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Jewels & Objets D'Art — Leonard Joel Pty. Ltd.

Auction House:Leonard Joel Pty. Ltd.Number of lots recorded:491
Sale Title:Jewels & Objets D'ArtLots with images:491
Auction Location:SydneyPrices available:232
Date:24-May-2015
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A Royal Worcester 'Highland Cattle' porcelain 'Bow' vase and cover by John Stinton, dated 1906, of globular form with laurel moulded swags and acanthus moulded handles in blush pink and blue with gilded highlights, the body finely painted with highland cattle grazing by a lock and a glen landscape verso, signed John Stinton, puce marks, shape number 1428, 31 cm high
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A Royal Worcester 'Highland Cattle' porcelain vase by Harry Stinton, the twin handled vase of globular form, the body painted with highland cattle by a misty loch, the reverse with loch impression, puce 'Maple' mark, shape 121, 17.5 cm high
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A Royal Worcester 'Sheep' porcelain vase by Harry Davis, dated 1913, of amphora form, the ovoid body gently lobed with upswept acanthus capped gilded handles, raised on gilded acanthus moulded circular foot, the body painted with three sheep grazing by a loch within a mountainous landscape, signed H.Davis, painted to the reverse with an impression of a glen, marks in puce, shape H313, 30 cm high
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A fine pair of Royal Worcester 'Stork' porcelain vases by Walter Powell, dated 1909-1910, of slender ovoid form with mask and laurel moulded handles, raised from square and circular gilded stepped foot, each body richly painted with storks in a desert oasis with gilded grasses in the foreground, marks in puce, shape 1410, 28.5 cm high
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A Royal Worcester 'Crane' porcelain vase and cover by Walter Powell, dated 1908, of baluster twin handled form the shoulder mounted with dragon and scroll handles below pierced cover, painted with crane by a marshland lake, signed W.Powell, green mark, shape F100, 40 cm high
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A Royal Worcester 'Crane' porcelain vases by Walter Powell, dated 1905, of baluster twin handled form with bud and acanthus capped handles, raised from circular stepped foot, the body painted with cranes in a marsh landscape, marks in green, shape 248B, 29.5 cm high
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A Hadley Royal Worcester 'Pheasant' porcelain vase, signed Lewis, dated 1905, of bottle form, with tolled gilded shoulder, painted with pheasant in flight over a field, green mark, shape F105, 20.5 cm high
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A very rare set of Flavelle Brothers 'Australian Birds' Royal Worcester porcelain coffee cups and saucers, by Reginald Austin, dated 1914, each cup and concentric saucer painted with, Willy Wagtail, water bird, Magpie, blue Willy Wagtail and kookaburra, the cups and saucers with gilded interior and well, signed Reginald Austin, puce mark, set of six
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A Royal Worcester boxed 'Fruit' painted coffee set, signed W.bee, circa 1949, each embellished with blue ground band with gilded trellis design and fruit painted rim, signed W.bee, puce mark, six in the set
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A Royal Worcester boxed 'Fruit' painted coffee set, signed Austin, Price, Harper and Flextman, each cup with gilded exterior and fruit painted well, the saucers with concentric gilding and painting, various artists' signatures, puce mark, six in the set and with coffee spoons
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A fine Royal Worcester jewelled 'George Owen' reticulated porcelain teapot and cover, dated 1876, with beaded, cover, spout and handle, the gilt jewelled reticulated body cut in bands of geometric designs tinted in pink, yellow and turquoise, raised and puce marks, 12.5 cm high
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A Royal Worcester jewelled George Owen reticulated porcelain vase and cover, dated 1914, of quatrelobed form, pierced with a large 'Honeycomb' band below a 'Trellis' band within four arched mouldings surmounted by tooled gilt scroll design, conforming cover with pierced floral and foliate design and gilded finial, gilded mark and model no 175/H, incised signature, 11 cm high
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A Royal Worcester jewelled George Owen reticulated porcelain vase, dated 1912, of amphora twin handled form, pierced with a large band of 'Honeycomb' and 'Trellis' designs within tooled gilt scroll motifs to base and handles, the tall neck with pierced rim, gilded mark and model no 850, incised signature, 16.5 cm high
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An Royal Worcester 'Bather Surprised' porcelain figure, modelled by Sir Thomas Brock, dated 1935, modelled as a semi robed maiden leaning on a tree stump, the robe tinted green and picked out in gilt, the naturalistic base terminating in gilded canted plinth, puce mark, shape 486, 39 cm high
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A Royal Worcester figural comport, modelled by James Hadley, dated 1903, modelled as a shallow oval basket with a girl to the left attempting to pick it up, her male companion to the right leaning against a tree stump, green mark, shape 1154, 29 cm width x 23 cm high
