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Auction House:Bonhams & Goodman (No longer trading)Number of lots recorded:380
Sale Title:English & Continental Porcelain and Australian, English and Continental Furniture, Important Medals, Asian ArtLots with images:374
Auction Location:SydneyPrices available:279
Date:28-Nov-2006
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A Chamberlain pastille burner and cover, circa 1815, the cobalt blue ground with applied floral decoration and beading, supported on three gilded dolphins, terminating in a triform base, with a fitted glass dome, script mark to underside of cover, finial restored, minor hairline to cover and minor losses to flowers. Height 12 cm
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An English porcelain miniature basket, attributed to Chamberlain, mid 19th century, of circular form with overhead rustic handle, the border delicately pierced and picked out in gold, containing a variety of colourful shells, corals and weed. Width 5.5 cm
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A small Derby Portland shaped vase, circa 1780, with a cobalt blue ground with gilt highlights, the central reserve painted with flowers, red mark, 7 cm high
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A Derby cylindrical spill vase, circa 1830, having gilded ring handles, cobalt blue ground, painted with flowers, with an applied floral apron, 12 cm high
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Flight, Barr and Barr cabinet cup and saucer with an undulating rim, gilded butterfly handle, painted with feathers and the red Coventry Street mark
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Barr, flight and Barr covered cabinet cup with a coral coloured ground, gilt painted anthemion and scrolls, a tapering octagonal reserve painted with feathers, angular loop handles and the puce Coventry Street mark
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Grainger Worcester cabinet plate with gilded rim, turquoise ground, a cavetto painted with English flowers, and impressed marks to the base
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A Grainger Worcester reticulated vase, circa 1875, of neoclassical form, with gilt highlights, with ovoid reserve with painted initials 'Als' and two further containing floral bouquets, supported on three acanthus scrolling monopodia, resting in turn on a triform foot, painted puce mark 'Grainger Worcester' and No. 1/3, 16 cm high
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An English porcelain spill vase, circa 1830, painted with flowers and berries, with gilt banding, minor scratches to decoration, 10.5 cm high
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A Spode spill vase, with cobalt blue ground with applied beading, a central floral cartouche, and a burnished gilt floral bouquet to reverse, minor wear to gilding, 14 cm high
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A Spode spill vase, circa 1820, decorated with polychrome floral encrustations, minor losses to flowers and minor rubbing to gilt. Height 10.5 cm
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A Coalport cabinet plate, circa 1895, with gilded rim and shagreen ground, the reserves painted with fruit and flowers, green printed mark. Diameter 24 cm
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An English porcelain cabinet plate, painted by James Rouse, with an undulating rim, pale blue ground with three reserves to the border depicting flowers, fruit and emblems of the arts, the centre painted with a domestic scene, signed, 23 cm diameter
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A Coalbrookdale plate, circa 1855, with turquoise ground, highlighted with gilding, the cavetto painted with flowers and emblems of the arts, the centre depicting a scene of Pan with a maiden and putto, gilt 'cbd' mark, minor scratches to panel, 25.5 cm diameter
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Coalport cabinet cup and saucer with a pink ground, concentric turquoise jewelling, rectangular reserves painted with landscape scenes, a gilded interior and a printed green mark
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A Coalport jewelled vase, circa 1910, cream ground with slender neck and footed tapering body with extensive turquoise jewelling and gilding, two dolphin loop handles, green printed mark and nos.1/400 and V6043/S1S.154, losses to red jewelling to neck and minor rubbing to gilt. Height 21.5 cm
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A Coalport cabinet vase and cover, circa 1900, with cobalt blue ground, the body with turquoise jewelling with a central ovoid reserve painted with a lakescape in the manner of Simpson, supported on a pierced gallery base, green printed and impressed marks, finial restored. Height 18 cm
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A Coalport ewer, circa 1910, with a cobalt blue ground, the central cartouche painted with an exotic bird, the reverse with a floral bouquet, with gilded scroll handle, green mark, restoration to base and small nick to handle. Height 25 cm
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Coalport covered vase with a cobalt blue ground, an ovoid reserve painted with a ruin by a lake, signed and a green printed mark to the base, with the title 'Ruins in Athens', painted by Percy Simpson
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Coalport ewer with a cobalt blue ground body, a cream ground neck and foot, gilt highlights, painted mountainous landscape in the style of Percy Simpson, a gilt scroll handle and the green printed mark
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A Derby King Street small triform dish, circa 1890, with cobalt blue and gilt highlighted ground, blue and red jewelling to centre, red printed mark, 7 cm diameter
