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Auction House:Mossgreen Auctions (No longer trading)Number of lots recorded:503
Sale Title:The Spring Auction Series, Day 1; Fine Jewels and WatchesLots with images:496
Auction Location:MelbournePrices available:365
Date:17-Nov-2014
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A good Thai celadon bowl, Sukhothai period, circa 15th century, with foliate/rim, covered with a good bluish green crackle glaze firing ring on the burnt red unglazed base. 9.5 cm high, 28.4 cm diameter
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A large Longxuan celadon dish, late Song/Yuan Dynasty, 13th century, decorated in the centre with a carved and combed lotus flower surrounded by a petal-shaped cavetto the unglazed foot rim burnt brick red. 34 cm diameter
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A Korean celadon-glazed Kundika, Koryo/Choson Dynasty, 14th/15th century, covered in a finely crackled olive green glaze kiln grit to the flat base. 34 cm high. Provenance: A Private Canberra Collection
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A pair of Chinese gilt and polychrome bronze Buddhist guardians (Tienhuang), Ming Dynasty, 16th/17th century, each one finely cast standing in full armour on a rockwork platform base fitted wood bases. 34.4 cm high and 35 cm high. Provenance: The late Mrs Evans of Santa Barbara California, who collected Asian art over a lifetime, discovered by Gary Major Douglas in a hidden storage unit.
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A set of three kingfisher-feather inset hairpins, late Qing Dynasty, 19th century, each one in the form of a butterfly attached with tiny springs to a gilt-silver pin two with impressed seals to the back of the pin. 23 cm, 24.5 cm and 25.5 cm
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A rare kingfisher feather headband, late Qing Dynasty, 19th century, decorated with raised stylised flowers within copper wires. 6 cm high, 17 cm wide. Provenance: Gary Major Douglas, Houston, Texas, author and speaker with eccentric taste who collected for over 50 years.
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A rare kingfisher-feather and gilt-silver hairpin, late Qing Dynasty, 19th/20th century, in the form of a pair of phoenix, with six tiny coral and pearl tassels. 13 cm long, 6 cm wide. Provenance: Gary Major Douglas, Houston, Texas, author and speaker with eccentric taste who collected for over 50 years.
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A highly-elaborate Chinese headdress, late Qing Dynasty, 19th/20th century, decorated with numerous kingfisher feather, pearl and hardstone fittings each one applied to a velvet backing over meshed fabric with pendant strings of pearl and hardstone. 18 cm high, 28 cm wide
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A rare pale celadon jade brush-rest, Qing Dynasty, 18th century, cleverly carved in the form of a group of ruyi fungus on a gnarled branch, the stone with a soft polish and caramel-coloured skin to some raised sections fitted leaf shaped wood stand. 16 cm long. Provenance: From a private Melbourne collection purchased in Hong Kong in the 1960's
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A lady's Chaopao 'piling' collar, late Qing Dynasty, circa 1875 from a lady's formal or state robe, framed with a pair of dragon's in gold thread above waves. 83 cm wide *For a complete lady's Chaopao in the Metropolitan Museum of Art (accession number: 35.84.4), where it is stated: 'Surviving examples of women's formal court robes are rare: not many were made, as women were not often included in court ceremonies'
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A rare Chinese flambe glazed vase, Qianlong Period, 1736-1795 with two raised rims on the neck and around the shoulder and a further large ring around the centre of the body, covered in a extraordinary transmutation glaze neatly stopped at the foot, the base with a brown wash. 30 cm high. Reference: 'The Official Kiln Porcelain of the Chinese Qing Dynasty. Treasures in the Royalty' Page 98 shows a vase of the same shape, footrim and banded neck but with an overglaze red decoration, dated as Kangxi Period.…
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Two Cantonese ivory card cases, late Qing Dynasty, 19th century, each one finely carved with figures, trees, roses etc one 11 x 6.7 cm variable; the other 8.3 x 4.5 cm
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A Chinese green and brown jade bi-disc, Han to Six Dynasties, 2nd- 6th century, AD worked with a continuous archais design on both sides. 9 cm diameter
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An unusual large celadon dish, late Ming Dynasty, 16th/17th century, incised in the centre and on the cavetto, with carp among waves under a grey-green glaze the recessed base burnt brick red. 37.8 cm high
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A Chinese cinnabar lacquer lobed box and cover, 19th century, carved on the top with a village scene, scrolling finger citrin around the sides and metal inner rims. 5 cm high, 15 cm diameter at the widest
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A large and heavily cast polychrome iron figure of Amoghasidi, Ming Dynasty, 16th century, the bejewelled figure seated in elaborate robes holding two long lotus stems. 40.5 cm high. Provenance: The late Mrs Evans of California. Collected Asian art all her life and these pieces were discovered by Gary Major Douglas in a hidden storage unit in Santa Barbara.