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A pair of Royal Worcester figural comports, modelled by James Hadley, dated 1903, each, modelled as a shallow oval basket with a girl and her male companion leaning against a tree stump, green mark, shape 1177 & 1178, 22 cm and 20 cm high
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A rare Royal Worcester James Hadley porcelain jardiniere, dated 1905, with rams head moulded handles, raised from four hoof feet and stepped base the gently lobed body painted with sweet peas, marks in green, shape 250, incised E.W, 19 cm high
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A rare Coalport simulated agate specimen vase, circa 1900, with gilded acorn finial and rams mask handles, painted to an exhibition standard with simulated agate specimen panels framed with gilded and moulded borders, 26.5 cm high
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A pair of Coalport porcelain vases, circa 1900, of ovoid form, each with gilded dolphin moulded handles, the cobalt ground shoulder with richly tooled gilded cartouche above floral spray, the neck and footed tinted yellow with gilded accents, 30.5 cm high
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A pair of Coalport porcelain vases and covers, by Frederick Chivers, circa 1910, each with gilded acorn finials and rams mask handles, the central cartouche painted with assemblage of fruit the other with orchids framed with tooled gilt borders, 26 cm high
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A Coalport ewer, with a jewelled vase, circa 1910, each painted with landscape cartouche in the manner of Percy Simpson, on a cobalt blue ground, the ewer with tolled gilt scrolls and gilded handle, the vase with turquoise jewels on a tolled gilded ground, 19 cm high and 10.5 cm high, (2). Provenance: The ewer from the Lois lemon collection, Bonhams & Goodmans 2006
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A fine Coalport specimen shell painted porcelain plate, attributed to Thomas Baxter, circa 1890, the central well finely painted with shell specimens, the rim with cartouche of shells within raised C scroll borders, hand painted verso the Latin names of the specimen shells, collection and Ada sticker, 22.5 cm diameter
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A Royal Crown Derby miniature vase, by W.Ej.Dean painted with cartouche of a glen with stone bridge within a tolled gilt border and a cobalt blue ground, 10 cm high
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A pair of Royal Doulton vases by Arthur Leslie, circa 1910, of low waisted cylindrical form with gilded handles, each profusely painted with a maiden in a landscape with blossoms, 21.5 cm high, (2)
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A Royal Doulton vase by George White, circa 1910, of tapered form with gilded rim and tooled gilt neck, profusely painted with swans in a lake being fed by a fair maiden in a long gown, 29.5 cm high
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A pair of Royal Doulton spill vases by Joseph Hancock, circa 1910, each of campana form painted with reserves of a gentleman and lady at hunt on horseback with dogs in a landscape, 11.5 cm high, (2)
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A Royal Doulton Egyptian revival vase by H.Allen, circa 1910, together with a vase by J.Price one with Pharaoh mask handles and painted with ships on the Nile, the other with flowers, 27.5 cm and 22 cm high, (2)
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A Spode porcelain spill vase, circa 1820 encrusted with floral and foliate sprays with band of applied flowers to circular spread foot, gilded rim, 10.5 cm high
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A Scottish Wemyss Ware 'Bon Jour' ceramic breakfast set, circa 1900, comprising teapot, cup and saucer, beaker and saucer, hot water jug and milk jug, each painted with black cockerel, various 'Wemyss', T. Goode & Co. Retailer's marks (7)
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A jewelled Paris Porcelain 'Sevres' box, with a Royal Crown Derby porcelain trinket box, the 'Sevres' example painted with cartouche musical instruments and lady writing with putto holding an inkwell, internally painted with flowers, the Derby example in typical 'Imari' design, 9 cm and 11.5 cm long (2)
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A late 19th century Paris Porcelain 'Sevres' ink stand embellished with cartouche of Marie Antoinette on a turquoise ground, with gilt metal mounts, fitted with enamel and gilt brass mounted glass ink bottles, 13 cm width 10 cm high
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A French late 19th century 'Sevres' gilt metal mounted Bonboniere, the porcelain oval form dish painted with reserve of courting dignitaries and villagers within landscapes and cartouche of floral sprays on a turquoise ground with gilded borders, interlaced L Sevres type mark with impressed 7/Af/L mark, 21 cm high, 27 cm width
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A Paris Porcelain figure of a parrot, late 19th early 20th century, modelled perched on a tree stump, 'Sevres' mark to base, 26.5 cm high
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A fine Berlin 'KPM' late 19th century porcelain rectangular plaque 'The Zither Player' finely painted scene of a traditional German rural family, the two children gather around their mother playing a zither, signed Thallmaier Munchen, 25 cm x 32 cm, within mount