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Royal Crown Derby vase, painted by W. E. J. Dean, dated 1906, with a cobalt blue ground, an ovoid reserve, painted landscapes, a signature and red marks
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Royal Crown Derby covered exhibition vase, painted by A. F. Wood, dated 1903, with spring flowers, blue banding, scrolling handles, a squat cover and a Crown finial, signed with red marks and an incised No. '1342'
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Royal Crown Derby three handled loving cup, painted by A. F. Wood, dated 1898,with a cobalt blue ground, turquoise banding, gilt highlights, reserves painted with flowers and signed, printed marks and No. '1255' in red
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Royal Crown Derby three handled loving cup, painted by Rueben Hague, dated 1942, with gilt decorations, a cobalt blue ground, three ovoid reserves painted with spring flowers, one panel signed, red marks and incised 'No.1400'
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A Royal Crown Derby ewer, dated 1887, the tapered body with scrolling handle terminating in a neoclassical mask, blue ground with gilt banding and white jewelling, red marks, 18.5 cm high
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A pair of Royal Crown Derby vases, painted by Desire Leroy, dated 1896, with turquoise and blue grounds, the rectangular reserves painted with flowers, signed, the shoulders with scrolling handles, green printed mark, lacking covers (2), 15 cm high
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A fine Royal Crown Derby vase, painted by Desire Leroy, dated 1899, the gilt highlighted cobalt blue ground containing an ovoid reserve painted with symbols emblematic of the arts and flowers, the turquoise border with white jewelling and green ground with gilt details to foot and neck, signed, red marks, lacking cover, 15 cm high
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Pair of Royal Crown Derby ewers, attributed to Desire Leroy, dated 1890, with blue grounds, gilded banding decorations, white enamelled floral swags, loop handles terminating in masks and printed green marks
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Royal Crown Derby cabinet plate, painted by Desire Leroy, dated 1906, of Royal gadroon shape, with a green ground border, gilding, turquoise and white jewelling, the cavetto reserves painted with summer flowers, the centre painted with symbols of the arts midst flowers, signed, red marks and bearing the Royal Warrant
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Exceptional Royal Crown Derby cabinet plate, painted by Desire Leroy, dated 1906, of Royal gadroon shape with a richly decorated border, a cobalt blue ground, gilt details, turquoise and white jewelling, six cartouches painted with various summer fruits, the centre painted with exotic birds, signed, red and impressed marks and bearing the Royal Warrant
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A Royal Crown Derby vase and cover, painted by Desire Leroy, dated 1903, the blue gilt highlighted ground with reserve painted with garden flowers, with gilt loop handles, signed, red marks and incised no.1239/4, jewels lacking from foot, 15 cm high
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A Royal Crown Derby cabinet vase and cover, painted by Desire Leroy, dated 1906, of broad urn form with two foliate form handles, cobalt blue and turquoise blue ground, the central reserve painted with an exotic bird, the reverse with emblems of the arts and flowers, signed, red marks and incised no.1185, restoration to cover, 21 cm high
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Royal Crown Derby covered exhibition vase, painted by Albert Gregory, dated 1903, with two foliate form gilded handles, a pedestal mounted with scrolling brackets, an ovoid spreading foot, extensively painted with English flowers on a gilt ground, and signed with puce marks
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Royal Crown Derby covered cabinet vase, painted by Albert Gregory, dated 1904, with an apple green ground, gilding highlights and the reserves painted with flowers, signed with puce printed marks
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A Royal Crown Derby vase, painted by Albert Gregory, dated 1906, the apple green ground highlighted with gilding, the truncated reserve painted with flowers, red marks to base, lacking cover, minute nick to foot and minor rubbing to gilt, 20.5 cm high
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Two Royal Crown Derby cabinet plates, dated 1942 and 1943, with gilt gadrooned rim, each painted with pink roses, iron red marks (2), 22.5 cm diameter
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Royal Crown Derby dessert dish, painted by Albert Gregory, dated 1898, of lozenge shape with a cobalt blue and gilt border, the centre painted with garden flowers and initialled 'A. G.' with the green mark to the back
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A Royal Crown Derby yellow ground vase and cover, dated 1891, the body gilded with birds, butterflies and flowers amongst branches, iron red mark, minor wear to gilding, 13 cm high
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Minton tri-form vase in the form of three inter joined Grecian wine ewers with gilt highlights, flowers painted on the frieze, pink and white bands to the lower section, an impressed mark and dated 1851
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A Minton vase and cover, circa 1900, with a pink and white banded ground, the white bands painted with pink roses, two gilded loop handles, puce mark and incised No. 31650. Height 14 cm
