovoid body painted in enamels and gilt with a Chinoiserie scene of pagodas, bridges, boats and figures on an orange ground, the cover with a black trellised rim and conforming painted decoration, printed and painted marks to base, 26 cm high
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A Carlton Ware Persian pattern bowl, the body of shallow ovoid form painted with a central gilt and polychrome enamelled Chinoiserie scene showing a figure seated in a temple within a treed landscape on a mottled blue ground, the exterior decorated to the rim with a continuous gilt filigree and enamel border above foliate
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A Carlton Ware Persian pattern dish, circa 1927, of lobed rectangular form with gilt handles and feet, the body painted in enamels and gilt with a scene of turbaned figures in an exotic garden setting with palm trees, birds and flowers on a blue ground, printed and painted marks to base. Width 32 cm
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A Carlton Ware Kang XI pattern ginger jar and cover, circa 1916, the ovoid body decorated with gilt and enamelled Chinoiserie scenes of pagoda and foliage, rising to a fretwork border on a mottled blue ground, the cover of conforming decoration, printed blue crown and swallow mark and pattern number 2021; together with a wooden stand, the ginger jar. Height 25.5 cm
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A Carlton Ware temple pattern float bowl, circa 1925, of circular form, painted with a central gilt and enamel scene showing pagodas, prunus trees and figures at the edge of a lake on a terracotta ground, the matt black rim painted with a gilt filigree border interspersed with enamel cartouches depicting temples, the exterior decorated with further foliate vignettes, printed black crown and swallow factory mark and pattern number 2880. Diameter 27.5 cm
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An Art Deco table lamp in the style of the Handel Company, the tapering cylindrical pierced metal work shade inset with six textured slag glass panels reverse painted with yellow wildflowers against a mauve ground, above a triform bronzed metal stem with leaf capped scroll work, raised on a patinated and gadrooned circular base, surmounted by a pine cone finial
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A French Spelter Figure Group Signed Gori, Circa 1925 Modelled as Diana and two hounds, the figure standing with her left foot raised, her hands and head of moulded ivorine, wearing a flowing dress of Art Deco design with floral patination, raised on a stepped veined marble base, inscribed signature Gori to marble base, 80 cm long. See illustration
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A Goldsheider Art Deco Figure Of A Young Woman Showing the upper torso, the woman draped in period attire, her eyes closed and hands crossed against her chest, in colours of white, cream and grey, printed black factory mark and Made In Germany, stamped numbers 8132 200 4 and partial foil label, 29 cm high.
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An Italian Art Deco studio pottery Figure Signed Lenci, Circa 1935 Modelled as a female nude wearing a chequered beret kneeling atop a world globe, her right hand resting on a book and a dog at her side, the globe painted with stylised motifs representing the four continents, black
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An Austrian amphora bisque figure group by Reissner & Kessler, circa 1905, modelled as an Afghani man riding a camel, the man in traditional costume carrying a gourd and flanked on either side by a drum, raised on a naturalistically moulded base, impressed factory marks and model number 3240 21 to base. Height 38 cm
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An Art Deco Patinated Bronze Figure Group By Bruno Zack, Circa 1936 Modelled as a male and female dancer in close embrace with arms outstretched and one leg kicking out to the side, signed B. Zack, raised on a tapering chamfered square onyx plinth, 41 cm high.
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A French Art Deco bronze figure group signed A. Bazzony, modelled as a stylised running man and striding horse, the man with one arm outstretched and holding a lasso in the other, raised on a rectangular black marble base, inscribed marks A. Bazzony bronze
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A French gilt bronze figure signed A. Seysses, early 20th century, modelled as a standing semi-draped female with flowers to her hair, her body swathed in a flowing cloth, raised on a tapering square blue veined marble base, inscribed signature to base. Height 44 cm
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A gilt bronze and ivory figure of St. George signed G
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An Austrian Amphora Jug The ovoid body having a bold shell moulded rim flanked by a handle moulded as a fish with further applied sea crustacean decoration, printed and impressed factory marks to base, 38.5 cm high.