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A fine late 19th century Austrian silver gilt and enamel Nef, by Karl Bank Vienna, circa 1900, the egg and ship form Nef supported by a conch shell blowing merman on domed support painted with classical allegorical figures, the underside finely painted with harbour and ship, the nef opening to reveal an enamelled painted classical scene within an architectural garden, the ship cover embellished with enamelled deck hands climbing the ropes, 23 cm high
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An Austrian silver gilt and enamel clock with Romilly Paris movement, circa 1870, the cloisonne face supported in enamelled egg, opening to reveal movement and painted interior with classical figure, surmounted by putto finial and supported by two putti on enamel domed base profusely painted with classical allegorical figures and a landscape to the base, on three feet, 20 cm high
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An Austrian silver and enamel urn style vase, in the manner of Hermann Bohm, Vienna, second half 19th century, of campagna twin handled form, profusely painted with roundels of putti in various pose and classical figures within landscapes, the silver supporting column modelled as a kneeling 'Atlas' figure, 18 cm high
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An Austrian Viennese enamel and bronze mounted ebony jewellery box, late 19th early 20th century embellished with painted enamel plaques of court dignitaries' in various pose, the domed cover with acorn finials, the rounded corners supported by bronze columns on four lion paw feet, fitted with two drawers and enamel plaques, 14 cm width x 10 cm depth x 15.5 cm high
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An Austrian Art Nouveau guilloche and enamel painted pill box, the cover painted with portrait of a lady with long flowing hair and jewelled in enamel, the sides with stylised flowers. 5 cm diameter
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A Stuart Devlin silver gilt Surprise egg, in presentation box revealing an enamelled cat and kitten playing with a ball of wool, with certificate, edition 77 of 300, 7 cm
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An Italian marble bust, signed Prof G.Vinani, carved in the Art Nouveau aesthetic with long flowing hair and flower on marble stand, signed Prof G.Vinani Galleria Bazzanti Florence, 56 cm high
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A Victorian Aesthetic mahogany tall Upright bookcase, with gallery pediment and moulded cornice above two glazed doors enclosing five shelves, on platform base, with plaque 'To Lily From Mama Sept 15, 1891' 118 cm width x 41 cm depth 218 cm high
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A Victorian ebonised marquetry occasional table, with gilt metal mounts and fruitwood marquetry. 60 cm high, 27 cm diameter
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A pair of Victorian style tooled leather topped side tables, with moulded edge and cariole legs with ball and claw feet, 61 cm width x 38 cm depth x 60 cm height
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A mahogany Globe Wernicke Stacking sectional bookcase three sections with typically fitted fall front glass doors, 90 cm width x 31 cm x depth x 125 cm height
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A pair of 20th century Chippendale style mahogany book trough tables, each of typical form with 'X' frame stretchers, 93 cm width, 38 cm depth, 84 cm height
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A fine Edwardian mahogany satinwood and fruitwood marquetry display cabinet on stand, with satinwood stringing overall, the triple arched pediment finely inlaid with scroll and foliate emblem, the sides with marquetry assemblage of instilments, the top resting on stand with long drawer above bracket mount and tapered legs, 104 cm width x 62 cm depth x 220 cm high
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An Edwardian rosewood and marquetry pier cabinet, the bevelled glass door enclosing three shelves, on platform base, 75 cm width x 32 cm depth x 97 cm high
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A French Louis XVI style ormolu mounted kingwood vitrine, early 20th century, the fitted marble top above three bevelled glass doors enclosing two glass shelves and mirrored back, supported on six ormolu mounted feet, 140 cm width x 45 cm depth x 140 cm high
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A Swedish dining set of four chairs and an extension 'Floren' table, circa 1929, designed by Carl Malmsten (1888–1972) styled in mahogany, with satinwood and fruitwood inlay, the table with three extension leafs
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A Georgian bow fronted mahogany sideboard, with ebony and statinwood stringing and cockbeeded drawers, the central short drawer flanked by four other, all with brass Egyptian revival handles, above arched apron, on tapered legs, 160 cm width x 77 cm depth x 89.5 cm high
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A George III mahogany sideboard, circa 1780, with rectangular top, the central baise lined sectional drawer flanked by cupboard door enclosing secret side pot cupboard and a converted cellarette drawer, all with satinwood feather banding, ebony stringing and brass ribbon and ring handles supported on turned legs, 184.5 cm width x 59.5 cm depth x 90 cm height
