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Auction House:BonhamsNumber of lots recorded:520
Sale Title:The Collection of Graham & Elizabeth Cocks - Part 2, Day 2Lots with images:359
Auction Location:SydneyPrices available:401
Date:25-Nov-2012
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'Dancer of Palmyra', an Art Deco bronze and ivory figure cast and carved from a model by Demetre Chiparus (1886-1947), circa 1925, modelled in intricate costume and headress balancing on one leg, with both arms out-stretched, raised on a stepped marble base, signed to the base Chiparus. 45 cm high
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A Walter Moorcroft ovoid 'Anemone' pattern vase, circa 1950, decorated with large pink, yellow and blue flowers on a mottled blue/green ground, impressed marks and blue signature. 17 cm high
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A Hungarian Zolnay figure 'Dante Alighieri', circa 1920, the cloaked seated figure with an open text, on a marbled bench, applied factory seal and impressed marks and no 3330. 16 cm wide
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'Chevreuse', a Rene Lalique clear and purple-stained vase no 1081 introduced in 1930, designed with horizontal bands of flowerheads, stencilled R Lalique France, (rim chip), 15.7 cm high
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'Floreal', a Lalique frosted glass statuette of a kneeling naked female figure, no.1184, reintroduced 1951, on a black base, etched Lalique, France. 9 cm high
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'Paquerettes', a pair of Rene Lalique clear, frosted, blue-stained candlesticks, no. 2123, introduced 1935, with geometric stems moulded with flowerheads, wheel cut R Lalique France (both chipped). (2). 23.5 cm high
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'Hirondelle', a Rene Lalique clear glass mascot, a swallow with fanned tail, no. 1143, introduced 1928, moulded R Lalique France, (wings reduced). 14 cm high
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'Algues noir' a Lalique black glass plate, moulded with the tree of life, etched Lalique, France, 20 cm diameter; and a Rene Lalique clear glass decanter with ribbed body and enamelled lettering BRM to stopper, moulded R. Lalique, etched France, 24 cm high (2)
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A Rene Lalique glass lamp shade 'Coquilles', the clear and opalescent cut shade supported by a metal base, with a maiden in flowing gown, wheel curt mark R Lalique France 39 cm high
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Two Art Deco cast metal pedestal fitting by Bham Guild Ltd, Birmingham, one silvered, one gilt with a stylised kneeling girl with a cornucopia of fruit and a sheaf of wheat, 52 cm high (2)
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A pair of WMF (Wurttembergische Metallwarenfabrik) figural posy holders. Designed as a young boy holding flower tubes, 13.5 cm high; and a WMF silver plated inkstand with the figure of a reclining lady reading a book by an inkwell, 19 cm wide. (3)
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Pierre Le Faguays (1892-1935), a French Art Nouveau bronze and ivory figure of a dancer holding an ivory parrot, the seated girl with a large skirt decorated with spirals, her feet appearing from below, and gilt upper body, inscribed Le Faguays to the reverse. 31 cm high
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A Minton Pottery Secessionist vase, circa 1910, possibly after a design by Leon Solon and John Wadsworth, with blue and white leaves and scrolling stems on a yellow ground, printed factory mark, 20 cm high
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A Flight, Barr & Barr Worcester blue ground plate, circa 1820, painted with panels of 'Exotic birds' and insects, impressed factory mark, 24 cm diameter. Provenance: McIlwraith Collection
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A New Hall porcelain oval tea pot and stand, circa 1785, printed in colours with the 'Boy in the window' pattern, gilt pattern no. 56, 25 cm length; a matching tea bowl and saucer; another teapot stand and a plate (6)
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A Barr Worcester cream jug circa 1800, and a Barr, flight & Barr Worcester tea cup and saucer, circa 1810; the jug with orange and gilt band; the cup and saucer with Imari style decoration (2)
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A Worcester porcelain bowl, circa 1775, painted in puce with scattered flower sprays, gilt highlighting on press moulded body 10 cm diameter
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A Worcester 'Earl Dalhousie' type coffee cup and saucer, circa 1780, painted with landscapes and fruit and flowers within blue rim (saucer repaired)
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A Worcester porcelain plate, circa 1765, painted and moulded in the 'Blind Earl' pattern, with leaves and insects, blue crescent mark (with chips), 19 cm diameter. Provenance: McIlwraith collection
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A collection of English porcelain, late 18th / early 19th century, most in blue with Chinese pavilions comprising a tea bowl and saucer; a coffee cup and saucer; two coffee cups; a floral trio; a tea cup and saucer and a preserve pot and stand
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A Chamberlain's Worcester faux marble inkwell, circa 1815;, a Chamberlain's Worcester tea cup and saucer, circa 1815; and a Grainger Locke Worcester cup and saucer, circa 1895 (3)
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A Chamberlain's Worcester titled pen tray, circa 1810, painted with a scene of great Malvern Priory, on a blue ground with gilt scrolls and rim, marked Chamberlain's Worcester, Malvern, 26 cm length
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A Longton Hall strawberry plate, circa 1756, the border moulded with strawberries, leaves and tendrils and painted with exotic birds (hair line cracks) 23.5 cm diameter
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A Spode porcelain pastille burner painted with pink roses, circa 1820;, a tea cup and saucer; a coffee cup and an oval plate (4)