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A French alabaster figural light signed A. Germay, modelled as a semi-draped slave girl seated on a stepped plinth, her arms raised above her head supporting a shade in the form of a large carved lotus flower, raised on a stepped circular verde marble plinth, the figure and the shade 102 cm high; the plinth 117 cm high
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A large, Japanese ceramic Studio vase signed, 20th century of flattened ovoid form with a stylised circular recess, decorated in colours of brown, rust and green. Height 51 cm
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An Art Deco alabaster figural light and pedestal, modelled as a standing semi-draped female figure, above a stylised underlit flowing stream, on a conforming plinth base, together with a stepped and fluted circular alabaster and marble column, the figure 65 cm high; the pedestal 129 cm high
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An Art Deco Patinated Bronze Figure Group Signed D.H Chiparus, Circa 1930 The young female figure modelled in a forward sitting position with outstretched legs, her hands resting to each side, a borzoi standing at her back, raised on a veined black marble plinth base, the base inscribed D. H. Chiparus, 33 cm high, 75.5 cm long. See illustration
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Pair of Grant Featherston contour dining chairs (model D350), each having concave rectangular formed plywood bodies, their original fawn upholstery, outswept, tapering cylindrical legs and a factory stamp to bases
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A Pair Of Art Deco Bedside Cabinets Stamped Majorelle, Nancy Each having a rounded rectangular top above an open display shelf, one with a single cupboard door, the other with a further shelf, raised on a plinth base, 45 x 60 x 36 cm.
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Schulim Krimper silky oak dining suite, comprising a sideboard and a 'D' end dining table with six matching chairs, each chair having an upholstered padded tablet back, the extension dining table with two matching leaves
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A Louis Majorelle mahogany wardrobe signed L. Majorelle, circa 1920, the stepped cornice carved with stylised fish above a central mirror panelled door, flanked by two further flame mahogany panelled doors enclosing shelves, raised on a stylised plinth carved with ginkgo leaves to each corner, 190 x 220 x 53 cm
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A Stokke Balans Duo Armchair Norwegian, Circa 1984 The bentwood frame of moulded beech surmounted by an adjustable headrest and separate back support, above down swept arms and a padded seat, the curved base emanating two padded leg supports.
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A pair of Art Deco chrome and leather arm chairs, each having a buttoned leather back and shaped seat with padded chrome arms, raised on stylised chrome supports
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Grant Featherston design Taua wood dining suite, New Zealand manufacture, comprising four Featherston design dining chairs with original upholstery and a veneered rectangular dining table
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A Paulin Mushroom Chair Designed by Pierre Paulin, 1963 Upholstered in yellow velveteen.
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A pair of Grant Featherston Scape chairs, each having a bold concave moulded back and seat upholstered in green vinyl, mounted on a tapered steel frame; together with an ottoman upholstered in matching material
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A pair of Elizabeth II sterling silver candelabra maker's mark Walker & Hall, Sheffield 1960, each having a tapering cylindrical standard emanating two entwined arms, surmounted by a central vase finial, 2076 grs total weight, 33 cm high
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A Continental silver four piece tea and coffee service Belgian, comprising a teapot, coffee pot, creamer and sugar vessel, each of campana form decorated with jewelled banding raised on a circular foot, the teapot, coffee pot and sugar vessel surmounted by a stepped cover and bud finial; together with a shaped rectangular silver plate tray with a beaded rim and leaf moulded handles, marked Sturbelles C, Bruxelles, metal, the tray. Width 57 cm
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A Large Victorian Silver Plate Epergne The central flaring acanthus leaf moulded standard emanating four scrolling arms, each terminating in an openwork basket housing a cut crystal bowl, rising to a larger central
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A William IV sterling silver Teapot Maker's mark Iw Wm, London 1834 The fluted body of compressed baluster form flanked by a leaf capped scroll handle with ivory fillets and a conforming spout, rising to a hinged domed cover and mushroom finial, raised shell moulded scroll feet united by a shaped apron, 680 grs. total weight, 16 cm high. See illustration
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A Harlequin Suite Of Contemporary Lace Back sterling silver Flatware A setting for twelve, comprising twelve each entree forks and dinner forks, four dog nose table spoons, twelve each dog nose soup spoons, dessert spoons, teaspoons and coffee spoons, each of maker's mark Lsg, London 1969; twelve each sterling silver blade fish knives and fish forks of maker's mark Lsg, Sheffield 1969; twelve dinner knives and twelve entree knives with stainless steel blades, each of maker's mark C.J.V Ld, Sheffield 1968;…
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A Large Queen Anne Britannia Standard Silver Covered Tankard Maker's Mark John Elston, Exeter 1707 The
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A Suite Of Golden Winslow Pattern Silver Flatware By S.Kirk & Son A setting for twelve, comprising twelve dinner knives, twelve butter knives, twelve dinner forks, twelve cake forks, twelve dessert spoons, and twelve teaspoons, each of tapering form with a gilt bright-cut geometric border, presented in a hardwood canteen. (84)
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A matched pair of Continental silver candlesticks one possibly of maker's mark Sylvester Wolgelmuth, circa 1730, each of stepped octagonal form, raised on a chamfered square base, bearing the engraved initials Gd, the tallest 16.5 cm high
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A 19th century French silver gilt beaker maker's mark AH of cylindrical form, decorated with three cartouches showing repousse portraits of Napoleon III in side profile, interspersed with foliate panels, raised on three bun feet, 14 cm high
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A Victorian sterling silver wine ewer maker's mark Charles Thomas fox & George fox, London 1849, the body of lobed baluster form decorated with a chased and embossed
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A Victorian sterling silver candelabra, maker's mark Edward Barnard, John Barnard & William Barnard, London 1851, the tapering reeded standard with ornate moulded and applied acanthus leaf decoration emanating three leaf capped branches terminating in sconces with foliate moulded drip pans, rising to a central sconce of conforming decoration, raised on a lobed tripartite base bearing an armorial crest and a coat of arms with the inscription Cave, scroll feet, 2965 grs. Total weight of silver
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A Victorian Sheffield plate mirror plateaux, circa 1866, the mirror plate enclosed within a flaring circular body moulded with a continuous border of acanthus leaf scrolls, jewelled pendants and vacant cartouches, raised on lion's paw feet headed with lion mask heads, Victorian registration marks, 38.5 cm diameter.