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A 19th century George II style walnut & parcel gilt wall mirror, second half of the 19th century, with a scroll fret carved frame with parcel gilt eagle surmount, replaced mirror plate, 50 cm height x 51 cm width
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A William IV rosewood card table, circa 1835, the baise lined swivel top folding out on to support above cushion fronted frieze flanked by acanthus scroll mouldings, on tapered column terminating in quatrefoil platform with acanthus scroll feet
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A pair of Regency ormolu four branch candelabra, circa 1830, modelled with dolphin terminal and set upon a marble base raised on six bun feet, 33 cm high
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A 19th century French white painted oak Trumeau mirror, the panel fronted with applied acanthus scroll crest and moulded frame, 108 cm x 115 cm. Purchased from Parterre Woollahra
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A pair of 19th century Louis XVI style fauteuil, each with later whitewash painted finish and green leather upholstery
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A 19th century Swiss painted pine hall cupboard, dated 1842, the panel fronted door painted with monogram I.H.S in swag border and vase of flowers with bids, the sides with simulated burr painted panels, egg shell blue painted interior with two shelves, 85 cm width x 33 cm depth x 162 cm high
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A Nicole Freres, eight air cylinder Swiss musical box, circa 1870, the rosewood case with olive and satinwood banding and marquetry, in good order
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A set of four Russian Imperial porcelain factory plates from the Kremlin service, St Petersburg, period of Nicholas I (1825-1855), circa 1837-1838, comprising a large serving dish and three dinner plates, each centrally painted with entwined foliate design with central red rose bordered by radiating palms on a profuse cisele gilt ground and enamelled jewelled rim in red and green, 32 cm and 24 cm in diameter, each with blue Imperial cipher of Nicholas I and red Kremlin Palace inventory numbers. Notes: This…
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A set of three Russian Imperial porcelain factory plates from the Kremlin service, period of Nicholas I (1825-1855), each dessert plate centrally painted with double headed black Imperial eagle with Cyrillic title of Nicholas I bordered by interspersed red blossom motifs and entwined foliate border with blue and green flowers, each with blue Imperial cipher of Nicholas I and red Kremlin Palace inventory numbers. Notes: This famed service was commissioned by Emperor Nicholas I in 1836., the artwork was…
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A Paris Porcelain plate, in the manner of Sevres finely central painted opened birdcage and bird held aloft by a ribbon within rose and foliate garland and swag and gilded borders, surmounted by armorial crest, collection sticker verso, 23 cm diameter
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A pair of Royal Bonn vases, with a 'Sevres' centre bowl, each with gilt metal mounts, tallest 30 cm (3)
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A Royal Bonn jardiniere and stand, Franz Mahlem Germany, circa 1900, the bowl with moulded loop handles and rim, the base with satyr masks and foliate laurels, painted throughout with roses, 125 cm high
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A large Worcester twin handled vase, 1896, the reticulated neck above satyr mask handles supporting swags, finely painted with raised enamel berries and gilded foliate sprays on a blush purple ground, Rd no 141378 shape 1407, 35.5 cm high, restored
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A late 20th century Royal Worcester potpourri vase and cover painted with fruit, signed Telford, shape 1286 marked sterling silver D.H, 21 cm high
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Two early 20th century Royal Worcester porcelain vases, the blush pink vase and cover painted with fruit, the blush blue vase with floral spray, Rd no 203564 shape no 1618, 28 cm high and Rd no 304838 shape no 1957, 22 cm high
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A Hadley Worcester porcelain figural group vase, 1884, modelled as a resting boy and girl drinking water from a gilded jug, set upon a naturalistic base, 17 cm high
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A French enamel painted porcelain plaque, after Francois Boucher, early 20th century, after the 'Shepherd Lovers', enamel painted on oval porcelain plaque, 18.5 cm within box frame
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A fine and rare Lladro porcelain figure decorated with gold, silver, diamonds and Sapphires from the Legend series, issue year 2001, designed by Marco Antonio Nogueron, 35 cm x 30 cm, in original box with certificate and sleeve. Provenance: Purchased from Hardy Brothers Sydney as the only example of this piece in Australia, purchased for $22,600. Notes accredited to Lladro.com;, the Legend collection culminates representing the divine love., the unicorns are magical creatures with a noble, pure and highly…