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A Worcester porcelain tea cup and saucer and a coffee cup and saucer, circa 1770, both printed in blue with the 'Three flowers' pattern and butterflies (2)
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A pair of Derby figures of a gallant and his champion, circa 1825, he holding a cockerel, she playing a hurdy gurdy, red crowned marks, each 15 cm high
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A collection of 18th century English porcelain, comprising a Spode trio with orange flowers on gilt, pattern 984; a teapot and tea cup and coffee cup in similar colours (6)
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A bow porcelain figure group of two putti playing with a goat, circa 1770, the base applied with vines and grapes (losses) 19 cm high
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A Worcester porcelain baluster coffee pot and cover, circa 1770, printed in blue with the 'Three flowers' pattern, and butterflies, domed cover with acorn finial (restored), blue crescent mark 24 cm high
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A collection of Coalport porcelain tea ware, circa 1817, pattern number 629, by John Rose with stylised pink and red floral decoration between blue bands, comprising a teapot, trio of a tea cup, saucer and plate and a coffee cup and saucer
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A collection of Derby porcelain late 18th/early 19th century, comprising a putto, a topographical spill vase, a cream jug, a richly gilt coffee cup and saucer; and two floral plates (6)
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A bow porcelain hexagonal bowl, circa 1755, painted in the 'Two Quail' pattern in red and blue with gilt highlighting (rubbed), 21 cm diameter. Provenance: McIlwraith collection; Connoisseurs' Store, 90 Collins St, Melbourne
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A collection of 19th century English porcelain, comprising tea bowls and saucers, coffee cups and saucers and a spill vase, mostly with floral decoration
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A Pilkingtons Royal Lancastrian lustre vase by Gwladys M. Rodgers, circa 1920, painted with leaves and scrolls on a rich red ground, impressed factory marks, no 2769 and artist monogram 9 cm high
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A pair of Copeland porcelain cabinet plates and another, circa 1880, the pair painted with fruit and flowers, on a pink ground and pierced rim; and one painted with a titled scene of Bingen, in a claret, gilt and beaded border 24 cm diameter (3)
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A large Victorian parian porcelain figure group 'The Poison'd Wound Edward I', after William Beattie depicting Queen Eleanor attending the King and an attendant, impressed title and William Beattie for the Glasgow Art Union 53 cm high
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A Pilkington's Royal Lancastrian lustre vase by Gwladys M. Rodgers, circa 1920, painted with pomegranates below a zigzag mesh band on a rich red ground, impressed factory marks, no 3162 and artist's monogram 16 cm high
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A Pilkington's Royal Lancastrian lustre vase, by William S. Mycock, 1923, painted with a band of heraldic lions below a slender neck with leaves on a blue ground, painted monogram and dated 1923 over impressed factory marks 23.5 cm high
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A Wedgwood rectangular black basalt and white plaque, 19th century, depicting the nine classical Muses standing below floral swags and emblematic trophies, framed and glazed, the panel 27 x 10 cmI>
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A Wedgwood oval cobalt blue and white jasper plaque, 19th century, depicting Diana the huntress with a deer at her side, framed and glazed, the panel 7.5 x 10 cmI>
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A Walton Pottery, titled figure group 'Tenderness', early 19th century, modelled as a farmer and wife holding a floral garland before a lamb, above a banner 'Tenderness' and a 'Walton' banner to the reverse. 18 cm high
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A Belleek lustre glaze jug, early 20th century, applied with flowerheads and leaves, 23 cm high; and a shell cup and saucer late 19th century, black marks. (2)
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A Victorian parian ware figure group of two kneeling muses, one feeding a dove (wing missing), the other looking in a mirror (converted to lamp base), the lamp 44 cm high
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A Minton & Co parian porcelain figure 'The Greek Slave' of a naked young girl, after the original sculpture by Hiram Powers, inscribed factory mark and date, Aug 1848 (finger missing) 37 cm high
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A Victorian three piece porcelain tea set, possibly Daniel, circa 1840, decorated in pale grey, gilt and green flowers (3)
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A Victorian parian porcelain figure of a Greek maiden in a flowing robe and tiara, highlighted in turquoise and gilt, holding an urn 35 cm high
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A Copeland parian porcelain bust, 1869, depicting Purity as a demure young girl, a flower pinned to her lapel, raised on a circular socle, impressed factory mark and ceramic and crystal, Palace Art Union pub. Novermber 1869 M. Noble Sc. 35 cm high
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An oval porcelain plaque by Leslie Johnson, painted with a mermaid wearing pearls admiring herself in a hand mirror, painted signature, gilt carved wood frame, the panel 24.5 x 19.5 cm. Notes: Leslie Johnson 1900-1937 painted intermittently for Doulton and was known for his works in the style of Fragonard, Watteau and Wheatly
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A John turner & Co jasperware teapot and sugar bowl, late 18th century, with classical Greek figure in white on brown medallions and moulded oriental scenes, domed floral pierced covers with lion finial (bowl lacking handles); and a Wilson black and white cameo jug, teapot 14 cm high (3)
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