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A matched pair of Old Sheffield plate wine coolers late 18th/19th century, each of campana form bearing an armorial crest and the inscription 'Mon Tresor,' flanked by acanthus leaf moulded loop handles rising to a flared foliate moulded rim, raised on a stepped circular foot, each with a lead liner, maker's mark to base of one. Height 27 cm
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A Victorian sterling silver Harlequin Tea And Coffee Service Comprising a coffee pot, sugar bowl and creamer probably of maker's mark William Smily, London 1862 and 1863, and a teapot probably of maker's mark Samuel Smily, London 1866, each of octagonal baluster form with engraved foliate decoration, the teapot and coffee pot each flanked by an angular leaf capped handle with ivory fillets, surmounted by a domed cover and flower and leaf finial, raised on scroll feet, 2296 grs total weight, the coffee pot…
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A George V sterling silver tray maker's mark Thomas Bradbury & Sons, Sheffield 1922 of serpentine rectangular
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A Victorian sterling silver Cake Basket Maker's mark possibly Roberts and Hall, Sheffield 1853 The body of shallow ovoid form embellished with foliate pierced panels to the interior interspersed with engraved rose vignettes above a central foliate cartouche, rising to a pierced and beaded serpentine rim moulded with shell and husk flower decoration and a pierced swing handle terminating in fish mask heads, raised on a shaped foot, 1026 grs. total weight of silver, 37 cm wide.
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A George V sterling silver salver maker's mark Carrington & Co., London 1914 of shaped circular outline with a reeded and acanthus leaf moulded rim, 2212 grs. Total weight of silver, 45 cm diameter
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A Victorian sterling silver harlequin four piece tea and coffee service, comprising a coffee pot of maker's mark Ws bearing the retail mark Ab Savory & Sons, London, 1864; a teapot of maker's mark Martin Hall & Co, Sheffield 1857; a two handled sugar vessel of maker's mark Martin Hall & Co, Sheffield 1859; and a creamer of maker's mark Martin Hall & Co, Sheffield 1859, each of compressed ovoid form, the teapot, creamer and sugar vessel with matching embossed rose and acanthus leaf decoration, the
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A George IV sterling silver cake basket maker's mark William Edwards, London 1828 of shallow ovoid form, the body and rim decorated with pierced and bright-cut foliate decoration, rising to a pierced rim of contrasting design and a serpentine rope twist and shell moulded edge, 2115 grs. Total weight of silver. Width 48 cm
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A pair of George V sterling silver entree dishes maker's mark Sebastian Henry Garrard, London 1918, each of rounded rectangular form with a rope twist border, the domed lid surmounted by a reeded loop handle, 3640 grs. Total weight of silver. Length 29 cm
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A George VI sterling silver tray maker's mark Rwb, London 1938 of rounded rectangular form, the raised border having a rope twist edge, flanked by conforming loop handles, retail mark for Harrods London, 2605 grs. Total weight of silver, 60 cm wide across the handles
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A George VI sterling silver Coffee Pot And Sugar Vessel Maker's mark Rwb, London 1938 In the early Georgian style, each of tapering octagonal form, the coffee pot flanked by a leaf capped hardwood handle and stylised swan moulded spout, rising to a domed lid and bun finial, retail mark for Harrods London, 1110 grs. total weight
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A 19th century English Porcelain Vase The elliptical body richly painted to either side with a vignette of wildflowers within acanthus and shell moulded borders, flanked by scroll handles, raised on a conforming base, gilt highlights, 27.5 cm high.
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A Pair Of 19th century English Porcelain Vases Each of ovoid form, moulded with a central arrangement of roses and sunflowers interspersed with further painted floriate vignettes, flanked by cornucopia moulded loop handles, rising to a stepped flaring rim, 28 cm high.