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A Minton quiver vase with cover, dated 1889, modelled as a quiver suspended by a pink ribbon from a tree stump, the quiver with turquoise ground and panels painted with pink roses, impressed mark. Height 19 cm
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Minton cup and saucer, painted by Joseph Colclough, dated 1917, with a turquoise ground, raised gilding and jewelling, and reserves painted with pink roses
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Minton dessert plate, by Antonin Boullemier, dated 1880, from the dessert service of the Duke of Westminster, with a turquoise, gilt highlighted ground, maroon ground reserves portraying neo-classical scenes en grisaille, the centre with a laurel wreath centred by a 'W' in floral swags, centred by a Ducal cornet, a gilt mark and a retailer's mark for 'T'
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Signed Minton pate-sur-pate cabinet plate, by Richard Bradbury, dated 1935, with an ivory ground, gilding, a central blue reserve decorated in pÈte-sur-pÈte, a putto with musical instruments and flowers, and gilt and impressed marks
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Minton cabinet plate, painted by Antonin Boullemier, dated 1856, with a pierced border, a salmon pink ground and a central reserve painted with a Watteauesque scene, gilt marked and signed to the reverse
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An English porcelain plate, with turquoise ground, the border highlighted with gilding, the centre painted with roses, minor nick to underside, 22.5 cm diameter
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Minton cabinet plate, painted by Joseph Colclough, dated 1946, with a maroon ground, cartouches painted with flowers, and signed, gilt and impressed marks
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A Copeland and Garrett cabinet plate, circa 1835, with cobalt blue ground and gilt highlights, the cartouches painted with flowers, probably by David Evans, green printed mark. Diameter 24 cm
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A Copeland cabinet plate, painted by J. Butler, circa 1900, the turquoise ground with gilded scrolling, the cavetto painted with swags of roses, signed, green printed mark and bearing gilt retailer's mark of Davis Collamore & Co, 5th Avenue, New York. Diameter 25 cm
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A Derby cabinet plate, painted by James Platts, circa 1880, with salmon ground, highlighted with gilding and turquoise jewelling, the centre painted with cherubs with a dove, signed, red and impressed marks and retailer's mark for Tiffany New York, minor scratches to central scenes, 23.5 cm diameter
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Signed Royal Doulton cabinet plate, painted by P. Curnock, finely gilded to the cavetto and border, with a cobalt blue ground, the centre painted with a floral bouquet, a green printed mark and a pink Tiffany retailer's mark
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A Copeland Spode vase and cover, painted by Joseph Brough, circa 1900, the pink ground with English flowers in a scrolling gilt cartouche and gilded ribboned handles, signed, green printed mark, restoration to finial, 22 cm high
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A pair of Moore Brothers cherub cornucopia vases, with later gilding, impressed marks, restoration to wings and the tip of one cornucopia (2)
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A small four strand floral basket, probably Belleek, with applied flowers rim and centre, indecipherable strap mark to base, one flower re-glued and minor losses
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A Doulton Burslem globular ewer, painted by Percy Curnock, with turquoise and blue ground and a Persian style neck, the body painted with roses, signed, green printed mark and shape No. 578. Height 13.5 cm
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A pair of Royal Worcester pot pourri vases and covers, painted by Joseph Williams, circa 1863-66, of neo-classical form with foliate form finials surmounting the acanthus modelled pierced covers, with turquoise ground, flanked by neo-classical terms, the laurel framed ovoid reserves painted with rural landscape scenes, depicting a view near head of Loch Gitev after Copley Fielding and Gunn Castle after J
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A Royal Worcester flask and cover, by Thomas Bott, dated 1863, of flattened shape with finely gilded satyr masks on the shoulder, the turquoise ground with circular reserve painted with two cupids, the reverse with a quill and musical instruments suspended by a pink ribbon, green printed mark, signed 'T Bott 63' in gilt to base, finial restored, hairline crack to cover and to rim of vase. Height 19 cm
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A Royal Worcester ewer, painted by Ernest Phillips, dated 1911, with loop handle terminating in a satyr mask, the green ground with a cartouche painted with roses, puce mark and shape No. 1944. Height 17.5 cm
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A Royal Worcester vase and cover, painted by Ernest Phillips, dated 1905, with a pale blue ground, white beading to rim of vase, lion head mask handles, pineapple finial to cover, the centre painted with a floral bouquet with floral swags, signed, puce printed mark, blue registration mark, shape No. 556. Height 13.5 cm
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Royal Worcester vase, painted by William Hawkins, dated 1901, with a turquoise blue ground, gilded peacock head handles and a reserve painted with fruit, signed with the puce mark and shape No. 2121
