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Classic Furniture; Movie Posters Incl The Harry Davidson Collection; Pre-Owned Luxury — Leonard Joel Pty. Ltd.

Auction House:Leonard Joel Pty. Ltd.Number of lots recorded:525
Sale Title:Classic Furniture; Movie Posters Incl The Harry Davidson Collection; Pre-Owned LuxuryLots with images:230
Auction Location:MelbournePrices available:307
Date:5-Dec-2013
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Two fossilised beetles, together with a glass dome one beetle specimen in two segments, the dome with an ebonised base, 26 cm high. Provenance: Estate of the late Ian David Cooper, Victoria.
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A collection of Grand Tour style items including a miniature replica of a Greek amphora, a lidded box with Greek red painting motifs, an earthenware model of a foot wearing a sandal and a bisque porcelain cameo of a man, the vase, 13.5 cm high. Provenance: Estate of the late Ian David Cooper, Victoria.
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A small collector's cabinet containing a display of shells 47 x 28 x 35 cm. Provenance: Estate of the late Ian David Cooper, Victoria.
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Three pieces of Chinoiserie lacquer ware and a painted tin tray including a shaped rectangular tray, a spectacle case and a glove box, the glove box 27 cm wide. Provenance: Estate of the late Ian David Cooper, Victoria.
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A detailed bird diorama, under a glass dome labelled 'Preserved by / J. Cooper / 28 Radnor Street / St Lukes' early 20th century the specimens presented in a naturalistic surround, 65 cm high. Provenance: Estate of the late Ian David Cooper, Victoria.
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A shell-work floral group under a glass dome 24 cm high. Provenance: Estate of the late Ian David Cooper, Victoria.
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A fossilised coral sample 16 cm wide. Provenance: Estate of the late Ian David Cooper, Victoria.
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A cased collection of mineral specimens within an octagonal case, 21.5 cm wide. Provenance: Estate of the late Ian David Cooper, Victoria.
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An animal skull 47 cm long. Provenance: Estate of the late Ian David Cooper, Victoria.
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Two cased collections of Grand Tour style plaster intaglios comprising ninety nine intaglios, housed in 'Book' form boxes, together with numbered lists of the motifs represented, each box 32 cm wide. Provenance: Estate of the late Ian David Cooper, Victoria.
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An early 19th century hand painted fan possibly French (overall losses and deterioration), 47 cm wide. Provenance: Estate of the late Ian David Cooper, Victoria.
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A 19th century Chinese export black lacquered vanity mirror 41 x 77 x 28.5 cm. Provenance: Estate of the late Ian David Cooper, Victoria.
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A large ornamental floral group under a glass dome 48 cm high. Provenance: Estate of the late Ian David Cooper, Victoria.
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Two similar brass candle holders and a pair of marble bookends Provenance: Estate of the late Ian David Cooper, Victoria.
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A large shell diorama in a glazed cabinet 91.5 x 44 x 43 cm. Provenance: Estate of the late Ian David Cooper, Victoria.
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A 19th century mahogany framed armchair. Provenance: Estate of the late Ian David Cooper, Victoria.
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A Victorian papier mache tray, attached to a later ebonised stand 75 x 45 x 59 cm. Provenance: Estate of the late Ian David Cooper, Victoria.
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An early 19th century copper and brass samovar dents and solder repairs in places, 39 cm high. Provenance: Estate of the late Ian David Cooper, Victoria.
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An antique thermometer and a cased set of rulers the thermometer 27 cm high. Provenance: Estate of the late Ian David Cooper, Victoria.
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A rare early 19th century pocket terrestrial globe and travelling case marked 'West. / Bazaar / Soho Square / 1816' with celestial cartography to the concave interior of the case, wear and losses to the case and globe, 7 cm diameter. Provenance: Estate of the late Ian David Cooper, Victoria.
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A small ammonite fossil 15 cm high. Provenance: Estate of the late Ian David Cooper, Victoria.
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A collection of mineral specimens, together with a glass dome the largest specimen 15 cm high; the largest dome and ebonised base 24 cm high. Provenance: Estate of the late Ian David Cooper, Victoria.
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A collection of Grand Tour style busts including a marble bust of a bearded male, (losses); a composite bust of Julius Caesar; and a cast metal bust of a centurion, the tallest 28 cm high. Provenance: Estate of the late Ian David Cooper, Victoria.