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A good pair of Chinese export paintings, Qing Dynasty, early 19th century, each one in oil on linen with a scene of ladies in a garden and in a garden terrace in gilt-wood frames 44 x 56 cm. Provenance: Diana Cameron Collection Tasmania Private Collection Tasmania Exhibited Van Diemen’s Land Folk Museum (Narryna), Tasmanian Museum and Art Gallery, Hobart Tasmania 2013.
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A Chinese blue silk dragon robe, Qing Dynasty, late 19th century, embroidered with five clawed dragons in gold thread above a band of breaking waves in coloured silk. 108 cm long. Provenance: A Private Melbourne Collection
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A large Chinese embroidered panel, late Qing Dynasty, early 20th century, well-decorated with a pair of dragons above waves in silk and gold thread mounted. 94 cm high, 150 cm wide
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A Chinese embroidered skirt, late Qing Dynasty, late 19th/early 20th century, finely stitched in blue and white silk on a russet-coloured damask field. 83 cm long. Provenance: A Private Melbourne Collection
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A pair of Sancai pottery tomb figures, Ming Dynasty, circa 16th century, each one on a waisted hexagonal base 48 x 48.5 cm. Provenance: Martin Fung, Hong Kong
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A brown and white jade animal group, late Qing/Republic Period, 19th/20th century, fitted wood stand. 5 cm length. Provenance: The Phillips Collection, Queensland
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A pair of Chinese polychrome ladies, Peoples' Republic, 20th century, each one very finely modelled, holding a sceptre in one hand the flat base with a russet burn. 42.5 cm high
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A good Chinese hardwood wine table (Pingtouan), Qing Dynasty, 1644-1911 with floating panel, a shaped apron with pierced ruyi-heads and leg braces at each end. 81.5 cm high, 115.5 cm wide, 52 cm deep For a similar hardwood table see: Christie's New York, Chinese Ceramics and Works of Art, 20 and 21 March 2014, Lot 2295
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A finely-potted blue and white saucer-dish, early Qing dynasty, early 18th century, decorated with a river landscape Chenghua mark Bluett & Sons label attached. Provenance: A Private Canberra Collection
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A Qingbai boys bowl, Song Dynasty, 96-1279 standing on a high foot, the interior carved with three boys under a pale blueish glaze the exterior with a horizontal band of ribs 6.2 cm high; 12.4 cm diameter
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A Chinese Longxuan celadon washer, Southern Song, 1177-1279 covered in a good pale green glaze, apart from the slightly-recessed biscuit base. 12.6 cm diameter. Provenance: A Private Melbourne Collection
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A Chinese hardwood opium bed, late Qing Dynasty, late 19th to early 20th century, with three shaped panels at the back and two side panels, each panel carved with various fruit, flowers and birds within recessed cartouche further carvings on the shaped apron supported on four short feet. 118 cm high, 196 cm wide, 124 cm deep, the seat 53 cm high
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A Chinese limestone weight, Qing Dynasty, 1644-1911 the handle in the form of a mythical beast on the flat, square stone. 25.8 cm diameter. Provenance: The late Mrs Evans of Santa Barbara California, who collected Asian art over a lifetime, discovered by Gary Major Douglas in a hidden storage unit.
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A Chinese hardwood painting table, Qing Dynasty with a shaped lower rail, supported on four round legs. 83 cm high, 178 cm wide, 79 cm deep. Provenance: The Phipps family, USA, wealthy American industrialists known for their philanthropy, dynastic wealth, and involvement in training of race horses, Most notably Secretariat.
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A collection of five Dehua libation cups, early Qing Dynasty, 17th/18th century, each one moulded with flowering prunus branches, one with metal mount to rim from 5.8 cm high to 8.4 cm high Sotheby's labels attached to three. Provenance: From a Private Melbourne Collection
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A cast gilt-bronze figure of Amatayus, nine character mark '23rd year of Quianlong' (1761), and of the period seated on a pierced rectangular pedestal before a flaming mandorla. 21.5 cm high
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