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A large Lladro ceramic sculpture 'Ecstatic Harlequin', circa 1974 issue year 1974, year retired 1978, designed by Alfredo Ruiz, 30 cm x 39 cm
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A large Lladro porcelain figure 'Leda and the Swan' issue year 2002, designed by Miguel Angel Santaeulalia, 30 cm x 39 cm
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A large Lladro porcelain figure 'King Balthasar' issue year 1969 and retired in 2006, designed by Fulgencio Garcia, 40 cm x 34 cm
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Three 18th century glasses, the tallest with wheel engraved Jacobean memoriam, the airtwist example with engraved wheat sheafs (antique Dealers sticker and Churchill glass dealership sticker), the small faceted example with faceted knop and hollow stem, 21 cm high and 20 cm high and 14.5 high (3)
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An Irish Georgian cut crystal claret jug and stopper, with two Edwardian examples, the triple ring neck Georgian example with thumb and strawberry cut bands on star cut base, 28 cm high (3)
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A German engraved Bohemian glass beaker, circa 1830, of faceted form with engraved cartouche 'Gesundheit Gluck Und Freude Verlungert Das Leben' 'Health Happiness and Joy Prolongs life', 14 cm high
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A J & L. Lobmeyr glass vase by Josef Hoffmann and Michael Powonly for Wiener Werkstatte, circa 1913, of bell footed form, engraved with interspersed putti holding a rose, 18.5 cm high
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An Orrefors Graal Art vase, with marine decoration by Edward Hald, of thick sphere-form pale green glass enclosing a variety of fish and aquatic plants in blue and green tones, 14 cm high
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A Kukinto vase by Timo Sarpaneva (1926-2006), for Venini Murano, of tubular form with averted frilled top, in green and blue hues, designed in 1990, etched and signed, 26.5 cm high
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A German brass Art Nouveau box signed Erheardt Soehne, in classic Secessionist style, made by Soehne of Schwaebish Gmuend, southern Germany, stamped lion over the letter E, 13 cm width
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A large Limoges enamel plaque, signed Faure, depicting a tavern scene and gypsy palm reader, housed within a box frame, with 'Prouds Limited' label verso, the plaque signed Faure Limoges, 39 cm x 33 cm including frame
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Three English 18th century Battersea enamel boxes, circa 1770 floral painted examples with floral spray interiors and classical architectural landscape example with impression to sides and base, largest 8 cm wide
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Two late 19th century gilt bronze mounted Cranbery glass tazza one of campana form on pedestal base, the other with grape vine stem and opposing putti, 22 cm and 27 cm high, (2)
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An early 19th century bronze and polychrome enameled Russian travelling Ikon, depicting various Christ scenes, set within a velvet mounted box frame, 24 cm x 18 cm including frame
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A carved ivory bas relief in fitted case, 18th/19th century, depicting Venus with Triton being carried by dolphins through the waves, surrounded by cupids riding dolphins and assisted by subjects, signed Antonio Leoni verso 29 cm x 11 cm
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A 19th century German ivory carving of St George and the dragon, carved in typical pose, set upon timber stand, 21 cm high including stand
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A French late 19th century carved ivory group figure, probably Dieppe, depicting a courting couple of dignitaries in late 17th century dress, set upon an ivory cylindrical plinth, 21 cm in high
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Affortunato Gory, Italian 1895-1925, rare gilt bronze and ivory figure holding a cat, number 829 cast after a model in a tunic holding a cat, set upon a stepped marble plinth, signed to the plinth and with cast number 829, 24.5 cm in high
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An early Derby figure of Shakespeare, circa 1780, typically modelled standing alongside a plinth with applied masks of Richard II, Elizabeth I and Henry V, resting his elbow on books which secure a scroll, on a rocaille scroll base with gilt highlights, restored, 30 cm high
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An Art Deco style bronze figure, cast as a kneeling lady with perched parrot, set on a marble plinth, 56 cm long, including stand
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A collectors issue of first edition of 'Kingfishers and Related Birds' & 'Australian Parrots' by Joseph M. Forshaw, William T. Cooper Melbourne Lansdowne, Vol. I: Ceryle to Cittura (includes the fish-Eating and Specialist Kingfishers), 1983 signed by Illustrator and Author, edition 39/1000, together with 1980 second edition folio, two volumes with colour plates, publisher's full green calf, limited to 1000 copies numbered 666/1000 and signed by author and artist, in a Solander box, 2 x folios with 3 volumes
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