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A small bird diorama early 20th century comprising six birds in a naturalistic surround, housed in a glazed rectangular case, (hairline to top right corner of the front glazed panel), 45 x 37 x 14 cm. Provenance: Estate of the late Ian David Cooper, Victoria.
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A box framed seaweed diorama and an album of seaweed specimens the diorama 29.5 x 30 x 6 cm. Provenance: Estate of the late Ian David Cooper, Victoria.
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A 19th century patinated cast metal two branch table candelabra with anthemeon decoration, hung with glass lustres, 27 cm high. Provenance: Estate of the late Ian David Cooper, Victoria.
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A pair of Louis XV style fauteuilles each with a tan leather upholstered back and seat and a limed oak frame. Provenance: Estate of the late Ian David Cooper, Victoria.
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Two Victorian painted and lacquered address book covers and an embossed leather stationary box the largest address book cover 29 cm wide. Provenance: Estate of the late Ian David Cooper, Victoria.
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Four leather bound texts on subjects, including natural history. Provenance: Estate of the late Ian David Cooper, Victoria.
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An associated mahogany and pine cased long case clock the movement, circa 1790, signed Wm. Preist, Bristol the case, circa 1860 the brass Roman numeral dial with a silvered chapter ring and a later added rocking ship break arch, within a mahogany and pine case, 236 cm high.
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A Rene Lalique Chrysis glass figure model Introduced 1931 the classically styled maiden kneeling upon a dais with her arms out stretched arms held behind her, incised R.Lalique France,16 cm wide. Reference: Marcilhac, F., Rene Lalique: 1860-1945, catalogue Raisonne, Les Editions de l'Amateur, Paris 1994, ref. 1183, (illustrated).
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A Rene Lalique Moissac pattern opalescent glass vase model Introduced 1927 conical, moulded with columns of triangular leaves in an overlapping formation, no factory mark, 13 cm high. Reference: Marcilhac, F., Rene Lalique: 1860-1945, catalogue Raisonne, Les Editions de l'Amateur, Paris 1994, ref. 992, (illustrated).
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A Rene Lalique Formose sepia toned vase model Introduced 1924 spherical with repeat fishes in the round, etched R.Lalique France to base, 18 cm high. Reference: Marcilhac, F., Rene Lalique: 1860-1945, catalogue Raisonne, Les Editions de l'Amateur, Paris 1994, ref. 934, (illustrated).
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A Rene Lalique Acacia no 3 pattern grey patinated glass bowl model Introduced 1928 circular, with a notched splayed rim, moulded with stylised leafy vines towards the rim, moulded R.Lalique France and incised no.3250, 16.8 cm diameter. Reference: Marcilhac, F., Rene Lalique: 1860-1945, catalogue Raisonne, Les Editions de l'Amateur, Paris 1994, ref. 3250, (illustrated).
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A Rene Lalique Bacchantes pattern glass vase model Introduced 1927 tapering cylindrical, with a flared rim, moulded in high relief with a repeating pattern of dancing maidens, wheel-cut mark R.Lalique France to base, 25 cm high. Reference: Marcilhac, F., Rene Lalique: 1860-1945, catalogue Raisonne, Les Editions de l'Amateur, Paris 1994, ref. 997, (illustrated).
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A Rene Lalique Pinsons pattern sepia patinated bowl model Introduced 1933 circular, moulded with a lattice pattern of fronds with sparrows, incised Lalique France to base, 23.7 cm diameter. Reference: Marcilhac, F., Rene Lalique: 1860-1945, catalogue Raisonne, Les Editions de l'Amateur, Paris 1994, ref. 386, (illustrated).
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A Rene Lalique Acacia no 2 pattern opalescent glass bowl model Introduced 1928 circular, with a notched splayed rim, moulded with stylised leafy vines towards the rim, moulded R.Lalique France and incised no.3249, 22 cm diameter. Reference: Marcilhac, F., Rene Lalique: 1860-1945, catalogue Raisonne, Les Editions de l'Amateur, Paris 1994, ref. 3249, (illustrated).
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A Marc Lalique Antinea footed bowl, circa 1975 crystal with green toned female figures supporting the vase, 21 cm high. Reference: Societe Lalique, Lalique par Lalique, Paris 1977, (illustrated).