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A Rosenthal Sevres style porcelain dinner service a setting for twelve, comprising twelve each entree plates, dinner plates, soup coups and saucers, two covered soup tureens, two sauce boats, two graduated oval platters, two square fruit bowls, twelve cups and saucers, a coffee pot and a sugar vessel, each reserved on a cobalt blue ground with gilt highlights, the coffee pot. Height 21 cm. (82)
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A set of six Dresden porcelain figures of the Coldstream Guards 20th century, each figure modelled as a standing Coldstream guardsman in full military dress with uniform styles represented from 1660 through to 1832, together with an English porcelain figure of a similar guardsman bearing a plate to the base impressed to commemorate the Centenary of Waterloo 1815 - 1915, T Goode & Co., London
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A Staffordshire Figure Of A Sailor 19th century Modelled as a standing figure clothed in traditional nineteenth century costume, 30 cm high.
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Staffordshire Cow And Calf Spill Vase 19th century Modelled as a cow feeding her calf, the base moulded as a green pasture, 26 cm high.
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A Staffordshire figure of a shepherd and His Flock 19th century, modelled as a standing figure in a blue coat, holding a crook with both hands, resting sheep to his left and a sheep dog to his right, raised on a green naturalistically moulded base. Height 24.5 cm
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A pair of 19th century Meissen porcelain figural Sweet meat dishes, each dish of two sectional shallow circular form decorated with floral vignettes and applied floriate bocage, surmounted by a seated male and female figure, the male dressed in a pink waistcoat, blue and white vest with gilt highlights and striped pantaloons, wearing a black peaked cap, the female wearing a pink bodice and floral decorated dressed, her hair tied in a bun, raised on a rocaille moulded base, blue underglaze and impressed…
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A fine Royal Worcester porcelain vase signed H. Davis, 1912, the body of ovoid form painted with a scene of black faced sheep grazing in a mountainous landscape within
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A Pair Of Meissen Miniature Figures 19th century Each modelled as a standing cherub, dressed in a bonnet, puce and mauve coat and holding a fan to their face, leaning a against a tree stump, raised on a naturalistic base, blue underglaze and impressed factory marks to base, 9.5 cm high.
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A German Porcelain Figure Modelled as a dancing female figure, clothed in a mauve bodice and floral bocage encrusted skirt with gilt trim, raised on a stepped circular base, blue underglaze factory mark to base, 21 cm
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A Royal Doulton limited edition Shakespeare jug, modelled by C.J. Noke, circa 1933, of cylindrical form decorated with a continuous frieze of Shakespearian characters, mask moulded handle and spout, bearing the relief moulded quote 'Dear Son of Memory great Heir of Fame', green printed mark, numbered 792 of 1000. Height 26.5 cm
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An Austrian Majolica Jardiniere On Stand By Julius Dressler, Biela, Circa 1880 The body of compressed ovoid form with a flaring cut-out rim, moulded with a profusion of scrolling acanthus leaves, geometric patterning and raised cartouches, richly painted in colours of yellow, lime green, the stand of conforming decoration raised on scroll feet, moulded and handwritten factory marks to base, 126 cm total height.
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A 19th century Meissen Porcelain Figural Group Modelled in the form of a courting couple, the male wearing a black hat, puce coat and striped pantaloons, the female with a floral wreath to her hair, clothed a in striped dress in colours of blue, yellow and puce, an orange bodice and a turquoise apron, raised on a rocaille moulded base with floral bocage and gilt highlights, underglaze blue crossed swords mark and inscribed factory mark to base, 17 cm high.
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A large Meissen porcelain figural group 19th century
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A Pair Of Doulton Lambeth Stoneware Vases Signed Hannah B. Barlow, circa 1880 Each of rounded mallet form, centred by a continuous incised frieze showing grazing cattle on a natural ground within incised stylised foliate borders in shades of green and chocolate, rising to a tapering cobalt ground neck and flaring rim, incised artist's and assistant's monograms, number 8830S and impressed Doulton Lambeth to base, 30.5 cm high.
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A pair of French porcelain and gilt metal figural candelabra, modelled as a dancing male and female figure, the female wearing a pink floral decorated skirt, rust coloured bodice, green waistcoat and a blue cap, the male wearing white stockings, yellow pantaloons, a floral decorated vest, puce waistcoat and a black cap, each raised on pierced gilt metal supports emanating scrolling foliate branches with moulded leaf and floriate bocage
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An English Parian Bust Of Major-General Sir Henry Havelock Impressed E.W. Wyon. F., Havelock Modelled as a bearded gentleman in military dress, raised on a stepped socle, 38 cm high. Note: Sir Henry Havelock (1795 - 1857) was a member of the British armed forces who served with distinction in several of the major skirmishes in the British colonies of India during the early nineteenth century. He was particularly well known for his recapture of the city of Kanpur during the Indian rebellion of 1857.…
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