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A pair of Royal Worcester spill vases, painted by Frederick Chivers, dated 1903, with red scale ground and cartouches painted with fruit, signed, green printed marks and shape No. 2267 (2). Height 11 cm
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Pair of Royal Worcester vases, by George Owen, dated 1901, with reticulated bands, painted floral decorations and a green printed mark (shape No. 102)
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A Royal Worcester vase and cover, painted by Charley Baldwyn, dated 1901, with scrolling acanthus handles, highlighted with gilding and coral, painted with swans swimming amongst waterlilies, against a matt, pale blue ground, a swallow in flight to the reverse, signed, green marks and no.1937, slight rubbing to gilt, 25.5 cm high. Small chip to acanthus leaf moulding to foot, restoration to cover
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A Royal Worcester small ewer, painted by Charley Baldwyn, dated 1903, with slender scroll-moulded handle, painted with swans in flight, against a matt, pale blue ground, with mouldings highlighted in coral and gilt, a swallow in flight to the reverse, signed, puce marks and no.789, 17 cm high
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Royal Worcester covered vase, painted by Brian Leaman, with a sperical body, angular handles terminating in masks and decorated with fruit, signed with the black mark and shape No. 2363
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A Royal Worcester ovoid vase, painted by Harry Stinton, dated 1917, painted with highland cattle in a mountainous landscape, signed, puce marks and shape No. H286, minor rubbing to gilt to neck. Height 11 cm
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A Royal Worcester vase, painted by Harry Stinton, dated 1931, of bulbous form, painted with Highland cattle in a landscape, puce mark and shape no.302/H, 17 cm high
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A pair of Royal Worcester plates, painted by Richard Sebright, dated 1938, the maroon ground highlighted with gilding and tri-coloured jewelling, the centre painted with fruit, signed, puce marks and bearing retailer's mark for Asprey & Co, minor scratch to painted fruit (2), 22 cm diameter
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A Royal Worcester tea canister and cover, dated 1905, unusually decorated in a Delft palette, with a coloured flower finial, black printed mark and shape No. 2291, 14 cm high
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A Royal Worcester vase, dated 1905, the tapering body with a maroon ground, the reserve painted with peacocks on an autumnal ground, green mark. Height 20.5 cm
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A Royal Worcester vase and cover, painted by Charles white, dated 1909, with a green and cream ground painted with roses, signed, green printed mark, shape No. H105, minute chip to finial. Height 24 cm
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A Hadley Worcester vase, painted by Walter Powell, circa 1902-1905, with slender neck and bulbous body, the ground painted with pheasants in flight, signed, green printed mark, 21 cm high
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A Royal Worcester vase, painted by Ethel Spilsbury, dated 1929, with bulbous body and flared slender neck, painted with pink roses, signed, puce mark and shape No. H/F111, 15 cm high
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A Royal Worcester pot pourri and cover, painted by Frank Roberts, dated 1927, with foliate form handles, pineapple finial to cover, decorated with a spider and web in gilt amongst pink painted roses, puce marks, finial restored. Height 18 cm
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Royal Worcester cabinet cup and saucer, painted by Ernest Phillips, dated 1930, with a green ground, reserves painted with garden flowers, and a raised cream, jewelled border, signed and with the puce mark
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A Royal Worcester cabinet bowl, painted by Harry Martin, dated 1912, the powder blue ground with gilding, the centre painted with summer fruits and flowers, signed, blue printed mark, minor scratches to central decoration
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Royal Worcester cup and saucer, painted by Walter Sedgley, dated 1924, decorated with peacocks, and signed with puce marks to the saucer
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A Royal Worcester vase, dated 1905, of globular form, with chocolate brown ground, painted in inset panels with spring flowers and daffodils, green printed marks, 14.5 cm high
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A Royal Worcester ewer, dated 1913, painted with roses, unsigned, green printed mark and shape No. H274. Height 23 cm
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Hadley's Worcester covered pot pourri with raised turquoise and green banding, a sunset rust ground, painted flowers and butterflies, and the green printed mark
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Set of three Royal Worcester cups with two saucers, dated 1917, with pink ground, white jewelled border and gilt interiors, puce mark (5)
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Pair of Sevres style gilt mounted pot pourri with foliate finials to the tops, ram's mask handles to either side, a pierced ormolu rim, rose Pompadour pink grounds, central circular reserves painted with scenes of couples, the reverse reserves painted with flowers and neo-classical bases
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Gilt metal mantle clock mounted with Sevres style porcelain plaques in rose Pompadour pink, having a two train chiming movement and steel suspension housed in a glass dome
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