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A French cameo glass vase possibly signed de Sez, circa 1910 depicting a landscape scene with geometrical border, 30 cm high
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An exhibition quality Galle cameo and opalescent glass vase, circa 1920 baluster, with a tubular neck, cameo cut with delphiniums in full bloom in colours of violet, blue and brown on a rich yellow ground, Galle cameo signature to lower side, (small manufacturing blemish to shoulder), 61 cm high. Provenance: Sold as lot 313, Crafoord Auctions, Lund, Sweden, the Gustaf Lofberg collection, 25th April 2009. Note: Gustaf Lofberg was general agent for Galle, selling many of the original lamps and vases found…
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A vintage Veuve Clicquot Ponsardin Magnum Dry 1953. 50 cm high
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A Louis XVI ormolu, gilt bronze, bronze and rouge Griotte marble striking mantel clock Joseph Mignolet, Paris, after the model by Francois Remond, circa 1785 with figurative tableaux of academia flanking the eagle surmounted clock face all raised on turned feet, 65 cm length
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An 18th carved pine framed wall mirror rectangular, with foliate pierced and carved decoration, 111 x 64 cm.
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After Bartholomaeus van Der Helst KPM porcelain plaque German / 19th century female portrait enamel on porcelain labelled to front Bartholomaeus van der Helst. 1613 signature possibly L.Sturn and with impressed KPM mark verso 63 x 51 cm. Provenance: Ex private collection, South Australia
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Attributed to William Bishop Ford (1832-1922). Sir Walter Scott, watercolour and gouache on ivory, inscribed verso 'Sir Walter Scott, after Sir (Henry) Hy. Raeburn. Painted on ivory by William B.Ford.' labelled verso' Howard collection, Leonard Joel Pty. Ltd, Sydney Arnold & Co.' 12.5 cm high (oval)
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A pair of portrait plaques, attributed to Fischer & Meig 19th century, one signed C. Bauer each depicting women in traditional Hungarian costume, one signed verso Aestrn Ung, Nationaltrachten Ungarn (Banat), one with a painted signature in the decoration, one impressed F.M, 41 cm diameter
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A Japanese blue and white plate 19th century decorated with a scene of samurai, 31 cm diameter
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A Chinese flambe Taibai Zun 18th / 19th century waterpot glazed in mottled lilac tones 11 cm high
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A pierced porcelain snuff bottle together with a porcelain snuff bottle in the form of a Buddhist lion the buddhist lion with missing stooper, the pierced snuff bottle 8 cm high
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Two green stone snuff bottles with contrast stoppers the largest carved with chilong, 8 cm high
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A jade pebble snuff bottle with coral stem stopper carved to the shoulder with a cicada motif, 7.5 cm high
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A natural amber snuff bottle together with a nut snuff bottle the natural amber with missing stopper, 5.5 cm length (2)
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A carved cinnabar snuff bottle with coral stopper with figurative scenes front and verso, 7.5 cm high
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A Laque Burgaute snuff bottle meticulously inlaid with foil and mother of pearl, 5.5 cm high
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A blue glass snuff bottle in the shape of a double gourd 5.5 cm high
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A blue overlay glass snuff bottle with coral stopper depicting cherry blossom on a crystal ground, 7.5 cm high
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Three overlay snuff bottles of red and yellow one depicting bats on a cloudy white ground, the others of fish and flora, note the later two have loose stoppers, the largest 8.5 cm high
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A hair crystal snuff bottle together with an agate snuff bottle each figurativley carved with contrast stoppers which are loose, the largest 6 cm high (2)
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An agate snuff bottle with coral stopper together with an amber glass snuff bottle with agate stopper the largest 7 cm high (2)
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A rock crystal carved snuff bottle carved with fish and lotus, 6 cm high
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A collection of snuff bottle books and catalogues includes Hidden Treasures of the Dragon, catalogue by Humphrey K.F.Hui, Maragaret Polak and Christopher C.H.Sin.(10)
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A collection of snuff bottle books and catalogues includes the collectors book of snuff bottles, Bob.C.Stevens. (9)
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A Continental pierced brass framed wall mirror 66.5 cm high, 44 cm wide
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A carved and pierced wall mirror with kings head finial 112.5 cm high, 90 cm wide
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A 19th century long case clock the movement signed Charles Smith, Edinburgh with an anchor escapement on one bell, the brass face set with silvered Roman numeral chapter ring and subsidiary calendar, month and seconds, within a mahogany and string inlaid case, losses and repairs to hood, one foot missing, 225 cm high
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A 19th century brass vanity box with embossed and engraved decorative bracketing, 14 x 34.5 x 24.5 cm
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A carved marble and alabaster figural lamp together with a marble base, circa 1910 depicting a young woman dressed in the orientalist manner, some losses and restoration to alabaster, the lamp 96 cm high, the base 108 cm high
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An oak cased long case clock the movement signed Willm. Peacock, Kimbolton with an anchor escapement on one bell, the brass face with a silvered Roman numeral chapter ring, 230 cm high.
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A 19th century Sheffield plate tray Sheffield, Thomas & James Creswick, circa 1820 inscribed with armorial crest 'Sanguis Et. Vulnera', 77 cm length
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A silver plate three bottle tantalus 19th / 20th century with three cut crystal decanters, 32 cm length
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A George III sterling silver wine funnel possibly Peter & William Bateman, London, circa 1809 marks worn, 140grs total silver weight, 15 cm length
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A cased sterling silver novelty cigar cutter, Edward Barnard & Sons Ltd, London, circa 1908 94grs total silver weight, 21 cm length, the case 7 x 27 x 13 cm
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A George III sterling silver footed presentation bowl, Digby Scott & Benjamin Smith I, London, circa 1803 with repousse garlands and monogrammed cartouche restoration to stem of foot, 1320 grs total silver weight, 38.5 cm wide.
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A sterling silver footed cucumber tray, Martin Hall & Co, Sheffield, circa 1895 352grs total silver weight, 44 cm length
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Four electroplated salt cellars together with four electroplated salt spoons each with blue glass liners, the cellars 12.5 cm length
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Superman the Movie Warner Brothers, 1978, Set of eight Italian lobby cards & an original sovenier program, Christopher Reaves.
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Let's Make Love 20th Century Fox, Set of eight US lobby cards, Marilyn Monroe
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Marnie Universal Studios, 1964, US lobby card personally autographed by Tippi Hedren.
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Cat On A Hot Tin Roof MGM, Set of eight US lobby cards, Elizabeth Taylor
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The Lion King Walt Disney Pictures, 1994, Set of eleven French lobby cards with original envelope, 30 x 45 cm.
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Kismet MGM, Seven US lobby cards, Marlene Dietrich.
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Funny Girl Columbia, 1968, Italian lobby card, Barbra Streisand.
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MGM Musicals MGM, 1952, Because you're mine, Set of eight lobby cards,with three Daybill posters, Remains to be seen 1953, Kismet 1955 and South Pacific 1958.
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'A Queen Is Crowned', BEF, 1953, Six UK lobby cards, narrated by Sir Laurence Olivier.
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Pulp Fiction Miramax, 1994, Set of 12 French lobby cards, Quentin Tarantino.
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Ed Wood Touchstone pictures, 1994, Set of ten lobby cards, Johnny Depp and Director Tim Burton.
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Reservoir Dogs Miramax, 1992, Set of 8 French lobby cards, Quentin Tarantino.
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Jerry Lewis, Triple Paramount, 1963 Set of eight US lobby cards, Who's Minding the Store, 1964, Set of eight lobby cards and black & white stills, The Disorderly Orderly, 20th century Fox, 1966, Way...Way Out.
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What's New Pussycat' United Artists, 1965, seven US lobby cards and an Australian daybill poster, included an Australian daybill poster for After the Fox, 1966.
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It Started in Naples Paramount pictures, 1960, Set of eight US lobby cards, Sophia Loren and Clark Gable.
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Mame Warner Brothers, 1974, US one sheet poster and seven lobby cards, Lucille Ball.
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Another Man's Poison United Artists, 1952, Set of eight lobby cards, Bette Davis.
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Father Goose Universal, 1965, Set of US lobby cards and a US window card, Cary Grant.
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Wild Is the Wind Paramount, 1958, Set of eight US lobby cards, Director George Cuckor.
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'Grand Prix', MGM, 1966, set of eight US lobby cards, Director John Frankenheimer, first film to be shown in Super Panavision Cinerama.
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Doris Day Double Including a set of eight US lobby cards, Move Over Darling, 20th Century Fox 1963 and five US lobby cards, The Spy in Lace Panties, MGM, 1966.
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Ford William Evans, 'The Wife Swappers', Trans American Films, 1970, Set of seven black & white lobby cards, Director Derek Ford.
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Nicholas and Alexandra Columbia, 1971, Set of Eight US lobby cards and original cinema program, Director Franklin J. Schaffner.
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'People Will Talk' 20th century Fox, Single US lobby card and Australian daybill poster, Cary Grant.
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Lucky Luke United Artists, 1972, Six US lobby cards.
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